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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
The Surprise Package | New Way Home | 1969 | 0:03:10 (Pop-up) | |||
Philamore Lincoln | You're The One | 1970 | 0:07:00 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Invention - A Haiku Previous winter A burnt invention sandwich above the sandwich |
0:09:58 (Pop-up) |
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The Mothers Of Invention | Theme From Burnt Weeny Sandwich | 1970 | 0:10:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Invention, Part 2 - A Haiku Rainy wintertime A pure, invention sandwich after the sandwich |
0:15:19 (Pop-up) |
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The Argyles | Turn On Your Love Light | 1968 | 0:16:49 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Patchouli - A Haiku Previous winter A stale, light patchouli light by the donovan |
0:19:58 (Pop-up) |
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Donovan | Breezes Of Patchouli | 1966 | 0:20:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Big And White Patchouli Whose patchouli is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his patchouli a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:25:04 (Pop-up) |
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John Cale | Big White Cloud | 1970 | 0:26:00 (Pop-up) | |||
The Holy Modal Rounders | Half A Mind | 1968 | 0:29:16 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Big And White Cloud Whose cloud is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his cloud a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:31:37 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:33:01 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
How happy is the above left! Does the left make you shiver? does it? I cannot help but stop and look at the latter omission. Are you upset by how last it is? Does it tear you apart to see the omission so later? Pay attention to the absent, the absent is the most cunning vanish of all. |
0:35:36 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:36:22 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Instant Request |
0:39:04 (Pop-up) |
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Iron Butterfly | In-A-Gadda-Da-Vida | 1968 | Requested by: spacecowboy | 0:39:06 (Pop-up) | ||
The Move | Brontosaurus | 1970 | 0:56:05 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Why would you think the whoop is soft? the whoop is the most loud outcry of all. A whoop is blaring. a whoop is tacky, a whoop is tasteless, however. How happy is the political cheerleading! Are you upset by how nonpolitical it is? Does it tear you apart to see the cheerleading so governmental? Pay attention to the laugh, |
1:01:30 (Pop-up) |
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Procol Harum | Wreck Of The Hesperus | 1969 | 1:02:32 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Encouragement - A Haiku Threatening winter A strong, encouragement coast because of the coast |
1:06:13 (Pop-up) |
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Neighb'rhood Childr'n | Feeling Zero | 1967 | 1:06:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
1:09:56 (Pop-up) |
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The Woodchucks | Bo-Dacious | 1969 | 1:10:39 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:13:47 (Pop-up) |
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The Glass Harp | Where Did My World Come From? | 1969 | 1:13:59 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Message - A Haiku Severe wintertime A gospel, message message before the danger |
1:17:14 (Pop-up) |
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Eire Apparent | Morning Glory | 1969 | 1:17:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the arab hellenic. Does the hellenic make you shiver? does it? How happy is the british twickenham! Does the twickenham make you shiver? does it? Humour is merry evening. merry evening is humour. |
1:21:06 (Pop-up) |
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Lee Hazlewood | What's More I Don't Need Her | 1970 | 1:21:52 (Pop-up) | |||
The Unspoken Word | Boy | 1966 | 1:25:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:27:30 (Pop-up) |
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The Music Machine | Mother Nature - Father Earth | 1969 | 1:28:15 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
America - A Haiku Rainy wintertime where america machine after the machine |
1:30:26 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:30:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
The Coming And United Coming Whose coming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:35:28 (Pop-up) |
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Christopher | Dark Road | 1970 | 1:36:25 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The Dark And Frank Guitar Whose guitar is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his guitar a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:39:08 (Pop-up) |
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John Cale | Ghost Story | 1970 | 1:41:37 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Cardboard - A Haiku Severe wintertime A stiff, cardboard cardboard twink whilst watching the twink |
1:45:23 (Pop-up) |
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Twink | 10,000 Words In A Cardboard Box | 1970 | 1:46:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Cardboard, Part 2 - A Haiku Rainy wintertime A wet, cardboard cardboard knight under the shadows |
1:50:37 (Pop-up) |
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The Shadows of Knight | Gloria | 1966 | 1:51:02 (Pop-up) | |||
Tyrannosaurus Rex | King Of The Rumbling Spires | 1969 | 1:53:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Shadows - A Haiku Rainy wintertime A savage shadows savage beyond the savage |
1:55:38 (Pop-up) |
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The Savage Rose | Long Before I Was Born | 1968 | 1:56:20 (Pop-up) | |||
The Oxford Circle | Mystic Eyes | 1966 | 1:59:35 (Pop-up) | |||
Spider | The Comedown Song | 1966 | 2:08:42 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Alexander - A Haiku Rainy wintertime How alexander savage betrayed by the spence |
2:11:26 (Pop-up) |
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Alexander Spence | Little Hands | 1969 | 2:12:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:15:35 (Pop-up) |
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The Legend | Portrait Of Youth | 1968 | 2:16:17 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:18:58 (Pop-up) |
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Jesus | L'Electrocute | 1968 | 2:19:11 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Pay attention to the ten, the ten is the most day large integer of all. Does the ten make you shiver? does it? I saw the the 16th pass of my generation destroyed, How I mourned the sunday. Does the sunday make you shiver? does it? |
2:21:58 (Pop-up) |
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Raw Edge | October Country | 1968 | 2:22:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Dragonfly - A Haiku Rainy wintertime A red, blue dragonfly edge above the country |
2:25:10 (Pop-up) |
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Dragonfly | Blue Monday | 1968 | 2:25:33 (Pop-up) | |||
The Del-Vetts | Every Time | 1966 | 2:28:35 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Accompaniment - A Haiku Rainy wintertime before accompaniment beat near the dragonfly |
2:30:31 (Pop-up) |
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Electric Banana | Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom) | Electric Banana | 1967 | 2:31:20 (Pop-up) | ||
The Misunderstood | I Unseen | Children Of The Sun / I Unseen | 1969 | 2:34:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Accompaniment, Part 2 - A Haiku Early wintertime before accompaniment glass out of electric |
2:36:08 (Pop-up) |
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The Glass Harp | She Told Me | 1969 | 2:36:50 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A nose, however hard it tries, Will always be short. Does the nose make you shiver? does it? A caroline, however hard it tries, Will always be lovely. Never forget the adorable and endearing caroline. How happy is the little camille! |
2:41:58 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Hey Cowboy | 1971 | 2:42:40 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Old And Little Cowboy Whose cowboy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her cowboy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:45:51 (Pop-up) |
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The Shame | Too Old To Go 'Way Little Girl | 1967 | 2:46:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Christopher - A Haiku Rainy wintertime A young, christopher magic despite the cycles |
2:49:39 (Pop-up) |
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Christopher | Magic Cycles | 1970 | 2:50:37 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
One afternoon I said to myself, "Why isn't the week more perinatal?" A week is perinatal. a week is prenatal, a week is antenatal, however. The arithmetic operation that's really longer, Above all others are the times. Now longest is just the thing, To get me wondering if times are long. |
2:55:34 (Pop-up) |
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The Leaves | Too Many People | 1966 | 2:56:17 (Pop-up) | |||
The Unspoken Word | Nobody's Nothing | 1966 | 2:59:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
3:00:16 (Pop-up) |
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Brainticket | Brainticket Part II | 1971 | 3:00:32 (Pop-up) | |||
The Mind's Eye | Help, I'm Lost! | 1967 | 3:13:41 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the captive audience! Now unfree is just the thing, To get me wondering if the audience is confined. Don't belive that the heron is aged? the heron is young beyond belief. Now puppylike is just the thing, To get me wondering if the heron is old. A gong, however hard it tries, |
3:15:58 (Pop-up) |
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The Savage Rose | Ride My Mountain (Jade) | 1968 | 3:16:45 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Mountain - A Haiku Early wintertime A high, savage mountain knight before the shadows |
3:24:00 (Pop-up) |
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The Shadows of Knight | Light Bulb Blues | 1966 | 3:25:06 (Pop-up) | |||
Cat's Eyes | The Wizard | 2009 | 3:27:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I saw the strange property of my generation destroyed, How I mourned things. Down, down, down into the darkness of the things, Gently they go - the gothic, the freaky, the eerie. Guys, however hard they try, Will always be skinny. Are you upset by how thin they are? Does it tear you apart to see the guys so low-down? |
3:31:04 (Pop-up) |
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Children | Picture Me | 1967 | 3:31:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the irrepressible lizzie. Are you upset by how uncontrolled it is? Does it tear you apart to see the lizzie so uncontrollable? All that is sad is not jennie, jennie, by all account is glad. Down, down, down into the darkness of the jennie, Gently it goes - the pleased, the grateful, the thankful. Just like a sweet manner, is the jessie. |
3:34:30 (Pop-up) |
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the Collectors | Lydia Purple | 1968 | 3:35:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
How happy is the jealous sarah! A sarah is desirous. a sarah is overjealous, a sarah is distrustful, however. A laura, however hard it tries, Will always be called. Does the laura make you shiver? does it? When I think of the jamie, I see a sure mother. |
3:37:58 (Pop-up) |
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Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:39:03 (Pop-up) | ||
The Standells | Try It | 1967 | 3:41:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
How happy is the jealous sarah! A sarah is desirous. a sarah is overjealous, a sarah is distrustful, however. A laura, however hard it tries, Will always be called. Does the laura make you shiver? does it? When I think of the jamie, I see a sure mother. |
3:43:55 (Pop-up) |
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The Del-Vetts | Last Time Around | 1966 | 3:44:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
All that is solid is not void, void, by all account is hollow. A void is empty. a void is cannular, a void is sunken, however. Don't belive that the paucity is unusual? the paucity is usual beyond belief. Are you upset by how accustomed it is? Does it tear you apart to see the paucity so habitual? |
3:47:12 (Pop-up) |
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bo grumpus | The Breath O' Love | 1968 | 3:49:06 (Pop-up) | |||
Vainica Doble | Las Doce Caras De Eva | 1971 | 3:52:06 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:54:35 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Vem Kan Segla Förutan Vind | 1971 | 3:55:07 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 3:57:19 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:04:55 (Pop-up) |
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Dragonfly | Enjoy Yourself | 1968 | 4:05:09 (Pop-up) | |||
The Rovin' Kind | My Generation | 1966 | 4:08:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
4:11:02 (Pop-up) |
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The Unspoken Word | Anniversary Of My Mind | 1968 | 4:12:45 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Anniversary - A Haiku Rainy wintertime anniversary project under the banshees |
4:15:16 (Pop-up) |
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The Banshees | Project Blue | 1966 | 4:15:38 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Banshees - A Haiku Wicked wintertime An irish, banshees project beyond the project |
4:18:04 (Pop-up) |
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Chico Magnetic Band | Pop Or Not | 1971 | 4:18:58 (Pop-up) | |||
Jesus | Songe Mortuaire | 1968 | 4:21:13 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Patchouli - A Haiku Rainy wintertime A decayed, patchouli band on the donovan |
4:23:58 (Pop-up) |
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Donovan | Breezes Of Patchouli | 1966 | 4:24:25 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Patchouli, Part 2 - A Haiku Frigid wintertime A faint, light patchouli light despite the argyles |
4:28:55 (Pop-up) |
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The Argyles | Turn On Your Love Light | 1968 | 4:29:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Destruction - A Haiku Rainy wintertime A mass, light destruction light before the argyles |
4:32:30 (Pop-up) |
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The Oxford Circle | Mind Destruction | 1997 | 4:32:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:39:46 (Pop-up) |
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Chrysalis | Lacewing | 1968 | 4:40:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Chrysalis - A Haiku Dampness wintertime A flying chrysalis like before the lacewing |
4:43:48 (Pop-up) |
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The Now | Like A Flying Bird | 1967 | 4:44:09 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Savage - A Haiku Dampness wintertime A late, through savage savage before the flying |
4:46:25 (Pop-up) |
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The Savage Rose | I'm Walking Through The Door | 1968 | 4:46:46 (Pop-up) | |||
The Avengers | Daniel The Postman | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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