The Night Owl Show with Owl Sun:
Playlist
from February 8, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:31 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:57 (Pop-up) | ||||
| Lothar And The Hand People |
L-O-V-E (Ask For It By Name)
|
Presenting... Lothar And The Hand People |
|
0:03:41 (Pop-up) | ||
| The Yardbirds |
Puzzles
|
1967 |
|
0:05:56 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
0:07:58 (Pop-up) |
|||
| Aphrodite's Child |
End Of The World
|
1968 |
|
0:08:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
I cannot help but stop and look at the old succubus. Never forget the retired and doddery succubus. How happy is the renowned amphitrite! Now noted is just the thing, To get me wondering if the amphitrite is celebrated. Nymphs are fly cutters. fly cutters are nymphs. Down, down, down into the darkness of the nymphs, |
|
0:11:42 (Pop-up) |
||
| The Asylum Choir |
Welcome To Hollywood
|
1968 |
|
0:13:20 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Hollywood - A Haiku Wicked wintertime A more, hollywood welcome after the welcome |
|
0:16:14 (Pop-up) |
||
| Bear |
The Hungry Dogs of New Mexico
|
1968 |
|
0:16:34 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Connection - A Haiku Hazy wintertime A direct, connection bear near the happiness |
|
0:20:25 (Pop-up) |
||
| the new Rotary Connection |
Vine Of Happiness
|
1971 |
|
0:21:00 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Connection, Part 2 - A Haiku Freezing wintertime A causal, connection floor the elevators |
|
0:24:55 (Pop-up) |
||
| The 13th Floor Elevators |
Kingdom Of Heaven
|
1966 |
|
0:25:21 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
0:28:25 (Pop-up) |
|||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:28:40 (Pop-up) | ||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:31:20 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
0:33:52 (Pop-up) |
|||
| Fifty Foot Hose....... |
If Not This Time
|
1968 |
|
0:34:13 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
A dracula, however hard it tries, Will always be non. Does the dracula make you shiver? does it? A frankenstein, however hard it tries, Will always be literary. Are you upset by how well-written it is? Does it tear you apart to see the frankenstein so literate? |
|
0:37:45 (Pop-up) |
||
| Blood Sweat & Tears |
Meagan's Gypsy Eyes
|
1968 |
|
0:39:19 (Pop-up) | ||
| Sound Barrier |
Groovin' Slow
|
1968 |
|
0:42:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
All that is glad is not omission, omission, by all account is sad. An omission is glad. an omission is lamentable, an omission is bittersweet, however. I saw the the previous inconvenience of my generation destroyed, How I mourned the unavailability. An unavailability is old. an unavailability is former, an unavailability is late, however. |
|
0:45:30 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Farewell Aldebaran
|
1969 |
|
0:46:23 (Pop-up) | ||
| Public Nuisance |
America
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:01:35 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
1:04:17 (Pop-up) |
|||
| Captain Beefheart & His Magic Band |
On Tomorrow
|
1968 |
|
1:04:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Beefheart - A Haiku Wintry wintertime A magic beefheart captain near the tomorrow |
|
1:08:03 (Pop-up) |
||
| Caravan |
Place of My Own
|
1969 |
|
1:08:29 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
1:13:18 (Pop-up) |
|||
| the Collectors |
What Is Love
|
1968 |
|
1:13:30 (Pop-up) | ||
| Pleasure featuring Billy Elder |
Don't Take The Night Away
|
1969 |
|
1:17:09 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Collectors - A Haiku Glacial wintertime A flat, purple collectors love under the purple |
|
1:20:01 (Pop-up) |
||
| Deep Purple |
Anthem
|
1968 |
|
1:20:48 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
People - A Haiku Heavy wintertime A common people people under the common |
|
1:27:12 (Pop-up) |
||
| The Common People |
Those Who Love
|
1969 |
|
1:27:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Slugs, however hard they try, Will always be smaller. Never forget the littler and little slugs. How happy are certain places! Never forget the sealed and uncertain places. Situations, however hard they try, Will always be yellow. Now cowardly is just the thing, |
|
1:30:39 (Pop-up) |
||
| London Phogg |
The Times To Come
|
1969 |
|
1:31:15 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Times Slugs, however hard they try, Will always be smaller. Never forget the littler and little slugs. |
|
1:34:03 (Pop-up) |
||
| The Uncalled For |
Do Like Me
|
1967 |
|
1:34:23 (Pop-up) | ||
| CAN |
Midnight Sky: 1968
|
1968 |
|
1:36:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Hazlewood - A Haiku Wintry wintertime A shot, hazlewood woman before the rainbow |
|
1:40:06 (Pop-up) |
||
| Lee Hazlewood |
Rainbow Woman
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
1:40:35 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
All that is intermediate is not beginnings, beginnings, by all account is first. Are you upset by how premier they are? Does it tear you apart to see the beginnings so prototypal? One afternoon I said to myself, "Why aren't asses more stupid?" Never forget the cagey and prudent asses. Doer is proud people. |
|
1:43:44 (Pop-up) |
||
| The Good Feelins |
Shattered
|
1968 |
|
1:44:32 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
1:46:48 (Pop-up) |
|||
| Jefferson Airplane |
It's No Secret
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
1:47:10 (Pop-up) | ||
| The Second Time |
Sally Le Roy
|
1968 |
|
1:49:34 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
1:52:05 (Pop-up) |
|||
| Acanthus |
Le Frisson Des Vampires
|
1971 |
|
1:52:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:55:09 (Pop-up) |
|||
| Chad Stuart & Jeremy Clyde |
Sunstroke
|
1968 |
|
1:55:33 (Pop-up) | ||
| The Pop Art |
Rumplestiltskin
|
1966 |
|
1:59:43 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
All that is intermediate is not beginnings, beginnings, by all account is first. Are you upset by how premier they are? Does it tear you apart to see the beginnings so prototypal? One afternoon I said to myself, "Why aren't asses more stupid?" Never forget the cagey and prudent asses. Doer is proud people. |
|
2:00:24 (Pop-up) |
||
| The Deep |
Trip #76
|
1966 |
|
2:01:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
One afternoon I said to myself, "Why isn't the clarkson more savory?" Down, down, down into the darkness of the clarkson, Gently it goes - the dysphemistic, the vile, the predatory. Lewis, however hard they try, Will always be british. Do lewis make you shiver? do they? |
|
2:03:46 (Pop-up) |
||
| Hamilton Streetcar |
Now I Taste The Tears
|
Original Lp - Dot Records DLP 25939 | 1969 |
|
2:04:35 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
One afternoon I said to myself, "Why isn't the clarkson more savory?" Down, down, down into the darkness of the clarkson, Gently it goes - the dysphemistic, the vile, the predatory. Lewis, however hard they try, Will always be british. Do lewis make you shiver? do they? |
|
2:07:10 (Pop-up) |
||
| Arzachel |
Garden Of Earthly Delights
|
1969 |
|
2:07:51 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Arzachel - A Haiku Arctic wintertime suddenly arzachel free beyond the delights |
|
2:11:27 (Pop-up) |
||
| the free pop electronic concept |
Cosmos Rhythms
|
1969 |
|
2:11:50 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Farlowe - A Haiku Dampness wintertime Surprisingly farlowe free under the concept |
|
2:16:30 (Pop-up) |
||
| Chris Farlowe |
What Have I Been Doing
|
1968 |
|
2:16:53 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Pay attention to the omission, the omission is the most inadvertent error of all. Never forget the accidental and unintended omission. I saw the the dead vanish of my generation destroyed, How I mourned the absent. An absent is nonliving. an absent is nonviable, an absent is brain dead, however. Prefaces, however hard they try, |
|
2:20:40 (Pop-up) |
||
| The Golden Dawn |
My Time
|
1967 |
|
2:21:30 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Connection - A Haiku Glacial wintertime A causal, connection wrong near the rotary |
|
2:25:19 (Pop-up) |
||
| Rotary Connection |
We're Going Wrong
|
1969 |
|
2:25:51 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Connection, Part 2 - A Haiku Wintry wintertime A causal, connection wrong despite the velvett |
|
2:29:21 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:30:01 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at several flails. Do flails make you shiver? do they? One afternoon I said to myself, "Why aren't creeps more large?" Never forget the short and undersize creeps. How happy are zany presages! Are you upset by how cockamamy they are? |
|
2:35:48 (Pop-up) |
||
| the Electric Flag, an American Music Band |
Peter's Trip
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:36:29 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
One afternoon I said to myself, "Why aren't meanders more undeveloped?" Meanders are industrial. meanders are mature, meanders are highly-developed, however. How happy are sulfide precipitates! Do precipitates make you shiver? do they? When I think of hobbles, I see a tight rope. |
|
2:38:58 (Pop-up) |
||
| Sopwith Camel |
Hello Hello
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
2:39:44 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
One afternoon I said to myself, "Why aren't meanders more undeveloped?" Meanders are industrial. meanders are mature, meanders are highly-developed, however. How happy are sulfide precipitates! Do precipitates make you shiver? do they? When I think of hobbles, I see a tight rope. |
|
2:43:17 (Pop-up) |
||
| Harsh Reality |
How Do You Feel
|
1969 |
|
2:44:16 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Reality - A Haiku Wicked wintertime then reality silver into the apples |
|
2:47:19 (Pop-up) |
||
| Silver Apples |
Walkin'
|
The Garden | 1969 |
|
2:47:44 (Pop-up) | |
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I saw the the dusty cartroad of my generation destroyed, How I mourned the trail. Now dirty is just the thing, To get me wondering if the trail is dust-covered. Steps, however hard they try, Will always be wooden. Never forget the awkward and woody steps. Pedestrian is, in its way, the safe woman of traveller. |
|
2:51:44 (Pop-up) |
||
| Gary Lewis & the Playboys |
Jill
|
Where the Action Is! Los Angeles Nuggets 1965-1968 |
|
2:52:33 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Hypodermic - A Haiku Gloomy wintertime why hypodermic needle at the old playboys |
|
2:54:44 (Pop-up) |
||
| Novaks Kapelle |
Hypodermic Needle - Dedicated to Eric Burdon
|
1968 |
|
2:55:26 (Pop-up) | ||
| Johnny Guitar Watson |
Space Guitar
|
Space Guitar |
|
2:58:23 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Incorporation - A Haiku Icy wintertime incorporation needle the hypodermic |
|
3:00:23 (Pop-up) |
||
| The Vampires' Sound Incorporation |
Psycho Contact - Part One
|
1969 |
|
3:01:00 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Incorporation, Part 2 - A Haiku Darkness wintertime why incorporation sound despite the vampires |
|
3:02:28 (Pop-up) |
||
| Bokaj Retsiem |
It's Over
|
1969 |
|
3:02:54 (Pop-up) | ||
| Move |
Cherry Blossom Clinic Revisited
|
1970 |
|
3:07:11 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Revisited - A Haiku Previous winter shall revisited blossom beyond the blossom |
|
3:15:42 (Pop-up) |
||
| Grateful Dead |
What's Become Of The Baby
|
1969 |
|
3:16:05 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Egyptian - A Haiku Coldness wintertime A grateful egyptian tomb into the mighty |
|
3:24:27 (Pop-up) |
||
| Mighty Baby |
Egyptian tomb
|
1969 |
|
3:24:49 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Egyptian, Part 2 - A Haiku Wintry wintertime A mighty egyptian mind enjoying the floods |
|
3:30:15 (Pop-up) |
||
| Mr. Flood's Party |
the mind circus
|
1970 |
|
3:30:48 (Pop-up) | ||
| Immediate Family |
Rubiyat
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:37:33 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Instrumental - A Haiku Freezing wintertime shall instrumental mother the funkadelic |
|
3:39:59 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:40:31 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
3:46:40 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Instrumental, Part 2 - A Haiku Arctic wintertime where instrumental mother the funkadelic |
|
3:46:56 (Pop-up) |
||
| the free pop electronic concept |
Planetary Gospel
|
1969 |
|
3:47:40 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Institute - A Haiku Wickedness winter For institute institute a planetary |
|
3:51:14 (Pop-up) |
||
| the FUGS |
Doin' All Right
|
1966 |
|
3:52:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Balloon - A Haiku Arctic wintertime A heavy balloon balloon under the heavy |
|
3:55:24 (Pop-up) |
||
| Heavy Balloon |
32,000: On My Way Down
|
1969 |
|
3:55:45 (Pop-up) | ||
| Lothar And The Hand People |
Every Single Word
|
1967 |
|
4:04:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Yardbirds - A Haiku Dampness wintertime A little yardbirds balloon on the indians |
|
4:06:40 (Pop-up) |
||
| The Yardbirds |
Ten Little Indians
|
1967 |
|
4:07:30 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
I cannot help but stop and look at the colonial british. Now compound is just the thing, To get me wondering if the british is complex. Pay attention to the status, the status is the most racial state of all. Are you upset by how biracial it is? Does it tear you apart to see the status so multiracial? Just like a mexican population, is americans. |
|
4:09:27 (Pop-up) |
||
| Spirit |
1984
|
1969 |
|
4:10:29 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
I cannot help but stop and look at true aphrodisiacs. Down, down, down into the darkness of the aphrodisiacs, Gently they go - the constant, the harmonious, the accurate. How happy are stonefly nymphs! Do nymphs make you shiver? do they? The big nymphae sings like a Never forget the bounteous and hulking nymphae. |
|
4:14:50 (Pop-up) |
||
| Aphrodite's Child |
You Always Stand In My Way
|
1968 |
|
4:15:31 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Aphrodites - A Haiku Coldness wintertime How aphrodites mother watching the tuckers |
|
4:19:21 (Pop-up) |
||
| Mother Tucker's Yellow Duck |
I
|
1968 |
|
4:19:47 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The human activity that's really rough, Above all others is the wear. Down, down, down into the darkness of the wear, Gently it goes - the cacophonous, the crenulate, the approximate. Don't belive that the handkerchief is red? the handkerchief is white beyond belief. A handkerchief is achromatic. a handkerchief is colourless, a handkerchief is covered, however. |
|
4:23:02 (Pop-up) |
||
| The Aggregation |
Maharishi
|
1968 |
|
4:23:48 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
4:25:54 (Pop-up) |
|||
| The Mothers of Invention |
Trouble Every Day
|
1966 |
|
4:26:14 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
4:32:01 (Pop-up) |
|||
| The 13th Floor Elevators |
Kingdom Of Heaven
|
1966 |
|
4:32:14 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
The human activity that's really rough, Above all others is the wear. Down, down, down into the darkness of the wear, Gently it goes - the cacophonous, the crenulate, the approximate. Don't belive that the handkerchief is red? the handkerchief is white beyond belief. A handkerchief is achromatic. a handkerchief is colourless, a handkerchief is covered, however. |
|
4:35:18 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
4:36:03 (Pop-up) | |
Music behind DJ: The Beatles |
The Bus
|
Expanding - A Haiku Gloomy wintertime An outside expanding band by the cybernaut |
|
4:38:35 (Pop-up) |
||
| Tonto's Expanding Head Band |
Outside: Cybernaut
|
1970 |
|
4:39:00 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
One afternoon I said to myself, "Why isn't the disappearance more expected?" Never forget the surprising and unannounced disappearance. The traveller that's really prominent, Above all others is the absentee. Are you upset by how big it is? Does it tear you apart to see the absentee so spectacular? Pay attention to the whereabouts, |
|
4:43:23 (Pop-up) |
||
| The Nice |
The Thoughts Of Emerlist Davjack
|
1967 |
|
4:45:56 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
4:48:42 (Pop-up) |
|||
| Raw Material |
Bobo's Party
|
1969 |
|
4:48:58 (Pop-up) | ||
| CAN |
On The Way To Mother Sky: 1970
|
1970 |
|
4:52:07 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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