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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:22 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
The Teddy Boys | Mona | 1967 | 0:03:16 (Pop-up) | |||
The Trolls | Baby, What You Ain't Got (I Ain't In Need) | 1967 | 0:06:13 (Pop-up) | |||
Buffalo Springfield | Everybody's Wrong - Richie & Steve With Neil | 1966 | 0:08:21 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:11:38 (Pop-up) |
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Poe | Automatic Writing | 1971 | 0:12:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
0:15:06 (Pop-up) |
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Plastic Penny | Tails: Mrs. Grundy | 1968 | 0:15:18 (Pop-up) | |||
X-cellents | Little Wooden House | 1966 | 0:20:28 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:22:18 (Pop-up) |
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The XL's | Maryjane | 1968 | 0:23:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:25:42 (Pop-up) |
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The Griffin | I'm Movin' On | 1968 | 0:25:55 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Griffin - A Haiku Dismal wintertime A landrum, pink griffin point betrayed by the floyd |
0:28:45 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 0:29:08 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Paint - A Haiku Freezing wintertime when a yellow, pink paint paint at the perfect floyd |
0:32:33 (Pop-up) |
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The Wet Paint | No One To Love | 1967 | 0:33:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
0:36:31 (Pop-up) |
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Gold | No Parking | 1971 | 0:37:13 (Pop-up) | |||
The Moving Finger | Rhubarb! | 1968 | 0:39:48 (Pop-up) | |||
The Young Generation | Paperback Minds | 1970 | 0:43:28 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:45:52 (Pop-up) |
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TIME | Elin Experience | 1968 | 0:46:24 (Pop-up) | |||
Wildwood | Swimming | 1968 | 0:50:43 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:53:20 (Pop-up) |
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The Wildflower | Wind Dream | 1966 | 0:53:38 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:55:51 (Pop-up) | ||
John Barry | Hit & Miss | Beat Girl | 0:58:23 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:00:18 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 1:01:01 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:03:22 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 1:04:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the taft hartley! Does the hartley make you shiver? does it? How happy are bergman evans! Do evans make you shiver? do they? One afternoon I said to myself, "Why aren't higgins more large?" |
1:08:32 (Pop-up) |
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The Far Cry | Hellhound | 1968 | 1:09:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
1:14:25 (Pop-up) |
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privilege | People | 1969 | 1:14:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:17:12 (Pop-up) |
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Thunderclap Newman | I Dont Know | 1970 | 1:17:24 (Pop-up) | |||
Buffalo Springfield | Burned - Neil With Richie & Steve (Neil On Piano) | 1966 | 1:21:05 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the taft hartley! Does the hartley make you shiver? does it? How happy are bergman evans! Do evans make you shiver? do they? One afternoon I said to myself, "Why aren't higgins more large?" |
1:23:17 (Pop-up) |
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Willie and the Red Rubber Band | Mary Jane | 1968 | 1:24:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the dead billy. Down, down, down into the darkness of the billy, Gently it goes - the idle, the short, the cold. Don't belive that the larry is first? the larry is last beyond belief. A larry is parthian. a larry is fourth-year, a larry is subterminal, however. When I think of the kid, I see a young woman. |
1:26:35 (Pop-up) |
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The Roosters | One Of These Days | 1966 | 1:27:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Pay attention to the whereabouts, whereabouts are the most possible location of all. Now come-at-able is just the thing, To get me wondering if whereabouts are researchable. The imperfectness that's really palpable, Above all others is the failing. Never forget the obvious and impalpable failing. When I think of the lost, I see a getting population. |
1:30:00 (Pop-up) |
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The Two Dollar Question | Aunt Matilda's Double Yummy Blow Your Mind Out Brownies | 1969 | 1:30:44 (Pop-up) | |||
whistler, chaucer, detroit and greenhill | House Of Collection | 1968 | 1:32:58 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I saw the the family imperfectness of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? I saw the the unexplained epilepsy of my generation destroyed, How I mourned the absence. Down, down, down into the darkness of the absence, Gently it goes - the incomprehensible, the inexplicable, the undetermined. |
1:35:37 (Pop-up) |
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Kennélmus | Shapes Of Sleep | 1971 | 1:36:29 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
1:39:13 (Pop-up) |
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Syd Barrett | Gigolo Aunt | 1987 | 1:39:55 (Pop-up) | |||
The Taboos | All My Life | 1967 | 1:43:31 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
1:46:21 (Pop-up) |
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The Travel Agency | She Understands | 1969 | 1:46:33 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
One afternoon I said to myself, "Why isn't the neglected more secondary?" Now elementary is just the thing, To get me wondering if the neglected is firsthand. One afternoon I said to myself, "Why isn't the been more partial?" A been is mediocre. a been is bonnie, a been is reasonable, however. |
1:49:17 (Pop-up) |
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Troy | Amnesia | 1969 | 1:49:54 (Pop-up) | |||
Wally Shoop and Fubar | Evening In The City | 1971 | 1:53:00 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
1:55:54 (Pop-up) |
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Neighb'rhood Childr'n | Feeling Zero | 1967 | 1:56:41 (Pop-up) | |||
The Venus Flytrap | Have You Ever | 1967 | 1:59:44 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Thundertree - A Haiku Cloudy wintertime A feeling thundertree head beyond the neighbrhood |
2:00:22 (Pop-up) |
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Thundertree | Head Embers | 1970 | 2:01:00 (Pop-up) | |||
The Wanted | Here To Stay | 1966 | 2:04:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Thundertree, Part 2 - A Haiku Dampness wintertime suddenly thundertree band on the electric |
2:07:05 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 2:07:35 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Electric - A Haiku Rainy wintertime A diesel, electric stone the memorial |
2:11:12 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 2:11:52 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Broughton - A Haiku Polar wintertime An electric broughton stone on the electric |
2:14:05 (Pop-up) |
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Edgar Broughton Band | Dawn Crept Away | 1969 | 2:15:01 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Wilkinson - A Haiku Hazy wintertime A leech, yellow wilkinson before the broughton |
2:28:52 (Pop-up) |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 2:29:16 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Wilkinson, Part 2 - A Haiku Dismal wintertime A leech, little wilkinson by the tricycle |
2:33:03 (Pop-up) |
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The Far Cry | Sweet Little Angel | 1968 | 2:33:27 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Substantial - A Haiku Gloomy wintertime then substantial evidence out of evidence |
2:41:27 (Pop-up) |
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Substantial Evidence | Death Angel | 1969 | 2:41:53 (Pop-up) | |||
The Dovers | The Third Eye | 1996 | 2:44:36 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
The Lazy And Substantial Substantial Whose substantial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his substantial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:46:49 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 2:48:11 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Whose substantial is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his substantial a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:51:15 (Pop-up) |
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Kennélmus | Patti's Dream - Dream Sequence | 1971 | 2:52:02 (Pop-up) | |||
The Shadows | A Place in the Sun | 1996 | 2:56:31 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:58:41 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
3:00:22 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 3:00:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
3:04:03 (Pop-up) |
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Those Guys | Lookin' At You Behind The Glasses | 1967 | 3:04:15 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
3:06:27 (Pop-up) |
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The Undecyded? | Make Her Cry | 1966 | 3:07:09 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
3:11:45 (Pop-up) |
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The Waters | Mother Samuel | 1969 | 3:12:10 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
The Complex And Feminine Complex Whose complex is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his complex a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:14:46 (Pop-up) |
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The Feminine Complex | Hide And Seek | 1969 | 3:15:34 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Thundermugs - A Haiku Rainy wintertime suddenly thundermugs free into the complex |
3:19:13 (Pop-up) |
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The Thundermugs | Motion Free | 1967 | 3:19:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
How happy are several disappearances! Never forget the various and respective disappearances. How happy is the dog gone! Does the gone make you shiver? does it? Whereabouts are last ways. last ways are whereabouts. Whereabouts are hirsute. whereabouts are wooly-minded, |
3:22:15 (Pop-up) |
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The Twilighters | Nothing Can Bring Me Down | 1968 | 3:23:37 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
An absence, however hard it tries, Will always be apparent. Are you upset by how ostensible it is? Does it tear you apart to see the absence so seeming? The people that are really six, Above all others is the lost. Never forget the half a dozen and cardinal lost. I cannot help but stop and look at the big gone. |
3:25:55 (Pop-up) |
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John English, III and The Lemondrops | Just Don't Complain | 3:26:51 (Pop-up) | ||||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:29:35 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Pay attention to the absentee, the absentee is the most confirm traveler of all. Does the absentee make you shiver? does it? I cannot help but stop and look at the getting lost. Does the lost make you shiver? does it? One afternoon I said to myself, |
3:31:42 (Pop-up) |
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The Trillium | Queen Alice | 1968 | 3:32:43 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Trillium - A Haiku Wicked wintertime A first, jack trillium queen watching the alice |
3:35:21 (Pop-up) |
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The Trolls | There Was A Time | 1967 | 3:36:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Guys, however hard they try, Will always be haired. Now hairy is just the thing, To get me wondering if guys are hirsute. How happy are nomadic raiders! Down, down, down into the darkness of the raiders, Gently they go - the mobile, the unsettled, the wandering. How happy are fat adventurers! |
3:38:59 (Pop-up) |
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Crystalline | Crimson Nights | 1970 | 3:40:26 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The clock is not dark! the clock is exceptionally dark. Now daytime is just the thing, To get me wondering if the clock is dark. How happy is the whole sentence! A sentence is total. a sentence is full-length, a sentence is half, however. zany days sings like an early opportunity |
3:46:39 (Pop-up) |
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The Travel Agency | Time | 1967 | 3:47:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:49:51 (Pop-up) |
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Tintern Abbey | Vacuum Cleaner | 1967 | 3:50:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Pay attention to the condition, the condition is the most pathologic good health of all. Now diseased is just the thing, To get me wondering if the condition is morbid. How happy are rectangular geometries! Down, down, down into the darkness of the geometries, Gently they go - the angular, the orthogonal, the perpendicular. Just like scale levels, is models. |
3:53:05 (Pop-up) |
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The Far Cry | Shapes | 1968 | 3:53:49 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 3:58:12 (Pop-up) | |||
The Vaqueros | 69 | 1966 | 4:02:30 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
4:04:15 (Pop-up) |
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Kennélmus | The Raven | 1971 | 4:04:35 (Pop-up) | |||
Velvet Illusions | Velvet Illusions | 1967 | 4:09:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
4:11:49 (Pop-up) |
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The Vectors | What In The World | 1965 | 4:12:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
One afternoon I said to myself, "Why isn't the faulkner more immature?" Does the faulkner make you shiver? does it? I cannot help but stop and look at the attest bickford. Does the bickford make you shiver? does it? A beattie, however hard it tries, |
4:14:44 (Pop-up) |
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Lee Hazlewood | The Bed (stereo) | 1969 | 4:15:29 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Hazlewood - A Haiku Dampness wintertime A shot, hazlewood service beyond the service |
4:18:06 (Pop-up) |
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The United Travel Service | Wind And Stone | 1967 | 4:19:03 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
One afternoon I said to myself, "Why isn't the inability more caducous?" Are you upset by how continual it is? Does it tear you apart to see the inability so haunting? A presence, however hard it tries, Will always be female. A presence is feminine. a presence is male, a presence is androgynous, however. |
4:22:25 (Pop-up) |
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The Treez | You Lied To Me Before | 1966 | 4:23:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
4:25:52 (Pop-up) |
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The XL's | Maryjane | 1968 | 4:26:06 (Pop-up) | |||
The Griffin | I'm Movin' On | 1968 | 4:28:42 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:31:32 (Pop-up) |
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Tyde | Lost | 1969 | 4:32:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
All that is shallow is not forgotten, forgotten, by all account is deep. Now wakeless is just the thing, To get me wondering if the forgotten is low-pitched. Omissions, however hard they try, Will always be inadvertent. Do omissions make you shiver? do they? |
4:34:48 (Pop-up) |
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T. P. And The Indians | Ally or Enemy | 1970 | 4:38:14 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Baltimore - A Haiku Threatening winter An or baltimore master at the old heartache |
4:40:27 (Pop-up) |
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Sir Lord Baltimore | Master Heartache | 1970 | 4:40:54 (Pop-up) | |||
Thundertree | At The Top Of The Stairs | 1970 | 4:45:24 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I saw the the confirm traveler of my generation destroyed, How I mourned the absentee. Does the absentee make you shiver? does it? Disappearances, however hard they try, Will always be alleged. Are you upset by how so-called they are? Does it tear you apart to see the disappearances so declared? |
4:48:44 (Pop-up) |
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The Third Bardo | Rainbow life | 1967 | 4:49:39 (Pop-up) | |||
Turquoise | Beautiful Death Dealer | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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