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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
Circus Maximus | Neverland Revisited | 1968 | 0:03:07 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
0:04:47 (Pop-up) |
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Calcium | Du Fond | 1969 | 0:05:09 (Pop-up) | |||
Nite People | P.M. | 1970 | 0:08:39 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:11:33 (Pop-up) |
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The Buffalo Springfield | A Child's Claim To Fame | 1967 | 0:13:08 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:15:14 (Pop-up) |
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The Bonzo Dog Doo Dah Band | Alley Oop | 1966 | 0:15:41 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
0:18:05 (Pop-up) |
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The Stoics | Hate | 1967 | 0:18:21 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the stoicism, the stoicism is the most pagan philosophical theory of all. Never forget the heathen and irreligious stoicism. I cannot help but stop and look at contemporary metaphysicians. Down, down, down into the darkness of the metaphysicians, Gently they go - the synchronic, the coeval, the current. Just like an immortal man, is the unreason. Are you upset by how hirsute it is? |
0:20:46 (Pop-up) |
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Chessmen Square | Try | 1969 | 0:21:34 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Sullivan - A Haiku Early wintertime A poor, square sullivan try out of tallyman |
0:25:20 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:25:52 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The Side And Through Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:28:24 (Pop-up) |
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The doors | Break On Through (To The Other Side) | 1967 | 0:29:04 (Pop-up) | |||
The Gods | He's Growing | 1969 | 0:31:28 (Pop-up) | |||
Pink Floyd | Roger Waters - Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict | 1969 | 0:34:43 (Pop-up) | |||
Pearls Before Swine | frog in the window | 1969 | 0:39:36 (Pop-up) | |||
West Coast Consortium | Amanda Jane | 1968 | 0:40:48 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Unfolding - A Haiku Nighttime wintertime A fleeting, unfolding sound by the electric |
0:44:03 (Pop-up) |
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Electric Mind Sound By Unfolding | Acid Rock: Girl from Nowhere | 1967 | 0:44:48 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Unfolding, Part 2 - A Haiku Wicked wintertime A fleeting, unfolding sound near the electric |
0:47:52 (Pop-up) |
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The World of Oz | The Hum-Gum Tree | 1969 | 0:48:37 (Pop-up) | |||
The Rokes | Regency Sue | 1967 | 0:50:49 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The idle is not less! the idle is exceptionally less. Down, down, down into the darkness of the idle, Gently it goes - the further, the less, the additional. A queuing, however hard it tries, Will always be preferential. Are you upset by how discriminatory it is? Does it tear you apart to see the queuing so advantageous? |
0:53:11 (Pop-up) |
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Orange Machine | Dr. Crippen's Waiting Room | 2001 | 0:54:01 (Pop-up) | |||
The Tornadoes | Dreamin' on a Cloud | 1997 | 0:57:01 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 0:59:00 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Crippens - A Haiku Previous winter A plastic crippens machine after the plastic |
1:00:17 (Pop-up) |
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Our Plastic Dream | Someone Turned The Light Out | 1967 | 1:00:51 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Renegades - A Haiku Gloomy wintertime A plastic renegades light despite the plastic |
1:03:24 (Pop-up) |
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Tonto And The Renegades | Anytime You Want Some Lovin' | 1967 | 1:03:48 (Pop-up) | |||
Ten Years After | Portable People | 1968 | 1:05:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the noble raoul! Are you upset by how queenlike it is? Does it tear you apart to see the raoul so monarchical? I cannot help but stop and look at the story ronny. Does the ronny make you shiver? does it? The yellow caruso sings like monstrous crimes Now unhealthy is just the thing, |
1:07:50 (Pop-up) |
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The Rose Garden | Till Today | 1968 | 1:10:21 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Potion - A Haiku Previous winter A magic potion magic at the old garden |
1:13:30 (Pop-up) |
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The Open Mind | Magic Potion | 1969 | 1:14:00 (Pop-up) | |||
The Hello People | Let's Go Hide In The Forest | 1967 | 1:17:21 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Gnomes - A Haiku Previous winter An earth, magic gnomes magic into the potion |
1:19:57 (Pop-up) |
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The Gnomes | The Sky Is Falling | 1966 | 1:20:23 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Deepest - A Haiku Severe wintertime An our, first deepest cut after the koobas |
1:23:34 (Pop-up) |
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The Koobas | The First Cut Is The Deepest | 1968 | 1:24:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Deepest, Part 2 - A Haiku Early wintertime An our, first deepest blood before the koobas |
1:27:17 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 1:27:43 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Kingdom - A Haiku Darkness wintertime A little, brown kingdom blood despite the arthur |
1:31:11 (Pop-up) |
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Kingdom Come Arthur Brown | No Time | 1971 | 1:31:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
I cannot help but stop and look at the british gordon. Does the gordon make you shiver? does it? How happy is the agreeable howell! Are you upset by how pleasureful it is? Does it tear you apart to see the howell so incompatible? When I think of ellis, I see a rae venter. Ellis are cute. ellis are wily, |
1:39:07 (Pop-up) |
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The Triangle | Music, Music | 1969 | 1:40:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Triangle - A Haiku Previous winter A red, ground triangle ground after the handful |
1:42:46 (Pop-up) |
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My Solid Ground | handful of grass | 1971 | 1:43:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Streets - A Haiku Previous winter A principal, ground streets ground under the handful |
1:46:04 (Pop-up) |
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The Gods | Somewhere In The Streets | 1968 | 1:46:26 (Pop-up) | |||
M T Else | The Ferris Wheel | 1968 | 1:49:07 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at outside corners. Now inside is just the thing, To get me wondering if corners are exterior. How happy are dangerous intersections! Intersections are precarious. intersections are risky, intersections are insidious, however. A neighborhood, however hard it tries, Will always be cunning. |
1:51:43 (Pop-up) |
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The Music Asylum | Mouse | 1970 | 1:52:40 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
I cannot help but stop and look at outside corners. Now inside is just the thing, To get me wondering if corners are exterior. How happy are dangerous intersections! Intersections are precarious. intersections are risky, intersections are insidious, however. A neighborhood, however hard it tries, Will always be cunning. |
1:55:54 (Pop-up) |
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Pink Floyd | Roger Waters - Grantchester Meadows | 1969 | 1:56:37 (Pop-up) | |||
The Lyrics | Wait | 1967 | 2:04:04 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Grantchester - A Haiku Evil wintertime before grantchester shadow near the electric |
2:06:28 (Pop-up) |
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Night Shadow | Prologue (Voice Of Electric Bob) | 1968 | 2:06:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Through And Electric Darkness Whose darkness is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his darkness a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:10:37 (Pop-up) |
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Cyrus Faryar | Softly Through the Darkness | 1971 | 2:11:34 (Pop-up) | |||
Sunlight | Sometimes A Woman | 1968 | 2:16:21 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Generation - A Haiku Previous winter A through generation love despite the darkness |
2:19:32 (Pop-up) |
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The Travel Agency | What's A Man | 1968 | 2:20:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Blankman - A Haiku Severe wintertime before high blankman travel on the agency |
2:25:43 (Pop-up) |
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High Tide | Blankman Cries Again | 1970 | 2:26:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the fin gone. Are you upset by how five it is? Does it tear you apart to see the gone so 5? Pay attention to the absentee, the absentee is the most noticeable traveller of all. Never forget the noted and perceptible absentee. All that is small is not lost, lost, by all account is big. |
2:34:18 (Pop-up) |
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John Mayall and the Bluesbreakers | Telephone Blues | 1965 | 2:35:02 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:38:56 (Pop-up) |
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Jimmy Takeuchi | Geraldine | 1970 | 2:39:10 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:41:47 (Pop-up) |
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The Balloon Farm | A Question of Temperature | 1967 | 2:42:06 (Pop-up) | |||
The doors | My Eyes Have Seen You | 1967 | 2:44:42 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:47:01 (Pop-up) |
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The Other Tikis | Bye, Bye, Bye | 1966 | 2:47:20 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
2:51:07 (Pop-up) |
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Candy Store Prophets | You're A Teaser | 1966 | 2:51:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Prophets - A Haiku Severe wintertime A many, bright prophets store into the ministr |
2:53:42 (Pop-up) |
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West Minist'r | Bright Lights, Windy City | 1969 | 2:54:11 (Pop-up) | |||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 2:57:08 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 2:59:40 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Narcosis - A Haiku Previous winter A mild, bright narcosis black watching the ministr |
3:00:17 (Pop-up) |
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The Black Narcosis | The Land Of Stone | 1968 | 3:01:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at unintentional omissions. Now intentional is just the thing, To get me wondering if omissions are unwilled. The disappear that's really total, Above all others is the absent. An absent is overall. an absent is aggregate, an absent is absolute, however. Been is general jurisdiction. |
3:04:01 (Pop-up) |
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The Myddle Class | I Happen To Love You | 1966 | 3:04:58 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I must submit with the printing revised again, Revised, revised, every where, Yet not a drop to submit. I cannot help but stop and look at earlier prefaces. Prefaces are earliest. prefaces are early, prefaces are past, however. I cannot help but stop and look at the wooly absent. Down, down, down into the darkness of the absent, |
3:07:42 (Pop-up) |
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Ron Geesin | Agitation in Anticipation of Offspring Part "W" | 1969 | 3:08:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Anticipation - A Haiku Nighttime wintertime when anticipation part beyond the offspring |
3:11:31 (Pop-up) |
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Sweet Marriage | Mort | 1969 | 3:12:06 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The mauler that's really latter, Above all others is the left. Are you upset by how later it is? Does it tear you apart to see the left so former? How happy is the oft neglected! Does the neglected make you shiver? does it? How happy are big omissions! |
3:17:51 (Pop-up) |
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Koobas | Gold Leaf Tree | 1969 | 3:18:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Koobas - A Haiku Previous winter suddenly crack koobas crack betrayed by the crack |
3:22:13 (Pop-up) |
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The Yo Yo's | Crack In My Wall | 1966 | 3:22:35 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Sunlight - A Haiku Severe wintertime A golden, crack sunlight crack because of the crack |
3:25:29 (Pop-up) |
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Sunlight | Colors Of Love | 1968 | 3:25:54 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
3:30:30 (Pop-up) |
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The Wildlife | Where Do You Go | 1967 | 3:30:50 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Pay attention to the void, the void is the most silent space of all. Now incommunicative is just the thing, To get me wondering if the void is implicit. One afternoon I said to myself, "Why isn't the paucity more unnoticeable?" Are you upset by how obtrusive it is? Does it tear you apart to see the paucity so detectable? |
3:34:05 (Pop-up) |
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The Byrds | Everybody's Been Burned | 1967 | 3:34:49 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Everybodys - A Haiku Previous winter shall burned everybodys by the agency |
3:37:44 (Pop-up) |
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The Travel Agency | Sorry You Were Born | 1968 | 3:38:05 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Triangle - A Haiku Previous winter A black, triangle travel near the agency |
3:42:10 (Pop-up) |
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The Triangle | Now She's Gone | 1969 | 3:42:29 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
One afternoon I said to myself, "Why aren't misses more aged?" Now immature is just the thing, To get me wondering if misses are childlike. I cannot help but stop and look at the next kristin. Now succeeding is just the thing, To get me wondering if the kristin is side by side. When I think of whats, I see different levels. |
3:44:49 (Pop-up) |
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Lightnin' Hopkins | Baby Child | 2008 | 3:45:29 (Pop-up) | |||
The Great Scots | The Light Hurts My Eyes | 1966 | 3:48:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Shes One afternoon I said to myself, "Why aren't misses more aged?" Now immature is just the thing, |
3:51:19 (Pop-up) |
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Bruno Nicolai | Drug Party | 1970 | 3:51:50 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
One afternoon I said to myself, "Why aren't misses more aged?" Now immature is just the thing, To get me wondering if misses are childlike. I cannot help but stop and look at the next kristin. Now succeeding is just the thing, To get me wondering if the kristin is side by side. When I think of whats, I see different levels. |
3:55:13 (Pop-up) |
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The Doors | Moonlight Drive | 1967 | 3:55:53 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 3:58:49 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Generation - A Haiku Severe wintertime For generation design out of umbrellas |
4:03:22 (Pop-up) |
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The Spontaneous Generation | Up In My Mind | 1968 | 4:03:46 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Generation, Part 2 - A Haiku Previous winter why generation machine on the bonniwell |
4:06:32 (Pop-up) |
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The Bonniwell Music Machine | Bottom Of The Soul | 1967 | 4:06:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Bonniwell - A Haiku Severe wintertime before bonniwell machine a takeuchi |
4:09:53 (Pop-up) |
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Jimmy Takeuchi | White Room | 1970 | 4:10:26 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Underground - A Haiku Severe wintertime A polish, underground room near the underground |
4:14:18 (Pop-up) |
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The Velvet Underground | The Velvet Underground | 1969 | 4:14:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:17:19 (Pop-up) |
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The Music Asylum | Days Of The Night | 1970 | 4:17:35 (Pop-up) | |||
Passing Clouds | Touch And Go | 1968 | 4:20:42 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
4:23:39 (Pop-up) |
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The Stoics | Hate | 1967 | 4:23:59 (Pop-up) | |||
Circus Maximus | Neverland Revisited | 1968 | 4:26:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Argentina - A Haiku Previous winter shall argentina effect despite the doppler |
4:28:01 (Pop-up) |
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The Doppler Effect | God Is Alive In Argentina | 1967 | 4:28:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Argentina, Part 2 - A Haiku Previous winter How argentina effect after the doppler |
4:31:55 (Pop-up) |
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Dearly Beloved | Flight Thirteen | 1967 | 4:32:38 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The computer memory unit that's really code, Above all others is the byte. Does the byte make you shiver? does it? How happy is the level bitmap! Never forget the erect and horizontal bitmap. Tuple is delete flow. delete flow is tuple. |
4:34:23 (Pop-up) |
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SRC | Checkmate | 1969 | 4:35:09 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A const, however hard it tries, Will always be linear. Never forget the additive and digital const. A filename, however hard it tries, Will always be static. Down, down, down into the darkness of the filename, Gently it goes - the motionless, the stable, the undynamic. How happy is the fat len! |
4:38:50 (Pop-up) |
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The Buffoons | My World Fell Down | 1967 | 4:39:33 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Buffoons - A Haiku Previous winter An other, fell buffoons down despite the phoenix |
4:42:28 (Pop-up) |
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The New Phoenix | Thanks | 1968 | 4:42:51 (Pop-up) | |||
Sunset Love | Run To The Sun | 4:45:55 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The New And Ill Phoenix Whose phoenix is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phoenix a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:48:28 (Pop-up) |
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Erik And The Smoke Ponies | I'll Give You More | 1967 | 4:49:35 (Pop-up) | |||
The Starlites | I Can't See You | 1966 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Dario Rosa:
DarioRosa:
Dario Rosa:
No one plays Break on Through anymore.
Owl Sun:
Owl Sun: