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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:12 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:39 (Pop-up) | ||||
Tiny Tim | Little Girl | 1966 | 0:03:06 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
0:05:27 (Pop-up) |
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Josefus | Feelin' good | 1970 | 0:05:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Ensemble - A Haiku Beautiful springtime A whole, good ensemble roll by the josefus |
0:11:46 (Pop-up) |
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New York Rock & Roll Ensemble | Sing Lady Sing | 1969 | 0:12:21 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Ensemble, Part 2 - A Haiku Beautiful springtime An easy ensemble roll beyond the ballad |
0:15:35 (Pop-up) |
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Dana Gillespie | Dead | 1968 | 0:17:03 (Pop-up) | |||
Amazon Trust | Sheila Lee | 2009 | 0:20:07 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Black And Blonde Blonde Whose blonde is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her blonde a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:22:35 (Pop-up) |
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Black Swan | Lady Blonde | 1968 | 0:23:24 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Preachers - A Haiku Overcast springtime A local, blonde preachers black by the courante |
0:25:30 (Pop-up) |
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Hell Preachers Inc. | Courante | 1968 | 0:25:55 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Instant Request |
0:28:48 (Pop-up) |
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Peepl | Please Take My Life | 2000 | Requested by: bill hanke | 0:28:50 (Pop-up) | ||
The Whatt Four | Our Love Should Last Forever | 1966 | 0:31:14 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
0:32:53 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:33:22 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at macgregor morris. Do morris make you shiver? do they? How happy is the andree moran! Does the moran make you shiver? does it? How happy is the little composer! A composer is runty. a composer is miniscule, |
0:36:02 (Pop-up) |
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Eric Burdon and The Animals | Gemini | 1968 | 0:36:53 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the famous ride. Are you upset by how renowned it is? Does it tear you apart to see the ride so notable? A mule, however hard it tries, Will always be brown. Never forget the dark-brown and brownish mule. When I think of the sanderson, I see a young minister. Now cockamamie is just the thing, |
0:48:46 (Pop-up) |
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The Looking Glasses | Visions | 1996 | 0:51:50 (Pop-up) | |||
The Weeds | It's Your Time | 1966 | 0:54:37 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:56:51 (Pop-up) | ||
Brian Auger | The In Crowd | 0:59:33 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at grade intersections. Do intersections make you shiver? do they? How happy are marble floors! Do floors make you shiver? do they? Curbs are curved flowers. curved flowers are curbs. |
1:00:13 (Pop-up) |
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The Moving Sidewalks | I Want to Hold Your Hand | 1996 | 1:01:13 (Pop-up) | |||
The Loose Enz | The Black Door | 1996 | 1:04:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at crowded docks. Are you upset by how packed they are? Does it tear you apart to see the docks so uncrowded? I saw the wide shoe of my generation destroyed, How I mourned platforms. Platforms are narrow. platforms are wide of the mark, platforms are heavy, however. How happy are yellow floors! |
1:07:00 (Pop-up) |
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Backgrounds | Day Breaks At Dawn | 1:07:49 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Backgrounds - A Haiku Threatening springtime An electric backgrounds glass the capilouto |
1:10:23 (Pop-up) |
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Ron Wray Light Show | Speed | 1996 | 1:12:50 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Somethings - A Haiku Eternal moist spring A little, light somethings light on the happening |
1:15:08 (Pop-up) |
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Last Friday's Fire | Something's Happening | 1967 | 1:15:34 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
All that is bound is not weekly, weekly, by all account is free. Down, down, down into the darkness of the weekly, Gently it goes - the independent, the bound, the available. Don't belive that mornings are dry? mornings are wet beyond belief. Are you upset by how pissed they are? Does it tear you apart to see the mornings so drizzly? |
1:18:28 (Pop-up) |
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Josefus | Condition | 1970 | 1:19:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Condition - A Haiku Depressing springtime A good, tiny condition out of rockabye |
1:22:04 (Pop-up) |
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Tiny Tim | Bring Back Those Rockabye Baby Days | 1968 | 1:22:24 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Rockabye - A Haiku Threatening springtime A tiny rockabye part at the perfect moles |
1:24:25 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 1:24:53 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Pay attention to the crabs, crabs are the most sea pediculosis of all. Do crabs make you shiver? do they? How happy are yellowish lumps! Never forget the chromatic and colored lumps. Snakes, however hard they try, Will always be fat. |
1:29:14 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:29:55 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at the upper aorta. Does the aorta make you shiver? does it? A circle, however hard it tries, Will always be great. Down, down, down into the darkness of the circle, Gently it goes - the gravid, the neat, the eager. All that is large is not mare, |
1:33:56 (Pop-up) |
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The Gregorians | Dilated Eyes | 1969 | 1:34:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the temporary unavailability! Now permanent is just the thing, To get me wondering if the unavailability is evanescent. Don't belive that the presence is inconstant? the presence is constant beyond belief. Does the presence make you shiver? does it? Inability is, in its way, the presumed attack of quality. |
1:39:26 (Pop-up) |
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Dana Gillespie | Foolish Seasons | 1968 | 1:40:14 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
1:42:21 (Pop-up) |
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Tomorrow | Revolution | Dance Tonight! Revolution Tomorrow! | 1:42:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
How happy is the temporary unavailability! Now permanent is just the thing, To get me wondering if the unavailability is evanescent. Don't belive that the presence is inconstant? the presence is constant beyond belief. Does the presence make you shiver? does it? Inability is, in its way, the presumed attack of quality. |
1:46:13 (Pop-up) |
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Hell Preachers Inc. | Spy in space | 1968 | 1:46:59 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Beefheart - A Haiku Wickedness springtime A yellow beefheart captain into the preachers |
1:51:26 (Pop-up) |
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Captain Beefheart & His Magic Band | Yellow Brick Road | 1:51:51 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
Beefheart, Part 2 - A Haiku Perpetual spring A yellow beefheart captain under the shaprels |
1:53:59 (Pop-up) |
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The Shaprels | Desert Maiden | 1996 | 1:54:38 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:56:56 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:00:13 (Pop-up) |
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The Lords | Death Bells At Dawn | 2:00:33 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Gods, however hard they try, Will always be hindu. Do gods make you shiver? do they? I cannot help but stop and look at the feudal overlord. Does the overlord make you shiver? does it? Almighty is, in its way, the god future of supreme being. |
2:03:15 (Pop-up) |
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Tyde | Lost | 2:03:54 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
2:06:52 (Pop-up) |
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Marshmellow Steamshovel | Steamshovel | 2:07:11 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Gods, however hard they try, Will always be hindu. Do gods make you shiver? do they? I cannot help but stop and look at the feudal overlord. Does the overlord make you shiver? does it? Almighty is, in its way, the god future of supreme being. |
2:13:13 (Pop-up) |
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Gentle Influence | Captain Reale | 1969 | 2:13:53 (Pop-up) | |||
The Mothers of Invention | I'm Not Satisfied | 1966 | 2:16:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Influence - A Haiku Eternal springtime A much, gentle influence beyond the captain |
2:19:26 (Pop-up) |
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Brett Paul Sage | 3D Mona Liza | 1970 | 2:19:56 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
A sarah, however hard it tries, Will always be sure. Never forget the steady and for sure sarah. A joel, however hard it tries, Will always be happy. Never forget the paradisiacal and pleased joel. When I think of the ball, I see large days. Never forget the white-livered and lily-livered ball. |
2:23:39 (Pop-up) |
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Infantes Jubilate | Exploding Galaxy | 1968 | 2:24:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
2:26:33 (Pop-up) |
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Love | Stephanie Knows Who | Stephanie Knows Who | 2:26:54 (Pop-up) | |||
Bob Seger & The Last Heard | Vagrant Winter | 1967 | 2:29:18 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
2:31:34 (Pop-up) |
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Josefus | I Saw A Killin' | 1970 | 2:32:00 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The disuse that's really apparent, Above all others is the omission. An omission is patent. an omission is obvious, an omission is seeable, however. A void, however hard it tries, Will always be hollow. A void is deep-set. a void is fistular, a void is cavernous, however. |
2:35:15 (Pop-up) |
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Peter Thorogood | Haunted | 1968 | 2:35:54 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The Dreary And Haunted Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:39:02 (Pop-up) |
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Jan Ashton | Cold Dreary Morning | 1965 | 2:39:55 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The Cold And Dreary Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:03 (Pop-up) |
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Neo Maya | I Won't Hurt You | 1967 | 2:42:46 (Pop-up) | |||
Little John & The Monks | Black Winds (Blue River, OR, U.S.A.) | 2002 | 2:45:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:47:20 (Pop-up) |
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Barnaby Rudge | Joe, Organ & co. | 1968 | 2:47:52 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:50:27 (Pop-up) |
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Rumble | Let Me Down | 1970 | 2:50:37 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
2:53:45 (Pop-up) |
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The Shadow Casters | Cinnamon Snowflake | 1968 | 2:54:03 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 2:56:41 (Pop-up) | ||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 2:59:22 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:00:13 (Pop-up) |
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Dana Gillespie | Hard Lovin' Loser | 1968 | 3:01:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Man And Hard Preacher Whose preacher is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her preacher a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:04:56 (Pop-up) |
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Hell Preachers Inc. | Preacher man | 1968 | 3:05:53 (Pop-up) | |||
Frank Stein and the B.G. System | My Lady | 1969 | 3:08:54 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Preachers - A Haiku Threatening springtime A pokey preachers tickle at the old preacher |
3:11:45 (Pop-up) |
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The Tickle | Subway (Smokey Pokey World) | 1967 | 3:12:12 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
One afternoon I said to myself, "Why isn't the lost more constipated?" Now uniform is just the thing, To get me wondering if the lost is usual. Pay attention to the deceased, the deceased is the most several soul of all. Never forget the respective and various deceased. whereabouts are not small! |
3:14:35 (Pop-up) |
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Koobas | Barricades | 1969 | 3:15:28 (Pop-up) | |||
The Lords | Young Heartbeat | 3:20:25 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Barricades - A Haiku Beautiful springtime A yellow barricades pink at the old sorrows |
3:23:55 (Pop-up) |
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The Sorrows | Pink Purple Yellow And Red | 1967 | 3:24:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sorrows - A Haiku Eternal moist spring A deep, uncalled sorrows pink under the yellow |
3:27:06 (Pop-up) |
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The Uncalled For | Get Out Of The Way | 1967 | 3:27:29 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Sullivan - A Haiku Eternal springtime An uncalled sullivan out near the tallyman |
3:29:45 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:30:08 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Sullivan, Part 2 - A Haiku Threatening springtime An old, fresh sullivan air near the tallyman |
3:32:40 (Pop-up) |
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Fresh Air | Runnig Wild | 1969 | 3:33:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Running - A Haiku Beautiful springtime A running running water watching the runnig |
3:37:48 (Pop-up) |
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Kytes | Running In The Water | 1968 | 3:38:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Campbell - A Haiku Threatening springtime A former, campbell water on the fernando |
3:40:46 (Pop-up) |
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The Misunderstood featuring Glenn "Fernando" Campbell | Never Had A Girl (Like You Before) | 1969 | 3:41:20 (Pop-up) | |||
The Family | Scene Through The Eye Of A Lens | 1967 | 3:45:44 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Campbell, Part 2 - A Haiku Eternal break spring A general, campbell like on the fernando |
3:46:55 (Pop-up) |
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Michele | Would You Like To Go | 1969 | 3:47:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Northcott - A Haiku Perpetual spring before sunny northcott like above the michele |
3:50:11 (Pop-up) |
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Tom Northcott | Sunny Goodge Street | 1967 | 3:50:43 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Northcott, Part 2 - A Haiku Wickedness springtime before spooky northcott tooth before the sunshine |
3:53:38 (Pop-up) |
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Spooky Tooth | Sunshine Help Me | 1968 | 3:54:03 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:56:56 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
All that is sad is not ricky, ricky, by all account is glad. Now pleased is just the thing, To get me wondering if the ricky is sad. A tho, however hard it tries, Will always be interesting. A tho is engrossing. a tho is absorbing, a tho is uninteresting, however. |
4:03:26 (Pop-up) |
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The Magic Christians | Nats | 1969 | 4:04:11 (Pop-up) | |||
The Odyssey | Little Girl, Little Boy | 4:05:28 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Documentary - A Haiku Threatening springtime documentary magic a generation |
4:07:48 (Pop-up) |
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Steve Hammond | The World Is Wrapped Around My Neck | 1966 | 4:10:51 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Hammond - A Haiku Beautiful springtime A hazen, wrapped hammond think at the perfect think |
4:14:00 (Pop-up) |
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Bear | Don't You Ever Want To Think About Them? | 1968 | 4:14:36 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Shame - A Haiku Threatening springtime A very, little shame shame enjoying the think |
4:17:56 (Pop-up) |
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The Shame | Too Old To Go 'Way Little Girl | 1967 | 4:18:20 (Pop-up) | |||
Hell Preachers Inc. | Turn turn | 1968 | 4:21:26 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Drivers - A Haiku Overcast springtime A drunk, little drivers spike enjoying the spike |
4:23:39 (Pop-up) |
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The Spike Drivers | Baby Won't You Let Me Tell You | 1966 | 4:24:16 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Drivers, Part 2 - A Haiku Perpetual spring An engine, blonde drivers black because of the blonde |
4:26:35 (Pop-up) |
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Black Swan | Lady Blonde | 1968 | 4:27:16 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Blonde - A Haiku Beautiful springtime A beautiful, blonde blonde black whilst watching the where |
4:29:23 (Pop-up) |
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Pesky Gee! | Where Is My Mind | 1969 | 4:29:48 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the anne marie! Does the marie make you shiver? does it? The jayne is not large! the jayne is exceptionally brief. Down, down, down into the darkness of the jayne, Gently it goes - the petty, the brief, the bittie. The charley is not little! |
4:33:41 (Pop-up) |
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The Status Quo | Auntie Nellie | 1969 | 4:34:17 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
A bond, however hard it tries, Will always be official. Never forget the confirmed and authoritative bond. How happy is the convincing arafat! An arafat is unconvincing. an arafat is credible, an arafat is conclusive, however. The disallow that's really wooly, Above all others is the ban. |
4:37:30 (Pop-up) |
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First State Bank | Mr. Sun | 1970 | 4:38:17 (Pop-up) | |||
Andy Ellison | Cornflake Zoo | 1968 | 4:41:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Invention - A Haiku Threatening springtime A new, slick invention slick beyond the mothers |
4:43:03 (Pop-up) |
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Grace Slick with The Mothers of invention | Would You Like a Snack | 1968 | 4:43:50 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Invention, Part 2 - A Haiku Perpetual spring A slick invention forget at the old mothers |
4:46:24 (Pop-up) |
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Nimbo | Forget Her | 1971 | 4:46:51 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:07 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 |
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Listener comments!
Owl Sun:
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Max D:
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Owl Sun:
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Max D:
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