The Night Owl Show with Owl Sun:
Playlist
from May 25, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:52 (Pop-up) | ||||
| Cream |
In The Studio: Deserted Cities Of The Heart
|
1968 |
|
0:03:19 (Pop-up) | ||
| Keith Relf |
Knowing
|
1966 |
|
0:06:55 (Pop-up) | ||
| Les Fleurs de Pavot |
Super Girl
|
1968 |
|
0:08:42 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Canteen - A Haiku Perpetual spring A deserted canteen cream into the purple |
|
0:11:39 (Pop-up) |
||
| Purple Canteen |
Brains In My Feet
|
1969 |
|
0:12:14 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Canteen, Part 2 - A Haiku Eternal springtime A purple canteen sugar beyond the purple |
|
0:16:13 (Pop-up) |
||
| Sugar Creek |
Night Flash
|
1969 |
|
0:16:40 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Memorial - A Haiku Perpetual spring How memorial sugar above the mandrake |
|
0:19:57 (Pop-up) |
||
| Mandrake Memorial |
Something In The Air
|
1969 |
|
0:20:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Stalkforrest - A Haiku Darkening springtime suddenly stalkforrest air into the quicksand |
|
0:25:03 (Pop-up) |
||
| The Stalk-Forrest Group |
What Is Quicksand?
|
1970 |
|
0:25:28 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
|
0:28:41 (Pop-up) |
|||
| The What-Nots |
Morning
|
1966 |
|
0:28:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I saw the the wing right-winger of my generation destroyed, How I mourned the fascist. Now offstage is just the thing, To get me wondering if the fascist is backstage. I cannot help but stop and look at the other feral. Are you upset by how extra it is? Does it tear you apart to see the feral so remaining? All that is big is not hippie, |
|
0:31:14 (Pop-up) |
||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:31:53 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
I cannot help but stop and look at the hawaiian reggae. Does the reggae make you shiver? does it? I saw the the next metropolis of my generation destroyed, How I mourned the motown. Does the motown make you shiver? does it? I cannot help but stop and look at the wooly backbeat. |
|
0:38:02 (Pop-up) |
||
| Food |
Forever Is A Dream
|
1969 |
|
0:38:54 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I saw the the dear legin of my generation destroyed, How I mourned the chap. Down, down, down into the darkness of the chap, Gently it goes - the devout, the sincere, the dearest. Pay attention to the abel, the abel is the most book man of all. Does the abel make you shiver? does it? |
|
0:46:12 (Pop-up) |
||
| December's Children |
Trilogy; I) 2:30 Casino, II) In Between A Dream, III) Lady Of The Garden
|
1970 |
|
0:46:49 (Pop-up) | ||
| The Ugly Ducklings |
I Know What To Say
|
1968 |
|
0:51:36 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Decembers - A Haiku Depressing springtime before decembers balloon under the children |
|
0:53:31 (Pop-up) |
||
| Heavy Balloon |
32,000: On My Way Down
|
1969 |
|
0:54:13 (Pop-up) | ||
| Bobby Fuller And The Fanatics |
Our Favorite Martian
|
2018 | 0:58:52 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Lacewing - A Haiku Wickedness springtime A crystal lacewing balloon after the crystal |
|
1:00:27 (Pop-up) |
||
| Lacewing |
Crystal Myth
|
1971 |
|
1:00:56 (Pop-up) | ||
| fever tree |
Don't Come Crying To Me Girl
|
1968 |
|
1:05:03 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Because I could not feature for lovin, it did kindly feature for me. Pause to feature, like the lovin does. The love is not impure! the love is exceptionally undefiled. Never forget the plain and undefiled love. How happy is the gonna nothin! Does the nothin make you shiver? |
|
1:07:29 (Pop-up) |
||
| freeport |
I Need Your Lovin'
|
1970 |
|
1:08:12 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
1:11:39 (Pop-up) |
|||
| Graffiti |
Father Protector
|
1968 |
|
1:11:49 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
1:15:59 (Pop-up) |
|||
| Ty Wagner |
Slander
|
1966 |
|
1:16:10 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The been is not partial! the been is exceptionally disinterested. A been is unbiassed. a been is disinterested, a been is fairish, however. How happy are unfortunate omissions! Do omissions make you shiver? do they? Forgotten is small sixths. |
|
1:18:14 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Mozart's Dilemma
|
1969 |
|
1:18:59 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
|
1:23:48 (Pop-up) |
|||
| Les Fleurs de Pavot |
Psycha Bourree
|
1968 |
|
1:24:16 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
1:26:26 (Pop-up) |
|||
| The Unusuals |
Babe, It's Me
|
1966 |
|
1:26:38 (Pop-up) | ||
| Electric Banana |
Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom)
|
Electric Banana | 1967 |
|
1:28:44 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
One afternoon I said to myself, "Why isn't the neglected more secondary?" Does the neglected make you shiver? does it? Omissions, however hard they try, Will always be vital. Down, down, down into the darkness of the omissions, Gently they go - the animated, the lively, the alive. |
|
1:31:31 (Pop-up) |
||
| Green |
To Be
|
1969 |
|
1:32:23 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
An inability, however hard it tries, Will always be apparent. An inability is evident. an inability is patent, an inability is seeming, however. A void, however hard it tries, Will always be empty. Down, down, down into the darkness of the void, Gently it goes - the void, the vacant, the hollow. |
|
1:36:06 (Pop-up) |
||
| Carmen Maki |
Honnou
|
1969 |
|
1:36:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:40:47 (Pop-up) |
|||
| the sub |
Ma-Mari-Huana
|
1969 |
|
1:41:01 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
An inability, however hard it tries, Will always be apparent. An inability is evident. an inability is patent, an inability is seeming, however. A void, however hard it tries, Will always be empty. Down, down, down into the darkness of the void, Gently it goes - the void, the vacant, the hollow. |
|
1:45:45 (Pop-up) |
||
| Gabor Szabo |
Walking On Nails
|
1967 |
|
1:46:44 (Pop-up) | ||
| Georgy & The Velvet Illusions |
Lazy
|
1967 |
|
1:49:27 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
|
1:51:32 (Pop-up) |
|||
| Food |
Naive Prayers
|
1969 |
|
1:52:06 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
An inability, however hard it tries, Will always be apparent. An inability is evident. an inability is patent, an inability is seeming, however. A void, however hard it tries, Will always be empty. Down, down, down into the darkness of the void, Gently it goes - the void, the vacant, the hollow. |
|
1:55:49 (Pop-up) |
||
| Bobby Callender |
Awaken John - Lord Am I Dreaming
|
1971 |
|
1:56:41 (Pop-up) | ||
| Keith Shields |
Deep Inside Your Mind
|
1967 |
|
1:59:36 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
A disappearance, however hard it tries, Will always be partial. Are you upset by how impartial it is? Does it tear you apart to see the disappearance so incomplete? Don't belive that the deceased is first? the deceased is second beyond belief. Down, down, down into the darkness of the deceased, Gently it goes - the irregular, the instant, the 2nd. |
|
2:00:27 (Pop-up) |
||
| December's Children |
Jane's Song (The Slow One)
|
1970 |
|
2:01:29 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The attendance that's really unseen, Above all others is the presence. Are you upset by how unnoticed it is? Does it tear you apart to see the presence so unseeable? Pay attention to the paucity, the paucity is the most seeming scarceness of all. Never forget the apparent and ostensible paucity. The void is not little! |
|
2:03:55 (Pop-up) |
||
| JACKS |
Into Sea Foam
|
1969 |
|
2:04:46 (Pop-up) | ||
| Heavy Balloon |
16 Ton: Owed To Sgt. Pepper
|
1969 |
|
2:07:20 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Christian - A Haiku Perpetual spring A heavy christian balloon despite the balloon |
|
2:10:47 (Pop-up) |
||
| Neil Christian |
I Like It
|
1966 |
|
2:11:08 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Don't belive that the leonard is middle? the leonard is late beyond belief. Are you upset by how deep it is? Does it tear you apart to see the leonard so tardy? A robert, however hard it tries, Will always be dead. Are you upset by how doomed it is? Does it tear you apart to see the robert so lifeless? |
|
2:13:18 (Pop-up) |
||
| Eric Burdon And The Animals |
Sky Pilot Part 1
|
1968 |
|
2:14:08 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
2:18:22 (Pop-up) |
|||
| Sir Lord Baltimore |
Lady Of Fire
|
1970 |
|
2:18:38 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
2:21:26 (Pop-up) |
|||
| freeport |
Call Yourself The Wind
|
1970 |
|
2:21:40 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:26:23 (Pop-up) |
|||
| The Ones |
Love Of Mine
|
2:26:34 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
2:29:35 (Pop-up) |
|||
| Aardvark |
Once Upon A Hill
|
1970 |
|
2:30:02 (Pop-up) | ||
| fever tree |
Grand Candy Young Sweet
|
1968 |
|
2:32:40 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
I cannot help but stop and look at the completely revised. Now whole is just the thing, To get me wondering if the revised is all. I cannot help but stop and look at previous prefaces. Never forget the old and late prefaces. When I think of omissions, I see crucial interests. Now wooly-minded is just the thing, To get me wondering if omissions are addled. |
|
2:35:34 (Pop-up) |
||
| John Bunyan's Progressive Pilgrims |
Spaced Out
|
1969 |
|
2:36:35 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
How happy is the great been! Now extraordinary is just the thing, To get me wondering if the been is eminent. Don't belive that omissions are designed? omissions are unintentional beyond belief. Never forget the intentional and unwilled omissions. I cannot help but stop and look at the zany revised. I don't like the fact that it, |
|
2:40:08 (Pop-up) |
||
| The Millennium |
5 A.M.
|
1968 |
|
2:41:06 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
2:43:44 (Pop-up) |
|||
| Graffiti |
A - The Capture Of Me / B - Life Blood
|
1968 |
|
2:43:56 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the great been! Now extraordinary is just the thing, To get me wondering if the been is eminent. Don't belive that omissions are designed? omissions are unintentional beyond belief. Never forget the intentional and unwilled omissions. I cannot help but stop and look at the zany revised. I don't like the fact that it, |
|
2:53:38 (Pop-up) |
||
| Crystalline |
Crimson Nights
|
1970 |
|
2:54:20 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Crimson - A Haiku Beautiful springtime A rusty, crimson crimson because of the green |
|
3:00:27 (Pop-up) |
||
| Les Fleurs de Pavot |
A Degager
|
1968 |
|
3:00:33 (Pop-up) | ||
| Green |
Where Have I Been
|
1969 |
|
3:00:54 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:04:00 (Pop-up) |
|||
| orphan egg |
Bird Dog
|
1968 |
|
3:04:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
3:07:08 (Pop-up) |
|||
| Food |
No
|
1969 |
|
3:07:36 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
3:11:09 (Pop-up) |
|||
| Bobby Callender |
Satori
|
1971 |
|
3:11:21 (Pop-up) | ||
| The Byrds |
Tribal Gatering
|
1967 |
|
3:13:44 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
I cannot help but stop and look at the foolish beattie. Never forget the sappy and mad beattie. A calender, however hard it tries, Will always be persian. Does the calender make you shiver? does it? How happy is the cunning jarman! Are you upset by how dodgy it is? |
|
3:15:45 (Pop-up) |
||
| The Collectors |
The Long Rain
|
1969 |
|
3:16:24 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Collectors - A Haiku Beautiful springtime A heavy collectors balloon on the zeppalin |
|
3:19:14 (Pop-up) |
||
| Heavy Balloon |
16 Ton: Lead Zeppalin
|
1969 |
|
3:19:42 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Delivery - A Haiku Threatening springtime then delivery balloon out of zeppalin |
|
3:22:14 (Pop-up) |
||
| The Fire Escape |
Love Special Delivery
|
1967 |
|
3:22:36 (Pop-up) | ||
| Bloomsbury People |
Gingerbread Man
|
1970 |
|
3:24:45 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy is the more singin! Are you upset by how more than it is? Does it tear you apart to see the singin so additional? I cannot help but stop and look at the nigh blowin. Are you upset by how close it is? Does it tear you apart to see the blowin so most? I cannot help but stop and look at the big livin. Down, down, down into the darkness of the livin, |
|
3:27:47 (Pop-up) |
||
| JACKS |
Rock For Fallin' Angel
|
1969 |
|
3:28:42 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
I saw the the monumental wind instrument of my generation destroyed, How I mourned the brass. A brass is large. a brass is monolithic, a brass is significant, however. All that is smooth is not traverses, traverses, by all account is rough. Are you upset by how pockmarked they are? Does it tear you apart to see the traverses so potholed? |
|
3:33:52 (Pop-up) |
||
| freeport |
Forty Long Faces
|
1970 |
|
3:34:36 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I saw the known traducement of my generation destroyed, How I mourned names. Do names make you shiver? do they? Expressions, however hard they try, Will always be facial. Do expressions make you shiver? do they? |
|
3:38:32 (Pop-up) |
||
| The Leaves |
Hey Joe!
|
1966 |
|
3:39:14 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
3:42:02 (Pop-up) |
|||
| Gabor Szabo |
Sophisticated Wheels
|
1967 |
|
3:42:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Laughing - A Haiku Perpetual spring why an only, laughing stock whilst watching the stock |
|
3:46:15 (Pop-up) |
||
| Love |
Laughing Stock
|
1968 |
|
3:46:39 (Pop-up) | ||
| John Bunyan's Progressive Pilgrims |
Hot Shot
|
1969 |
|
3:49:09 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Tendency - A Haiku Beautiful springtime A strong, tendency rabbit into the laughing |
|
3:51:38 (Pop-up) |
||
| Rabbit Mackay |
Tendency to Be Free
|
1969 |
|
3:52:05 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
I cannot help but stop and look at the cochran smith. Does the smith make you shiver? does it? How happy is the unknown agnew! Now chartless is just the thing, To get me wondering if the agnew is strange. A warburton, however hard it tries, Will always be zany. |
|
3:54:33 (Pop-up) |
||
| Tim Buckley |
Carnival Song
|
1967 |
|
3:55:16 (Pop-up) | ||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
3:58:15 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Interlude - A Haiku Eternal springtime A mere, interlude jangle before the passing |
|
4:06:01 (Pop-up) |
||
| A Passing Fancy |
I'm Losing Tonight
|
1968 | 4:06:26 (Pop-up) | |||
| Les Fleurs de Pavot |
Pourquoi L'Amour A Deux
|
1968 |
|
4:09:11 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Passing - A Haiku Eternal springtime A passing passing fancy above the tonight |
|
4:11:58 (Pop-up) |
||
| Green |
Just Try
|
1969 |
|
4:13:48 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Tripster - A Haiku Beautiful springtime before merry tripster joy after the allmen |
|
4:15:52 (Pop-up) |
||
| Allmen Joy |
The Merry Tripster
|
1967 |
|
4:16:22 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Tripster, Part 2 - A Haiku Beautiful springtime A crystalline tripster dawn watching the sunset |
|
4:23:22 (Pop-up) |
||
| Crystalline |
Another Sunset, Another Dawn
|
1970 |
|
4:23:43 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
I cannot help but stop and look at the sudden dearth. Down, down, down into the darkness of the dearth, Gently it goes - the gradual, the unexpected, the sharp. I cannot help but stop and look at the unexpected unavailability. Never forget the unannounced and sudden unavailability. Absent is, in its way, the wrist person of vanish. Never forget the sly and ingenious absent. Refresh until you're happy with your poem. |
|
4:27:43 (Pop-up) |
||
| Bobby Callender |
Shringara
|
1971 |
|
4:28:34 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
4:30:31 (Pop-up) |
|||
| The Stalk-Forrest Group |
What Is Quicksand?
|
1970 |
|
4:30:53 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
|
4:34:07 (Pop-up) |
|||
| The What-Nots |
Morning
|
1966 |
|
4:34:30 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:36:49 (Pop-up) |
|||
| Sir Lord Baltimore |
Master Heartache
|
1970 |
|
4:37:06 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
4:42:34 (Pop-up) |
|||
| JACKS |
Jailbirds
|
1969 |
|
4:42:57 (Pop-up) | ||
| The Geranium Pond |
Dogs in Baskets
|
1967 |
|
4:45:41 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Jailbirds - A Haiku Eternal springtime A free, deep jailbirds orphan on the nebraska |
|
4:47:42 (Pop-up) |
||
| orphan egg |
Deep In The Heart Of Nebraska
|
1968 |
|
4:48:30 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:47 (Pop-up) | ||||
| Melvin Carter |
Midnight Brew
|
Welfare Cadillac / Midnight Brew |
|
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Owl Sun:
Chuck:
Chuck:
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