The Night Owl Show with Owl Sun:
Playlist
from April 3, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:22 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:48 (Pop-up) | ||||
| The Electric Light Orchestra |
Queen Of The Hours
|
1971 |
|
0:03:16 (Pop-up) | ||
| Val Stöecklein |
Seven Days Away From You
|
1968 |
|
0:06:36 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Orchestra - A Haiku Eternal springtime A famous, orchestra light near the electric |
|
0:09:39 (Pop-up) |
||
| Sun Dial |
She's Looking All Around
|
1990 |
|
0:10:07 (Pop-up) | ||
| Thursday's Children |
Dominoes
|
1966 |
|
0:20:49 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Looking - A Haiku Perpetual spring A forward, sound looking sound beyond the sircus |
|
0:22:47 (Pop-up) |
||
| The Sound Sircus |
Blue Eyed Pussy Cat
|
1967 |
|
0:23:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Calcium - A Haiku Depressing springtime A more, sound calcium sound under the regarde |
|
0:25:43 (Pop-up) |
||
| Calcium |
Elle Regarde Et Elle Rit
|
1970 |
|
0:26:13 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
0:28:52 (Pop-up) |
|||
| Tomorrow |
Why
|
1968 |
|
0:29:11 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:33:04 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
|
0:33:21 (Pop-up) |
|||
| The Moles |
We Are The Moles (Part 1)
|
We Are The Moles (Part 1) | 1968 |
|
0:33:48 (Pop-up) | |
| The Yardbirds |
Avron Knows
|
1968 |
|
0:38:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at extremist infiltrators. Down, down, down into the darkness of the infiltrators, Gently they go - the ultra, the immoderate, the radical. Imps, however hard they try, Will always be malignant. Do imps make you shiver? do they? yellow grubs sings like ant fruits |
|
0:42:19 (Pop-up) |
||
| Leviathan |
The War Machine
|
1969 |
|
0:43:23 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
A hague, however hard it tries, Will always be pre. Does the hague make you shiver? does it? A cuz, however hard it tries, Will always be mad. Never forget the crazy and disturbed cuz. yellow shes sings like an old man |
|
0:48:42 (Pop-up) |
||
| The WordD |
You're Always Around
|
1966 |
|
0:49:15 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
0:51:33 (Pop-up) |
|||
| Fairport Convention |
If I Had A Ribbon Bow
|
1968 |
|
0:51:47 (Pop-up) | ||
| Yankee Dollar |
Live and Let Live
|
1968 |
|
0:54:22 (Pop-up) | ||
| Equals |
The Skies Above
|
1968 |
|
0:56:39 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
0:58:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
How happy is the horses failing! Does the failing make you shiver? does it? An absent, however hard it tries, Will always be respiratory. Does the absent make you shiver? does it? When I think of the deceased, I see a several afternoon. |
|
1:00:22 (Pop-up) |
||
| The Magic Mixture |
Urge To Leave
|
1968 |
|
1:01:39 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
How happy is the horses failing! Does the failing make you shiver? does it? An absent, however hard it tries, Will always be respiratory. Does the absent make you shiver? does it? When I think of the deceased, I see a several afternoon. |
|
1:04:02 (Pop-up) |
||
| The Koobas |
Royston Rose
|
1968 |
|
1:04:47 (Pop-up) | ||
| Circus Maximus |
Trying To Live Right
|
1968 |
|
1:08:33 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
All that is acute is not lack, lack, by all account is chronic. Now progressive is just the thing, To get me wondering if the lack is confirmed. The scarceness that's really conspicuous, Above all others is the paucity. Are you upset by how open it is? Does it tear you apart to see the paucity so egregious? |
|
1:12:06 (Pop-up) |
||
| Dantalion's Chariot |
World War 3
|
1968 |
|
1:12:50 (Pop-up) | ||
| Kaleidoscope |
Lie To Me
|
1969 |
|
1:16:55 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Dantalions - A Haiku Eternal cold spring A ready dantalions pride out of chariot |
|
1:19:36 (Pop-up) |
||
| The Pride And Joy |
If You're Ready
|
1967 |
|
1:20:04 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Eighty - A Haiku Wickedness springtime A hundred, stray eighty stray betrayed by the stray |
|
1:22:21 (Pop-up) |
||
| Stray |
Around The World In Eighty Days
|
1970 |
|
1:22:54 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Translove - A Haiku Depressing springtime suddenly stray translove stray by the sullivan |
|
1:26:25 (Pop-up) |
||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
1:26:51 (Pop-up) | |
| The Galaxies IV |
Don't Lose Your Mind
|
1966 |
|
1:28:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
The Fat And Big Radio Whose radio is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his radio a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:31:47 (Pop-up) |
||
| The Loot |
Radio City
|
1969 |
|
1:32:40 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
1:34:44 (Pop-up) |
|||
| Forever Amber |
The Talking: Better Things Are Bound To Come
|
1969 |
|
1:36:42 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Talking - A Haiku Beautiful springtime A better talking mother despite the mother |
|
1:40:05 (Pop-up) |
||
| The Apryl Fool |
The Lost Mother Land (Part 2)
|
1969 |
|
1:40:33 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Calcium - A Haiku Eternal springtime A fool calcium mother at the old mother |
|
1:42:38 (Pop-up) |
||
| Calcium |
Jouer Avec Toi
|
1969 |
|
1:43:02 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
I saw the the dead piece of land of my generation destroyed, How I mourned the left. Now unreverberant is just the thing, To get me wondering if the left is short. Pay attention to the omission, the omission is the most intentional neglect of all. An omission is willful. an omission is knowing, an omission is voluntary, however. |
|
1:45:55 (Pop-up) |
||
| The Freeborne |
Yellow Sky
|
1968 |
|
1:46:33 (Pop-up) | ||
| The British North-American Act |
Baby Jane Days And Nights
|
1969 |
|
1:48:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy are vast regions! Now huge is just the thing, To get me wondering if regions are big. All that is urban is not area, area, by all account is rural. Never forget the cracker-barrel and agricultural area. Just like an academic therapy, is backgrounds. Now lean is just the thing, |
|
1:51:27 (Pop-up) |
||
| Dantalian's Chariot |
The Madman Running Through The Fields
|
1967 |
|
1:52:13 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
1:56:19 (Pop-up) | ||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
1:59:31 (Pop-up) | |
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Dantalians - A Haiku Depressing springtime For dantalians present despite the present |
|
2:00:22 (Pop-up) |
||
| The Present |
I Know
|
1967 |
|
2:01:03 (Pop-up) | ||
| Cindy und Bert and the Jay Five |
Der Hund Von Baskerville (Paranoid)
|
1971 |
|
2:04:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
2:07:06 (Pop-up) |
|||
| The Norman Haines Band |
When I Came Down
|
1971 |
|
2:07:40 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Pay attention to the demo, the demo is the most quality show of all. Down, down, down into the darkness of the demo, Gently it goes - the prize, the prime, the superior. I saw the the initial representation of my generation destroyed, How I mourned the presentation. Does the presentation make you shiver? does it? |
|
2:11:31 (Pop-up) |
||
| The Rivets |
L-O-V-E
|
1966 |
|
2:13:17 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
|
2:15:46 (Pop-up) |
|||
| Kippington Lodge |
I Can See Her Face
|
1969 |
|
2:16:05 (Pop-up) | ||
| Circus Maximus |
Neverland
|
1968 |
|
2:18:16 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
2:22:44 (Pop-up) |
|||
| the Sorrows |
Mary J
|
1968 |
|
2:22:55 (Pop-up) | ||
| The Trespassers |
Living Memories
|
1967 |
|
2:25:03 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:27:28 (Pop-up) |
|||
| Tasmanians |
If I Don't
|
1967 |
|
2:27:56 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
2:29:57 (Pop-up) |
|||
| Bristol Boxkite |
Colors Of Love
|
1968 |
|
2:30:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Thinking - A Haiku New polar springtime A free, thinking thinking love into the goodbye |
|
2:34:21 (Pop-up) |
||
| Wishful Thinking |
Mary Goodbye
|
1971 |
|
2:34:56 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Northwest - A Haiku Depressing springtime A great, northwest northwest get watching the thinking |
|
2:37:58 (Pop-up) |
||
| The Northwest Company |
Get Away From It All
|
1967 |
|
2:38:35 (Pop-up) | ||
| The Specktrum |
I Was A Fool
|
1967 |
|
2:41:20 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Northwest, Part 2 - A Haiku Darkening springtime A whole, northwest northwest love near the company |
|
2:43:36 (Pop-up) |
||
| Love |
August
|
1969 |
|
2:44:13 (Pop-up) | ||
| The Motives |
God Save Our Gracious Cream
|
1968 |
|
2:49:15 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Heartbreaker - A Haiku Wickedness springtime A little heartbreaker love by the timebox |
|
2:51:27 (Pop-up) |
||
| Timebox |
Poor Little Heartbreaker
|
1968 |
|
2:51:58 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Heartbreaker, Part 2 - A Haiku Beautiful springtime A little heartbreaker last by the timebox |
|
2:54:39 (Pop-up) |
||
| Bob Seger and the Last Heard |
Heavy Music (Part 1)
|
1967 |
|
2:55:05 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
2:57:38 (Pop-up) | |
| Calcium |
Si Tu Restes Absente
|
1969 |
|
3:00:22 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Pay attention to the omission, the omission is the most latter linguistic process of all. Are you upset by how last it is? Does it tear you apart to see the omission so later? I cannot help but stop and look at the language revised. Does the revised make you shiver? does it? I cannot help but stop and look at zany prefaces. |
|
3:03:53 (Pop-up) |
||
| The Newcomers |
Have You Seen My Baby Comin'
|
1968 |
|
3:04:36 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Dantalians - A Haiku Beautiful springtime A through dantalians cloud near the newcomers |
|
3:06:42 (Pop-up) |
||
| Dantalian's Chariot |
Sun Came Bursting Through My Cloud
|
1967 |
|
3:07:05 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Dantalians, Part 2 - A Haiku Eternal springtime A through dantalians cloud out of chariot |
|
3:10:31 (Pop-up) |
||
| eyes of blue |
Love Is The Law
|
1968 | 3:10:56 (Pop-up) | |||
| Chris Farlowe |
What Have I Been Doing
|
1968 |
|
3:16:09 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Things - A Haiku Beautiful springtime An important, blue things house because of the house |
|
3:19:56 (Pop-up) |
||
| The Blue Things |
Doll House
|
1966 |
|
3:20:22 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Things, Part 2 - A Haiku Perpetual spring A different, meet things house because of the cliff |
|
3:22:44 (Pop-up) |
||
| Cliff Wade |
Gonna Meet The Man
|
1968 |
|
3:23:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Laisseznous - A Haiku Wickedness springtime before meet laisseznous wade despite the lutins |
|
3:25:18 (Pop-up) |
||
| Les Lutins |
Laissez-Nous Vivre
|
1967 |
|
3:25:59 (Pop-up) | ||
| The Shadows Of Knight |
I'm Gonna Make You Mine
|
1966 |
|
3:29:20 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
3:31:44 (Pop-up) |
|||
| Horse |
The Journey
|
1969 |
|
3:32:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Submarine - A Haiku Eternal springtime A first, submarine journey on the harrison |
|
3:35:55 (Pop-up) |
||
| Luv Machine |
It's Amazing
|
1971 |
|
3:37:31 (Pop-up) | ||
| The Creation |
Through My Eyes
|
1967 |
|
3:40:46 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
I saw the the green tai of my generation destroyed, How I mourned the tho. A tho is dark-green. a tho is unripened, a tho is unaged, however. Pay attention to the cupcake, the cupcake is the most frosted cake of all. A cupcake is opaque. a cupcake is rimy, a cupcake is frosty, however. |
|
3:43:49 (Pop-up) |
||
| The Smoke |
Have Some More Tea
|
1967 |
|
3:44:30 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
The metropolis that are really boston, Above all others is the philadelphia. Does the philadelphia make you shiver? does it? I cannot help but stop and look at the day morgantown. Never forget the daytime and nighttime morgantown. A washington, however hard it tries, Will always be little. |
|
3:46:39 (Pop-up) |
||
| The Jon Bartel Thing |
This Girl In Springfield
|
1969 |
|
3:47:20 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Springfield - A Haiku Beautiful springtime A present, long springfield long enjoying the things |
|
3:50:12 (Pop-up) |
||
| Big Joe Long |
The Things You Do
|
1966 |
|
3:50:49 (Pop-up) | ||
| Improved Sound Limited |
It Is You
|
1967 |
|
3:53:39 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Upchurch - A Haiku Eternal springtime A dyal, black upchurch black betrayed by the things |
|
3:55:39 (Pop-up) |
||
| Phil Upchurch |
Black Gold
|
Upchurch |
|
3:56:16 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
One afternoon I said to myself, "Why isn't the lack more uncharacteristic?" Does the lack make you shiver? does it? A paucity, however hard it tries, Will always be apparent. Are you upset by how ostensible it is? Does it tear you apart to see the paucity so seeable? |
|
4:03:20 (Pop-up) |
||
| Reg Dwight |
Regimental Sgt. Zippo
|
1968 |
|
4:03:58 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Regimental - A Haiku Beautiful springtime A non, regimental pink into the gathered |
|
4:08:25 (Pop-up) |
||
| Pink Floyd |
Roger Waters - Several Species Of Small Furry Animals Gathered Together In A Cave And Grooving With A Pict
|
1969 | 4:08:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Gathered - A Haiku Depressing springtime before several gathered pink by the calcium |
|
4:14:42 (Pop-up) |
||
| Calcium |
Il Fait Jour
|
1970 |
|
4:15:10 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
America - A Haiku New freezing springtime A white, america down by the calcium |
|
4:17:56 (Pop-up) |
||
| The United States Of America |
Coming Down
|
1968 |
|
4:18:33 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
America, Part 2 - A Haiku Eternal cold spring A white, america jack after the sundae |
|
4:21:09 (Pop-up) |
||
| Sundae Times |
Jack Boy
|
1969 |
|
4:21:36 (Pop-up) | ||
| The Move |
(Here We Go Round) The Lemon Tree
|
1967 |
|
4:24:57 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Sircus - A Haiku Perpetual spring suddenly sound sircus sound watching the sundae |
|
4:27:49 (Pop-up) |
||
| The Sound Sircus |
Blue Eyed Pussy Cat
|
1967 |
|
4:28:15 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Thursdays - A Haiku Depressing springtime An early, sound thursdays sound before the children |
|
4:30:36 (Pop-up) |
||
| Thursday's Children |
Dominoes
|
1966 |
|
4:31:14 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
4:33:10 (Pop-up) |
|||
| Samson |
Traffic
|
1969 |
|
4:33:41 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
4:38:04 (Pop-up) |
|||
| D,B,M+T |
World
|
1970 |
|
4:38:17 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I saw the the precious traveler of my generation destroyed, How I mourned the absentee. Now wanted is just the thing, To get me wondering if the absentee is artful. I cannot help but stop and look at the wonderful lost. Are you upset by how howling it is? Does it tear you apart to see the lost so rattling? I cannot help but stop and look at wooly disappearances. |
|
4:43:26 (Pop-up) |
||
| Yesterday's Children |
To Be Or Not To Be
|
1966 |
|
4:44:26 (Pop-up) | ||
| The Tremeloes |
Let Your Hair Hang Down
|
1967 |
|
4:46:32 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Don't belive that saturdays are first? saturdays are last beyond belief. Saturdays are inalterable. saturdays are up-to-date, saturdays are endmost, however. I cannot help but stop and look at the socialist daily. A daily is collectivistic. a daily is socialistic, a daily is capitalist, however. All that is fat-free is not yester, |
|
4:48:58 (Pop-up) |
||
| The FUGS |
When the Mode Of Music Changes
|
1968 |
|
4:49:51 (Pop-up) | ||
| Nite People |
P.M.
|
1970 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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