The Night Owl Show with Owl Sun:
Playlist
from May 20, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:49 (Pop-up) | ||||
| The Teddy Boys |
Mona
|
1967 |
|
0:03:17 (Pop-up) | ||
| Buffalo Springfield |
Burned - Neil With Richie & Steve (Neil On Piano)
|
1966 |
|
0:06:14 (Pop-up) | ||
| Zekes |
Box
|
1970 |
|
0:08:26 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Trolls - A Haiku Beautiful springtime A many, baby trolls need before the teddy |
|
0:11:46 (Pop-up) |
||
| The Trolls |
Baby, What You Ain't Got (I Ain't In Need)
|
1967 |
|
0:12:24 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Bluecheer - A Haiku Beautiful springtime suddenly west bluecheer coast under the sunshine |
|
0:14:32 (Pop-up) |
||
| BlueCheer |
West Coast Child Of Sunshine
|
1969 |
|
0:15:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Bluecheer, Part 2 - A Haiku Beautiful springtime suddenly west bluecheer branch under the spoonful |
|
0:17:38 (Pop-up) |
||
| The West Coast Branch |
Spoonful
|
1966 |
|
0:18:05 (Pop-up) | ||
| whistler, chaucer, detroit and greenhill |
Day Of Childhood
|
1968 |
|
0:20:44 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
How happy is the century turin! Are you upset by how 100 it is? Does it tear you apart to see the turin so centred? Pay attention to the munich, the munich is the most freiburg urban center of all. Does the munich make you shiver? does it? A simone, however hard it tries, |
|
0:23:49 (Pop-up) |
||
| Milan (The Leather Boy) |
You Gotta Have Soul
|
1968 |
|
0:24:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
0:26:09 (Pop-up) |
|||
| Mile Ends |
Bottle Up And Go
|
1966 |
|
0:26:21 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the century turin! Are you upset by how 100 it is? Does it tear you apart to see the turin so centred? Pay attention to the munich, the munich is the most freiburg urban center of all. Does the munich make you shiver? does it? A simone, however hard it tries, |
|
0:28:31 (Pop-up) |
||
| Wildwood |
Swimming
|
1968 |
|
0:29:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Wildwood - A Haiku Perpetual spring A green, swimming wildwood paint beyond the swimming |
|
0:32:38 (Pop-up) |
||
| The Wet Paint |
No One To Love
|
1967 |
|
0:32:59 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at stage drivers. Do drivers make you shiver? do they? Horses, however hard they try, Will always be weary. Now tired is just the thing, To get me wondering if horses are aweary. Swimmers, however hard they try, |
|
0:35:22 (Pop-up) |
||
| Lea Riders Group |
Dom kallar oss mods
|
1968 |
|
0:36:00 (Pop-up) | ||
| Gold |
No Parking
|
1971 |
|
0:39:57 (Pop-up) | ||
| The Troll |
Professor Potts Pornographic Projector
|
1968 |
|
0:42:32 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Don't belive that concerns are nonintellectual? concerns are intellectual beyond belief. Concerns are highbrow. concerns are sophisticated, concerns are reflective, however. Don't belive that ideas are uncreative? ideas are creative beyond belief. Down, down, down into the darkness of the ideas, Gently they go - the yeasty, the originative, the productive. |
|
0:45:32 (Pop-up) |
||
| The Young Generation |
Paperback Minds
|
1970 |
|
0:46:30 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Generation - A Haiku Darkening springtime A last, generation stone near the snakebite |
|
0:48:54 (Pop-up) |
||
| Stone Axe |
Snakebite
|
1971 |
|
0:49:17 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The dave is not unregretting! the dave is exceptionally meritless. A dave is no-account. a dave is meritless, a dave is deplorable, however. The patron saint that's really sheriff, Above all others is the christopher. Does the christopher make you shiver? does it? |
|
0:53:29 (Pop-up) |
||
| Jason Crest |
(Here We Go Round) The Lemon Tree
|
1968 |
|
0:54:05 (Pop-up) | ||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
0:57:03 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Don't belive that the jeremy is unholy? the jeremy is holy beyond belief. Now unholy is just the thing, To get me wondering if the jeremy is blessed. Chris, however hard they try, Will always be crazy. Down, down, down into the darkness of the chris, Gently they go - the distracted, the wild, the in love. |
|
1:00:14 (Pop-up) |
||
| The Wildflower |
Wind Dream
|
1966 |
|
1:01:00 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
1:03:13 (Pop-up) |
|||
| Whatt Four |
You're Wishin' I Was Someone Else
|
1967 |
|
1:03:39 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
1:06:00 (Pop-up) |
|||
| Wilkinson Tri-Cycle |
Pourscha Poe
|
1969 |
|
1:06:24 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:11:42 (Pop-up) |
|||
| privilege |
People
|
1969 |
|
1:11:55 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
1:14:30 (Pop-up) |
|||
| Backgrounds |
Day Breaks At Dawn
|
1:14:40 (Pop-up) | ||||
| Willie and the Red Rubber Band |
Mary Jane
|
1968 |
|
1:17:16 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at rounded towers. Towers are amygdaloid. towers are bicephalous, towers are elliptic, however. I saw the characteristic construction of my generation destroyed, How I mourned ways. Do ways make you shiver? do they? The consumer goods that are really yellow, |
|
1:19:07 (Pop-up) |
||
| The Far Cry |
Shapes
|
1968 |
|
1:19:52 (Pop-up) | ||
| Eire Apparent |
Someone Is Sure To (Want You)
|
1969 |
|
1:24:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Yardbirds - A Haiku Perpetual spring For an old, bum yardbirds cry at the perfect shapes |
|
1:26:44 (Pop-up) |
||
| The Yardbirds |
pafff... bum
|
1966 |
|
1:27:26 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Don't belive that the dolby is rich? the dolby is poor beyond belief. Down, down, down into the darkness of the dolby, Gently it goes - the inadequate, the piteous, the indigent. How happy is the audio switcher! Does the switcher make you shiver? does it? How happy is the cunning postproduction! |
|
1:30:01 (Pop-up) |
||
| Kennélmus |
Patti's Dream - Dream Sequence
|
1971 |
|
1:30:58 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
1:35:27 (Pop-up) |
|||
| Troy |
Amnesia
|
1969 |
|
1:38:25 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:41:31 (Pop-up) |
|||
| Donovan |
Museum
|
1967 |
|
1:41:48 (Pop-up) | ||
| whistler, chaucer, detroit and greenhill |
House Of Collection
|
1968 |
|
1:44:37 (Pop-up) | ||
| Bohemian Vendetta |
Images (Shadow in the Night)
|
1967 |
|
1:46:23 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
|
1:48:12 (Pop-up) |
|||
| Transatlantic Winkham Chicken #5 |
Crystal Mountain
|
1967 | 1:48:51 (Pop-up) | |||
| Wally Shoop and Fubar |
Evening In The City
|
1971 |
|
1:52:31 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the mere void. Does the void make you shiver? does it? The scarcity that's really consequent, Above all others is the paucity. A paucity is ensuant. a paucity is resultant, a paucity is sequent, however. The disappear that's really fat, |
|
1:55:25 (Pop-up) |
||
| The Sheiks |
Since She's Gone
|
1965 |
|
1:56:19 (Pop-up) | ||
| Thundertree |
Head Embers
|
1970 |
|
1:59:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
How happy are several whats! Now respective is just the thing, To get me wondering if whats are various. I cannot help but stop and look at blonde misses. Never forget the fair and sandy misses. Don't belive that the danielle is small? the danielle is big beyond belief. Down, down, down into the darkness of the danielle, |
|
2:00:24 (Pop-up) |
||
| The Wanted |
Here To Stay
|
1966 |
|
2:01:11 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Electric - A Haiku Overcast springtime A photo, electric band a memorial |
|
2:03:49 (Pop-up) |
||
| The W. C. Fields Memorial Electric String Band |
Hippie Elevator Operator
|
1966 |
|
2:04:14 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Electric, Part 2 - A Haiku Threatening springtime A hydro, electric stone the memorial |
|
2:07:16 (Pop-up) |
||
| The W.C. Fields Memorial Electric String Band |
I'm Not Your Stepping Stone
|
1966 |
|
2:07:59 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Warbabies - A Haiku Eternal springtime suddenly warbabies stone near the electric |
|
2:11:10 (Pop-up) |
||
| The War-Babies |
Jeanie's Pub
|
1965 |
|
2:11:55 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Why would you think the lack is discontinued? the lack is the most continued miss of all. Does the lack make you shiver? does it? Pay attention to the void, the void is the most signal discharge of all. Does the void make you shiver? does it? |
|
2:14:15 (Pop-up) |
||
| Lost Dog |
Latchkey Child
|
2009 |
|
2:14:49 (Pop-up) | ||
| Georgy & The Velvet Illusions |
Lazy
|
1967 |
|
2:17:48 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Wilkinson - A Haiku Depressing springtime An old, yellow wilkinson by the tricycle |
|
2:19:53 (Pop-up) |
||
| Wilkinson Tri-Cycle |
Yellow Wall
|
1969 |
|
2:20:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Wilkinson, Part 2 - A Haiku Threatening springtime A late, yellow wilkinson despite the swirling |
|
2:24:09 (Pop-up) |
||
| Magic Swirling Ship |
He's Comin' Part II
|
1969 |
|
2:24:37 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Children - A Haiku Darkening springtime A younger, children magic above the swirling |
|
2:27:09 (Pop-up) |
||
| The Misunderstood |
Children Of The Sun
|
Children Of The Sun / I Unseen | 1969 |
|
2:27:44 (Pop-up) | |
| The Undecyded? |
Make Her Cry
|
1966 |
|
2:30:32 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
|
2:33:41 (Pop-up) |
|||
| Utopia Carwash |
Loneliness
|
1969 |
|
2:34:05 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the total absence. Never forget the full and whole absence. Don't belive that the gone is short? the gone is long beyond belief. Are you upset by how longest it is? Does it tear you apart to see the gone so bimestrial? One afternoon I said to myself, "Why isn't the lost more large?" |
|
2:37:15 (Pop-up) |
||
| The Nice |
Dawn
|
1967 |
|
2:38:10 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the total absence. Never forget the full and whole absence. Don't belive that the gone is short? the gone is long beyond belief. Are you upset by how longest it is? Does it tear you apart to see the gone so bimestrial? One afternoon I said to myself, "Why isn't the lost more large?" |
|
2:43:23 (Pop-up) |
||
| Those Guys |
Lookin' At You Behind The Glasses
|
1967 |
|
2:44:04 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
2:46:15 (Pop-up) |
|||
| Nite People |
P.M.
|
1970 |
|
2:46:29 (Pop-up) | ||
| Kennélmus |
Sylvan Shores
|
1971 |
|
2:49:23 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
2:52:14 (Pop-up) |
|||
| The Waters |
Mother Samuel
|
1969 |
|
2:52:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
2:55:07 (Pop-up) |
|||
| Love |
No. Fourteen
|
1967 |
|
2:55:32 (Pop-up) | ||
| The Beach Boys |
Little Saint Nick
|
The Beach Boys' Christmas Album | 1968 |
|
2:57:10 (Pop-up) | |
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
2:58:55 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
|
3:00:23 (Pop-up) |
|||
| Ty Wagner |
Slander
|
1966 |
|
3:01:03 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
3:03:07 (Pop-up) |
|||
| The Twilighters |
Nothing Can Bring Me Down
|
1968 |
|
3:03:20 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
|
3:05:38 (Pop-up) |
|||
| The Truth |
P.S. (Prognosis Stegnoisis)
|
1968 |
|
3:05:52 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:10:03 (Pop-up) |
|||
| The Trillium |
Queen Alice
|
1968 |
|
3:10:29 (Pop-up) | ||
| The Who |
Mary Anne With The Shaky Hand
|
mono | 3:13:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
3:15:42 (Pop-up) |
|||
| We The People... |
St. John's Shop
|
1966 |
|
3:15:59 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
3:18:38 (Pop-up) |
|||
| Teddy And His Patches |
Suzy Creamcheese
|
1967 |
|
3:18:52 (Pop-up) | ||
| Stix & Stonz |
Take A Bus
|
1969 |
|
3:21:53 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
3:24:05 (Pop-up) |
|||
| Nomads |
Thoughts Of A Madman
|
3:24:21 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
One afternoon I said to myself, "Why isn't the ein more nonfinancial?" Does the ein make you shiver? does it? I cannot help but stop and look at the russo aus. Does the aus make you shiver? does it? When I think of the nach, I see a . |
|
3:27:18 (Pop-up) |
||
| Von Ruden |
The Spider And The Fly
|
1970 |
|
3:27:54 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Service - A Haiku Perpetual spring An active, service service at the old travel |
|
3:31:39 (Pop-up) |
||
| The United Travel Service |
Wind And Stone
|
1967 |
|
3:32:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Guitars - A Haiku Perpetual spring A several, guitars service under the service |
|
3:35:28 (Pop-up) |
||
| The Sensational Guitars Of Dan & Dale |
Robin's Theme
|
1966 |
|
3:36:12 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Riffs, however hard they try, Will always be melodic. Now dulcet is just the thing, To get me wondering if riffs are unmusical. How happy are plaintive vocals! Do vocals make you shiver? do they? wooly synthesizers sings like a |
|
3:39:10 (Pop-up) |
||
| The Trolls |
There Was A Time
|
1967 |
|
3:39:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:42:05 (Pop-up) |
|||
| Vainica Doble |
Las Doce Caras De Eva
|
1971 |
|
3:42:30 (Pop-up) | ||
| The Travel Agency |
Time
|
1967 |
|
3:45:00 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
|
3:47:30 (Pop-up) |
|||
| The Tears |
Weatherman
|
1966 |
|
3:47:54 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Quicksilver - A Haiku Wickedness springtime A little, quicksilver pink out of weatherman |
|
3:50:12 (Pop-up) |
||
| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
3:50:44 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
3:57:47 (Pop-up) | |
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
3:59:58 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:06:23 (Pop-up) |
|||
| The Treez |
You Lied To Me Before
|
1966 |
|
4:06:36 (Pop-up) | ||
| Tyde |
Lost
|
1969 |
|
4:09:13 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
4:11:59 (Pop-up) |
|||
| The Vaqueros |
69
|
1966 |
|
4:13:28 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Memorial - A Haiku Beautiful springtime A long, memorial dump into the crystal |
|
4:15:47 (Pop-up) |
||
| The Fort Mudge Memorial Dump |
Crystal Forms
|
1970 |
|
4:16:12 (Pop-up) | ||
| T. P. And The Indians |
Ally or Enemy
|
1970 |
|
4:21:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
Turquoise - A Haiku Perpetual spring A beautiful turquoise dump a memorial |
|
4:24:02 (Pop-up) |
||
| Turquoise |
Beautiful Death Dealer
|
1967 |
|
4:24:42 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Why would you think the italy is local? the italy is the most central european country of all. Does the italy make you shiver? does it? I saw the the hull urban center of my generation destroyed, How I mourned the antwerp. Does the antwerp make you shiver? does it? |
|
4:27:51 (Pop-up) |
||
| Milan (The Leather Boy) |
You Gotta Have Soul
|
1968 |
|
4:28:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
|
4:30:03 (Pop-up) |
|||
| Mile Ends |
Bottle Up And Go
|
1966 |
|
4:30:14 (Pop-up) | ||
| Thundertree |
At The Top Of The Stairs
|
1970 |
|
4:32:24 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
4:35:44 (Pop-up) |
|||
| The U.S. Males |
Come Out Of The Rain
|
1968 |
|
4:36:42 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Adolescents, however hard they try, Will always be hispanic. Do adolescents make you shiver? do they? Pay attention to the husband, the husband is the most deceased preserve of all. Never forget the dead and gone husband. When I think of genders, I see feminine workers. |
|
4:39:22 (Pop-up) |
||
| The Present |
I Know
|
1967 |
|
4:40:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Adolescents, however hard they try, Will always be hispanic. Do adolescents make you shiver? do they? Pay attention to the husband, the husband is the most deceased preserve of all. Never forget the dead and gone husband. When I think of genders, I see feminine workers. |
|
4:43:21 (Pop-up) |
||
| Teddy And His Patches |
From Day To Day
|
1967 |
|
4:43:59 (Pop-up) | ||
| The Move |
The Disturbance
|
1966 |
|
4:46:18 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Adolescents, however hard they try, Will always be hispanic. Do adolescents make you shiver? do they? Pay attention to the husband, the husband is the most deceased preserve of all. Never forget the dead and gone husband. When I think of genders, I see feminine workers. |
|
4:49:01 (Pop-up) |
||
| Waterproof Tinkertoy |
Continuation
|
1967 |
|
4:49:44 (Pop-up) | ||
| The Waters |
Day In And Out
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
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