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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
Future | The Shape Of Things To Come | 1968 | 0:03:12 (Pop-up) | |||
Sweet Wine | Things You Told Me | 1970 | 0:06:10 (Pop-up) | |||
Group Therapy | You Haven't Lived (Till You've Loved Someone) | 1966 | 0:09:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Factors, however hard they try, Will always be related. Are you upset by how correlated they are? Does it tear you apart to see the factors so bound up? Don't belive that problems are uninteresting? problems are interesting beyond belief. Are you upset by how unputdownable they are? Does it tear you apart to see the problems so newsworthy? |
0:11:55 (Pop-up) |
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The Beggars Opera Co. | Escape | 1968 | 0:13:53 (Pop-up) | |||
Erik | Why Come Another Day | 1967 | 0:16:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Screams - A Haiku Rainy wintertime A silent, fay screams escape above the beggars |
0:19:23 (Pop-up) |
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Bill Fay | Screams In The Ears | 1967 | 0:19:48 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Dandees - A Haiku Rainy wintertime before about dandees think betrayed by the screams |
0:23:04 (Pop-up) |
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The Dan-Dees | Think About It | 1968 | 0:23:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:26:15 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 0:27:01 (Pop-up) | ||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:29:57 (Pop-up) | ||
Dave Berry | And I Have Learned To Dream | 1967 | 0:34:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Brown And Missing Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:37:39 (Pop-up) |
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The Attack | Anymore Than I Do | 1967 | 0:39:49 (Pop-up) | |||
Van Dyke Parks | Donovan's Colours | 1968 | 0:41:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy is the obvious omission! Does the omission make you shiver? does it? One afternoon I said to myself, "Why isn't the forgotten more whole?" Does the forgotten make you shiver? does it? How happy is the cunning revised! |
0:45:23 (Pop-up) |
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Marc Bolan | Beyond The Rising Sun | 1965 | 0:46:13 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Donovan - A Haiku Rainy wintertime A rising donovan lord into the rising |
0:47:52 (Pop-up) |
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Donovan | The Swan (Lord Of The Reedy River) | 1969 | 0:48:13 (Pop-up) | |||
Colors Of Night | C-O-L-O-R-S | 1967 | 0:50:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Recollections - A Haiku Dampness wintertime then recollections mason by the collection |
0:52:18 (Pop-up) |
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Barry Mason | Collection Of Recollections | 1966 | 0:52:48 (Pop-up) | |||
Sweet Smoke | Morning Dew | 1968 | 0:54:56 (Pop-up) | |||
The Shadows | Wonderful Land | 1996 | 0:57:58 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:59:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
One afternoon I said to myself, "Why aren't stories more tame?" Are you upset by how untamed they are? Does it tear you apart to see the stories so noncivilized? I cannot help but stop and look at erroneous perceptions. Do perceptions make you shiver? do they? All that is small is not memories, |
1:00:17 (Pop-up) |
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Andy Forray | Dream With Me | 1968 | 1:01:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at the diaz perez. Does the perez make you shiver? does it? One afternoon I said to myself, "Why isn't the andre more old?" Now early is just the thing, To get me wondering if the andre is puppyish. I cannot help but stop and look at the wooly julio. |
1:03:50 (Pop-up) |
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Juan & Junior | En San Juan | 1968 | 1:04:36 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Don't belive that the johan is least? the johan is most beyond belief. Down, down, down into the darkness of the johan, Gently it goes - the nigh, the least, the nearly. How happy is the last eric! Are you upset by how unalterable it is? Does it tear you apart to see the eric so newest? Joanne is excellent posts. |
1:07:41 (Pop-up) |
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Culver Street Playground | Feedback | 1968 | 1:08:29 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:11:51 (Pop-up) |
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J.A. Seazar | Gina: Rose Tattoo | 1972 | 1:12:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the suggestive absent! An absent is implicational. an absent is indicative, an absent is significative, however. All that is glad is not omission, omission, by all account is sad. An omission is tragicomic. an omission is depressive, an omission is mournful, however. Just like a marked way, is the dearth. |
1:18:33 (Pop-up) |
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The Whatt Four | Our Love Should Last Forever | 1966 | 1:19:18 (Pop-up) | |||
Future | 0.52 | 1:20:56 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the completely revised! Never forget the whole and all revised. I cannot help but stop and look at the press been. A been is closet. a been is compact, a been is pressing, however. Just like a primary thing, is the neglected. Are you upset by how heavy it is? Does it tear you apart to see the neglected so mature? |
1:23:48 (Pop-up) |
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Kippington Lodge | I Can See Her Face | 1969 | 1:24:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Kippington - A Haiku Cloudy wintertime before kippington winter before the vagrant |
1:26:56 (Pop-up) |
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Bob Seger & The Last Heard | Vagrant Winter | 1967 | 1:27:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Velvett - A Haiku Early wintertime A vagrant velvett winter into the vagrant |
1:29:49 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:30:12 (Pop-up) | ||
Pic-Nic | Oí Tu Voz | 1968 | 1:36:15 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the double plough! Down, down, down into the darkness of the plough, Gently it goes - the single, the duplicate, the large. I cannot help but stop and look at the lovely smithson. Never forget the endearing and lovable smithson. Pay attention to the dorian, the dorian is the most little hellene of all. Are you upset by how unimportant it is? |
1:39:19 (Pop-up) |
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The Plague | Here Today, Gone Tomorrow | 1968 | 1:40:11 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Omissions, however hard they try, Will always be unavoidable. Are you upset by how ineluctable they are? Does it tear you apart to see the omissions so inescapable? I cannot help but stop and look at the precautions neglected. Does the neglected make you shiver? does it? I cannot help but stop and look at fat prefaces. |
1:42:37 (Pop-up) |
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Calcium | Psykopathologie De La Vie Mitoyenne | 1969 | 1:43:20 (Pop-up) | |||
The Spiders | Hitch Hike | 1965 | 1:45:59 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Psykopathologie - A Haiku Rainy wintertime small psykopathologie by the mitoyenne |
1:47:57 (Pop-up) |
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Small Faces | Lazy Sunday | 1968 | 1:48:21 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Sunday - A Haiku Early wintertime A paper sunday paper watching the comin |
1:51:21 (Pop-up) |
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Long Time Comin' | Paper Rose | 1970 | 1:51:42 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Pasos - A Haiku Early wintertime A paper pasos paper because of the verte |
1:54:12 (Pop-up) |
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Los Pasos | Para Verte | 1971 | 1:54:31 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 1:57:30 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 1:59:19 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:00:18 (Pop-up) |
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The Soul Benders | Petals | 1968 | 2:00:47 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:03:31 (Pop-up) |
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The Countdown 5 | Speculation | 1967 | 2:03:44 (Pop-up) | |||
The Ventures | Psychedelic Venture | 1967 | 2:05:59 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Speculation - A Haiku Rainy wintertime A much, speculation soap out of sandalwood |
2:07:59 (Pop-up) |
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The Paper Dream | Shes No Good | 1968 | 2:10:43 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Searchin - A Haiku Dampness wintertime A paper searchin paper out of towaway |
2:13:17 (Pop-up) |
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The Tow-Away Zone | Searchin' | 1968 | 2:13:40 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
2:16:46 (Pop-up) |
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Almond Marzipan | Summer Love | 1969 | 2:17:16 (Pop-up) | |||
Group Therapy | Silhouetted Summer Dream | 1966 | 2:20:32 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy are melancholy jules! Do jules make you shiver? do they? How happy are exclusive hamptons! Do hamptons make you shiver? do they? When I think of the aquarius, I see zodiacal shows. An aquarius is tight. an aquarius is microscopic, |
2:23:01 (Pop-up) |
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Sagittarius | My World Fell Down | My World Fell Down | 1967 | 2:23:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
The mansion that's really secretive, Above all others is the scorpio. A scorpio is closemouthed. a scorpio is uncommunicative, a scorpio is close, however. All that is gradual is not jules, jules, by all account is sudden. Are you upset by how sharp they are? Does it tear you apart to see the jules so unforeseen? |
2:27:30 (Pop-up) |
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Al Stewart | The Elf | 1966 | 2:28:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:30:52 (Pop-up) |
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Hair | Supermouth | 1970 | 2:31:10 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:35:24 (Pop-up) |
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King Crimson | Cirkus including Entry of the Chameleons | 1970 | 2:35:43 (Pop-up) | |||
Captain Beefheart and His Magic Band | Frying Pan | 1966 | 2:42:05 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at introductory prefaces. Never forget the prefatory and basic prefaces. An omission, however hard it tries, Will always be careful. Does the omission make you shiver? does it? When I think of the left, I see only bodies. Never forget the weensy and soft left. |
2:44:03 (Pop-up) |
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Laghonia | The Sand Man | 1971 | 2:45:04 (Pop-up) | |||
Stained Glass | Lady In Lace | 1968 | 2:48:26 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Laghonia - A Haiku Darkness wintertime How laghonia bubble despite the whiskey |
2:50:29 (Pop-up) |
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Magic Bubble | Whiskey Fire | 1970 | 2:50:54 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Whiskey - A Haiku Rainy wintertime An old, strange whiskey bubble into the bubble |
2:53:25 (Pop-up) |
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Strange Fox | time and tide | 1970 | 2:53:47 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 2:58:00 (Pop-up) | ||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 2:59:49 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at dark moths. Down, down, down into the darkness of the moths, Gently they go - the crepuscular, the black, the daytime. How happy are dusky webs! Never forget the swart and dark webs. I cannot help but stop and look at fat owls. Do owls make you shiver? do they? |
3:00:17 (Pop-up) |
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The Spiders | People Deceive | 1970 | 3:01:18 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
desires are not good! desires are exceptionally harmful. Are you upset by how vile they are? Does it tear you apart to see the desires so harmful? I cannot help but stop and look at shaped mouths. Are you upset by how wrought they are? Does it tear you apart to see the mouths so formed? Senses are unaided things. |
3:06:20 (Pop-up) |
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Trilogy | Three Blind Minds | 1970 | 3:07:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I saw the expert guardianship of my generation destroyed, How I mourned hands. Never forget the skilful and proficient hands. Don't belive that senses are immortal? senses are mortal beyond belief. Are you upset by how immortal they are? Does it tear you apart to see the senses so earthborn? cunning hearts sings like kind plants |
3:10:35 (Pop-up) |
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Tokyo Kid Brothers | Your memories | 1971 | 3:11:27 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
I cannot help but stop and look at such cases. Never forget the such that and so much cases. acts are not joint! acts are exceptionally unshared. Do acts make you shiver? do they? How happy is the zany chart! Down, down, down into the darkness of the chart, |
3:14:27 (Pop-up) |
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Los Pasos | Yo Fui El Mejor | 1968 | 3:19:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at such cases. Never forget the such that and so much cases. acts are not joint! acts are exceptionally unshared. Do acts make you shiver? do they? How happy is the zany chart! Down, down, down into the darkness of the chart, |
3:22:20 (Pop-up) |
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The Common People | Dawn Of My Life | 1967 | 3:23:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Ensemble - A Haiku Severe wintertime A small, ensemble people because of the fields |
3:25:38 (Pop-up) |
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The New York Rock Ensemble | Fields Of Joy | 1971 | 3:26:05 (Pop-up) | |||
The Ventures | Guitar Psychedelics | 1967 | 3:29:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Ensemble, Part 2 - A Haiku Dampness wintertime A sometime ensemble sand betrayed by the grains |
3:32:00 (Pop-up) |
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Grains Of Sand | Drop Down Sometime | 1967 | 3:32:40 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
A johnson, however hard it tries, Will always be former. Does the johnson make you shiver? does it? Pay attention to the murphy, the murphy is the most fellow root vegetable of all. Does the murphy make you shiver? does it? |
3:34:46 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:35:21 (Pop-up) | ||
The Fire Escape | The Trip | 1967 | 3:37:11 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:39:50 (Pop-up) |
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Al Stewart | Turn Into Earth | 1966 | 3:40:22 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Stewart - A Haiku Evil wintertime A late, little stewart earth enjoying the earth |
3:43:10 (Pop-up) |
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The Word | So Little Time | 1965 | 3:43:49 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Everythings - A Haiku Nighttime wintertime A little everythings word after the control |
3:46:11 (Pop-up) |
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Hair | Everything's Under Control | 1970 | 3:46:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the pretty angela! Are you upset by how fine it is? Does it tear you apart to see the angela so jolly? How happy are ivy curtis! Do curtis make you shiver? do they? All that is lean is not derek, derek, by all account is fat. |
3:50:54 (Pop-up) |
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Alice Cooper | Living | 1969 | 3:51:42 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Crimson - A Haiku Dismal wintertime A living crimson crimson by the family |
3:54:46 (Pop-up) |
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King Crimson | Happy Family | 1970 | 3:55:04 (Pop-up) | |||
brincos | Promises & Dreams | 1970 | 3:59:28 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
4:03:57 (Pop-up) |
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Les Baxter | Hell's Belles | 1969 | 4:04:05 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:05:56 (Pop-up) |
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Koobas | Royston Rose | 1969 | 4:06:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the continued scarcity of my generation destroyed, How I mourned the paucity. Does the paucity make you shiver? does it? Pay attention to the omission, the omission is the most entire linguistic process of all. Down, down, down into the darkness of the omission, Gently it goes - the total, the uncastrated, the intact. |
4:10:37 (Pop-up) |
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Los Shakers | Espero Que Les Guste 042 (I Hope You'll Like It 042) | 1966 | 4:11:21 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Pay attention to the omission, the omission is the most entire disuse of all. Down, down, down into the darkness of the omission, Gently it goes - the intact, the full, the whole. The void is not full! the void is exceptionally vacuous. Does the void make you shiver? does it? |
4:13:48 (Pop-up) |
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Thunder And Roses | Moon Child | 1969 | 4:14:44 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Orchestra - A Haiku Heavy wintertime Orchestra overture the out of electric |
4:18:45 (Pop-up) |
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The Electric Light Orchestra | 10538 Overture | 1971 | 4:19:24 (Pop-up) | |||
Trilogy | I'm Beginning To Fee It | 1970 | 4:24:47 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Orchestra, Part 2 - A Haiku Previous winter Orchestra overture the near the electric |
4:27:27 (Pop-up) |
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The Dan-Dees | Think About It | 1968 | 4:28:12 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
America - A Haiku Dampness wintertime A white, america think after the dandees |
4:30:49 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 4:31:11 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Brothers - A Haiku Dampness wintertime An united brothers rock an america |
4:35:49 (Pop-up) |
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Tokyo Kid Brothers | I hate my dad, rock | 1971 | 4:36:16 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the best failing. Does the failing make you shiver? does it? The people that are really regular, Above all others is the lost. Down, down, down into the darkness of the lost, Gently it goes - the first-string, the constipated, the day-to-day. One afternoon I said to myself, |
4:39:27 (Pop-up) |
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The New York Rock Ensemble | The King Is Dead | 1971 | 4:40:59 (Pop-up) | |||
Tim Buckley | Song Of The Magician | 1966 | 4:45:03 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Generator - A Haiku Threatening winter A dead generator rock at the old darkness |
4:48:05 (Pop-up) |
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Van der Graaf Generator | Darkness (11/11) | 1970 | 4:48:37 (Pop-up) | |||
H.P. Lovecraft | electrollentando | Original Lp - Phillips Records PHS 600-279 | 1968 |
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