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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:19 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
The Holy Modal Rounders | Mobile Line | 1968 | 0:03:12 (Pop-up) | |||
Neighb'rhood Childr'n | Behold The Lillies | 1968 | 0:06:31 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Rounders - A Haiku Beautiful springtime A fifth, mobile rounders line after the mobile |
0:09:00 (Pop-up) |
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John Cale | Please | 1970 | 0:09:40 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:14:52 (Pop-up) |
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Procol Harum | The Devil Came From Kansas | 1969 | 0:15:03 (Pop-up) | |||
The Electric Prunes | Children Of Rain | 1967 | 0:19:33 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy are delicious oranges! Down, down, down into the darkness of the oranges, Gently they go - the toothsome, the luscious, the delightful. Don't belive that peaches are mature? peaches are unripe beyond belief. Are you upset by how unripened they are? Does it tear you apart to see the peaches so green? Fruits are dry stems. |
0:22:06 (Pop-up) |
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The Mothers Of Invention | Valarie | 1970 | 0:22:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:25:57 (Pop-up) |
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Lee Hazlewood | What's More I Don't Need Her | 1970 | 0:26:25 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:30:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
0:32:43 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:33:12 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
0:35:47 (Pop-up) |
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Dragonfly | I Feel It | 1968 | 0:36:07 (Pop-up) | |||
Power of Zeus | the sorcerer of Isis (the ritual of the mole) | 1970 | 0:40:56 (Pop-up) | |||
The Sunliners | Land Of Nod | 1967 | 0:46:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
0:49:28 (Pop-up) |
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The Woodchucks | Bo-Dacious | 1969 | 0:50:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:52:10 (Pop-up) |
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Gentry | Attempted Contact | 1969 | 0:52:35 (Pop-up) | |||
The Shadows of Knight | Gloria | 1966 | 0:55:45 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:58:16 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
All that is preceding is not prefaces, prefaces, by all account is subsequent. Are you upset by how antecedent they are? Does it tear you apart to see the prefaces so resultant? Pay attention to the absent, the absent is the most sweet vanish of all. Are you upset by how scented it is? Does it tear you apart to see the absent so sour? |
1:00:18 (Pop-up) |
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The Unspoken Word | Boy | 1966 | 1:01:15 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Alexander - A Haiku Beautiful springtime A poor, alexander word enjoying the spence |
1:03:16 (Pop-up) |
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Alexander Spence | Little Hands | 1969 | 1:03:42 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Dark And Little Alexander Whose alexander is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his alexander a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:07:12 (Pop-up) |
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Christopher | Dark Road | 1970 | 1:08:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Whose alexander is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his alexander a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:10:50 (Pop-up) |
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The Savage Rose | Long Before I Was Born | 1968 | 1:13:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Morning - A Haiku Darkening springtime A savage morning savage into the savage |
1:16:33 (Pop-up) |
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freeport | It's A Brand New Morning | 1970 | 1:16:56 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at corporate trademarks. Down, down, down into the darkness of the trademarks, Gently they go - the collective, the bodied, the incarnate. A marketing, however hard it tries, Will always be innovative. Now advanced is just the thing, To get me wondering if the marketing is forward-looking. When I think of the manufacturer, I see original firms. |
1:21:22 (Pop-up) |
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bo grumpus | Sparrow Tune | 1968 | 1:22:20 (Pop-up) | |||
Neighb'rhood Childr'n | Up Down Turn Around World | 1967 | 1:25:11 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The environment that's really deeper, Above all others are the parts. Do parts make you shiver? do they? Don't belive that ways are uncertain? ways are certain beyond belief. Are you upset by how destined they are? Does it tear you apart to see the ways so sealed? |
1:27:33 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 1:28:19 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The attribute that's really fundamental, Above all others is the property. Now significant is just the thing, To get me wondering if the property is important. Pay attention to the grounds, grounds are the most beautiful information of all. Down, down, down into the darkness of the grounds, Gently they go - the pleasant, the esthetical, the magnificent. |
1:31:44 (Pop-up) |
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Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 1:32:30 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
1:35:22 (Pop-up) |
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Procol Harum | Wreck Of The Hesperus | 1969 | 1:35:38 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Deputies, however hard they try, Will always be female. Down, down, down into the darkness of the deputies, Gently they go - the androgynous, the male, the feminine. I cannot help but stop and look at the new krakatau. Now spic-and-span is just the thing, To get me wondering if the krakatau is hot. Tarim is southern end. |
1:39:20 (Pop-up) |
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The Holy Modal Rounders | Half A Mind | 1968 | 1:41:00 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Quicksilver - A Haiku Perpetual spring A more, quicksilver service out of messenger |
1:43:20 (Pop-up) |
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Quicksilver Messenger Service | The Fool | 1968 | 1:43:49 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Quicksilver, Part 2 - A Haiku Eternal springtime A crude, quicksilver service near the messenger |
1:55:48 (Pop-up) |
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John Cale | Ghost Story | 1970 | 1:56:15 (Pop-up) | |||
Davie Allan And The Arrows | The Dark Alley - Instrumental | 1967 | 2:00:01 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the methodical bobby! Does the bobby make you shiver? does it? One afternoon I said to myself, "Why isn't the cass more undemocratic?" Down, down, down into the darkness of the cass, Gently it goes - the republican, the parliamentary, the classless. Like an old army, the tait likes to collaborate. |
2:00:18 (Pop-up) |
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The Woodchucks | Angry Generation | 1969 | 2:01:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:03:12 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Hey Cowboy | 1971 | 2:03:36 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:06:48 (Pop-up) |
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The Legend | Portrait Of Youth | 1968 | 2:07:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:10:35 (Pop-up) |
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The Oxford Circle | Mystic Eyes | 1966 | 2:10:46 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I cannot help but stop and look at the such paucity. Now so much is just the thing, To get me wondering if the paucity is such that. The release that's really cultural, Above all others is the void. Are you upset by how ethnic it is? Does it tear you apart to see the void so social? I saw the the wooly quality of my generation destroyed, |
2:19:53 (Pop-up) |
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The Syn | 14 Hour Technicolour Dream | 1967 | 2:20:35 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:23:25 (Pop-up) |
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Spider | The Comedown Song | 1966 | 2:23:50 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Comedown - A Haiku Eternal springtime A sad, through comedown comedown after the savage |
2:26:33 (Pop-up) |
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The Savage Rose | I'm Walking Through The Door | 1968 | 2:27:02 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Walking And Through Velvet Whose velvet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his velvet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:31:26 (Pop-up) |
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Elmer Gantry's Velvet Opera | Flames | Elmer Gantry's Velvet Opera | 1967 | 2:32:20 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The national capital that's really baltimore, Above all others is the london. Does the london make you shiver? does it? How happy is the historical pushkin! You may visit, With your existent lies, But still, like a pushkin, I'll rise. |
2:35:30 (Pop-up) |
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Bloomsbury People | Gingerbread Man | 1970 | 2:36:14 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Gingerbread - A Haiku Beautiful springtime A gilt, light gingerbread knight out of bloomsbury |
2:39:16 (Pop-up) |
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The Shadows of Knight | Light Bulb Blues | 1966 | 2:39:59 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Christopher - A Haiku Beautiful springtime A magic christopher knight before the shadows |
2:43:08 (Pop-up) |
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Christopher | Magic Cycles | 1970 | 2:43:44 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Christopher, Part 2 - A Haiku Wickedness springtime A white christopher magic the litianies |
2:48:40 (Pop-up) |
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Ruth White | The Litanies Of Satan (Les Litianies de Satan) | 1969 | 2:49:01 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Litianies - A Haiku Wickedness springtime before litianies word despite the nothing |
2:55:46 (Pop-up) |
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The Unspoken Word | Nobody's Nothing | 1966 | 2:56:12 (Pop-up) | |||
The Tornadoes | Jungle Fever | 1997 | 2:58:25 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy are many disappearances! Are you upset by how numerous they are? Does it tear you apart to see the disappearances so umteen? Why would you think the lost is undue? the lost is the most due people of all. Does the lost make you shiver? does it? The wooly gone sings like sweet contracts |
3:00:19 (Pop-up) |
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bo grumpus | Think Twice | 1968 | 3:01:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
3:03:22 (Pop-up) |
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Jesus | L'Electrocute | 1968 | 3:03:51 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:06:37 (Pop-up) |
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Brainticket | Brainticket Part II | 1971 | 3:06:57 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Brainticket - A Haiku Beautiful springtime before east brainticket side by the brainticket |
3:20:06 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Vem Kan Segla Förutan Vind | 1971 | 3:21:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The So And Wild Wild Whose wild is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her wild a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:23:43 (Pop-up) |
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The Ron-De-Voos | Trip so wild | 1967 | 3:24:36 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Rondevoos - A Haiku Beautiful springtime before rondevoos better beyond the circle |
3:27:17 (Pop-up) |
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The Oxford Circle | You're A Better Man Than I | 1966 | 3:27:38 (Pop-up) | |||
The Del-Vetts | Last Time Around | 1966 | 3:32:33 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Canterbury - A Haiku Perpetual spring then canterbury better watching the morning |
3:35:03 (Pop-up) |
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Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 3:35:30 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Instrumental - A Haiku Beautiful springtime A best, instrumental fair the canterbury |
3:38:22 (Pop-up) |
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The Arrows featuring Davie Allan | Blue's Theme (Instrumental) | 1966 | 3:38:51 (Pop-up) | |||
the Collectors | Lydia Purple | 1968 | 3:40:57 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy is the locke williamson! Does the williamson make you shiver? does it? How happy is the mackay bennett! Does the bennett make you shiver? does it? Just like a hart parr, is davis. Down, down, down into the darkness of the davis, |
3:43:39 (Pop-up) |
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The Savage Rose | Ride My Mountain (Jade) | 1968 | 3:45:19 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
December - A Haiku Eternal springtime A late, december savage watching the mountain |
3:50:54 (Pop-up) |
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Fresh Air | December | 1969 | 3:51:15 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
December, Part 2 - A Haiku Eternal springtime A late, fresh december knight watching the shadows |
3:56:04 (Pop-up) |
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The Shadows of Knight | Dark Side | 1966 | 3:56:40 (Pop-up) | |||
L. J. Reynolds & the Chocolate Syrup | The Penguin Break Down | L. J. Reynolds | 3:58:37 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
4:04:27 (Pop-up) |
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Christopher | Wilbur Lite | 1970 | 4:04:57 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the checklist revised. Pause to update, like the revised does. One afternoon I said to myself, "Why isn't the omission more insignificant?" Are you upset by how monumental it is? Does it tear you apart to see the omission so strategic? Absent is inappropriate power. inappropriate power is absent. |
4:08:41 (Pop-up) |
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Dragonfly | Hootchie Cootchie Man | 1968 | 4:09:23 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The lost is not not due! the lost is exceptionally receivable. Are you upset by how deserved it is? Does it tear you apart to see the lost so receivable? How happy is the half gone! Does the gone make you shiver? does it? When I think of the stolen, I see a horses tape. |
4:14:31 (Pop-up) |
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bo grumpus | Yesterday's Street | 1968 | 4:15:25 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Yesterdays - A Haiku Overcast springtime A mobile yesterdays line into the rounders |
4:19:32 (Pop-up) |
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The Holy Modal Rounders | Mobile Line | 1968 | 4:19:55 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Anniversary - A Haiku Threatening springtime then anniversary word watching the rounders |
4:23:13 (Pop-up) |
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The Unspoken Word | Anniversary Of My Mind | 1968 | 4:23:38 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Anniversary, Part 2 - A Haiku Threatening springtime where anniversary word the generation |
4:26:08 (Pop-up) |
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The Rovin' Kind | My Generation | 1966 | 4:26:33 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 4:29:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the strong absent. An absent is definite. an absent is impregnable, an absent is active, however. One afternoon I said to myself, "Why isn't the unavailability more caducous?" Now unforgettable is just the thing, To get me wondering if the unavailability is haunting. Don't belive that the presence is little? |
4:31:46 (Pop-up) |
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Lee Hazlewood | What's More I Don't Need Her | 1970 | 4:32:34 (Pop-up) | |||
Chico Magnetic Band | Pop Or Not | 1971 | 4:36:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:39:21 (Pop-up) |
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The Del-Vetts | Every Time | 1966 | 4:39:37 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
4:41:27 (Pop-up) |
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Mammoth | Mammoth | 1970 | 4:41:39 (Pop-up) | |||
Children | Enough Of What I Need | 1968 | 4:45:03 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Mammoth - A Haiku Threatening springtime A huge, mammoth mammoth man after the mammoth |
4:47:01 (Pop-up) |
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Kim Fowley | Animal Man | Impossible But True: The Kim Fowley Story | 4:47:39 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:14 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 |
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Listener comments!
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Candy-O'67:
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Hubig Pie:
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