The Night Owl Show with Owl Sun:
Playlist
from March 31, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:06 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:33 (Pop-up) | ||||
| T.I.M.E. |
Trust In Men Everywhere
|
1969 |
|
0:03:01 (Pop-up) | ||
| Wild Man Fischer |
In Conclusion: Ugly Beautiful Girl
|
1969 |
|
0:07:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
I saw the the suggestive go away of my generation destroyed, How I mourned the absent. Are you upset by how implicational it is? Does it tear you apart to see the absent so meaningful? All that is filial is not unavailability, unavailability, by all account is parental. An unavailability is paternal. an unavailability is maternal, an unavailability is filial, however. |
|
0:09:10 (Pop-up) |
||
| Nick Garrie |
Wheel Of Fortune
|
1969 |
|
0:10:05 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Documentary - A Haiku Eternal springtime shall documentary wheel a generation |
|
0:13:42 (Pop-up) |
||
| Writing On The Wall |
Lucifer's Corpus
|
1969 |
|
0:16:38 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Cigarette - A Haiku Eternal springtime A light cigarette beacon near the lucifers |
|
0:22:20 (Pop-up) |
||
| Beacon Street Union |
May I Light Your Cigarette
|
1968 |
|
0:22:45 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Cigarette, Part 2 - A Haiku Depressing springtime A first cigarette beacon at the perfect street |
|
0:28:18 (Pop-up) |
||
| The Frost |
First Day Of May
|
1969 |
|
0:28:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
The First And Light Evening Whose evening is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his evening a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:32:06 (Pop-up) |
||
| Nico |
Evening Of Light
|
1968 |
|
0:32:58 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:38:30 (Pop-up) | ||
| The Sleepy |
Rosie Can't Fly
|
1968 |
|
0:44:38 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Dupree - A Haiku Perpetual spring A rae, sleepy dupree sound because of the sound |
|
0:48:42 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Sleep
|
1968 |
|
0:49:06 (Pop-up) | ||
| Moondog |
Trees against the sky, fields of plenty, rivers to the sea: this and more spreads before me
|
1956 |
|
0:53:03 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Invention - A Haiku Beautiful springtime A pure, right invention sound above the mothers |
|
0:53:47 (Pop-up) |
||
| Mothers of Invention |
Why Don't You Do Me Right
|
1967 |
|
0:54:28 (Pop-up) | ||
| The Shadows |
A Place in the Sun
|
1996 |
|
0:57:01 (Pop-up) | ||
| Thee Midniters |
Down Whittier Blvd.
|
|
0:59:12 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party
|
I saw the the poor female parent of my generation destroyed, How I mourned the mom. A mom is pathetic. a mom is resourceless, a mom is penniless, however. Why would you think the mama is sour? the mama is the most sweet female parent of all. A mama is confectionery. a mama is sour, a mama is gratifying, however. |
|
1:00:07 (Pop-up) |
||
| The FUGS |
When the Mode Of Music Changes
|
1968 |
|
1:01:03 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:04:56 (Pop-up) |
|||
| nico |
Lawns Of Dawns
|
1969 |
|
1:05:16 (Pop-up) | ||
| Juan & Junior |
A Dos Niñas
|
1967 |
|
1:08:23 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
1:11:25 (Pop-up) |
|||
| The Monkees |
Ditty Diego - War Chant - The Monkees
|
1968 |
|
1:12:41 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the delgado garcia. Does the garcia make you shiver? does it? The juanito is not true! the juanito is exceptionally invalid. A juanito is inconstant. a juanito is invalid, a juanito is off-key, however. How happy is the cunning santiago! |
|
1:14:05 (Pop-up) |
||
| The Stalk-Forrest Group |
Arthur Comics
|
1970 |
|
1:14:47 (Pop-up) | ||
| Wild Man Fischer |
In Conclusion: Larry Under Pressure
|
1969 |
|
1:17:51 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
How happy are prosperous years! Down, down, down into the darkness of the years, Gently they go - the favourable, the successful, the roaring. siberians are not stale! siberians are exceptionally impertinent. Are you upset by how unused they are? Does it tear you apart to see the siberians so impertinent? Don't belive that the weather is little? |
|
1:19:18 (Pop-up) |
||
| Winter's Green |
Are You A Monkey?
|
1968 |
|
1:20:20 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy is the wintry weather! Are you upset by how vernal it is? Does it tear you apart to see the weather so springlike? Seasons, however hard they try, Will always be inclement. Down, down, down into the darkness of the seasons, Gently they go - the clement, the foul, the nasty. How happy are wooly climes! |
|
1:23:53 (Pop-up) |
||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
1:24:48 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy is the wintry weather! Are you upset by how vernal it is? Does it tear you apart to see the weather so springlike? Seasons, however hard they try, Will always be inclement. Down, down, down into the darkness of the seasons, Gently they go - the clement, the foul, the nasty. How happy are wooly climes! |
|
1:27:36 (Pop-up) |
||
| The Bubble Puppy |
Lonely
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
1:28:28 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Playground - A Haiku Perpetual spring A lonely playground bubble at the perfect street |
|
1:31:24 (Pop-up) |
||
| Culver Street Playground |
East River Lovers
|
1968 |
|
1:32:10 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at early stargazers. Never forget the aboriginal and azoic stargazers. One afternoon I said to myself, "Why aren't ites more rural?" Now city-bred is just the thing, To get me wondering if ites are rural. Don't belive that the fest is lean? the fest is fat beyond belief. |
|
1:35:03 (Pop-up) |
||
| Nick Garrie |
Evening
|
1969 |
|
1:36:43 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
How happy is the marie erna! Does the erna make you shiver? does it? I cannot help but stop and look at the non fianna. Does the fianna make you shiver? does it? Just like a south castle, is the leitrim. Now addled is just the thing, |
|
1:38:40 (Pop-up) |
||
| Eire Apparent |
Rock 'N Roll Band
|
1969 |
|
1:39:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
One afternoon I said to myself, "Why isn't the blain more large?" Now short is just the thing, To get me wondering if the blain is puny. Why would you think the irishman is unfriendly? the irishman is the most friendly irelander of all. Down, down, down into the darkness of the irishman, Gently it goes - the genial, the affable, the social. |
|
1:42:52 (Pop-up) |
||
| The Frost |
Who Are You?
|
1969 |
|
1:43:45 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at the quick left. Never forget the active and ready left. All that is inconspicuous is not omissions, omissions, by all account is obvious. Down, down, down into the darkness of the omissions, Gently they go - the marked, the patent, the big. How happy is the cunning forgotten! Down, down, down into the darkness of the forgotten, |
|
1:49:00 (Pop-up) |
||
| Lightnin' Hopkins |
Mini Skirt
|
2008 |
|
1:49:46 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy is the total absent! Down, down, down into the darkness of the absent, Gently it goes - the unconditioned, the unconditional, the whole. I saw the alleged location of my generation destroyed, How I mourned whereabouts. Now declared is just the thing, To get me wondering if whereabouts are so-called. The interval that's really yellow, |
|
1:52:53 (Pop-up) |
||
| Nico |
Sagen Die Gelehrten
|
1968 |
|
1:53:36 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
1:57:24 (Pop-up) | |
| Brian Auger |
The In Crowd
|
|
1:59:59 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces
|
|
2:00:07 (Pop-up) |
|||
| Conception |
Babylon
|
1969 |
|
2:00:46 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:03:46 (Pop-up) |
|||
| Formula V |
Cenicieta
|
1969 |
|
2:04:00 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
2:06:11 (Pop-up) |
|||
| Hair |
Coming Through
|
1970 |
|
2:06:21 (Pop-up) | ||
| Sound Solution |
Hide Your Face In Shame
|
1969 |
|
2:11:49 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Solution, Part 2 - A Haiku Early bleak springtime A best, sound solution sound watching the rainbow |
|
2:14:43 (Pop-up) |
||
| Rainbow Ffolly |
Sighing Game
|
1968 |
|
2:15:21 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Warnings - A Haiku Eternal springtime A such, frozen warnings game before the rainbow |
|
2:18:27 (Pop-up) |
||
| nico |
Frozen Warnings
|
1969 |
|
2:18:51 (Pop-up) | ||
| The FUGS |
The National Haiku Contest
|
1968 |
|
2:22:48 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Reports, however hard they try, Will always be false. Never forget the mendacious and fake reports. How happy are serious contraindications! Never forget the unplayful and sedate contraindications. advertisements are not small! advertisements are exceptionally grownup. Now bulky is just the thing, |
|
2:23:12 (Pop-up) |
||
| The Gas Company |
Get Out Of My Life
|
1966 |
|
2:23:58 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Reports, however hard they try, Will always be false. Never forget the mendacious and fake reports. How happy are serious contraindications! Never forget the unplayful and sedate contraindications. advertisements are not small! advertisements are exceptionally grownup. Now bulky is just the thing, |
|
2:26:05 (Pop-up) |
||
| The Rainy Daze |
Blood Of Oblivion
|
1967 |
|
2:26:45 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
The location that's really unknown, Above all others are the whereabouts. Never forget the dishonorable and nameless whereabouts. Disappearances, however hard they try, Will always be suspicious. Down, down, down into the darkness of the disappearances, Gently they go - the funny, the fishy, the leery. The imperfection that's really big, |
|
2:29:19 (Pop-up) |
||
| Zekes |
Leaving You
|
1970 |
|
2:30:10 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
The void is not solid! the void is exceptionally false. A void is vacuous. a void is false, a void is cavernous, however. An omission, however hard it tries, Will always be total. Down, down, down into the darkness of the omission, Gently it goes - the complete, the aggregate, the full. |
|
2:33:48 (Pop-up) |
||
| Meadow |
Fighting Today (Must Be A Better Way)
|
1970 |
|
2:34:40 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Philamore - A Haiku Darkening springtime before philamore better into the lincoln |
|
2:37:30 (Pop-up) |
||
| Philamore Lincoln |
The North Wind Blew South
|
1970 |
|
2:37:54 (Pop-up) | ||
| Kim Fowley |
Lights
|
1966 |
|
2:40:58 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Philamore, Part 2 - A Haiku Depressing springtime before south philamore wind by the arzachel |
|
2:43:13 (Pop-up) |
||
| Arzachel |
Leg
|
1969 |
|
2:43:45 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
2:49:20 (Pop-up) |
|||
| Los Pasos |
Lluvia En La Estacion
|
1968 |
|
2:49:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:53:06 (Pop-up) |
|||
| The Fairytale |
Guess I Was Dreaming
|
1967 |
|
2:53:18 (Pop-up) | ||
| Jan Ashton |
Cold Dreary Morning
|
1965 |
|
2:56:12 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
2:58:20 (Pop-up) | |
| Stu Phillips |
Hells Angels On Wheels
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
2:59:27 (Pop-up) | |
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Fairytale - A Haiku Eternal springtime A yellow fairytale man despite the payges |
|
3:00:07 (Pop-up) |
||
| The Yellow Payges |
Im A Man
|
1970 |
|
3:01:04 (Pop-up) | ||
| Glass Candle |
Light The Glass Candle
|
1969 |
|
3:04:32 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Looking - A Haiku Eternal springtime A part, yellow looking plague at the perfect plague |
|
3:07:20 (Pop-up) |
||
| The Plague |
Looking For The Sun
|
1968 |
|
3:07:49 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
I cannot help but stop and look at the effective witnessing. Are you upset by how operational it is? Does it tear you apart to see the witnessing so hard-hitting? The sight that's really worth, Above all others is the seeing. Does the seeing make you shiver? does it? One afternoon I said to myself, |
|
3:10:51 (Pop-up) |
||
| The Edge Of Darkness |
Mean Town
|
1968 |
|
3:11:33 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Darkness - A Haiku Beautiful springtime A total, mean darkness edge before the griffin |
|
3:13:49 (Pop-up) |
||
| The Griffin |
I'm Movin' On
|
1968 |
|
3:14:31 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
3:17:21 (Pop-up) |
|||
| Keith Relf |
Mr Zero
|
1966 |
|
3:17:43 (Pop-up) | ||
| Pretty |
Mustache In Your Face
|
1969 |
|
3:20:28 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
3:23:06 (Pop-up) |
|||
| The Teddy Boys |
Jezebel
|
1966 |
|
3:23:22 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:26:20 (Pop-up) |
|||
| The Galaxies IV |
Piccadilly Circus
|
1966 |
|
3:26:29 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:29:06 (Pop-up) |
|||
| Tokyo Kid Brothers |
Peace-Daddada
|
1971 |
|
3:29:17 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
I cannot help but stop and look at the calcium absent. Does the absent make you shiver? does it? Why would you think the deceased is middle? the deceased is the most late soul of all. Now after-hours is just the thing, To get me wondering if the deceased is middle. Failing is, in its way, the whom man of failure. |
|
3:35:20 (Pop-up) |
||
| Bent Wind |
Sacred Cows
|
1969 |
|
3:36:59 (Pop-up) | ||
| Captain Beefheart & His Magic Band |
Frownland
|
1970 |
|
3:41:06 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Electric - A Haiku Eternal springtime A hydro, electric sell betrayed by the prunes |
|
3:42:43 (Pop-up) |
||
| The Electric Prunes |
Sell
|
1969 |
|
3:43:24 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Electric, Part 2 - A Haiku New wintry springtime A photo, electric mind in spite of the prunes |
|
3:46:32 (Pop-up) |
||
| The Third Bardo |
Lose Your Mind
|
1967 |
|
3:47:11 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Sensations - A Haiku Depressing springtime A mammoth sensations head beyond the mammoth |
|
3:50:29 (Pop-up) |
||
| Mammoth |
Sensations Head To Toe
|
1970 |
|
3:50:49 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Sensations, Part 2 - A Haiku Eternal cold spring A mammoth sensations head betrayed by the shields |
|
3:53:54 (Pop-up) |
||
| Keith Shields |
So Hard Living Without You
|
1967 |
|
3:54:35 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
3:57:48 (Pop-up) | |
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Almendra - A Haiku Beautiful springtime shall good almendra bill the near the pototo |
|
4:03:08 (Pop-up) |
||
| Almendra |
Tema De Pototo (Para saber como es Lla soledad)
|
1968 |
|
4:03:41 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
4:06:10 (Pop-up) |
|||
| Dr. West's Medicine Show and Junk Band |
The Eggplant That Ate Chicago
|
1966 |
|
4:06:29 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Facets, however hard they try, Will always be numerous. Do facets make you shiver? do they? I cannot help but stop and look at fundamental ideas. Do ideas make you shiver? do they? Elements are cultural law. |
|
4:09:55 (Pop-up) |
||
| Future |
The Shape Of Things To Come
|
1968 |
|
4:10:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
elements are not unnecessary! elements are exceptionally requisite. Are you upset by how inevitable they are? Does it tear you apart to see the elements so requisite? How happy are certain ways! Do ways make you shiver? do they? Just like various types, is facets. |
|
4:13:32 (Pop-up) |
||
| The Parking Lot |
World Spinning Sadly
|
1969 |
|
4:14:26 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
elements are not unnecessary! elements are exceptionally requisite. Are you upset by how inevitable they are? Does it tear you apart to see the elements so requisite? How happy are certain ways! Do ways make you shiver? do they? Just like various types, is facets. |
|
4:17:15 (Pop-up) |
||
| Ellen Margulies |
The White Pony
|
1968 |
|
4:17:56 (Pop-up) | ||
| Andy Forray |
Dream With Me
|
1968 |
|
4:20:45 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Margulies - A Haiku Darkening springtime before white margulies wall out of lucifers |
|
4:23:16 (Pop-up) |
||
| Writing On The Wall |
Lucifer's Corpus
|
1969 |
|
4:24:00 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Cigarette - A Haiku Darkening springtime A light cigarette beacon by the lucifers |
|
4:29:42 (Pop-up) |
||
| Beacon Street Union |
May I Light Your Cigarette
|
1968 |
|
4:30:07 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Don't belive that prefaces are condensed? prefaces are extended beyond belief. Never forget the lengthy and spread-eagle prefaces. I saw the the only disuse of my generation destroyed, How I mourned the omission. Now lone is just the thing, To get me wondering if the omission is solitary. How happy is the big forgotten! |
|
4:35:40 (Pop-up) |
||
| Los Pasos |
Voces De Otro Mundo
|
1968 |
|
4:36:22 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
4:39:49 (Pop-up) |
|||
| The Spiders |
Why Don't You Love Me
|
1965 |
|
4:40:14 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
4:42:08 (Pop-up) |
|||
| The Truth |
P.S. (Prognosis Stegnoisis)
|
1967 |
|
4:42:31 (Pop-up) | ||
| Mouse And The Traps |
Wicker Wine
|
1969 |
|
4:45:35 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
How happy is the press been! Never forget the pressing and closet been. One afternoon I said to myself, "Why aren't prefaces more worthless?" Never forget the worthy and rich prefaces. How happy are yellow omissions! Never forget the yellow-bellied and sensationalistic omissions. Refresh until you're happy with your poem. |
|
4:48:04 (Pop-up) |
||
| the FUGS |
Virgin Forest
|
1966 |
|
4:48:47 (Pop-up) | ||
| The Plague |
Here Today, Gone Tomorrow
|
1968 |
|
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Owl Sun:
bill hanke:
Owl Sun:
bill hanke:
Owl Sun:
Max D:
Owl Sun:
Max D:
bill hanke:
David (in London):
Owl Sun:
Owl Sun: