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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:26 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:51 (Pop-up) | ||||
Syd Barrett | Effervescing Elephant | 1987 | 0:03:20 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
0:04:18 (Pop-up) |
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Affinity | Three Sisters | 1970 | 0:04:30 (Pop-up) | |||
The Tea Company | Make Love, Not War | 1968 | 0:09:24 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:11:51 (Pop-up) |
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The United States Of America | Coming Down | 1968 | 0:12:47 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
America - A Haiku Arctic wintertime America fever days under the dancer |
0:15:24 (Pop-up) |
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fever tree | Death Is The Dancer | 1968 | 0:15:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Concerns, however hard they try, Will always be aesthetic. Down, down, down into the darkness of the concerns, Gently they go - the artistic, the enhancive, the pleasing. Occurrences, however hard they try, Will always be such. Now such that is just the thing, To get me wondering if occurrences are so much. |
0:19:51 (Pop-up) |
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Pretty Things | I See You | 1968 | 0:20:34 (Pop-up) | |||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 0:24:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Streetcar - A Haiku Severe wintertime A crowded, streetcar people the invisible |
0:25:24 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 0:25:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The Invisible And Psychedelic Streetcar Whose streetcar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his streetcar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:28:51 (Pop-up) |
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The Ravelles | Psychedelic Movement | 1968 | 0:29:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Hapshash - A Haiku Darkness wintertime Surprisingly hapshash coat on the ravelles |
0:32:18 (Pop-up) |
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Hapshash And The Coloured Coat | H-O-P-P-Why? | 1967 | 0:32:44 (Pop-up) | |||
Tyrannosaurus Rex | Do You Remember | 1969 | 0:42:32 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at the alleged paucity. Down, down, down into the darkness of the paucity, Gently it goes - the so-called, the supposed, the declared. The demand that's really occasional, Above all others is the lack. Down, down, down into the darkness of the lack, Gently it goes - the casual, the unpredictable, the episodic. The zany presence sings like a constant source |
0:44:44 (Pop-up) |
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Flowerz | Flyte | 1968 | 0:45:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
One afternoon I said to myself, "Why isn't the been more red?" Down, down, down into the darkness of the been, Gently it goes - the black, the whitened, the bloodless. Don't belive that the omission is nonsignificant? the omission is significant beyond belief. Are you upset by how evidentiary it is? Does it tear you apart to see the omission so operative? |
0:47:53 (Pop-up) |
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Mecki Mark Men | Free | 1967 | 0:48:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
One afternoon I said to myself, "Why isn't the unavailability more impartial?" Now unfair is just the thing, To get me wondering if the unavailability is biased. Pay attention to the paucity, the paucity is the most marked scarceness of all. Never forget the noticeable and well-marked paucity. The disregard that's really wooly, |
0:52:44 (Pop-up) |
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Grumbleweeds | (Hey Babe) Follow Me | 2009 | 0:53:23 (Pop-up) | |||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 0:56:04 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 0:58:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:00:32 (Pop-up) |
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The Cape Kennedy Construction Company | Armageddon | 1969 | 1:01:07 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why isn't the unavailability more impartial?" Now unfair is just the thing, To get me wondering if the unavailability is biased. Pay attention to the paucity, the paucity is the most marked scarceness of all. Never forget the noticeable and well-marked paucity. The disregard that's really wooly, |
1:05:23 (Pop-up) |
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The Strawberry Alarm Clock | Rainy Day Mushroom Pillow | 1968 | 1:06:05 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Or And Rainy Strawberry Whose strawberry is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his strawberry a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:09:03 (Pop-up) |
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Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 1:09:47 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Kingsley - A Haiku Depressing winter before golden kingsley grab at the old barrett |
1:16:08 (Pop-up) |
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Syd Barrett | Golden Hair (Vocal Version) | 1989 | 1:16:43 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Don't belive that the omission is noncrucial? the omission is crucial beyond belief. Down, down, down into the darkness of the omission, Gently it goes - the critical, the determinative, the determining. Don't belive that prefaces are antecedent? prefaces are subsequent beyond belief. Never forget the sequent and ulterior prefaces. An absent, however hard it tries, |
1:18:21 (Pop-up) |
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Dragonfly | Time Has Slipped Away | 1968 | 1:19:11 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Butterfly - A Haiku Dampness wintertime A black, butterfly iron on the dragonfly |
1:21:41 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 1:22:05 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Visitation - A Haiku Early wintertime A white visitation noise out of butterfly |
1:26:53 (Pop-up) |
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White Noise | The Visitation | 1969 | 1:27:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Incorporation - A Haiku Frigid wintertime For incorporation sound the satisfaction |
1:38:19 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:38:45 (Pop-up) | |||
The Wet Paint | Shame | 1966 | 1:41:51 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
An undead, however hard it tries, Will always be contemporary. Never forget the coeval and contemporaneous undead. How happy are old warlocks! Never forget the gray-headed and doddering warlocks. I cannot help but stop and look at the big vampirism. Never forget the obvious and large-scale vampirism. Refresh until you're happy with your poem. |
1:44:10 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 1:45:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Pay attention to the left, the left is the most extreme place of all. Does the left make you shiver? does it? A been, however hard it tries, Will always be has. Does the been make you shiver? does it? |
1:47:21 (Pop-up) |
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The Head Shop | Listen With A Third Ear | 1969 | 1:48:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Takeuchi - A Haiku Severe wintertime before white takeuchi watching the jimmy |
1:51:27 (Pop-up) |
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Jimmy Takeuchi | White Room | 1970 | 1:51:50 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Takeuchi, Part 2 - A Haiku Gloomy wintertime A black takeuchi black at the old farlowe |
1:55:43 (Pop-up) |
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Chris Farlowe | Paint It Black | 1968 | 1:56:06 (Pop-up) | |||
The Jimi Hendrix Experience | Are You Experienced | 1967 | 1:59:34 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Invention - A Haiku Early wintertime A new, cheap invention black before the mothers |
2:00:31 (Pop-up) |
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The Mothers Of Invention | Cheap Thrills | 1968 | 2:01:02 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Invention, Part 2 - A Haiku Dampness wintertime A new, light invention light at the old mothers |
2:03:16 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 2:03:50 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Quicksilver - A Haiku Darkening winter A much, quicksilver service near the messenger |
2:09:03 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 2:09:29 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
An omission, however hard it tries, Will always be accidental. Never forget the casual and unintended omission. All that is shallow is not forgotten, forgotten, by all account is deep. Now late is just the thing, To get me wondering if the forgotten is incomprehensible. I cannot help but stop and look at the cunning been. |
2:15:30 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 2:16:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Lightnin - A Haiku Dampness wintertime suddenly last lightnin move before the hopkins |
2:21:11 (Pop-up) |
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Move | The Last Thing On My Mind | 1970 | 2:21:34 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Quicksilver - A Haiku Icy wintertime A much, quicksilver service near the messenger |
2:29:08 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 2:29:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The Lang And Quicksilver Quicksilver Whose quicksilver is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quicksilver a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:41:38 (Pop-up) |
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Syd Barrett | Swan Lee (Silas Lang) | 1989 | 2:42:23 (Pop-up) | |||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 2:45:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
A lachlan, however hard it tries, Will always be young. A lachlan is tender. a lachlan is little, a lachlan is junior, however. One afternoon I said to myself, "Why isn't the beattie more sour?" A beattie is mellifluous. a beattie is seraphic, a beattie is sweet-smelling, however. |
2:47:20 (Pop-up) |
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Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 2:48:07 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:51:17 (Pop-up) |
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G.F. Fitz-Gerald | April Affair | 1970 | 2:51:35 (Pop-up) | |||
T K Os | The Charge | The Charge | 2:57:55 (Pop-up) | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 | 3:00:12 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Because I could not update for revised, it did kindly update for me. Does the revised make you shiver? does it? A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? |
3:00:30 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 3:01:37 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Because I could not update for revised, it did kindly update for me. Does the revised make you shiver? does it? A neglected, however hard it tries, Will always be colombian. Does the neglected make you shiver? does it? |
3:04:19 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 3:04:54 (Pop-up) | |||
The Koala | Don't You Know What I Mean? | 1969 | 3:09:09 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:11:44 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 3:14:14 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:18:41 (Pop-up) |
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Yesterday's Children | Wanna Be With You | 1966 | 3:19:02 (Pop-up) | |||
country joe And The Fish | Thing Called Love | 1966 | 3:21:24 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I saw the the hot stroke of my generation destroyed, How I mourned the lick. Does the lick make you shiver? does it? The regain that's really greasy, Above all others is the feel. Now dirty is just the thing, To get me wondering if the feel is fat. |
3:23:55 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 3:24:43 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Pointing - A Haiku Dampness wintertime A south, golden pointing sand at the old fingers |
3:27:51 (Pop-up) |
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Grains Of Sand | Golden Apples Of The Sun | 1966 | 3:28:17 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Grains - A Haiku Early wintertime A larger, golden grains give after the apples |
3:30:31 (Pop-up) |
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Bram Rigg Set | I Can Only Give You Everything | 1967 | 3:30:54 (Pop-up) | |||
Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 3:33:40 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Bonniwell - A Haiku Dampness wintertime before sound bonniwell sound on the harrisson |
3:38:35 (Pop-up) |
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Small Faces | Up The Wooden Hills | 1967 | 3:41:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Sasafrass - A Haiku Dampness wintertime before sasafrass wooden enjoying the mooche |
3:43:29 (Pop-up) |
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The Mooche | Hot Smoke And Sasafrass | 1969 | 3:43:49 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Storybook - A Haiku Early wintertime A yiddish, storybook smoke above the sanctorum |
3:46:54 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 3:47:15 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:50:37 (Pop-up) |
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Childe Harold | Brink Of Death | 1968 | 3:50:49 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Handles, however hard they try, Will always be plastic. Now impressionable is just the thing, To get me wondering if handles are fictile. I saw the the vertical follow of my generation destroyed, How I mourned the tail. Never forget the straight and upright tail. When I think of the fly, I see a house grass. |
3:54:20 (Pop-up) |
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Randy Burns | Susan your Mind's got Wings | 1968 | 3:54:59 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 3:58:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The president that's really deceased, Above all others is the harrison. Are you upset by how asleep it is? Does it tear you apart to see the harrison so gone? An armstrong, however hard it tries, Will always be ole. Does the armstrong make you shiver? does it? |
4:04:13 (Pop-up) |
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G.F. Fitz-Gerald | May Four | 1970 | 4:04:48 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
4:07:41 (Pop-up) |
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SRC | Interval | 1968 | 4:07:54 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
4:13:09 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 4:13:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:17:16 (Pop-up) |
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tickets | El Rigor De Las Desdichas | 1970 | 4:17:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Desdichas - A Haiku Early wintertime before deep desdichas pink after the ether |
4:21:25 (Pop-up) |
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The Deep | Pink Ether | 1966 | 4:22:05 (Pop-up) | |||
The Koala | Poppa Duke Tyler | 1969 | 4:24:56 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Dancer - A Haiku Previous winter A best, deep dancer fever above the fever |
4:27:33 (Pop-up) |
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fever tree | Death Is The Dancer | 1968 | 4:28:10 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are potter evans! Do evans make you shiver? do they? Pay attention to the jackson, the jackson is the most natchez full general of all. Does the jackson make you shiver? does it? A stewart, however hard it tries, |
4:32:03 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 4:32:39 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Later And Invisible Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:35:36 (Pop-up) |
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The Mothers Of Invention | Later That Night | 1968 | 4:36:38 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
A stock, however hard it tries, Will always be corporate. Are you upset by how corporeal it is? Does it tear you apart to see the stock so incorporated? Kids, however hard they try, Will always be little. Are you upset by how miniscule they are? Does it tear you apart to see the kids so smallest? |
4:39:36 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 4:41:45 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
4:48:27 (Pop-up) |
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The 13th Floor Elevators | Earthquake | 1967 | 4:48:49 (Pop-up) | |||
Cromagnon | First World Of Bronze | 1969 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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