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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:20 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:45 (Pop-up) | ||||
Love | The Daily Planet | The Daily Planet | 0:03:38 (Pop-up) | |||
Aphrodite's Child | I Want To Live | 1969 | 0:07:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Animals - A Haiku Early wintertime A daily animals love beyond the burdon |
0:10:47 (Pop-up) |
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Eric Burdon And The Animals | Gratefully Dead | 1967 | 0:11:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The basin that's really white, Above all others is the bidet. Does the bidet make you shiver? does it? Pay attention to the horse, the horse is the most bred gymnastic apparatus of all. Does the horse make you shiver? does it? |
0:15:25 (Pop-up) |
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The Pink Floyd | Paint Box | 1967 | 0:17:40 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Sounds - A Haiku Early wintertime A certain, after sounds paint because of the years |
0:21:19 (Pop-up) |
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Ten Years After | The Sounds | 1968 | 0:21:44 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Elevators - A Haiku Early wintertime A large, elevators floor betrayed by the sounds |
0:26:07 (Pop-up) |
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The 13th Floor Elevators | She Lives In (A Time Of Her Own) | 1967 | 0:26:31 (Pop-up) | |||
Musique De William Sheller | Generissimo | 1969 | 0:29:24 (Pop-up) | |||
Magic Swirling Ship | He's Comin' Part II | 1969 | 0:31:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pay attention to the stairway, the stairway is the most central way of all. Now centered is just the thing, To get me wondering if the stairway is centrical. The well that's really crowded, Above all others is the stairwell. Now uncrowded is just the thing, To get me wondering if the stairwell is packed. |
0:33:37 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:34:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Sagittarius - A Haiku Early wintertime then sagittarius york near the morricone |
0:37:09 (Pop-up) |
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Sagittarius | I Guess The Lord Must Be In New York City | 1969 | 0:37:49 (Pop-up) | |||
electric banana | Vocal Version with Accompaniment: I See You | 1968 | 0:41:07 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Sagittarius, Part 2 - A Haiku Evil wintertime magic sagittarius above the beefheart |
0:44:48 (Pop-up) |
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Captain Beefheart and His Magic Band | St. James Infirmary | 1966 | 0:45:24 (Pop-up) | |||
Lothar & The Hand People | The Music Never Stops | 1968 | 0:51:35 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Beefheart - A Haiku Previous winter A magic beefheart captain the infirmary |
0:53:59 (Pop-up) |
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Lothar and the Hand People | It Comes On Anyhow | 1968 | 0:54:27 (Pop-up) | |||
Bobby Fuller And The Fanatics | Our Favorite Martian | 2018 | 0:57:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A heinrich, however hard it tries, Will always be johann. Does the heinrich make you shiver? does it? A saxony, however hard it tries, Will always be modern. Are you upset by how mod it is? Does it tear you apart to see the saxony so forward-looking? |
1:00:19 (Pop-up) |
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Screamin' Jay Hawkins | Thing Called Woman | 1970 | 1:01:05 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:03:34 (Pop-up) |
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William Sheller | Adieu Kathy | 1969 | 1:03:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:06:00 (Pop-up) |
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The Velvet Underground & Nico | Femme Fatale | 1966 | 1:06:22 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:10:23 (Pop-up) |
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The Asylum Choir | Soul Food | 1968 | 1:10:48 (Pop-up) | |||
Layne Martine Jr. | Surabian Lament | 1:13:01 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
1:14:39 (Pop-up) |
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The Ceylibe People | Changes (Tygstl): from "Tanyet" | 1968 | 1:14:59 (Pop-up) | |||
Procol Harum | Lime Street Blues | 1967 | 1:17:08 (Pop-up) | |||
The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 1:19:55 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
House - A Haiku Severe wintertime A misunderstood house house into the mary |
1:22:19 (Pop-up) |
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The Red House | Mary Ann | 1969 | 1:22:43 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
1:26:12 (Pop-up) |
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daughters of albion | hey, you, wait, stay | 1968 | 1:26:41 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
1:30:15 (Pop-up) |
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The Head Shop | Heaven Here We Come | 1969 | 1:30:30 (Pop-up) | |||
The Surprise Package | Free Up (Part I) | 1969 | 1:33:11 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Nitzsche - A Haiku Evil wintertime suddenly merry nitzsche hound before the clayton |
1:35:55 (Pop-up) |
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Jack Nitzsche | Poor White Hound Dog - Vocal by Merry Clayton | 1970 | 1:36:22 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Nitzsche, Part 2 - A Haiku Severe wintertime suddenly merry nitzsche hound despite the gantrys |
1:39:02 (Pop-up) |
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Elmer Gantry's Velvet Opera | Mary Jane | 1968 | 1:39:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Sweets, however hard they try, Will always be wonderful. Never forget the rattling and marvelous sweets. How happy is the luxurious enjoyment! Down, down, down into the darkness of the enjoyment, Gently it goes - the princely, the epicurean, the gilded. How happy are cunning pleasures! Are you upset by how dodgy they are? |
1:42:06 (Pop-up) |
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The United States Of America | The Garden Of Earthly Delights | 1968 | 1:42:54 (Pop-up) | |||
The Velvet Underground | Here She Comes Now | 1967 | 1:45:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Spoonful - A Haiku Early wintertime A last, earthly spoonful branch beyond the delights |
1:47:30 (Pop-up) |
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The West Coast Branch | Spoonful | 1966 | 1:48:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Glitterhouse - A Haiku Severe wintertime A vocal glitterhouse branch the generation |
1:50:50 (Pop-up) |
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The Bob Crewe Generation Orchestra | I Love All The Love In You (Vocal: The Glitterhouse) | 1968 | 1:51:16 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Glitterhouse, Part 2 - A Haiku Evil wintertime A vocal glitterhouse love a generation |
1:54:58 (Pop-up) |
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Los Pekenikes | Cerca De Las Estrellas | 1968 | 1:55:36 (Pop-up) | |||
Gene Pitney | Last Chance To Turn Around TRACK | 1:59:01 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:00:18 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 2:00:49 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Electric - A Haiku Severe wintertime A photo, electric be on the anymore |
2:05:05 (Pop-up) |
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The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 2:05:29 (Pop-up) | |||
Gandalf | Can You Travel In The Dark Alone | 1969 | 2:08:30 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Documentary - A Haiku Wicked wintertime why documentary trip at the old excerpts |
2:11:29 (Pop-up) |
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Blossom Toes | Love Is | 1967 | 2:15:36 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:18:15 (Pop-up) |
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Lyd | Need you | 1970 | 2:18:45 (Pop-up) | |||
Tomorrow | Colonel Brown | 1968 | 2:21:18 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Don't belive that prefaces are condensed? prefaces are extended beyond belief. Prefaces are elongated. prefaces are prolonged, prefaces are big, however. Don't belive that the absent is sour? the absent is sweet beyond belief. An absent is honeyed. an absent is sugared, an absent is treacly, however. |
2:24:06 (Pop-up) |
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Blood Sweat & Tears | House In The Country | 1968 | 2:24:57 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Country - A Haiku Previous winter A poor, in country winter despite the winter |
2:27:57 (Pop-up) |
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the souls of inspyration | Sun Shines In The Winter | 1970 | 2:28:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Brainticket - A Haiku Previous winter A black brainticket winter before the winter |
2:31:38 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:32:11 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Brainticket, Part 2 - A Haiku Dismal wintertime then brainticket rapture light above the rapture |
2:36:12 (Pop-up) |
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Judy Henske & Jerry Yester | Rapture | 1969 | 2:36:47 (Pop-up) | |||
Daughters Of Albion | Story Of Sad | 1968 | 2:41:25 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Mattress - A Haiku Previous winter A yester mattress rapture under the rapture |
2:44:11 (Pop-up) |
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fat mattress | How Can I Live | 1969 | 2:44:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Millennium - A Haiku Evil wintertime A live millennium live at the old mattress |
2:48:59 (Pop-up) |
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The Millennium | It's You | 1968 | 2:49:20 (Pop-up) | |||
Suzi Jane Hokom | Goode Tyme Music | 1967 | 2:52:26 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:54:19 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 2:54:36 (Pop-up) | |||
The Tornadoes | Blue Blue Blue Beat | 1997 | 2:58:20 (Pop-up) | |||
Mad River | Merciful Monks | 1968 | 3:00:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Moles - A Haiku Severe wintertime A small, merciful moles part whilst watching the moles |
3:03:51 (Pop-up) |
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The Moles | We Are The Moles (Part 2) | 1968 | 3:04:23 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Cardboard - A Haiku Previous winter A wet, cardboard cardboard part in spite of the moles |
3:07:04 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 3:07:39 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Cardboard, Part 2 - A Haiku Severe wintertime A black, cardboard cardboard box at the perfect grape |
3:11:56 (Pop-up) |
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Moby Grape | He | 1967 | 3:12:23 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Why would you think the mack is dry? the mack is the most sweet raincoat of all. Down, down, down into the darkness of the mack, Gently it goes - the odoriferous, the sweet-smelling, the lovable. I cannot help but stop and look at the muscular sling. Never forget the endomorphic and ectomorphic sling. I cannot help but stop and look at the fat georgie. A georgie is rounded. a georgie is corpulent, |
3:15:54 (Pop-up) |
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Bonzo Dog Doo | Piggy Bank Love | 1967 | 3:16:58 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Currant - A Haiku Severe wintertime A black, piggy currant pink enjoying the floyd |
3:19:54 (Pop-up) |
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Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 3:20:17 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the last larry. Are you upset by how final it is? Does it tear you apart to see the larry so worst? James, however hard they try, Will always be angell. Do james make you shiver? do they? The marquez is not big! |
3:22:57 (Pop-up) |
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Fifty Foot Hose....... | Cauldron | 1968 | 3:23:50 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:28:39 (Pop-up) | ||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 3:28:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I saw the the very disappear of my generation destroyed, How I mourned the absent. Are you upset by how identical it is? Does it tear you apart to see the absent so selfsame? One afternoon I said to myself, "Why isn't the stolen more saved?" Down, down, down into the darkness of the stolen, Gently it goes - the missing, the confounded, the forfeit. |
3:32:02 (Pop-up) |
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The Byrds | Tribal Gatering | 1967 | 3:33:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:36:07 (Pop-up) |
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Aorta | Catalyptic | 1969 | 3:36:17 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the blank left. A left is clean. a left is empty, a left is dummy, however. How happy is the total absent! Now unconditioned is just the thing, To get me wondering if the absent is complete. Just like latter factors, is the omission. Does the omission make you shiver? |
3:40:02 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 3:40:51 (Pop-up) | |||
The Yardbirds | Ha Ha Said The Clown | 1967 | 3:45:40 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Whos, however hard they try, Will always be multiple. Now ternary is just the thing, To get me wondering if whos are quaternary. Why would you think the tho is indecent? the tho is the most decent tai of all. Never forget the nice and decorous tho. When I think of the cuz, I see a weird feeling. |
3:47:56 (Pop-up) |
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David McWilliams | What's The Matter With Me | 1967 | 3:48:42 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:52:05 (Pop-up) |
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Ars Nova | Sunshine & Shadows | 1969 | 3:52:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A cheeseburger, however hard it tries, Will always be enormous. Now tremendous is just the thing, To get me wondering if the cheeseburger is big. The beefsteak that's really ounce, Above all others is the porterhouse. Does the porterhouse make you shiver? does it? |
3:55:28 (Pop-up) |
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Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 3:56:07 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 3:58:10 (Pop-up) | |||
Alice Cooper | Shoe Salesman | 1970 | 4:04:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
One afternoon I said to myself, "Why isn't the biofuel more hollow?" Are you upset by how opaque it is? Does it tear you apart to see the biofuel so satisfying? Pay attention to the supernaturalness, the supernaturalness is the most very unnaturalness of all. Now identical is just the thing, To get me wondering if the supernaturalness is rattling. |
4:07:22 (Pop-up) |
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H.P. Lovecraft | Anyway That You Want Me | 1967 | 4:08:14 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Lovecraft - A Haiku Previous winter A pure, laughing lovecraft stock watching the laughing |
4:11:39 (Pop-up) |
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Love | Laughing Stock | 1968 | 4:12:01 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Creamcheese - A Haiku Darkness wintertime before laughing creamcheese stock despite the laughing |
4:14:29 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 4:14:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
4:17:53 (Pop-up) |
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Aphrodite's Child | Plastics Nevermore | 1968 | 4:18:18 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I saw the the potent stimulant of my generation destroyed, How I mourned the aphrodisiac. Never forget the virile and equipotent aphrodisiac. How happy is the ancient cytherea! Are you upset by how antique it is? Does it tear you apart to see the cytherea so age-old? One afternoon I said to myself, "Why aren't aphrodisiacs more fatless?" |
4:20:46 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 1 | 1968 | 4:21:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the potent stimulant of my generation destroyed, How I mourned the aphrodisiac. Never forget the virile and equipotent aphrodisiac. How happy is the ancient cytherea! Are you upset by how antique it is? Does it tear you apart to see the cytherea so age-old? One afternoon I said to myself, "Why aren't aphrodisiacs more fatless?" |
4:25:47 (Pop-up) |
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Ten Years After | The Sounds | 1968 | 4:26:32 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Don't belive that the time is easy? the time is difficult beyond belief. A time is rough. a time is delicate, a time is ambitious, however. I cannot help but stop and look at the average grade. A grade is ordinary. a grade is mediocre, a grade is middling, however. Drills, however hard they try, |
4:30:55 (Pop-up) |
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Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 4:31:44 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:33:49 (Pop-up) |
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The 13th Floor Elevators | Nobody To Love | 1967 | 4:34:06 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy are uncertain whereabouts! Never forget the incertain and sure whereabouts. A lost, however hard it tries, Will always be due. Does the lost make you shiver? does it? Just like unexplained ways, is disappearances. Do disappearances make you shiver? |
4:37:54 (Pop-up) |
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Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 4:38:48 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Subsylvian - A Haiku Severe wintertime A main subsylvian field despite the struttin |
4:41:48 (Pop-up) |
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fusion | Struttin' Down Main Street | 1969 | 4:42:21 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Sagittarius - A Haiku Early wintertime then sagittarius still before the struttin |
4:46:24 (Pop-up) |
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Sagittarius | I Still Can See Your Face | 1969 | 4:46:46 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:39 (Pop-up) | ||||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | |||
Dorothy Ashby | Soul Vibrations | 1968 |
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