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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:47 (Pop-up) | ||||
Faine Jade | Dont Hassle Me | 1968 | 0:03:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Oooooo - A Haiku Darkening springtime before man oooooo love into the hassle |
0:05:56 (Pop-up) |
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GTO's: Girls Together Outrageously | I'm In Love With The Ooo-Ooo Man | 1969 | 0:06:20 (Pop-up) | |||
The Other Half | Bad Day | 1968 | 0:09:35 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Andromeda - A Haiku Darkening springtime A man andromeda love by the oooooo |
0:12:09 (Pop-up) |
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Andromeda | Go Your Way | 1969 | 0:12:39 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Andromeda, Part 2 - A Haiku Depressing springtime A poor, andromeda house at the old mighty |
0:15:42 (Pop-up) |
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Mighty Baby | House without windows | 1969 | 0:16:04 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Jefferson - A Haiku Depressing springtime A mighty jefferson house beyond the airplane |
0:22:12 (Pop-up) |
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Jefferson Airplane | Run Around | 1966 | 0:22:36 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
One afternoon I said to myself, "Why isn't the tonight more happy?" A tonight is glad. a tonight is tragical, a tonight is gloomy, however. I cannot help but stop and look at the 24th sunday. Does the sunday make you shiver? does it? When I think of the midweek, I see open results. |
0:25:03 (Pop-up) |
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Rotary Connection | Trip I (cont.) : Ruby Tuesday | 1967 | 0:25:53 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Instrumental - A Haiku Overcast springtime where instrumental mother the funkadelic |
0:30:08 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:30:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Incorporation - A Haiku Wickedness springtime incorporation mother the satisfaction |
0:36:52 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:37:34 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Instant Request |
0:40:40 (Pop-up) |
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Mecki Mark Men | I Got It | 1967 | For: Chuck | 0:40:41 (Pop-up) | ||
The Lewis and Clarke Expedition | Blue Revelations | 1967 | 0:44:48 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Incorporation, Part 2 - A Haiku Wickedness springtime then incorporation sound the satisfaction |
0:47:29 (Pop-up) |
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Pink Floyd | Flaming | 1967 | 0:48:12 (Pop-up) | |||
Val Stöecklein | Seven Days Away From You | 1968 | 0:50:56 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Expression - A Haiku Depressing springtime A flaming expression down after the human |
0:54:00 (Pop-up) |
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The Human Expression | Calm Me Down | 1967 | 0:54:31 (Pop-up) | |||
T K Os | The Charge | The Charge | 0:56:56 (Pop-up) | |||
George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:59:11 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Expression, Part 2 - A Haiku Threatening springtime A free, small expression down on the happiness |
1:00:22 (Pop-up) |
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Small Faces | Happiness Stan: Happiness Stan | 1968 | 1:00:58 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:04:32 (Pop-up) |
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Popera Cosmic | Aurore Cosmic | 1969 | 1:04:48 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Liberation - A Haiku Threatening springtime where liberation service near the midwinters |
1:12:04 (Pop-up) |
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Liberation News Service | Mid-Winter's Afternoon | 1967 | 1:12:29 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:15:56 (Pop-up) |
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Attack | School Daze | 1968 | 1:16:09 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
1:18:58 (Pop-up) |
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Dino Valenti | Birdses | 1965 | 1:19:10 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:21:39 (Pop-up) |
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The Deviants | Somewhere To Go | 1968 | 1:22:01 (Pop-up) | |||
Peacepipe | The Sun Won't Shine Forever | 1968 | 1:29:16 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Why would you think the omission is unnoticeable? the omission is the most noticeable neglect of all. Now broad is just the thing, To get me wondering if the omission is detectable. How happy is the lamentable paucity! Down, down, down into the darkness of the paucity, Gently it goes - the distressing, the bad, the pitiful. The wooly presence sings like an occasional spectrum |
1:32:03 (Pop-up) |
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The Sons Of Adam | Feathered Fish | 1:32:50 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Legends - A Haiku Threatening springtime A greek, feathered legends fish at the old towers |
1:35:13 (Pop-up) |
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The Legends | High Towers | 1:35:51 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
All that is vertical is not lathes, lathes, by all account is horizontal. Lathes are vertical. lathes are flat, lathes are perpendicular, however. How happy are concrete units! Now abstract is just the thing, To get me wondering if units are objective. Just like a crystalline length, is complexes. |
1:38:45 (Pop-up) |
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The Tea Company | Come And Have Some Tea With Me | 1968 | 1:39:28 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:43:24 (Pop-up) |
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Le Stelle Di Mario Schifano | e dopo | 1967 | 1:43:36 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
1:45:44 (Pop-up) |
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The Serendipity Singer | It's Always Somewhere Else | 1967 | 1:46:09 (Pop-up) | |||
Jason Crest | Patricia's Dream | 1968 | 1:48:36 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the indefatigable blackmore! Now tireless is just the thing, To get me wondering if the blackmore is energetic. I cannot help but stop and look at the late hendrix. Now early is just the thing, To get me wondering if the hendrix is later. I cannot help but stop and look at the yellow steve. Are you upset by how lily-livered it is? |
1:51:13 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 1:52:05 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Experience - A Haiku Early dampness spring where burning experience by the melodies |
1:55:40 (Pop-up) |
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The Soft Machine | Rivmic Melodies: Hibou Anemone And Bear | 1969 | 1:56:22 (Pop-up) | |||
Baby Ray And The Ferns | The World's Greatest Sinner | 1963 | 2:02:21 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Disappearances, however hard they try, Will always be alleged. Down, down, down into the darkness of the disappearances, Gently they go - the so-called, the supposed, the declared. Pay attention to the lost, the lost is the most six people of all. Never forget the half dozen and half a dozen lost. The wooly stolen sings like twice countries |
2:04:42 (Pop-up) |
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Iota | Within These Precincts | 1971 | 2:05:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Soundtrack - A Haiku Overcast springtime A recorded, soundtrack space an original |
2:09:20 (Pop-up) |
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The Inner Space | Agilok & Blubbo (Thema: No. 1) (Original Film Soundtrack aus dem gleichnamigen Film) | 1968 | 2:09:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Soundtrack, Part 2 - A Haiku Eternal moist spring A perfect, soundtrack index the original |
2:13:03 (Pop-up) |
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Andy Warhol | Andy Warhol's Index (Book) | 1967 | 2:13:34 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I saw the the veritable composition of my generation destroyed, How I mourned the potpourri. Never forget the genuine and regular potpourri. Don't belive that the opera is nonmodern? the opera is modern beyond belief. Now fashionable is just the thing, To get me wondering if the opera is up-to-date. The opry is not big! |
2:19:20 (Pop-up) |
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Popera Cosmic | Philadelphie Story | 1969 | 2:20:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
A potpourri, however hard it tries, Will always be usual. Never forget the accustomed and familiar potpourri. Pay attention to the opera, the opera is the most modern serious music of all. Now newest is just the thing, To get me wondering if the opera is ultramodern. The big opry sings like original ideas |
2:23:50 (Pop-up) |
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The Syn | Flowerman | 1967 | 2:24:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:27:04 (Pop-up) |
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Bob Guy | Letter From Jeepers | 1963 | 2:27:14 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
2:29:32 (Pop-up) |
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The End | Dreamworld | 1969 | 2:29:59 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
A potpourri, however hard it tries, Will always be usual. Never forget the accustomed and familiar potpourri. Pay attention to the opera, the opera is the most modern serious music of all. Now newest is just the thing, To get me wondering if the opera is ultramodern. The big opry sings like original ideas |
2:34:10 (Pop-up) |
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Grains Of Sand | Nice Girl | 1967 | 2:35:02 (Pop-up) | |||
This Generation | The Children Have Your Tongue | 2:37:25 (Pop-up) | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Deviants - A Haiku Early wet springtime A such, nice deviants hold because of the grains |
2:40:11 (Pop-up) |
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The Deviants | You've Got To Hold On | 1968 | 2:40:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Deviants, Part 2 - A Haiku Perpetual spring A non, on deviants tread at the perfect dreams |
2:45:22 (Pop-up) |
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Czar | Tread Softly On My Dreams | 1970 | 2:45:44 (Pop-up) | |||
Spice | In Love | 1968 | 2:52:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Fourteen - A Haiku Eternal springtime A day, or fourteen power enjoying the dreams |
2:55:30 (Pop-up) |
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The 13th Power | Fourteen Or Fight | 1968 | 2:55:52 (Pop-up) | |||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 2:58:33 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Rounders - A Haiku Threatening springtime A modal rounders survey on the universe |
3:00:22 (Pop-up) |
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The Holy Modal Rounders | Jimmy And Crash Survey The Universe: Sky Divers | 1967 | 3:01:06 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Schifano - A Haiku New dampness springtime before schifano survey into the rounders |
3:06:03 (Pop-up) |
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Le Stelle Di Mario Schifano | molto lontano (a colori) | 1967 | 3:06:32 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
I saw the the home mother of my generation destroyed, How I mourned the mommy. Down, down, down into the darkness of the mommy, Gently it goes - the national, the internal, the interior. How happy are symphonic pops! Never forget the symphonious and harmonious pops. Just like a flippant one, is the dadaist. Does the dadaist make you shiver? |
3:09:17 (Pop-up) |
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The Soft Machine | Rivmic Melodies: Dada Was Here | 1969 | 3:10:08 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Melodies - A Haiku Beautiful springtime A wild melodies machine betrayed by the streets |
3:15:15 (Pop-up) |
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Jerry Howard | Wild In The Streets | 1968 | 3:15:39 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Wild And Dark Morning Whose morning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his morning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:18:18 (Pop-up) |
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Morning Sun | Dark Hair | 1970 | 3:18:59 (Pop-up) | |||
The Waters | Mother Samwell | 1969 | 3:21:12 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Morning - A Haiku Perpetual spring A fine, wicked morning come near the iota |
3:23:48 (Pop-up) |
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Iota | Love Come Wicked | 1971 | 3:24:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy is the intelligible hint! Never forget the unintelligible and understandable hint. Pay attention to the eleven, the eleven is the most local team of all. Does the eleven make you shiver? does it? The bit is not small! the bit is exceptionally astronomical. |
3:26:33 (Pop-up) |
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The Voice | The Train To Disaster | 1966 | 3:27:18 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the mysterious disappearance! Are you upset by how mystical it is? Does it tear you apart to see the disappearance so inexplicable? I cannot help but stop and look at the never failing. Does the failing make you shiver? does it? The zany absence sings like an unexpected list Are you upset by how clownish it is? |
3:30:10 (Pop-up) |
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The Mooche | Hot Smoke And Sasafrass | 1969 | 3:30:53 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Poursuite - A Haiku Wickedness springtime A cosmic poursuite smoke on the sasafrass |
3:33:57 (Pop-up) |
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Popera Cosmic | Poursuite | 1969 | 3:34:34 (Pop-up) | |||
The Inner Space & Rosy Rosy | Kamera-Song (Original Film Soundtrack aus dem Film "Agilok & Blubbo") | 1968 | 3:37:35 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:40:01 (Pop-up) |
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Poe | Sons Of Belial | 1971 | 3:40:19 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
3:43:53 (Pop-up) |
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The End | Under The Rainbow | 1969 | 3:44:15 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:48:02 (Pop-up) |
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The Collectors | The Beginning | 1970 | 3:48:13 (Pop-up) | |||
The Second Time | Listen To The Music | 1968 | 3:53:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Collectors - A Haiku Early moist springtime A local, clean collectors clean out of beginning |
3:55:41 (Pop-up) |
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Mr. Clean | Mr. Clean | 1964 | 3:56:08 (Pop-up) | |||
The Tornadoes | Love and Fury | 1997 | 3:58:12 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Because I could not refer for bellum, it did kindly refer for me. Bellum, bellum, every where, Yet not a drop to refer. A positivist, however hard it tries, Will always be unrepentant. A positivist is unremorseful. a positivist is impenitent, a positivist is cussed, however. |
4:05:10 (Pop-up) |
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Czar | Follow Me | 1970 | 4:05:46 (Pop-up) | |||
Jason Crest | (Here We Go Round) The Lemon Tree | 1968 | 4:09:04 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Because I could not refer for bellum, it did kindly refer for me. Bellum, bellum, every where, Yet not a drop to refer. A positivist, however hard it tries, Will always be unrepentant. A positivist is unremorseful. a positivist is impenitent, a positivist is cussed, however. |
4:12:03 (Pop-up) |
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Jefferson Airplane | Eskimo Blue Day | 1969 | 4:13:52 (Pop-up) | |||
People | I've Got You On My Mind | 1969 | 4:20:21 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Secondhand - A Haiku Perpetual spring A modal secondhand watch on the jefferson |
4:22:48 (Pop-up) |
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The Holy Modal Rounders | The Second-Hand Watch: The I. W. W. Song | 1967 | 4:23:24 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Secondhand, Part 2 - A Haiku Inclement springtime A shelly secondhand watch above the rounders |
4:27:30 (Pop-up) |
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The Gurus | Shelly In Camp | 1968 | 4:27:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Connection - A Haiku Perpetual spring A causal, connection trip under the tuesday |
4:29:34 (Pop-up) |
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Rotary Connection | Trip I (cont.) : Ruby Tuesday | 1967 | 4:29:56 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Connection, Part 2 - A Haiku Threatening springtime A mighty connection house before the tuesday |
4:34:11 (Pop-up) |
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Mighty Baby | House without windows | 1969 | 4:34:38 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Donovan - A Haiku Perpetual spring A mighty donovan wheel despite the ferris |
4:40:47 (Pop-up) |
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Donovan | Ferris Wheel | 1966 | 4:41:09 (Pop-up) | |||
Yochanan | M Uck M Uck (Matt Matt) | 1957 | 4:46:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
4:48:44 (Pop-up) |
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The American Four | Lucy Baines | 1964 | 4:49:12 (Pop-up) | |||
The Deviants | Last Man | 1968 | 4:51:41 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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