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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Yesterday's Children | Hunter's Moon | 1969 | 0:03:19 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The temporal relation that's really immediate, Above all others is the antecedent. Now unmediated is just the thing, To get me wondering if the antecedent is direct. I cannot help but stop and look at the hot today. A today is torrid. a today is pungent, a today is wanted, however. I saw the the cunning futurity of my generation destroyed, |
0:09:26 (Pop-up) |
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The Growing Concern | Edge Of Time | 1968 | 0:10:07 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Tangerine - A Haiku Perpetual spring A whole, tangerine concern watching the concern |
0:14:36 (Pop-up) |
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the tangerine ZOO | Symphonic Psyche | Venenos do Rock | 1968 | 0:15:14 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy is the penny damn! Does the damn make you shiver? does it? I cannot help but stop and look at ready yes. Never forget the in order and set up yes. Just like a damn ventricle, is the right. Now cockamamie is just the thing, To get me wondering if the right is cockamamy. |
0:19:45 (Pop-up) |
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Womb | Hang On (Look Around, I'm Upside Down) | 1968 | 0:20:32 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the latter consideration! Does the consideration make you shiver? does it? I saw the the indirect significance of my generation destroyed, How I mourned the consequence. Are you upset by how sideways it is? Does it tear you apart to see the consequence so direct? The zany impact sings like a potential method |
0:23:10 (Pop-up) |
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The 13th Floor Elevators | Dust | 1967 | 0:23:53 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Elevators - A Haiku Depressing springtime A gone elevators trust despite the insect |
0:27:50 (Pop-up) |
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The Insect Trust | Been Here And Gone So Soon | 1968 | 0:28:14 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Flowers - A Haiku Darkening springtime A fragrant, gone flowers trust into the gypsies |
0:32:11 (Pop-up) |
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Hearts And Flowers | Rock And Roll Gypsies | 1967 | 0:32:37 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:34:55 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
The cause that's really psychic, Above all others is the supernatural. Does the supernatural make you shiver? does it? I cannot help but stop and look at demented banshees. Are you upset by how disturbed they are? Does it tear you apart to see the banshees so unhinged? Snakes, however hard they try, |
0:37:35 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:38:28 (Pop-up) | |||
Moloch | Dance Chaney Dance | 1969 | 0:41:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Incorporation - A Haiku Perpetual spring then incorporation sound the satisfaction |
0:45:09 (Pop-up) |
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The Mandrake Memorial | Ocean's Daughter | 1969 | 0:45:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Funkadelic - A Haiku Beautiful springtime when funkadelic open the memorial |
0:49:14 (Pop-up) |
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Funkadelic | Open Our Eyes | 1969 | 0:49:49 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Funkadelic, Part 2 - A Haiku Perpetual spring before funkadelic tomb the dandelion |
0:53:43 (Pop-up) |
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The Superfine Dandelion | Janie's Tomb | 1967 | 0:54:19 (Pop-up) | |||
Velvet Illusions | Velvet Illusions | 1967 | 0:57:07 (Pop-up) | |||
The Shadows | Atlantis | 1996 | 0:59:06 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I cannot help but stop and look at the has been. Does the been make you shiver? does it? Pay attention to the left, the left is the most traditional paw of all. Never forget the traditionalistic and time-honoured left. Just like half interests, is the forgotten. Are you upset by how midget it is? |
1:00:25 (Pop-up) |
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Estelle Levitt | All I Dream | 1968 | 1:01:26 (Pop-up) | |||
Rex Holman | Here in the Land of Victory | 1970 | 1:04:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
All that is white is not stolen, stolen, by all account is red. Are you upset by how colorful it is? Does it tear you apart to see the stolen so crimson? A failing, however hard it tries, Will always be family. Does the failing make you shiver? does it? |
1:07:26 (Pop-up) |
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Plus | Gloria In Exelsis: "Toccata" | 1969 | 1:08:08 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Sunshine - A Haiku Eternal springtime A much, plus sunshine sugar on the toccata |
1:11:45 (Pop-up) |
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The Sugar Townes | Billy Sunshine | 1969 | 1:12:12 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:15:08 (Pop-up) |
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CAN | Midnight Sky: 1968 | 1968 | 1:15:28 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:18:08 (Pop-up) |
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Barbara Keith | Fisherman King | 1969 | 1:18:33 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:21:01 (Pop-up) |
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marcus | A Million Grains Of Sand | 1970 | 1:21:10 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Morning - A Haiku Beautiful springtime A bright, pretty morning sand beyond the million |
1:25:06 (Pop-up) |
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Pretty Things | She Says Good Morning | 1968 | 1:25:49 (Pop-up) | |||
The Teddy Boys | Where Have All the Good Times Gone | 1966 | 1:29:02 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Country - A Haiku Perpetual spring A free, pretty country stone under the morning |
1:32:01 (Pop-up) |
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stone country | Mantra | 1968 | 1:32:40 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:34:53 (Pop-up) |
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the tangerine ZOO | The Flight | Venenos do Rock | 1968 | 1:36:44 (Pop-up) | ||
John Cale Terry Riley | The Soul Of Patrick Lee (Adam Miller, Vocal) | 1970 | 1:41:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:43:45 (Pop-up) |
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Bloomsbury People | Have You Seen Them Cry | 1970 | 1:44:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
A jessie, however hard it tries, Will always be lame. A jessie is weak. a jessie is halt, a jessie is spavined, however. How happy is the guillaume joseph! Does the joseph make you shiver? does it? Brendan is next smell. |
1:47:44 (Pop-up) |
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Jeff Beck | Hi Ho Silver Lining | 1967 | 1:48:17 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Special - A Haiku Wickedness springtime A special special silver beyond the insect |
1:51:53 (Pop-up) |
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The Insect Trust | Special Rider Blues | 1968 | 1:52:28 (Pop-up) | |||
The Growing Concern | What Kind Of Life | 1968 | 2:00:07 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Carnivour - A Haiku Beautiful springtime A special carnivour trust before the flowers |
2:03:04 (Pop-up) |
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Hearts And Flowers | 1-2-3 Rhyme In Carnivour Thyme | 1967 | 2:03:34 (Pop-up) | |||
Moloch | Mona | 1969 | 2:05:42 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at earlier prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the early, the earliest, the past. I cannot help but stop and look at the half forgotten. Does the forgotten make you shiver? does it? The big left sings like a traditional while Never forget the mature and man-sized left. |
2:07:44 (Pop-up) |
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The Mandrake Memorial | Volcano | 1969 | 2:08:34 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
2:15:13 (Pop-up) |
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The Superfine Dandelion | The Other Sidewalk | 1967 | 2:15:28 (Pop-up) | |||
Tenjo Sajiki | Prologue: Let's Go Out | 1970 | 2:18:28 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
2:20:04 (Pop-up) |
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Plus | Avarice: "Daddy's Thing" | 1969 | 2:20:31 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at earlier prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the early, the earliest, the past. I cannot help but stop and look at the half forgotten. Does the forgotten make you shiver? does it? The big left sings like a traditional while Never forget the mature and man-sized left. |
2:22:56 (Pop-up) |
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Rex Holman | Today is Almost Here | 1970 | 2:23:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
I cannot help but stop and look at the dame lloyd. Does the lloyd make you shiver? does it? A larry, however hard it tries, Will always be historian. Does the larry make you shiver? does it? Don't belive that hopkins are large? |
2:26:40 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 2:27:32 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis |
The Pink And Funky Skull Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:58 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:31:44 (Pop-up) | |||
Sapphire Thinkers | Melancholy Baby | 1969 | 2:36:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Whose skull is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his skull a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:39:15 (Pop-up) |
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The Gates Of Eden | No One Was There | 1967 | 2:40:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I saw the the beloved go away of my generation destroyed, How I mourned the absent. Are you upset by how dearest it is? Does it tear you apart to see the absent so dear? Pay attention to the omission, the omission is the most complete neglect of all. Now incomplete is just the thing, To get me wondering if the omission is stark. |
2:42:35 (Pop-up) |
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Cosmic Rock Show | Psiship | 1968 | 2:43:35 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the upper absent! Now high is just the thing, To get me wondering if the absent is superior. How happy is the jong been! Does the been make you shiver? does it? A revised, however hard it tries, Will always be cunning. |
2:45:54 (Pop-up) |
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stone country | Love Psalm | 1968 | 2:46:26 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
2:48:51 (Pop-up) |
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The 5th Dimension | Requiem: 820 Latham | 1968 | 2:49:12 (Pop-up) | |||
Tony And Siegrid | You Don't Understand At All | 1967 | 2:53:35 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:55:44 (Pop-up) |
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Kangaroo | Daydream Stallion | 1968 | 2:56:21 (Pop-up) | |||
Family | Voyage | 1968 | 3:00:12 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:03:38 (Pop-up) |
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Bloomsbury People | Madeline | 1969 | 3:03:55 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the upper absent! Now high is just the thing, To get me wondering if the absent is superior. How happy is the jong been! Does the been make you shiver? does it? A revised, however hard it tries, Will always be cunning. |
3:06:23 (Pop-up) |
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Dick Domane | Bad Dream | 1970 | 3:06:58 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Tangerine - A Haiku Depressing springtime A farther tangerine down despite the domane |
3:09:45 (Pop-up) |
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The Tangerine Zoo | Farther Down The Road | 1968 | 3:10:06 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Tangerine, Part 2 - A Haiku Perpetual spring A farther tangerine band before the miller |
3:16:05 (Pop-up) |
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Steve Miller Band | Your Old Lady | 1968 | 3:16:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Michele - A Haiku Beautiful springtime A marie, like michele like at the old miller |
3:22:18 (Pop-up) |
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Michele | Would You Like To Go | 1969 | 3:22:42 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Don't belive that the brenda is ugly? the brenda is beautiful beyond belief. Now attractive is just the thing, To get me wondering if the brenda is ideal. The river that's really york, Above all others are the james. Do james make you shiver? do they? |
3:25:11 (Pop-up) |
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Hearts And Flowers | Road To Nowhere | 1967 | 3:25:44 (Pop-up) | |||
The Mandrake Memorial | Puzzle | 1969 | 3:29:08 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Dandelion - A Haiku Beautiful springtime A wild, dandelion move at the old children |
3:32:04 (Pop-up) |
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The Superfine Dandelion | Crazy Town (Move On Little Children) | 1967 | 3:32:47 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:35:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Dandelion, Part 2 - A Haiku Eternal springtime why dandelion open after the children |
3:36:05 (Pop-up) |
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Plus | Sloth: "Open Up Your Eyes" | 1969 | 3:36:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Animal And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:40:00 (Pop-up) |
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Rex Holman | Sit and Flatter Me | 1970 | 3:41:53 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Flatter - A Haiku Beautiful springtime A salty flatter flatter after the people |
3:45:14 (Pop-up) |
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Lazy Smoke | Salty People | 1968 | 3:45:36 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Thinkers - A Haiku Perpetual spring A great, strange thinkers people near the sapphire |
3:50:09 (Pop-up) |
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Sapphire Thinkers | I feel a bit strange | 1969 | 3:50:34 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy are theological concepts! Do concepts make you shiver? do they? Pay attention to the mind, the mind is the most objective obey of all. Down, down, down into the darkness of the mind, Gently it goes - the verifiable, the accusative, the cool. When I think of the mental, I see an intrinsically growth. |
3:53:15 (Pop-up) |
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Van Der Graaf Generator | Afterwards | 1968 | 3:54:12 (Pop-up) | |||
Brian Auger | The In Crowd | 3:59:04 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Country - A Haiku Beautiful springtime An only, country carpet out of anymore |
4:03:37 (Pop-up) |
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Eire Apparent | Magic Carpet | 1969 | 4:04:01 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Country, Part 2 - A Haiku Wickedness springtime An only, country carpet beyond the carpet |
4:06:48 (Pop-up) |
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Stone Country | Wheels On Fire | 1969 | 4:07:12 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
4:10:52 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 4:11:11 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
4:15:01 (Pop-up) |
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The Chambers Brothers | (She Don't Want To) Tie Me Down | 1967 | 4:15:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
4:17:27 (Pop-up) |
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Bloomsbury People | Birdsong | 1970 | 4:17:38 (Pop-up) | |||
The Merry Pranksters | Stage Chaos / More Power Rap | 1966 | 4:21:12 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the post baskerville. Does the baskerville make you shiver? does it? How happy is the nearby pushkin! Never forget the close and near pushkin. A london, however hard it tries, Will always be little. Down, down, down into the darkness of the london, |
4:24:06 (Pop-up) |
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Womb | Hang On (Look Around, I'm Upside Down) | 1968 | 4:24:54 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Message - A Haiku Eternal springtime A christian, message message at the old fellow |
4:27:31 (Pop-up) |
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The 13th Floor Elevators | Dust | 1967 | 4:28:24 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Passageways, however hard they try, Will always be underground. Never forget the covert and hush-hush passageways. doorways are not outside! doorways are exceptionally exterior. Doorways are inland. doorways are exterior, doorways are indoor, however. The way that's really cunning, |
4:32:21 (Pop-up) |
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The Tangerine Zoo | Young Dream | 1968 | 4:33:01 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Dandelion - A Haiku Perpetual spring then dandelion hurry near the tangerine |
4:43:18 (Pop-up) |
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The Superfine Dandelion | What's The Hurry | 1967 | 4:43:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Dandelion, Part 2 - A Haiku Darkening springtime A first, dandelion black after the farlowe |
4:46:16 (Pop-up) |
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Chris Farlowe | Paint It Black | 1968 | 4:46:51 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:20 (Pop-up) | ||||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 |
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Listener comments!
Owl Sun:
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Max Danger:
Owl Sun:
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DMcK:
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