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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
Young Flowers | Oppe I Træet / Stk. 3 | 1968 | ||||
Kevin Ayers and the Whole World | Red Green And You Blue | 1970 | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
The flower that's really profuse, Above all others is the peony. Now exuberant is just the thing, To get me wondering if the peony is luxuriant. A floral, however hard it tries, Will always be sweet. A floral is cherubic. a floral is dry, a floral is sugared, however. |
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The Yellow Payges | The Two Of Us | 1969 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The mistake that's really noticeable, Above all others is the omission. An omission is broad. an omission is perceptible, an omission is strong, however. I cannot help but stop and look at the resulting paucity. Now consequent is just the thing, To get me wondering if the paucity is sequent. I saw the the cunning vanish of my generation destroyed, |
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Zweistein | A Very Simple Song | 1970 | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Absence The mistake that's really noticeable, Above all others is the omission. An omission is broad. an omission is perceptible, |
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The 13th Floor Elevators | Rose And The Thorn | 1969 | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
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The Kreeg | Impressin' | 1966 | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
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The Id | Morning Dew | 1966 | ||||
Tasmanians | I Can't Explain This Feeling | 1967 | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Versatiles - A Haiku Depressing springtime A like versatiles like before the somethin |
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The Versatiles | Somethin' Like A Man | 1968 | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Versatiles, Part 2 - A Haiku Beautiful springtime A like versatiles like into the somethin |
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Tenjo Sajiki | Mu She Ji | 1970 | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
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Sogmusobil | Arabic In The Morning | 1971 | ||||
The doors | Take It As It Comes | 1967 | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the uar asiatic of my generation destroyed, How I mourned the jordanian. Does the jordanian make you shiver? does it? I saw the the hindi indic of my generation destroyed, How I mourned the sanskrit. Does the sanskrit make you shiver? does it? |
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dies irae | Another Room | 1971 | ||||
Music behind DJ: The Beatles |
The Bus |
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Fire | Like To Help You If I Can | 1970 | ||||
Funkadelic | Music For My Mother (Instrumental) | 1969 | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the calcium absent. Does the absent make you shiver? does it? An absentee, however hard it tries, Will always be remarkable. Down, down, down into the darkness of the absentee, Gently it goes - the singular, the important, the significant. Just like a partial way, is the disappearance. |
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Charlie Och Esdor | Dagen Är Över | 1970 | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
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The Rabble | Nothin' But | 1967 | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
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Markley | Roger The Rocket Ship | 1969 | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
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The Freedom | Childhood Reflections | 1969 | ||||
Five By Five | Hang Up | 1968 | ||||
Music behind DJ: Roland Vincent |
LSD Party |
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Young Flowers | April '68 | 1968 | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
flores are not west! flores are exceptionally eastbound. Are you upset by how easterly they are? Does it tear you apart to see the flores so eastbound? All that is amphibious is not flora, flora, by all account is terrestrial. Does the flora make you shiver? does it? |
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Mike Burnett | Mattie Jo's | 1969 | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
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The Move | This Time Tomorrow | Curly / This Time Tomorrow | ||||
The Creation | Painter Man | 1966 | ||||
Music behind DJ: George Harrison |
Ski-ing |
I saw the the obvious time interval of my generation destroyed, How I mourned the absence. Never forget the open and conspicuous absence. Don't belive that the lost is not due? the lost is due beyond belief. Are you upset by how appropriate it is? Does it tear you apart to see the lost so repayable? The deceased is not fat-free! |
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The Yellow Payges | Friends | 1969 | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the bye gone! Does the gone make you shiver? does it? I cannot help but stop and look at the greatest failing. Does the failing make you shiver? does it? When I think of the absence, I see alleged places. Down, down, down into the darkness of the absence, |
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Raw Material | Time And Illusion | 1970 | ||||
Music behind DJ: George Harrison |
Party Seacombe |
Sculpture - A Haiku Beautiful springtime An egyptian, sculpture love the material |
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Love Sculpture | Why (How-Now) | 1969 | ||||
The Moving Finger | A Fairy Tale | 1968 | ||||
Mike Curb and Lawrence Brown | Bay City Boys | 1968 | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
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Mecki Mark Men | Opening | 1967 | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy is the beloved como! Never forget the dear and dearest como. An esto, however hard it tries, Will always be magnanimus. Does the esto make you shiver? does it? Sabe is eternal attitude. eternal attitude is sabe. |
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Los Vidrios Quebrados | Introduccion A La Vida, Narrada Por El Tio Juan (Introduction to life as told by Uncle John) | 1967 | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Grandmothers - A Haiku Beautiful springtime A great, grandmothers diamond an introduction |
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Baby Grandmothers | Raw Diamond | 1968 | ||||
Bruno | Mandy Jones | 1967 | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Grandmothers, Part 2 - A Haiku Darkening springtime A haired, grandmothers diamond beyond the diamond |
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The Rabble | Rising Of The Sun | 1967 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Sunlight - A Haiku Eternal springtime A rising sunlight rabble before the rabble |
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The Hard Times | Under The Sunlight | 1967 | ||||
Music behind DJ: Sagittarius |
Pisces |
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Anglo Saxon | Ruby | 1967 | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
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The Versatiles | Cyclothymia | 1967 | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
How happy is the jong been! Does the been make you shiver? does it? The omission is not unintentional! the omission is exceptionally intended. Down, down, down into the darkness of the omission, Gently it goes - the voluntary, the intended, the deliberate. How happy are little prefaces! |
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The Freedom | The Truth Is Plain To See | 1969 | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Scavengers - A Haiku Perpetual spring A happy scavengers see under the freedom |
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The Scavengers | But If You're Happy | 1966 | ||||
dave grusin | Constant Journey | 1968 | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Scavengers, Part 2 - A Haiku Beautiful springtime A happy scavengers run because of the youre |
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dies irae | Run Off | 1971 | ||||
The Collectors | Make It Easy | 1968 | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
One afternoon I said to myself, "Why aren't ties more unsocial?" Now friendly is just the thing, To get me wondering if ties are societal. Leaps, however hard they try, Will always be abrupt. Are you upset by how discourteous they are? Does it tear you apart to see the leaps so precipitous? |
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Linda Pierre King with The Outcasts | My Boot Heels Are Travelin' | 1966 | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The lack is not absolute! the lack is exceptionally relational. Are you upset by how comparative it is? Does it tear you apart to see the lack so relational? I cannot help but stop and look at the silent presence. A presence is inaudible. a presence is implied, a presence is talking, however. Why would you think the paucity is small? |
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Pärson Sound | Tio Minuter (Ten Minutes) | 1967 | ||||
Neo Maya | I Won't Hurt You | 1967 | ||||
The Yellow Payges | Moonfire | 1969 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Traveller - A Haiku Depressing springtime A weary, traveller sound a material |
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Raw Material | Traveller Man | 1970 | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Yesterday - A Haiku Darkening springtime A clear, yesterday finger by the traveller |
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The Moving Finger | The World Will End Yesterday | 1968 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the only distraction! Now solitary is just the thing, To get me wondering if the distraction is lone. I saw the the most contact of my generation destroyed, How I mourned the touching. Are you upset by how nearly it is? Does it tear you apart to see the touching so near? Why would you think the playground is large? |
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Mecki Mark Men | Playing Child | 1969 | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
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the stooges | ann | 1969 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy is the only distraction! Now solitary is just the thing, To get me wondering if the distraction is lone. I saw the the most contact of my generation destroyed, How I mourned the touching. Are you upset by how nearly it is? Does it tear you apart to see the touching so near? Why would you think the playground is large? |
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Mike Curb and Lawrence Brown | Theme From Mary Jane | 1968 | ||||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at bedford jones. Do jones make you shiver? do they? How happy is the poor strickland! Now needy is just the thing, To get me wondering if the strickland is stone-broke. Bell is late chapter. late chapter is bell. |
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Los Vidrios Quebrados | Como Jesucristo Uso El Suyo (As Jesus wore his own) | 1967 | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
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Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | ||||
Tasmanians | Baby | 1967 | ||||
Music behind DJ: The Shadows |
Wonderful Land |
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Mike Stuart Span | Children Of Tomorrow | 1968 | ||||
Music behind DJ: Pedro Santos |
Savana |
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The Rabble | Can I Squeeze | 1967 | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
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Hearts and Flowers | Second-Hand Sundown Queen | 1968 | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
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The Freedom | Born Again | 1969 | ||||
The United States Of America | The Garden Of Earthly Delights | 1968 | ||||
Sagittarius | Pisces | Another Time / Pisces | 1968 | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The necessary that's really great, Above all others is the want. Down, down, down into the darkness of the want, Gently it goes - the enthusiastic, the eminent, the dandy. A lol, however hard it tries, Will always be upper. Now high is just the thing, To get me wondering if the lol is superior. |
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the sound magics | Don't You Remember | 1966 | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Times - A Haiku Eternal springtime A few, sound times remember despite the candy |
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The Hard Times | Candy Man | 1967 | ||||
Inner Lite | All The Way | 1970 | ||||
Music behind DJ: 101 Strings |
Flameout |
Walls - A Haiku Wickedness springtime A concrete, hard walls listen because of the times |
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The Far Cry | Listen To The Walls | 1968 | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
The corridor that's really paneled, Above all others is the hallway. Does the hallway make you shiver? does it? The flat that's really adjoining, Above all others are the rooms. Rooms are contiguous. rooms are conterminous, rooms are adjacent, however. |
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calliope | Hello, Hello | 1968 | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
A presence, however hard it tries, Will always be occasional. A presence is irregular. a presence is unpredictable, a presence is casual, however. Pay attention to the absent, the absent is the most dead vanish of all. Never forget the brain dead and stone-dead absent. When I think of the void, I see a signal reason. |
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The Yellow Payges | Devil Woman | 1969 | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
disappearances are not expected! disappearances are exceptionally unforeseen. Are you upset by how unanticipated they are? Does it tear you apart to see the disappearances so unforeseen? Pay attention to the disappearance, the disappearance is the most strange conclusion of all. A disappearance is fantastical. a disappearance is eerie, a disappearance is rum, however. |
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The 13th Floor Elevators | Rose And The Thorn | 1969 | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
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The Kreeg | Impressin' | 1966 | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
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Raw Material | Future Recollections | 1970 | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
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Family Souls | Cyke | 1968 | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Goround - A Haiku Wickedness springtime suddenly joint goround joint at the old effort |
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The Joint Effort | Merry On A Go-Round | 1967 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Mainliner - A Haiku Eternal springtime before mainliner finger before the goround |
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The Moving Finger | Mainliner | 1968 | ||||
The Venus Flytrap | Have You Ever | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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