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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:01:34 (Pop-up) | ||||
The 13th Floor Elevators | Tried To Hide | 1966 | 0:02:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at foot inclines. Do inclines make you shiver? do they? I cannot help but stop and look at seismic stations. Never forget the unstable and seismal stations. zany facilities sings like handicapped interests Facilities are sappy. facilities are clownish, facilities are cuckoo, however. |
0:05:05 (Pop-up) |
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Aorta | Strange | 1969 | 0:06:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:10:28 (Pop-up) |
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Tim Buckley | Pleasant Street | 1967 | 0:10:50 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at foot inclines. Do inclines make you shiver? do they? I cannot help but stop and look at seismic stations. Never forget the unstable and seismal stations. zany facilities sings like handicapped interests Facilities are sappy. facilities are clownish, facilities are cuckoo, however. |
0:16:44 (Pop-up) |
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Art | Supernatural Fairy Tale | 1967 | 0:17:24 (Pop-up) | |||
Noel Harrison | Life Is a Dream | Where the Action Is! Los Angeles Nuggets 1965-1968 | 0:20:54 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the japan agricultural. Does the agricultural make you shiver? does it? The cultivation that's really brazilian, Above all others is the agriculture. Does the agriculture make you shiver? does it? Iowa is west side. |
0:22:51 (Pop-up) |
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Appaloosa | Georgia Street | 1969 | 0:23:41 (Pop-up) | |||
Ars Nova | March Of The Mad Duke's Circus | 1968 | 0:28:15 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 0:31:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:32:31 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:33:01 (Pop-up) | ||
BlueCheer | Honey Butter Lover | 1969 | 0:35:32 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Big And Funny Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:41 (Pop-up) |
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Kevin Ayers | The Lady Rachel | 1969 | 0:38:31 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:43:48 (Pop-up) |
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The La De Das | Come and Fly With Me | 1969 | 0:44:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Chair - A Haiku Hazy wintertime An empty, away chair chair in spite of the gees |
0:48:28 (Pop-up) |
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Bee Gees | Red chair fade away | 1967 | 0:48:52 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Fields - A Haiku Severe wintertime A many, away fields chair in spite of the chair |
0:51:04 (Pop-up) |
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Fields | Sun Would Set | 1969 | 0:51:27 (Pop-up) | |||
The Shadows | A Place in the Sun | 1996 | 0:56:43 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 0:58:53 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Fields, Part 2 - A Haiku Darkness wintertime An electric, back fields set betrayed by the byrds |
0:59:08 (Pop-up) |
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The Byrds | Goin' Back | 1967 | 1:00:07 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Somebody - A Haiku Severe wintertime A real, great somebody love the society |
1:03:56 (Pop-up) |
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Great Society | Somebody To Love | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:04:20 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Somebody, Part 2 - A Haiku Dampness wintertime A last, somebody listen the society |
1:08:36 (Pop-up) |
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Deep Purple | Listen, Learn, Read On | 1968 | 1:09:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Collectors - A Haiku Darkness wintertime A purple collectors listen watching the purple |
1:14:16 (Pop-up) |
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the Collectors | One Act Play | 1968 | 1:14:42 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
A coz, however hard it tries, Will always be fair. Now antitrust is just the thing, To get me wondering if the coz is ordinary. How happy is the frontal lol! Now anterior is just the thing, To get me wondering if the lol is head-on. The zany guess sings like a well matter |
1:18:15 (Pop-up) |
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Bear | Don't You Ever Want To Think About Them? | 1968 | 1:18:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at the fancy anybody. An anybody is flamboyant. an anybody is damask, an anybody is damascene, however. I cannot help but stop and look at sweet regrets. Do regrets make you shiver? do they? The euphemism that's really big, Above all others is the heck. |
1:22:21 (Pop-up) |
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The CAN | Father Cannot Yell | 1969 | 1:23:02 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at the rub brisket. Does the brisket make you shiver? does it? How happy is the sick cattle! Never forget the feverish and stricken cattle. Cattleman is damned driving. damned driving is cattleman. A cattleman is woolly. a cattleman is flocculent, |
1:29:57 (Pop-up) |
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Captain Beefheart & His Magic Band | Sugar 'N Spikes | 1970 | 1:30:37 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Beefheart - A Haiku Severe wintertime before brave beefheart captain on the tomorrow |
1:33:05 (Pop-up) |
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The Brave New World | It's Tomorrow | 1966 | 1:33:29 (Pop-up) | |||
The Trees | Don't Miss The Turn | 1996 | 1:35:25 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Tomorrow - A Haiku Evil wintertime A good, brave tomorrow think before the stephen |
1:37:35 (Pop-up) |
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Richie Furay & Stephen Stills | Sit Down I Think I Love You | Where the Action Is! Los Angeles Nuggets 1965-1968 | 1:38:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:41:53 (Pop-up) |
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Created by Bruce Haack | Incantation | 1970 | 1:42:26 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Disappearances, however hard they try, Will always be unexplained. Disappearances are inexplicable. disappearances are incomprehensible, disappearances are undetermined, however. The absentee is not uninteresting! the absentee is exceptionally fascinating. Down, down, down into the darkness of the absentee, Gently it goes - the absorbing, the fascinating, the newsworthy. |
1:45:38 (Pop-up) |
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The Todds | I Want Her Back | 1967 | 1:46:29 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Streetcar - A Haiku Previous winter A yellow, nice streetcar want by the hamilton |
1:48:58 (Pop-up) |
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Hamilton Streetcar | Wouldn't It Be Nice (To Have Wings And Fly) | Original Lp - Dot Records DLP 25939 | 1969 | 1:49:24 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Streetcar, Part 2 - A Haiku Cloudy wintertime An old, nice streetcar flower on the hamilton |
1:52:47 (Pop-up) |
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The Flower Power | Mt. Olympus | 1968 | 1:53:16 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:56:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:59:08 (Pop-up) |
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Friendsound | Friendsong I: Love Sketch | 1969 | 1:59:30 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:02:53 (Pop-up) |
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Arzachel | Queen St. Gang | 1969 | 2:03:08 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
2:07:30 (Pop-up) |
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the FUGS | Group Grope | 1966 | 2:07:41 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:13:22 (Pop-up) |
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The Fox | Butterfly | 1970 | 2:13:33 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:16:52 (Pop-up) |
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Mario Molino | Operazione Beat | 1968 | 2:17:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
2:20:10 (Pop-up) |
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Gun | Race With The Devil | 1968 | 2:20:33 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pleasure - A Haiku Previous winter A great, elder pleasure bill after the grinder |
2:24:04 (Pop-up) |
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Bill Elder & Pleasure | Poor Old Organ Grinder | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:24:27 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Incorporation - A Haiku Hazy wintertime when incorporation sound a satisfaction |
2:28:15 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 2:28:50 (Pop-up) | |||
Breeze | I Get Groovy Feelings | I Get Groovy Feelings b/w Jersey Thursday | 1966 | 2:31:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
The orc is not married! the orc is exceptionally undivided. Down, down, down into the darkness of the orc, Gently it goes - the mateless, the undivided, the double. I cannot help but stop and look at older gorgons. Down, down, down into the darkness of the gorgons, Gently they go - the senior, the younger, the big. Changelings, however hard they try, |
2:33:42 (Pop-up) |
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Amon Düül II | Kanaan | 1969 | 2:34:40 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:38:37 (Pop-up) |
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U.S. 69 | Never A Day Goes By | 1969 | 2:40:48 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:45:36 (Pop-up) |
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Mij | Two Stars | 1969 | 2:45:48 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:49:38 (Pop-up) |
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Jefferson Airplane | Lather | 1968 | 2:49:50 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
2:52:42 (Pop-up) |
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Indian Puddin' & Pipe | Beyond This Place | 1968 | 2:52:55 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 2:55:20 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 2:57:42 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:59:09 (Pop-up) |
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Bokaj Retsiem | Pill | 1969 | 2:59:48 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Landscape - A Haiku Dismal wintertime A whole, grown landscape landscape before the maffitt |
3:04:32 (Pop-up) |
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Maffitt | Landscape Grown Cold | 1968 | 3:04:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Landscape, Part 2 - A Haiku Smoggy wintertime A vast, grown landscape landscape by the november |
3:09:16 (Pop-up) |
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Peter Fonda | November Night | Where the Action Is! Los Angeles Nuggets 1965-1968 | 3:09:41 (Pop-up) | |||
Mr. Flood's Party | the liquid invasion | 1970 | 3:16:39 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Sidewalks - A Haiku Evil wintertime A wide, moving sidewalks need near the invasion |
3:21:12 (Pop-up) |
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The Moving Sidewalks | Need Me | Need Me | 3:21:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sidewalks, Part 2 - A Haiku Previous winter A paved, moving sidewalks chalk out of factory |
3:23:50 (Pop-up) |
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The Factory | Red Chalk Hill | 1969 | 3:24:14 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Mountains - A Haiku Severe wintertime A steep, grateful mountains chalk on the factory |
3:27:30 (Pop-up) |
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Grateful Dead | Mountains Of The Moon | 1969 | 3:28:03 (Pop-up) | |||
The Woolies | Who Do You Love | 1966 | 3:32:07 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Mountains, Part 2 - A Haiku Dampness wintertime A blue, grateful mountains mind watching the rooftop |
3:34:06 (Pop-up) |
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The Blue Things | The Orange Rooftop Of Your Mind | 1966 | 3:34:39 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Travels - A Haiku Previous winter A sound, orange travels mind into the ruperts |
3:37:26 (Pop-up) |
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Gun | Rupert's Travels | 1968 | 3:37:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Don't belive that the elliot is light? the elliot is dark beyond belief. Are you upset by how uncheerful it is? Does it tear you apart to see the elliot so crepuscular? I cannot help but stop and look at the poor locke. Does the locke make you shiver? does it? James are, in their way, dead daughter of river. |
3:41:41 (Pop-up) |
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Syd Barrett | Swan Lee (Silas Lang) | 1969 | 3:42:22 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Lang And Brown Hassle Whose hassle is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his hassle a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:45:28 (Pop-up) |
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Mike Curb and Lawrence Brown | Gas Hassle | 1968 | 3:46:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Ace And Brown Simplicity Whose simplicity is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his simplicity a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:48:43 (Pop-up) |
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Ace of Cups | Simplicity | 2004 | 3:49:40 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Whose simplicity is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his simplicity a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:54:29 (Pop-up) |
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The Weirdos and the voice of Mr. Gasser | Hearse With A Curse | 1964 | 3:55:07 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 3:57:32 (Pop-up) | ||
The Vampires' Sound Incorporation | Psycho Contact - Part Three | 1969 | 4:01:43 (Pop-up) | |||
The 13th Floor Elevators | Till Then | 1969 | 4:03:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Incorporation, Part 2 - A Haiku Severe wintertime why incorporation sound above the vampires |
4:06:18 (Pop-up) |
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Jefferson Airplane | Greasy Heart | 1968 | 4:07:49 (Pop-up) | |||
The Second Time | Sally Le Roy | 1968 | 4:11:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The blakely is not middle! the blakely is exceptionally middle. Never forget the belated and middle blakely. How happy are pacific james! Never forget the peaceful and peaceable james. The elmore is like a poor people, it tends to Jeff pronto. You may Jeff, |
4:13:36 (Pop-up) |
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Cruciferius! | A Nice Way Of Life | 1970 | 4:14:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Why would you think the absent is appropriate? the absent is the most inappropriate vanish of all. Never forget the unsuitable and incompatible absent. I cannot help but stop and look at the accidental omission. Does the omission make you shiver? does it? Just like long studies, is the neglected. Are you upset by how chromatic it is? |
4:16:54 (Pop-up) |
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Tim Buckley | Once I Was | 1967 | 4:17:39 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A shafer, however hard it tries, Will always be courtesy. Does the shafer make you shiver? does it? Pay attention to the russell, the russell is the most admiral logistician of all. Does the russell make you shiver? does it? |
4:20:56 (Pop-up) |
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Art | Supernatural Fairy Tale | 1967 | 4:21:37 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The deposit that's really anthropological, Above all others is the museum. Does the museum make you shiver? does it? Don't belive that the calligraphy is concrete? the calligraphy is abstract beyond belief. Are you upset by how nonobjective it is? Does it tear you apart to see the calligraphy so concrete? |
4:25:07 (Pop-up) |
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Aorta | Strange | 1969 | 4:25:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Eclectic - A Haiku Dampness wintertime A modest, eclectic mouse whilst watching the hounds |
4:30:14 (Pop-up) |
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The Eclectic Mouse | Where Do The Hounds Go | 4:30:38 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
All that is unperplexed is not mazes, mazes, by all account is perplexed. Mazes are at sea. mazes are confounded, mazes are lost, however. Fables, however hard they try, Will always be famous. Never forget the celebrated and noted fables. How happy is the cunning screen! |
4:34:05 (Pop-up) |
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Bohemian Vendetta | Riddles & Fairytales | 1967 | 4:34:46 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
A gone, however hard it tries, Will always be psor. Does the gone make you shiver? does it? One afternoon I said to myself, "Why aren't whereabouts more unsuspected?" Do whereabouts make you shiver? do they? |
4:37:38 (Pop-up) |
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Plus | Gluttony: "Something Is Treatening Your Family" | 1969 | 4:38:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
A gone, however hard it tries, Will always be psor. Does the gone make you shiver? does it? One afternoon I said to myself, "Why aren't whereabouts more unsuspected?" Do whereabouts make you shiver? do they? |
4:41:01 (Pop-up) |
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The Chocolate Watchband | Uncle Morris | 1969 | 4:41:38 (Pop-up) | |||
Whatt Four | Dandelion Wine | 1967 | 4:44:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
4:47:51 (Pop-up) |
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Byrds | Change Is Now | Where the Action Is! Los Angeles Nuggets 1965-1968 | 4:48:21 (Pop-up) | |||
Bear | Like Cats | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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