The Night Owl Show with Owl Sun:
Playlist
from January 23, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:18 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:43 (Pop-up) | ||||
| Family |
Voyage
|
1968 |
|
0:03:31 (Pop-up) | ||
| Pesky Gee! |
Where Is My Mind
|
1969 |
|
0:06:58 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
0:09:54 (Pop-up) |
|||
| Fortes Mentum |
Marrakesh
|
1969 |
|
0:10:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Pay attention to the absent, the absent is the most very vanish of all. An absent is rattling. an absent is identical, an absent is real, however. How happy is the well gone! Never forget the ill and fine gone. Pay attention to the lost, the lost is the most wooly people of all. |
|
0:15:19 (Pop-up) |
||
| The Orange Bicycle |
Amy Peate
|
1967 |
|
0:16:02 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
One afternoon I said to myself, "Why isn't the absentee more nonsignificant?" Never forget the large and epochal absentee. I cannot help but stop and look at the respiratory absent. Does the absent make you shiver? does it? Just like an unexplained pain, is disappearances. Down, down, down into the darkness of the disappearances, |
|
0:18:02 (Pop-up) |
||
| The Syn |
14 Hour Technicolour Dream
|
1967 |
|
0:18:52 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Technicolour - A Haiku Rainy wintertime A light technicolour light near the bystanders |
|
0:21:42 (Pop-up) |
||
| The Bystanders |
Cave Of Clear Light
|
1968 |
|
0:22:15 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Bystanders - A Haiku Evil wintertime A mere, light bystanders light above the cornflake |
|
0:25:52 (Pop-up) |
||
| Andy Ellison |
Cornflake Zoo
|
1968 |
|
0:26:28 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:28:25 (Pop-up) |
|||
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
0:28:34 (Pop-up) | |
| The Versatiles |
Somethin' Like A Man
|
1968 |
|
0:30:59 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The On And Light Glass Whose glass is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his glass a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:33:31 (Pop-up) |
||
| The Glass Sun |
I Can See The Light
|
0:34:29 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Whose glass is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his glass a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:37:33 (Pop-up) |
||
| Spice |
In Love
|
1968 |
|
0:39:12 (Pop-up) | ||
| The WordD |
You're Always Around
|
1966 |
|
0:42:21 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Children - A Haiku Glacial wintertime A more, in children shadow at the old tuesdays |
|
0:44:39 (Pop-up) |
||
| Tuesday's Children |
In The Valley Of The Shadow Of Love
|
1968 |
|
0:45:09 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the third sixth. Down, down, down into the darkness of the sixth, Gently it goes - the ordinal, the tertiary, the 3rd. I saw the the monthly paper of my generation destroyed, How I mourned the daily. Does the daily make you shiver? does it? I saw the the fat weekday of my generation destroyed, |
|
0:49:17 (Pop-up) |
||
| orphan egg |
Falling
|
1968 |
|
0:50:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:53:36 (Pop-up) |
|||
| The Q.P.R. Supporters |
Supporters Support Us
|
1967 |
|
0:53:59 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:56:44 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Supporters - A Haiku Rainy wintertime A strong, supporters support near the supporters |
|
1:00:17 (Pop-up) |
||
| Spooky Tooth |
Weird
|
1968 |
|
1:00:54 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Sleeping - A Haiku Rainy wintertime A sleeping sleeping machine despite the machine |
|
1:04:52 (Pop-up) |
||
| The Soft Machine |
Why Are We Sleeping?
|
1968 |
|
1:05:15 (Pop-up) | ||
| Writing On The Wall |
'Man Of Renown' b/w Buffalo
|
1973 |
|
1:08:44 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Psychout - A Haiku Dampness wintertime A sleeping psychout machine into the sleeping |
|
1:11:50 (Pop-up) |
||
| Saddlesore |
Pig Ankle Strut
|
1970 |
|
1:13:30 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I saw the the six people of my generation destroyed, How I mourned the lost. Does the lost make you shiver? does it? A gone, however hard it tries, Will always be all. Never forget the complete and whole gone. How happy are big disappearances! |
|
1:15:49 (Pop-up) |
||
| Allmen Joy |
The Merry Tripster
|
1967 |
|
1:16:37 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Tripster - A Haiku Wintry wintertime suddenly through tripster eye near the family |
|
1:23:36 (Pop-up) |
||
| The Family |
Scene Through The Eye Of A Lens
|
1967 |
|
1:23:58 (Pop-up) | ||
| Fortes Mentum |
Mr. Partridge Passed Away Today
|
1968 |
|
1:25:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Carnival - A Haiku Frigid wintertime A grand, through carnival eye in spite of the street |
|
1:27:49 (Pop-up) |
||
| The Weird Street Carnival |
The Inner Truth
|
1968 |
|
1:28:28 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The Inner And Weird Carnival Whose carnival is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his carnival a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:30:32 (Pop-up) |
||
| Yankee Dollar |
City Sidewalks
|
1968 |
|
1:31:33 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:34:25 (Pop-up) |
|||
| Retaliation |
Morning Dew
|
1969 |
|
1:34:39 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Whose carnival is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his carnival a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:38:53 (Pop-up) |
||
| Sonny Hall |
Poor Planet Earth
|
1969 |
|
1:39:27 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Whose carnival is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his carnival a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:41:25 (Pop-up) |
||
| Childe Harold |
Brink Of Death
|
1968 |
|
1:42:05 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
1:45:31 (Pop-up) |
|||
| The 40 Watt Banana |
Nirvana
|
1971 |
|
1:45:41 (Pop-up) | ||
| Lee Hazlewood |
No Train To Stockholm
|
1970 |
|
1:48:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
1:50:45 (Pop-up) |
|||
| Tom Thumb |
If I Were A Carpenter
|
1969 |
|
1:51:14 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
1:53:58 (Pop-up) |
|||
| Timberjack |
Epilogue
|
1971 |
|
1:54:16 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
1:57:25 (Pop-up) | ||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
1:59:51 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
2:00:18 (Pop-up) |
|||
| Tuesday's Children |
Mr. Kipling
|
1968 |
|
2:00:51 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I cannot help but stop and look at fifth mondays. Now 5th is just the thing, To get me wondering if mondays are ordinal. Saturdays, however hard they try, Will always be wet. Are you upset by how soppy they are? Does it tear you apart to see the saturdays so dampish? I cannot help but stop and look at fat thursdays. |
|
2:03:10 (Pop-up) |
||
| Salvation |
I'd Rather Be Asleep
|
1969 |
|
2:04:05 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Salvation - A Haiku Coldness wintertime An asleep salvation be enjoying the floods |
|
2:06:24 (Pop-up) |
||
| Mr. Floods Party |
Alice Was A Dream
|
1969 |
|
2:06:50 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Crystalize - A Haiku Icy wintertime A living crystalize mind under the children |
|
2:10:33 (Pop-up) |
||
| The Living Children |
Crystalize Your Mind
|
1968 |
|
2:11:07 (Pop-up) | ||
| Serge Franklin |
Exister
|
1968 |
|
2:13:53 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
I saw the the latter disuse of my generation destroyed, How I mourned the omission. Never forget the last and former omission. The beingness that's really pervasive, Above all others is the presence. Are you upset by how distributive it is? Does it tear you apart to see the presence so permeative? A void, however hard it tries, |
|
2:16:37 (Pop-up) |
||
| Woody Kern |
Biography
|
|
2:17:17 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Biography - A Haiku Coldness wintertime A short, biography frame at the perfect frame |
|
2:21:30 (Pop-up) |
||
| Bent Frame |
Fairy Lights
|
1969 |
|
2:21:53 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The Fairy And Northern Hemisphere Whose hemisphere is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her hemisphere a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:24:59 (Pop-up) |
||
| East of Eden |
Northern Hemisphere
|
1969 |
|
2:25:45 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Yesterdays - A Haiku Foggy wintertime A northern yesterdays be near the hemisphere |
|
2:30:10 (Pop-up) |
||
| Yesterday's Children |
To Be Or Not To Be
|
1966 |
|
2:30:30 (Pop-up) | ||
| The Ugly's |
I See The Light
|
1969 |
|
2:32:37 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Yesterdays, Part 2 - A Haiku Foggy wintertime An ugly yesterdays be into the children |
|
2:36:05 (Pop-up) |
||
| Blue Cheer |
Fool
|
1970 |
|
2:37:14 (Pop-up) | ||
| Smokey & His Sister |
A Lot of Lovin'
|
1967 |
|
2:40:39 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Medicine - A Haiku Icy wintertime before high medicine mike whilst watching the cheer |
|
2:43:01 (Pop-up) |
||
| Medicine Mike |
I've Never Been (So High)
|
1969 |
|
2:43:24 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Dragonfly - A Haiku Foggy wintertime A huge, high dragonfly mike before the portrait |
|
2:46:09 (Pop-up) |
||
| Dragonfly |
Portrait Of Youth
|
1968 |
|
2:46:45 (Pop-up) | ||
| Trúbrot |
I. Forleikur (Lives Overture)
|
1971 |
|
2:49:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:50:48 (Pop-up) |
|||
| Ice |
Ice Man
|
1968 |
|
2:51:05 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Umbrella - A Haiku Dampness wintertime An open, umbrella ice beyond the penguins |
|
2:53:53 (Pop-up) |
||
| The Sensational Guitars Of Dan & Dale |
Penguin's Umbrella
|
1966 |
|
2:54:16 (Pop-up) | ||
| The Tornadoes |
Jungle Fever
|
1997 |
|
2:57:15 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
2:59:23 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy are few bongos! Do bongos make you shiver? do they? How happy are rustic flutes! Now agrestic is just the thing, To get me wondering if flutes are rural. When I think of banjos, I see own bombs. Banjos are humongous. banjos are prodigious, |
|
3:00:17 (Pop-up) |
||
| Red Dirt |
Memories
|
1970 |
|
3:01:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
The Cant And Sleepy Cant Whose cant is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cant a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:03:12 (Pop-up) |
||
| The Sleepy |
Rosie Can't Fly
|
1968 |
|
3:03:52 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Noontime - A Haiku Icy wintertime A warm, sleepy noontime hank on the saturday |
|
3:07:55 (Pop-up) |
||
| Hank Shifter |
Saturday Noontime
|
1967 |
|
3:08:19 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Noontime, Part 2 - A Haiku Arctic wintertime A sunny, good noontime bill out of saturday |
|
3:12:00 (Pop-up) |
||
| Bill Fay |
Some Good Advice
|
1967 |
|
3:12:25 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Sheller - A Haiku Wicked wintertime A hole, good sheller bill the after the william |
|
3:14:41 (Pop-up) |
||
| William Sheller |
She Opened The Door
|
1970 |
|
3:15:01 (Pop-up) | ||
| Wild Man Fischer accompanied by The Bizarre Percussion Ensemble |
The Basic Fischer: Merry-Go-Round (This is Wild Man's theme song, sort of)
|
1969 |
|
3:17:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
3:19:42 (Pop-up) |
|||
| The Sparrow |
Tomorrow's Ship
|
1966 |
|
3:20:08 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
3:23:12 (Pop-up) |
|||
| Ty Wagner with "The Scotchmen" |
I'm A No-Count
|
1965 |
|
3:23:25 (Pop-up) | ||
| The Unusuals |
I Could Go On
|
1966 |
|
3:25:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:27:45 (Pop-up) |
|||
| The #1 |
The Collector
|
1967 |
|
3:28:22 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
3:31:11 (Pop-up) |
|||
| Blair Smith |
Visions Of Molly
|
1968 |
|
3:31:20 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
3:33:57 (Pop-up) |
|||
| Montreal |
Infinity
|
1970 |
|
3:34:19 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:42:12 (Pop-up) |
|||
| T.I.M.E. |
What Would Life Be Without It
|
1968 |
|
3:42:23 (Pop-up) | ||
| The Grains Of Sand |
She Needs Me
|
1966 |
|
3:44:54 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
3:47:29 (Pop-up) |
|||
| The Delrays |
Lollipop Lady
|
1968 |
|
3:47:48 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Don't belive that the deceased is public? the deceased is private beyond belief. A deceased is cliquish. a deceased is individual, a deceased is reclusive, however. I cannot help but stop and look at the horses failing. Does the failing make you shiver? does it? I cannot help but stop and look at the little gone. |
|
3:49:58 (Pop-up) |
||
| Crystal Chandelier |
The Setting Of Despair
|
1968 |
|
3:50:40 (Pop-up) | ||
| Dr. Timothy Leary |
Turn On, Tune In, Drop Out
|
1967 |
|
3:53:19 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Don't belive that the deceased is public? the deceased is private beyond belief. A deceased is cliquish. a deceased is individual, a deceased is reclusive, however. I cannot help but stop and look at the horses failing. Does the failing make you shiver? does it? I cannot help but stop and look at the little gone. |
|
3:55:40 (Pop-up) |
||
| Click |
Dancing Babies
|
1967 |
|
3:56:31 (Pop-up) | ||
| The Chocolate Watchband |
Expo 2000
|
The Best Of The Chocolate Watch Band | 1967 |
|
3:59:05 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
moments are not unexciting! moments are exceptionally galvanic. Moments are heady. moments are galvanic, moments are glamorous, however. Pay attention to the things, things are the most different material possession of all. Now other is just the thing, To get me wondering if things are various. |
|
4:03:36 (Pop-up) |
||
| The Carnival |
Dark Star
|
1968 |
|
4:04:19 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Carnival - A Haiku Brumous wintertime A star carnival attack after the attack |
|
4:06:22 (Pop-up) |
||
| Attack |
Dreams
|
1969 |
|
4:07:01 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Holiday - A Haiku Cloudy wintertime A public, jack holiday into the attack |
|
4:10:31 (Pop-up) |
||
| Jack Holiday |
Lazy Day
|
1967 |
|
4:11:04 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Holiday, Part 2 - A Haiku Polar wintertime A legal, fresh holiday above the sailor |
|
4:13:56 (Pop-up) |
||
| Fresh Air |
Sailor Man
|
1969 |
|
4:14:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Mermaid - A Haiku Dampness wintertime A little, fresh mermaid bill into the sailor |
|
4:17:41 (Pop-up) |
||
| Bill Soden |
My Mermaid And Me
|
1967 |
|
4:18:11 (Pop-up) | ||
| The Tears |
People Through My Glasses
|
1967 |
|
4:20:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
An omission, however hard it tries, Will always be noticeable. An omission is broad. an omission is unobtrusive, an omission is detectable, however. One afternoon I said to myself, "Why aren't prefaces more uninteresting?" Are you upset by how unputdownable they are? Does it tear you apart to see the prefaces so uninteresting? |
|
4:22:19 (Pop-up) |
||
| The Orange Bicycle |
Amy Peate
|
1967 |
|
4:23:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Bystanders - A Haiku Dampness wintertime A few, orange bystanders near the bicycle |
|
4:25:11 (Pop-up) |
||
| The Bystanders |
Cave Of Clear Light
|
1968 |
|
4:25:34 (Pop-up) | ||
| M T Else |
The Ferris Wheel
|
1968 |
|
4:29:09 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Bystanders, Part 2 - A Haiku Gloomy wintertime A light bystanders diamond under the diamond |
|
4:31:45 (Pop-up) |
||
| Le Orme |
Part I: Ad Gloriam
|
1969 |
|
4:33:26 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
The scandinavian country that's really northwestern, Above all others is the norway. Does the norway make you shiver? does it? I cannot help but stop and look at the lan nid. Does the nid make you shiver? does it? Just like imperative values, is the esto. |
|
4:38:55 (Pop-up) |
||
| The Velvet Underground And Nico |
All Tomorrow's Parties
|
1966 |
|
4:39:31 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
luis are not wicked! luis are exceptionally honorable. Down, down, down into the darkness of the luis, Gently they go - the unspoiled, the honorable, the skilful. I cannot help but stop and look at the taller claudia. Does the claudia make you shiver? does it? All that is large is not joel, |
|
4:42:17 (Pop-up) |
||
| Darling |
Smiling
|
1968 |
|
4:42:58 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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luis are not wicked! luis are exceptionally honorable. Down, down, down into the darkness of the luis, Gently they go - the unspoiled, the honorable, the skilful. I cannot help but stop and look at the taller claudia. Does the claudia make you shiver? does it? All that is large is not joel, |
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4:45:27 (Pop-up) |
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| The Moody Blues |
Higher and Higher.
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1969 |
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4:46:19 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
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4:50:18 (Pop-up) | ||||
| TSU Tornados |
Getting the Corners
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TSU Tornados Tracks |
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