The Night Owl Show with Owl Sun:
Playlist
from December 29, 2022
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:23 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| Love Sculpture |
Think Of Love
|
1968 |
|
0:03:18 (Pop-up) | ||
| The Sound Apparatus |
Travel Agent Man
|
1969 |
|
0:06:18 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Sculpture - A Haiku Frigid wintertime A roman, nice sculpture think despite the aardvark |
|
0:09:23 (Pop-up) |
||
| Aardvark |
Very Nice Of You To Call
|
1970 |
|
0:09:54 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Aardvark - A Haiku Nighttime wintertime A silver aardvark silver watching the apples |
|
0:14:19 (Pop-up) |
||
| Silver Apples |
Water
|
1969 |
|
0:14:36 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Maximus - A Haiku Nighttime wintertime before maximus silver after the circus |
|
0:18:48 (Pop-up) |
||
| Circus Maximus |
Lost Sea Shanty
|
1967 |
|
0:19:11 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
0:23:12 (Pop-up) |
|||
| Davie Allan and The Arrows |
Blue's Theme - Instrumental
|
1966 |
|
0:23:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
0:25:47 (Pop-up) |
|||
| Thunderclap Newman |
Wilhemina
|
1969 |
|
0:26:04 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:28:58 (Pop-up) | |
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
0:31:29 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
A rebecca, however hard it tries, Will always be schooner. Does the rebecca make you shiver? does it? Don't belive that the susan is unfair? the susan is fair beyond belief. Down, down, down into the darkness of the susan, Gently it goes - the fair-minded, the light-haired, the average. |
|
0:33:57 (Pop-up) |
||
| Philip DeBarge |
You Might Even Say
|
1969 |
|
0:34:56 (Pop-up) | ||
| The Deviants |
Child Of The Sky
|
1967 |
|
0:39:51 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Debarge - A Haiku Foggy wintertime before even debarge tree in spite of the pearls |
|
0:44:14 (Pop-up) |
||
| Pearls Before Swine |
man in the tree
|
1969 |
|
0:44:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Pearls - A Haiku Threatening winter A tiny, man pearls power at the old power |
|
0:47:59 (Pop-up) |
||
| The 13th Power |
Fifty Two Per Cent
|
1968 |
|
0:48:24 (Pop-up) | ||
| Syd Barrett |
Effervescing Elephant [Take 9]
|
1970 |
|
0:51:06 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:52:33 (Pop-up) |
|||
| Micky And Tommy |
I Know What I Would Do
|
1967 |
|
0:53:05 (Pop-up) | ||
| Sun Ra |
Interplanetary Music
|
1966 |
|
0:56:01 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
0:58:19 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Annmargret - A Haiku Dampness wintertime A live annmargret visit under the visit |
|
1:00:23 (Pop-up) |
||
| Ann-Margret |
It's a Nice World to Visit (But Not to Live In)
|
1968 |
|
1:01:04 (Pop-up) | ||
| The Serpent Power |
Open House
|
1967 |
|
1:04:10 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Annmargret, Part 2 - A Haiku Polar wintertime before live annmargret friend by the lucifers |
|
1:07:35 (Pop-up) |
||
| Lucifer's Friend |
Ride The Sky
|
1970 |
|
1:08:20 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
1:12:05 (Pop-up) |
|||
| The Ruins |
She Doesn't Understand
|
1998 |
|
1:12:17 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Mountain - A Haiku Dampness wintertime A whole, mountain understand after the chicken |
|
1:14:20 (Pop-up) |
||
| Transatlantic Winkham Chicken #5 |
Crystal Mountain
|
1967 | 1:14:42 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:18:21 (Pop-up) |
|||
| Groundhogs |
Times
|
1969 |
|
1:18:38 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at furry critters. Now furred is just the thing, To get me wondering if critters are hairy. How happy are many racoons! Do racoons make you shiver? do they? I cannot help but stop and look at yellow ghouls. Do ghouls make you shiver? |
|
1:23:52 (Pop-up) |
||
| Buffy Sainte-Marie |
better to find out for yourself
|
1969 |
|
1:24:38 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Accompaniment - A Haiku Dampness wintertime when accompaniment better the saintemarie |
|
1:26:48 (Pop-up) |
||
| Electric Banana |
Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat)
|
Electric Banana | 1967 |
|
1:27:13 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
Accompaniment, Part 2 - A Haiku Icy wintertime before accompaniment beat on the electric |
|
1:30:14 (Pop-up) |
||
| Procol Harum |
Homburg
|
The Best Of Procol Harum | 1967 |
|
1:31:00 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
The rupiah is not strong! the rupiah is exceptionally dilute. A rupiah is shoddy. a rupiah is dilute, a rupiah is imperfect, however. How happy are german deputies! Now germanic is just the thing, To get me wondering if deputies are teutonic. All that is fat-free is not coquille, |
|
1:34:50 (Pop-up) |
||
| Silver Apples |
Ruby
|
1969 |
|
1:35:32 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Vehicles, however hard they try, Will always be electric. Never forget the galvanic and tense vehicles. Pay attention to the automobile, the automobile is the most blue locomote of all. Never forget the gentle and downcast automobile. One afternoon I said to myself, "Why isn't the incident more thin?" |
|
1:38:27 (Pop-up) |
||
| Thunderclap Newman |
Accidents
|
1970 |
|
1:39:04 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:42:43 (Pop-up) |
|||
| The Wizards from Kansas |
She Rides With Witches
|
1970 |
|
1:43:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
|
1:47:04 (Pop-up) |
|||
| the stooges |
we will fall
|
1969 |
|
1:47:26 (Pop-up) | ||
| The Tornadoes |
Dreamin' on a Cloud
|
1997 |
|
1:57:32 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
1:59:28 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:00:23 (Pop-up) |
|||
| The Fugs |
Dust Devil
|
1969 |
|
2:01:00 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
An unavailability, however hard it tries, Will always be parental. Down, down, down into the darkness of the unavailability, Gently it goes - the maternal, the filial, the paternal. An omission, however hard it tries, Will always be entire. Down, down, down into the darkness of the omission, Gently it goes - the uncastrated, the integral, the intact. |
|
2:04:11 (Pop-up) |
||
| Ruth White |
Owls (Les Hiboux)
|
1969 |
|
2:04:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
An unavailability, however hard it tries, Will always be parental. Down, down, down into the darkness of the unavailability, Gently it goes - the maternal, the filial, the paternal. An omission, however hard it tries, Will always be entire. Down, down, down into the darkness of the omission, Gently it goes - the uncastrated, the integral, the intact. |
|
2:07:38 (Pop-up) |
||
| Brincos |
Esa Mujer
|
1970 |
|
2:08:24 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Springfield - A Haiku Heavy wintertime A day, springfield buffalo on the buffalo |
|
2:14:16 (Pop-up) |
||
| Buffalo Springfield |
Expecting To Fly
|
1967 |
|
2:14:38 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Springfield, Part 2 - A Haiku Icy wintertime An old, springfield buffalo beyond the wrinkled |
|
2:18:12 (Pop-up) |
||
| Fortes Mentum |
Saga Of A Wrinkled Man
|
1968 |
|
2:18:35 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Wrinkled - A Haiku Threatening winter A flying wrinkled power into the serpent |
|
2:21:18 (Pop-up) |
||
| The Serpent Power |
Flying Away
|
1967 |
|
2:21:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Steamhammer - A Haiku Icy wintertime before steamhammer power under the serpent |
|
2:26:03 (Pop-up) |
||
| Steamhammer |
Lost you too
|
1969 |
|
2:26:25 (Pop-up) | ||
| The Elastik Band |
I Would Still Love You
|
1968 |
|
2:29:51 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Steamhammer, Part 2 - A Haiku Gloomy wintertime before close steamhammer close beyond the carmel |
|
2:32:11 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
2:32:44 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
How happy is the second set! Down, down, down into the darkness of the set, Gently it goes - the ordinal, the sec, the 2nd. Why would you think the stake is cerebral? the stake is the most emotional visual signal of all. Does the stake make you shiver? does it? wooly wins sings like record cells |
|
2:35:14 (Pop-up) |
||
| Groundhogs |
Mistreated
|
1969 |
|
2:35:58 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
One afternoon I said to myself, "Why isn't the presence more inconstant?" A presence is faithful. a presence is steadfast, a presence is unfailing, however. I cannot help but stop and look at the temporary inability. Are you upset by how irregular it is? Does it tear you apart to see the inability so fly-by-night? The want that's really fat, |
|
2:39:56 (Pop-up) |
||
| The Prodigal |
Reality
|
1967 |
|
2:41:52 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Wonderling - A Haiku Sunless wintertime suddenly wonderling straw near the prodigal |
|
2:43:57 (Pop-up) |
||
| John Wonderling |
Man Of Straw
|
1968 |
|
2:44:16 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Wonderling, Part 2 - A Haiku Dismal wintertime before straw wonderling straw betrayed by the straw |
|
2:46:57 (Pop-up) |
||
| Adam |
Eve
|
1966 |
|
2:47:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
2:49:31 (Pop-up) |
|||
| Donovan |
Celeste
|
1966 |
|
2:49:41 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I saw the the late physicist of my generation destroyed, How I mourned the henry. Are you upset by how former it is? Does it tear you apart to see the henry so after-hours? How happy is the mysterious pete! Now mystic is just the thing, To get me wondering if the pete is occult. How happy is the fat wilson! |
|
2:53:49 (Pop-up) |
||
| Octopus |
The War
|
1969 |
|
2:54:28 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
2:57:44 (Pop-up) | |
| The United States Of America |
Hard Coming Love
|
The United States Of America | 1968 |
|
2:59:32 (Pop-up) | |
Music behind DJ: David Axelrod |
The Fly
|
Don't belive that the inability is permanent? the inability is temporary beyond belief. Now part-time is just the thing, To get me wondering if the inability is interim. Pay attention to the lack, the lack is the most characteristic miss of all. A lack is distinctive. a lack is distinguishing, a lack is diagnostic, however. |
|
3:00:23 (Pop-up) |
||
| Ann-Margret Lee Hazlewood |
Chico
|
1968 |
|
3:01:23 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Don't belive that the inability is permanent? the inability is temporary beyond belief. Now part-time is just the thing, To get me wondering if the inability is interim. Pay attention to the lack, the lack is the most characteristic miss of all. A lack is distinctive. a lack is distinguishing, a lack is diagnostic, however. |
|
3:03:54 (Pop-up) |
||
| Love Sculpture |
In The Land Of The Few
|
1969 |
|
3:04:37 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Sculpture - A Haiku Previous winter An egyptian, sculpture love on the senators |
|
3:07:53 (Pop-up) |
||
| The Senators |
Psychedelic Senate
|
1968 |
|
3:08:17 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Senators - A Haiku Early wintertime A few, senators better despite the taylor |
|
3:11:37 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You Better Go
|
1967 |
|
3:11:59 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I cannot help but stop and look at the quiet chelsea. Never forget the restful and slumberous chelsea. A walcott, however hard it tries, Will always be original. Down, down, down into the darkness of the walcott, Gently it goes - the new, the freehand, the novel. One afternoon I said to myself, "Why aren't dats more little?" |
|
3:14:43 (Pop-up) |
||
| SRC |
Exile
|
1968 |
|
3:15:26 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The scotty is not short! the scotty is exceptionally elongated. Now long-term is just the thing, To get me wondering if the scotty is elongated. Don't belive that the crawford is unfaithful? the crawford is faithful beyond belief. Are you upset by how trustworthy it is? Does it tear you apart to see the crawford so true? |
|
3:19:41 (Pop-up) |
||
| Lynn Castle with Last Friday's Fire |
The Lady Barber
|
1968 |
|
3:20:21 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Guitars - A Haiku Dampness wintertime A living guitars barber despite the fridays |
|
3:22:28 (Pop-up) |
||
| Living Guitars |
Vibrations
|
1968 |
|
3:23:09 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
|
3:25:10 (Pop-up) |
|||
| The Byrds |
Child Of The Universe
|
1969 |
|
3:25:20 (Pop-up) | ||
| lee hazlewood |
You Look Like A Lady
|
1972 |
|
3:28:26 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
3:30:30 (Pop-up) |
|||
| Philip DeBarge |
You're Running You And Me
|
1969 |
|
3:30:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I saw the the correct estimation of my generation destroyed, How I mourned the guess. Are you upset by how right-minded it is? Does it tear you apart to see the guess so straight? I saw the the sorry male of my generation destroyed, How I mourned the fella. Never forget the contrite and good-for-naught fella. How happy is the cunning somebody! |
|
3:35:40 (Pop-up) |
||
| Steamhammer |
She is the Fire
|
1969 |
|
3:37:12 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The individual that's really first, Above all others is the deceased. Does the deceased make you shiver? does it? A disappearance, however hard it tries, Will always be tragic. Are you upset by how sad it is? Does it tear you apart to see the disappearance so tragical? |
|
3:40:22 (Pop-up) |
||
| Eden's Children |
Sure Looks Real
|
1968 |
|
3:41:01 (Pop-up) | ||
| The Journey Back |
Synthetic People
|
1968 |
|
3:45:21 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
I cannot help but stop and look at the twice stolen. Does the stolen make you shiver? does it? Disappearances, however hard they try, Will always be several. Never forget the various and respective disappearances. All that is fatless is not lost, lost, by all account is fat. |
|
3:48:00 (Pop-up) |
||
| The Greatful Dead |
I'm A Hog For You Baby
|
1966 |
|
3:48:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
I cannot help but stop and look at delicious gladys. Down, down, down into the darkness of the gladys, Gently they go - the delightful, the luscious, the pleasing. One afternoon I said to myself, "Why isn't the blessed more blessed?" Are you upset by how deuced it is? Does it tear you apart to see the blessed so damned? zany blessings sings like an immeasurable information |
|
3:52:04 (Pop-up) |
||
| Brincos |
Emancipación
|
1970 |
|
3:52:50 (Pop-up) | ||
| Ramsey Lewis |
Sexy Sadie
|
1968 |
|
3:58:40 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I cannot help but stop and look at the fair absent. Are you upset by how beautiful it is? Does it tear you apart to see the absent so blond? I cannot help but stop and look at the lost stolen. A stolen is perplexed. a stolen is cursed, a stolen is doomed, however. The wooly failing sings like a whom evidence Never forget the soft and flocculent failing. |
|
4:06:12 (Pop-up) |
||
| Buffalo Springfield |
Hung Upside Down
|
1967 |
|
4:07:00 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Springfield - A Haiku Freezing wintertime A west, springfield buffalo on the octopus |
|
4:10:22 (Pop-up) |
||
| Octopus |
I Think it's Understood
|
1969 |
|
4:10:46 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
The scrutiny that's really depth, Above all others is the study. Does the study make you shiver? does it? I saw the multiple structure of my generation destroyed, How I mourned ways. Do ways make you shiver? do they? |
|
4:14:31 (Pop-up) |
||
| Fields |
Love Is The Word
|
1969 |
|
4:15:14 (Pop-up) | ||
| These Vizitors |
For Mary's Sake
|
1968 |
|
4:33:51 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the heroic seria. Never forget the bold and impressive seria. The european country that's really 16th, Above all others is the italy. Does the italy make you shiver? does it? Just like a torino palermo, is the milano. Down, down, down into the darkness of the milano, |
|
4:36:08 (Pop-up) |
||
| Raul Danks - Jon Taylor |
You're A Fool
|
1967 |
|
4:37:00 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Last And Colored Castle Whose castle is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his castle a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
4:39:41 (Pop-up) |
||
| Lynn Castle with Last Friday's Fire |
Rose Colored Corner
|
1968 |
|
4:40:29 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Vegetable - A Haiku Icy wintertime A fresh, vegetable corner at the old fridays |
|
4:42:58 (Pop-up) |
||
| Pink Floyd |
Vegetable Man
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
4:43:24 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Vegetable, Part 2 - A Haiku Freezing wintertime A cooked, pink vegetable pink near the deviants |
|
4:45:51 (Pop-up) |
||
| The Deviants |
Child Of The Sky
|
1967 |
|
4:46:17 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:40 (Pop-up) | ||||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
|||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
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