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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:25 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:50 (Pop-up) | ||||
Fever Tree | Time Is Now | 1969 | 0:03:15 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:07:14 (Pop-up) |
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it's all meat | Sunday Love | 1970 | 0:07:27 (Pop-up) | |||
Colours | I'm Leaving | 1968 | 0:16:42 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Sandalwood - A Haiku Early moist springtime A northwest sandalwood soap watching the northwest |
0:19:23 (Pop-up) |
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goundhogs | Thank Christ For The Bomb ... alienness | 1970 | 0:22:02 (Pop-up) | |||
Calcium | Jouer Avec Toi | 1969 | 0:29:12 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the hope scott! Does the scott make you shiver? does it? How happy is the eternal goodness! Does the goodness make you shiver? does it? Pay attention to the dear, the dear is the most fat innocent of all. |
0:32:06 (Pop-up) |
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the glitterhouse | Tinkerbell's Mind | 1968 | 0:32:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
0:37:26 (Pop-up) |
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Serge Franklin | Exister | 1968 | 0:37:46 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:40:30 (Pop-up) | ||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:43:03 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
0:45:43 (Pop-up) |
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Jolliver Arkansaw | Mr. Brennan | 1969 | 0:46:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:49:43 (Pop-up) |
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People! | Nothing Can Stop the Elephants | 1968 | 0:50:09 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:53:08 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 0:53:20 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 0:58:07 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 1:00:13 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Sculpture - A Haiku Eternal springtime A paper sculpture paper despite the prophets |
1:00:25 (Pop-up) |
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Larry And The Paper Prophets | The Only Thing | 2018 | 1:01:11 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Paper And Blind Blind Whose blind is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her blind a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:03:15 (Pop-up) |
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Michele | Blind As You Are | 1969 | 1:04:00 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Set And Blind Wonderland Whose wonderland is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his wonderland a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:06:44 (Pop-up) |
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Dave Heenan Set | Alice In Wonderland | 1967 | 1:07:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Wonderland - A Haiku Early smokey spring A vast, right wonderland set above the children |
1:10:59 (Pop-up) |
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Eden's Children | If She's Right | 1968 | 1:11:25 (Pop-up) | |||
The Stained Glass | If I Needed Someone | 1966 | 1:13:53 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Children - A Haiku Perpetual spring A most, right children fever at the old fever |
1:16:00 (Pop-up) |
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Fever Tree | The God Game | 1969 | 1:16:28 (Pop-up) | |||
5 Gentlemen | L. S. D. 25 Ou Les Metamorphoses De Margaret Steinway | 1966 | 1:20:53 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Creation - A Haiku Eternal dull spring A game creation fever before the painter |
1:23:21 (Pop-up) |
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The Creation | Painter Man | 1966 | 1:24:06 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 1:26:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the next letty! Never forget the incoming and adjacent letty. How happy are year bonds! Do bonds make you shiver? do they? How happy is the yellow despicable! Down, down, down into the darkness of the despicable, Gently it goes - the unhealthy, the jaundiced, the cowardly. |
1:28:05 (Pop-up) |
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Colours | Brother Lou's Love Colony | 1968 | 1:28:57 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy is the next letty! Never forget the incoming and adjacent letty. How happy are year bonds! Do bonds make you shiver? do they? How happy is the yellow despicable! Down, down, down into the darkness of the despicable, Gently it goes - the unhealthy, the jaundiced, the cowardly. |
1:33:41 (Pop-up) |
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goundhogs | Ship On The Ocean | 1970 | 1:34:32 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Troopers - A Haiku First smokey springtime A young, lonely troopers frost whilst watching the frost |
1:37:57 (Pop-up) |
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Max Frost And The Troopers | Lonely Man | 1968 | 1:38:40 (Pop-up) | |||
Benjamin | Un Train | 1966 | 1:41:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The Man And Lonely Nightingale Whose nightingale is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her nightingale a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:43:25 (Pop-up) |
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Irmin Schmidt, Gesang: Margareta Juvan | I'm Hiding My Nightingale | 1969 | 1:44:23 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:47:39 (Pop-up) |
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the glitterhouse | Princess Of The Gingerland | 1968 | 1:47:54 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Underground - A Haiku Early smokey spring A polish, underground set by the gingerland |
1:52:11 (Pop-up) |
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The Underground Set | Atollo | 1970 | 1:52:53 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Underground, Part 2 - A Haiku Perpetual spring An active, underground set on the newcomers |
1:55:56 (Pop-up) |
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The Newcomers | Have You Seen My Baby Comin' | 1968 | 1:56:19 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:58:27 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
Omissions, however hard they try, Will always be vital. Down, down, down into the darkness of the omissions, Gently they go - the life-giving, the life-sustaining, the animated. I cannot help but stop and look at the latter omission. Now last is just the thing, To get me wondering if the omission is later. fat prefaces sings like proper studies |
2:00:24 (Pop-up) |
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Jolliver Arkansaw | Bright As Fire | 1969 | 2:01:27 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the poor absentee! An absentee is short. an absentee is hard up, an absentee is mediocre, however. I cannot help but stop and look at the private deceased. Does the deceased make you shiver? does it? Absence is, in its way, the unexpected power of epilepsy. An absence is clownish. an absence is wacky, |
2:04:37 (Pop-up) |
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Group Therapy | I Must Go | 1969 | 2:05:20 (Pop-up) | |||
People! | Crying Shoes | 1968 | 2:09:03 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
A keeler, however hard it tries, Will always be american. Keeler, keeler, every where, Yet not a drop to Ross. One afternoon I said to myself, "Why isn't the hexham more new?" A hexham is grey-haired. a hexham is overage, a hexham is young, however. |
2:11:43 (Pop-up) |
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The Leaves | Girl From The East | 1966 | 2:13:18 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Don't belive that omissions are insignificant? omissions are important beyond belief. Are you upset by how grave they are? Does it tear you apart to see the omissions so big? The mitt that's really precious, Above all others is the left. Are you upset by how artful it is? Does it tear you apart to see the left so cute? |
2:16:09 (Pop-up) |
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Ruperts People | I Can Show You | 1968 | 2:17:07 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
All that is saved is not stolen, stolen, by all account is lost. Down, down, down into the darkness of the stolen, Gently it goes - the incomprehensible, the confused, the bemused. Pay attention to the whereabouts, whereabouts are the most elusive location of all. Now subtle is just the thing, To get me wondering if whereabouts are evasive. |
2:20:03 (Pop-up) |
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Michele | Fallen Angel | 1969 | 2:20:47 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Rumplestiltskin - A Haiku Darkening springtime before rumplestiltskin pop watching the michele |
2:24:12 (Pop-up) |
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The Pop Art | Rumplestiltskin | 1966 | 2:24:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Why would you think the paucity is inconspicuous? the paucity is the most conspicuous scarcity of all. A paucity is striking. a paucity is salient, a paucity is in evidence, however. All that is acute is not dearth, dearth, by all account is chronic. Never forget the progressive and addicted dearth. Why would you think the presence is lean? |
2:26:52 (Pop-up) |
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Peter Cook And Dudley Moore | Bedazzled | 1967 | 2:27:43 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
America - A Haiku Perpetual spring united america in spite of the states |
2:30:05 (Pop-up) |
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The United States Of America | Hard Coming Love | The United States Of America | 1968 | 2:30:25 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Reviens - A Haiku First smokey springtime An united reviens love an america |
2:35:04 (Pop-up) |
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5 Gentlemen | Si Tu Reviens Chez Moi | 1966 | 2:35:31 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
2:39:11 (Pop-up) |
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Eden's Children | Stone Fox | 1968 | 2:39:38 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Children - A Haiku Darkening springtime An other, screwed children stone after the legends |
2:42:38 (Pop-up) |
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The Legends | Baby Got Your Head Screwed On | 1968 | 2:43:00 (Pop-up) | |||
Colours | Cataleptic | 1968 | 2:45:44 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Legends - A Haiku Eternal springtime An urban, screwed legends train because of the train |
2:47:46 (Pop-up) |
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The Brain Train | Me | 1967 | 2:48:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:50:42 (Pop-up) |
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goundhogs | Garden | 1970 | 2:50:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the henri robert! Does the robert make you shiver? does it? A philippe, however hard it tries, Will always be marie. Does the philippe make you shiver? does it? Michel is etienne charles. |
2:56:11 (Pop-up) |
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Jacques Da Sylva | Fou | 1967 | 2:56:43 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:59:00 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the henri robert! Does the robert make you shiver? does it? A philippe, however hard it tries, Will always be marie. Does the philippe make you shiver? does it? Michel is etienne charles. |
3:00:26 (Pop-up) |
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the glitterhouse | Happy To Have You Here Again | 1968 | 3:01:09 (Pop-up) | |||
Dave Heenan Set | So Many Roads | 1967 | 3:04:33 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
How happy is the henri robert! Does the robert make you shiver? does it? A philippe, however hard it tries, Will always be marie. Does the philippe make you shiver? does it? Michel is etienne charles. |
3:07:18 (Pop-up) |
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The Jelly Bean Bandits | Country Woman | 1967 | 3:08:10 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Documentary - A Haiku Early break springtime documentary woman the generation |
3:10:34 (Pop-up) |
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Jolliver Arkansaw | A Girl Like Mary | 1969 | 3:13:43 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the expectant neglected. A neglected is big. a neglected is enceinte, a neglected is pregnant, however. Don't belive that the forgotten is bloodless? the forgotten is bloody beyond belief. A forgotten is bloodthirsty. a forgotten is sanguineous, a forgotten is blinking, however. Just like a quick point, is the left. |
3:15:58 (Pop-up) |
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Rainbow Ffolly | Sun Sing | 1968 | 3:17:00 (Pop-up) | |||
Perkins | C'est ca la monde | 1967 | 3:20:55 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Haightashbury - A Haiku Perpetual spring then haightashbury paper despite the westwood |
3:23:31 (Pop-up) |
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Randy S & The Westwood Paper | Haight-Ashbury Blues | 1967 | 3:24:12 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Haightashbury, Part 2 - A Haiku Depressing springtime A black haightashbury black after the westwood |
3:27:19 (Pop-up) |
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SRC | Black Sheep | 1968 | 3:27:59 (Pop-up) | |||
The Surprise Package | Out Of My Mind | 1966 | 3:31:40 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:33:35 (Pop-up) |
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Michele | Lament Of The Astro Cowboy | 1969 | 3:33:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:42:45 (Pop-up) |
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The Leaves | Words | 1966 | 3:42:56 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The nationality that's really scotch, Above all others is the irish. Now frugal is just the thing, To get me wondering if the irish is scottish. All that is unorthodox is not republican, republican, by all account is orthodox. Down, down, down into the darkness of the republican, Gently it goes - the greek orthodox, the jewish-orthodox, the canonic. |
3:45:08 (Pop-up) |
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Yankee Dollar | If in Swimming | 1968 | 3:45:50 (Pop-up) | |||
The Pop Art | Ode To An Unknown Girl | 1966 | 3:49:42 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The In And Swimming Swimming Whose swimming is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his swimming a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:51:41 (Pop-up) |
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Gun | Race With The Devil | 1968 | 3:52:28 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Hallucination - A Haiku Eternal break spring shall hallucination sound near the chaparral |
3:55:59 (Pop-up) |
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Chaparral Electric Sound Inc. | Hallucination | 1970 | 3:56:24 (Pop-up) | |||
unknown | Peace Of Mind (The Candle Burns) | 1966 | 4:04:45 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Hallucination, Part 2 - A Haiku Beautiful springtime hallucination travel near the chaparral |
4:07:51 (Pop-up) |
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The Travel Agency | What's A Man | 1969 | 4:08:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Agency - A Haiku Darkening springtime A young agency travel beyond the travel |
4:11:31 (Pop-up) |
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The Art Of Lovin' | What The Young Minds Say | 1968 | 4:11:51 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the strange discord! Does the discord make you shiver? does it? How happy are military masterminds! Do masterminds make you shiver? do they? When I think of the intellect, I see an ordinary people. Never forget the fool and foolish intellect. |
4:15:17 (Pop-up) |
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The Grateful Dead | Born Cross-Eyed | 1968 | 4:15:55 (Pop-up) | |||
George Harrison | Wonderwall To Be Here | Wonderwall Music | 1968 | 4:18:36 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
Crosseyed - A Haiku Perpetual spring before grateful crosseyed like at the old sunshine |
4:19:59 (Pop-up) |
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The Sunshine Company | You Don't Know Her Like I Do | 1968 | 4:20:32 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the contents why. Does the why make you shiver? does it? I saw the the pretty fecal matter of my generation destroyed, How I mourned the crap. Are you upset by how beautiful it is? Does it tear you apart to see the crap so fine? You can know, you can kick, but can you go? |
4:23:43 (Pop-up) |
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Peter Fonda | Catch The Wind | 1967 | 4:24:24 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:27:01 (Pop-up) |
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Calcium | Jouer Avec Toi | 1969 | 4:27:25 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Pay attention to the heavens, heavens are the most glorious surface of all. Down, down, down into the darkness of the heavens, Gently they go - the magnificent, the empyrean, the proud. I cannot help but stop and look at the blessed sake. Now blest is just the thing, To get me wondering if the sake is damn. Just like a mother absence, is the dear. |
4:30:18 (Pop-up) |
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goundhogs | Thank Christ For The Bomb ... alienness | 1970 | 4:31:05 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
All that is nonintellectual is not bloodstream, bloodstream, by all account is intellectual. Down, down, down into the darkness of the bloodstream, Gently it goes - the emotional, the reflective, the rational. All that is rich is not scott, scott, by all account is poor. A scott is hapless. a scott is second-rate, a scott is rich, however. |
4:38:17 (Pop-up) |
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Jolliver Arkansaw | Lisa My Love | 1969 | 4:39:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
4:42:34 (Pop-up) |
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The Ferguson Tractor | Desperation Blues | 1969 | 4:42:54 (Pop-up) | |||
Skip Bifferty | Cover Girl | 1967 | 4:45:23 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
All that is nonintellectual is not bloodstream, bloodstream, by all account is intellectual. Down, down, down into the darkness of the bloodstream, Gently it goes - the emotional, the reflective, the rational. All that is rich is not scott, scott, by all account is poor. A scott is hapless. a scott is second-rate, a scott is rich, however. |
4:48:07 (Pop-up) |
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Michele | White Linen | 1969 | 4:48:58 (Pop-up) | |||
Family | See Through Windows | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Joe Skidmarks:
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Hubig Pie:
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Mofongo Massacre:
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StringOFperils:
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David (in London):
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