The Night Owl Show with Owl Sun:
Playlist
from December 5, 2022
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
||||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | ||||
| Nirvana |
C Side of Ocho Rios
|
0:02:50 (Pop-up) | |||||
| Iron Butterfly |
Termination
|
1968 |
|
0:03:37 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy is the bye gone! Does the gone make you shiver? does it? I cannot help but stop and look at the wonderful lost. Now terrific is just the thing, To get me wondering if the lost is howling. When I think of the stolen, I see an other consul. Are you upset by how slick it is? |
|
0:06:20 (Pop-up) |
|||
| Syd Barrett |
Wolfpack [Take 2]
|
1970 |
|
0:07:00 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
How happy is the ultimate nature! Now supreme is just the thing, To get me wondering if the nature is final. How happy is the regional global! Does the global make you shiver? does it? Don't belive that visions are nonfat? visions are fat beyond belief. |
|
0:10:38 (Pop-up) |
|||
| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
|
0:11:18 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
The On And Political Strawberry Whose strawberry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his strawberry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:15:46 (Pop-up) |
|||
| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
0:16:33 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The Mad And Political Machine Whose machine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his machine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:20:15 (Pop-up) |
|||
| mad river |
Wind Cimes
|
1967 |
|
0:21:17 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A jim, however hard it tries, Will always be right. Now satisfactory is just the thing, To get me wondering if the jim is perpendicular. I cannot help but stop and look at the malaysian mic. Does the mic make you shiver? does it? A coordinator, however hard it tries, |
|
0:28:09 (Pop-up) |
|||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
0:28:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly
|
|
0:33:22 (Pop-up) |
||||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
0:33:36 (Pop-up) | |||
| The Jimi Hendrix Experience |
Up From The Skies
|
1968 |
|
0:39:06 (Pop-up) | |||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
0:42:00 (Pop-up) | ||
| The Electric Prunes |
The Great Banana Hoax
|
1967 |
|
0:46:26 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
0:49:38 (Pop-up) |
||||
| Elephant's Memory |
Super Heep
|
1969 |
|
0:52:49 (Pop-up) | |||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
0:58:18 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
A jim, however hard it tries, Will always be right. Now satisfactory is just the thing, To get me wondering if the jim is perpendicular. I cannot help but stop and look at the malaysian mic. Does the mic make you shiver? does it? A coordinator, however hard it tries, |
|
1:00:25 (Pop-up) |
|||
| Pearls Before Swine |
I Shall Not Care
|
1967 |
|
1:01:12 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Gems, however hard they try, Will always be antique. Gems are passe. gems are age-old, gems are demode, however. How happy are finest dresses! Never forget the top-quality and high-grade dresses. zany diamonds sings like a crystal work Do diamonds make you shiver? |
|
1:06:26 (Pop-up) |
|||
| Ancient Grease |
Time To Die
|
1970 |
|
1:07:04 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party
|
Expression - A Haiku Last polar autumn A verbal, expression grease the velocity |
|
1:11:04 (Pop-up) |
|||
| The Human Expression |
Love At Psychedelic Velocity
|
1966 |
|
1:11:39 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus
|
Paintbrush - A Haiku Previous autumn An indian, paintbrush tune near the expression |
|
1:15:12 (Pop-up) |
|||
| GTO's: Girls Together Outrageously |
I Have A Paintbrush In My Hand To Color A Triangle (Mercy's Tune)
|
1969 |
|
1:15:50 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land
|
Paintbrush, Part 2 - A Haiku Glorious autumn A wet, game paintbrush cooper near the triangle |
|
1:17:58 (Pop-up) |
|||
| Ry Cooper |
The Game Of Life
|
1966 |
|
1:18:29 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana
|
One afternoon I said to myself, "Why isn't the lack more unmarked?" Down, down, down into the darkness of the lack, Gently it goes - the noticeable, the scarred, the pronounced. Why would you think the paucity is unusual? the paucity is the most usual scarceness of all. Does the paucity make you shiver? does it? |
|
1:20:46 (Pop-up) |
|||
| JACKS |
Marianne
|
1968 |
|
1:21:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
One afternoon I said to myself, "Why isn't the lack more unmarked?" Down, down, down into the darkness of the lack, Gently it goes - the noticeable, the scarred, the pronounced. Why would you think the paucity is unusual? the paucity is the most usual scarceness of all. Does the paucity make you shiver? does it? |
|
1:26:50 (Pop-up) |
|||
| Jefferson Airplane |
Share a little Joke (With the World)
|
1968 |
|
1:27:43 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
The Little And Wondering Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:30:45 (Pop-up) |
|||
| Royal Aircoach |
Wondering Why
|
1968 |
|
1:31:32 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Aircoach - A Haiku Early chilled autumn suddenly aircoach service after the service |
|
1:34:32 (Pop-up) |
|||
| United Travel Service |
Gypsy Eyes
|
1968 |
|
1:34:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
The Bad And United Service Whose service is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her service a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:37:07 (Pop-up) |
|||
| Faine Jade |
Ballad Of The Bad Guys
|
1968 |
|
1:37:53 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Whose service is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her service a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:43:07 (Pop-up) |
|||
| Finch |
Nothing In The Sun
|
1968 |
|
1:43:46 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Motivation - A Haiku Previous autumn A high, motivation man under the nothing |
|
1:47:52 (Pop-up) |
|||
| Motivation |
Little Man
|
1968 |
|
1:48:13 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Motivation, Part 2 - A Haiku Late arctic autumn A high, motivation man at the old children |
|
1:51:06 (Pop-up) |
|||
| Tuesday's Children |
She
|
1968 |
|
1:51:31 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces
|
|
1:54:18 (Pop-up) |
||||
| Kaleidoscope |
flight from ashiya
|
1967 |
|
1:54:31 (Pop-up) | |||
| The Shadows |
Atlantis
|
1996 |
|
1:57:07 (Pop-up) | |||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
1:59:51 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
2:00:24 (Pop-up) |
||||
| Bob Guy |
Dear Jeepers
|
1963 |
|
2:01:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Machine - A Haiku Wickedness autumn A new, soft machine machine after the esthers |
|
2:03:25 (Pop-up) |
|||
| The Soft Machine |
Esther's Nose Job: Pig
|
1969 |
|
2:03:47 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the mouthed gone. Does the gone make you shiver? does it? Why would you think the absence is impartial? the absence is the most partial epilepsy of all. Does the absence make you shiver? does it? A lost, however hard it tries, |
|
2:05:56 (Pop-up) |
|||
| Tintern Abbey |
Beeside
|
1967 |
|
2:06:35 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
2:10:53 (Pop-up) |
||||
| Bruno Nicolai |
De Sade '70
|
1970 |
|
2:11:04 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:13:20 (Pop-up) |
||||
| The Sunshine Company |
I Need You
|
1967 |
|
2:13:45 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address
|
|
2:16:57 (Pop-up) |
||||
| the stooges |
1969
|
1969 |
|
2:17:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
2:21:09 (Pop-up) |
||||
| Groundhogs |
B.D.D.
|
1969 |
|
2:21:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
How happy are tasty hamburgers! Down, down, down into the darkness of the hamburgers, Gently they go - the dainty, the savoury, the tasteful. I saw the the old stock raiser of my generation destroyed, How I mourned the cattleman. A cattleman is hoary. a cattleman is ancient, a cattleman is age-old, however. How happy is the zany meatball! |
|
2:25:12 (Pop-up) |
|||
| Captain Beefheart & His Magic Band |
Beatle Bones & Smokin' Stones
|
1968 |
|
2:26:00 (Pop-up) | |||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:29:15 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Beefheart - A Haiku Previous autumn A magic beefheart captain beyond the captain |
|
2:31:44 (Pop-up) |
|||
| The 13th Power |
Free Lovin'
|
1968 |
|
2:32:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Because I could not feature for lovin, it did kindly feature for me. Lovin, lovin, every where, Yet not a drop to feature. One afternoon I said to myself, "Why isn't the lover more female?" Down, down, down into the darkness of the lover, Gently it goes - the antheral, the phallic, the female. |
|
2:35:52 (Pop-up) |
|||
| Groep 1850 |
Mother No-Head
|
1967 |
|
2:36:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract
|
Underground - A Haiku Glorious autumn A dark, underground mother at the old velvet |
|
2:39:52 (Pop-up) |
|||
| The Velvet Underground |
What Goes On
|
1969 |
|
2:40:11 (Pop-up) | |||
| Iota |
R.I.P.
|
1969 |
|
2:44:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly
|
|
2:47:49 (Pop-up) |
||||
| Morgen |
Eternity in Between
|
1969 |
|
2:48:26 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Eternity - A Haiku Previous autumn A wrapped eternity noise beyond the joyfull |
|
2:53:25 (Pop-up) |
|||
| Joyfull Noise |
Wrapped in the Hide Of a Yellow Cow
|
1968 |
|
2:53:48 (Pop-up) | |||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:57:59 (Pop-up) | ||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:00:02 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Regalia - A Haiku Last dampness autumn A full, wrapped regalia frank watching the peaches |
|
3:00:24 (Pop-up) |
|||
| Frank Zappa |
Peaches En Regalia
|
1969 |
|
3:01:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Springfield - A Haiku Darkening autumn A little, broken springfield on the buffalo |
|
3:04:32 (Pop-up) |
|||
| Buffalo Springfield |
Broken Arrow
|
1967 |
|
3:05:05 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Springfield, Part 2 - A Haiku Previous autumn A modern, broken springfield into the flowers |
|
3:11:12 (Pop-up) |
|||
| The Wild Flowers |
More Than Me
|
1967 |
|
3:11:43 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
I cannot help but stop and look at the lovely floral. Are you upset by how lovable it is? Does it tear you apart to see the floral so endearing? I cannot help but stop and look at delicate petals. Down, down, down into the darkness of the petals, Gently they go - the dainty, the exquisite, the hard. Peak is symmetrical whiteness. symmetrical whiteness is peak. |
|
3:15:32 (Pop-up) |
|||
| The London Studio Group |
Viva la Tamla Motown
|
3:16:20 (Pop-up) | |||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the lovely floral. Are you upset by how lovable it is? Does it tear you apart to see the floral so endearing? I cannot help but stop and look at delicate petals. Down, down, down into the darkness of the petals, Gently they go - the dainty, the exquisite, the hard. Peak is symmetrical whiteness. symmetrical whiteness is peak. |
|
3:20:04 (Pop-up) |
|||
| The Castels |
Rocky Ridges
|
1968 |
|
3:21:05 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Rocky And Criminal Criminal Whose criminal is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his criminal a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:23:47 (Pop-up) |
|||
| Bruno Nicolai |
Criminal Sex
|
1970 |
|
3:24:30 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The Moody And Criminal Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:26:59 (Pop-up) |
|||
| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
Evening: The Sun Set : Twilight time
|
1967 |
|
3:27:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Greengrass - A Haiku Beautiful autumn before moody greengrass knight by the orchestra |
|
3:34:35 (Pop-up) |
|||
| The Ones |
Lady Greengrass
|
3:35:22 (Pop-up) | |||||
| Frantics |
Human Monkey
|
San Francisco Nuggets | RhinoT |
|
3:38:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
How happy are educational activities! Never forget the informative and instructive activities. All that is common is not persons, persons, by all account is individual. Never forget the private and man-to-man persons. How happy are wooly products! Are you upset by how woolly they are? Does it tear you apart to see the products so muddled? |
|
3:40:06 (Pop-up) |
|||
| Group 1850 |
Reborn
|
1968 |
|
3:40:58 (Pop-up) | |||
| The Leathercoated Minds |
Sunset And Clark
|
3:45:15 (Pop-up) | |||||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
How happy are educational activities! Never forget the informative and instructive activities. All that is common is not persons, persons, by all account is individual. Never forget the private and man-to-man persons. How happy are wooly products! Are you upset by how woolly they are? Does it tear you apart to see the products so muddled? |
|
3:47:06 (Pop-up) |
|||
| The Argyles |
Farmer John
|
1966 |
|
3:48:03 (Pop-up) | |||
| The Moving Sidewalks |
99th Floor
|
99th Floor |
|
3:49:53 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:52:06 (Pop-up) |
||||
| The Brain Train |
Me
|
1967 |
|
3:52:24 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:54:44 (Pop-up) |
||||
| monks |
Monk Time
|
Black Monk Time |
|
3:54:53 (Pop-up) | |||
| Brainticket |
Black Sand
|
1971 |
|
3:57:34 (Pop-up) | |||
| by paul beaver & bernard l. krause |
Peace Three
|
Beaver Patrol |
|
4:05:27 (Pop-up) | |||
| The Electric Eclectics of Dick Hyman |
Topless Dancers Of Corfu
|
Moog - The Electric Eclectics Of Dick Hyman |
|
4:08:18 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
A janie, however hard it tries, Will always be dear. Now good is just the thing, To get me wondering if the janie is costly. I cannot help but stop and look at the theoretical weinberg. Down, down, down into the darkness of the weinberg, Gently it goes - the a priori, the abstract, the pure. Just like an old son, is the estelle. |
|
4:11:18 (Pop-up) |
|||
| Simon Dupree And The Big Sound |
Like The Sun Like The Fire
|
Kites | 1968 |
|
4:13:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Thunderclap - A Haiku Early cold autumn A loud, sound thunderclap sound by the accidents |
|
4:15:54 (Pop-up) |
|||
| Thunderclap Newman |
Accidents
|
1970 |
|
4:16:23 (Pop-up) | |||
| Emil Richards |
Amethyst (February)
|
New Sound Element "Stones" |
|
4:26:00 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
4:27:55 (Pop-up) |
||||
| Blonde On Blonde |
Country Life
|
All Day, All Night / Country Life |
|
4:28:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin'
|
Invention - A Haiku Darkening autumn A mere, blonde invention stuff beyond the mothers |
|
4:32:01 (Pop-up) |
|||
| The Mothers Of Invention |
Stuff Up The Cracks
|
1968 |
|
4:32:29 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at the clinical coordinator. Are you upset by how nonsubjective it is? Does it tear you apart to see the coordinator so objective? I cannot help but stop and look at the right jim. Never forget the reactionary and correct jim. Ices, however hard they try, Will always be zany. Now clowlike is just the thing, |
|
4:36:56 (Pop-up) |
|||
| mad river |
Wind Cimes
|
1967 |
|
4:37:41 (Pop-up) | |||
| Al Kooper |
Camille
|
I Stand Alone |
|
4:44:34 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Simple - A Haiku Darkening autumn An own, simple simple game under the river |
|
4:47:56 (Pop-up) |
|||
| The Moody Blues |
A Simple Game
|
This Is The Moody Blues |
|
4:48:31 (Pop-up) | |||
| Tenjo Sajiki |
Prologue: Let's Go Out
|
1970 |
|
4:52:07 (Pop-up) | |||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
Owl Sun:
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