The Night Owl Show with Owl Sun:
Playlist
from June 2, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:26 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:51 (Pop-up) | ||||
| Erik |
Georgeann
|
1968 |
|
0:03:19 (Pop-up) | ||
| Eden's Children |
Echoes
|
1968 |
|
0:07:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The greek deity that's really mighty, Above all others are the minos. Never forget the right and powerful minos. I cannot help but stop and look at various atlanteans. Do atlanteans make you shiver? do they? The greek deity that's really big, Above all others is the erebus. |
|
0:09:19 (Pop-up) |
||
| The New York Rock & Roll Ensemble |
Studeao Atlantis
|
1968 |
|
0:10:03 (Pop-up) | ||
| The Other Half |
It's Too Hard (Without You)
|
1967 |
|
0:13:57 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Memorial - A Haiku Perpetual spring A long, memorial roll beyond the mandrake |
|
0:16:08 (Pop-up) |
||
| The Mandrake Memorial |
Ocean's Daughter
|
1969 |
|
0:16:47 (Pop-up) | ||
| Family |
Me My Friend
|
1968 |
|
0:20:22 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
I cannot help but stop and look at the little sandra. Down, down, down into the darkness of the sandra, Gently it goes - the micro, the ungenerous, the littlest. I saw the the teenage barm of my generation destroyed, How I mourned the mother. Now adolescent is just the thing, To get me wondering if the mother is teen. How happy are cunning gladys! |
|
0:22:22 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Marie
|
1968 |
|
0:23:21 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
I cannot help but stop and look at the soma juice. Does the juice make you shiver? does it? A boston, however hard it tries, Will always be york. Does the boston make you shiver? does it? The noah is not large! |
|
0:26:06 (Pop-up) |
||
| Big Jim Sullivan |
Tallyman
|
Sitar Beat | 1968 |
|
0:26:40 (Pop-up) | |
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
0:29:12 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
The Green And Burning Tallyman Whose tallyman is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tallyman a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:32:00 (Pop-up) |
||
| Dick St. John |
Lady Of The Burning Green Jade
|
1968 |
|
0:32:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Burning - A Haiku New dampness springtime A much, burning burning skip above the battyn |
|
0:36:43 (Pop-up) |
||
| Skip Battyn and The Groop |
High Coin
|
1965 |
|
0:37:07 (Pop-up) | ||
| Five By Five |
15 Going On 20
|
1969 |
|
0:39:34 (Pop-up) | ||
| Bob Dylan |
Mixed Up Confusion
|
1962 |
|
0:42:09 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Expression - A Haiku Eternal springtime A human expression down at the old battyn |
|
0:44:32 (Pop-up) |
||
| The Human Expression |
Calm Me Down
|
1967 |
|
0:45:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Expression, Part 2 - A Haiku Perpetual spring A facial, expression down watching the turquoise |
|
0:47:49 (Pop-up) |
||
| Turquoise |
Beautiful Death Dealer
|
1968 |
|
0:48:13 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
0:51:22 (Pop-up) |
|||
| Simon T. Stokes |
Big City Blues
|
1966 |
|
0:51:34 (Pop-up) | ||
| The Holy Modal Rounders |
Take-Off Artist Song
|
1968 |
|
0:54:44 (Pop-up) | ||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
0:57:18 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Flower - A Haiku Beautiful springtime A fine, big flower flower because of the stokes |
|
1:00:27 (Pop-up) |
||
| The Flower Pot Men |
A Walk In The Sky
|
1967 |
|
1:01:02 (Pop-up) | ||
| Brother Nigel's Proxy Party |
Dancing Girl
|
1969 |
|
1:04:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Flower, Part 2 - A Haiku Beautiful springtime A wild, smart flower flower in spite of the smart |
|
1:07:50 (Pop-up) |
||
| Smart & Cole Inc. |
Ashes Ashes (All Fall Down)
|
1968 |
|
1:08:31 (Pop-up) | ||
| Hickory Hollow |
Home
|
1968 |
|
1:12:46 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Deepest - A Haiku Depressing springtime before hollow deepest home by the hickory |
|
1:15:46 (Pop-up) |
||
| The Koobas |
The First Cut Is The Deepest
|
1968 |
|
1:16:15 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Deepest, Part 2 - A Haiku Eternal springtime An our, first deepest cut despite the koobas |
|
1:19:15 (Pop-up) |
||
| Erik |
You Said / But I've Got My Way
|
1968 |
|
1:19:46 (Pop-up) | ||
| Tiny Tim |
Little Girl
|
1966 |
|
1:25:28 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
A lol, however hard it tries, Will always be anterior. Down, down, down into the darkness of the lol, Gently it goes - the frontal, the posterior, the antecedent. One afternoon I said to myself, "Why isn't the cuz more good?" Never forget the deplorable and painful cuz. Just like a sorry step, is the sandra. |
|
1:27:48 (Pop-up) |
||
| H.P. Lovecraft |
It's All Over For You
|
Two Classic Albums From HP Lovecraft | 1967 |
|
1:28:39 (Pop-up) | |
Music behind DJ: George Harrison |
On The Bed
|
Lovecraft - A Haiku Beautiful springtime A pure, orange lovecraft end watching the orange |
|
1:31:10 (Pop-up) |
||
| The End |
Shades Of Orange
|
Shades Of Orange | 1969 |
|
1:31:36 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Bulgaria - A Haiku Eternal wet spring A new, bulgaria end despite the orange |
|
1:34:08 (Pop-up) |
||
| It's A Beautiful Day |
Bulgaria
|
1968 |
|
1:34:34 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Newsboys - A Haiku Beautiful springtime A little, newsboys mother the bulgaria |
|
1:37:34 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Bad News
|
1968 |
|
1:38:18 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Valhalla - A Haiku Darkening springtime An old, valhalla mother by the symphony |
|
1:41:30 (Pop-up) |
||
| Valhalla |
Overseas Symphony
|
1969 |
|
1:42:05 (Pop-up) | ||
| The Other Half |
I Know
|
1967 |
|
1:48:23 (Pop-up) | ||
| Morning Glory |
Need Someone
|
1968 |
|
1:51:02 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
1:55:29 (Pop-up) |
|||
| Family |
Winter
|
1968 |
|
1:55:42 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
|
Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
|
1:58:06 (Pop-up) | |
| T K Os |
The Charge
|
The Charge |
|
2:00:13 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
2:00:27 (Pop-up) |
|||
| Bob Dylan |
Corrina Corrina
|
1962 |
|
2:01:05 (Pop-up) | ||
| Kim Fowley |
They're Comming To Take Me Away, Ha Ha!
|
1966 |
|
2:03:40 (Pop-up) | ||
| Josefus |
Bald Peach
|
1970 |
|
2:05:33 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
All that is deficient is not allowance, allowance, by all account is sufficient. Now spare is just the thing, To get me wondering if the allowance is decent. I saw the the precious payment of my generation destroyed, How I mourned the cash. Now valuable is just the thing, To get me wondering if the cash is wanted. |
|
2:08:09 (Pop-up) |
||
| Giant Crab |
E.S.P.
|
1969 |
|
2:09:57 (Pop-up) | ||
| Super-Fine Dandelion |
The Other Sidewalk
|
1967 |
|
2:12:17 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Gillespie - A Haiku Eternal springtime A giant gillespie mind under the giant |
|
2:15:18 (Pop-up) |
||
| Dana Gillespie |
You Just Gotta Know My Mind
|
1968 |
|
2:15:58 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
How happy are various lets! Never forget the versatile and respective lets. The visible radiation that's really fifth, Above all others is the ray. Does the ray make you shiver? does it? How happy is the wooly jamie! Never forget the flocculent and wooly-minded jamie. |
|
2:18:01 (Pop-up) |
||
| Erasmo Carlos |
Agora Ninguém Chora Mais
|
1971 |
|
2:18:50 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The Last And Pink Scream Whose scream is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his scream a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:21:19 (Pop-up) |
||
| Pink Floyd |
Scream Thy Last Scream
|
Scream Thy Last Scream / Vegetable Man | 1967 |
|
2:21:59 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Canterbury - A Haiku Wickedness springtime A fair canterbury scream at the perfect scream |
|
2:26:36 (Pop-up) |
||
| Canterbury Fair |
Days I Love
|
0 | 1967 |
|
2:27:05 (Pop-up) | |
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
How happy is the nice somebody! Down, down, down into the darkness of the somebody, Gently it goes - the decent, the respectable, the discriminating. I cannot help but stop and look at the holy fool. Down, down, down into the darkness of the fool, Gently it goes - the blessed, the sanctified, the unholy. Nobody is, in its way, the only work of commoner. Never forget the woolly-headed and wooly-minded nobody. |
|
2:29:00 (Pop-up) |
||
| Tripsichord Music Box |
You're The Woman
|
1968 |
|
2:29:51 (Pop-up) | ||
| Tiny Tim |
April Showers
|
1966 |
|
2:34:20 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Tripsichord - A Haiku Beautiful springtime A sure tripsichord woman into the miller |
|
2:36:03 (Pop-up) |
||
| The Dave Miller Set |
Someone Is Sure To
|
1969 |
|
2:36:49 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Ensemble - A Haiku Perpetual spring A small, sure ensemble roll after the miller |
|
2:39:22 (Pop-up) |
||
| New York Rock & Roll Ensemble |
City
|
1969 |
|
2:39:47 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Pranksters - A Haiku Eternal springtime A merry pranksters power by the ensemble |
|
2:43:01 (Pop-up) |
||
| The Merry Pranksters |
Stage Chaos / More Power Rap
|
1966 |
|
2:43:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Underground - A Haiku Eternal springtime A dutch, underground motor near the underground |
|
2:46:19 (Pop-up) |
||
| the underground set |
Motor Road Underground
|
1970 |
|
2:46:45 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Underground, Part 2 - A Haiku Eternal springtime A nazi, underground stand near the underground |
|
2:50:14 (Pop-up) |
||
| Pacific Ocean |
I Can't Stand It
|
1968 |
|
2:50:41 (Pop-up) | ||
| CAN |
Mother Sky (from the Motion Picture "Deep End")
|
1970 |
|
2:53:10 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Picture - A Haiku New dampness springtime A vivid, picture picture into the motion |
|
2:53:10 (Pop-up) |
||
| Cat Mother and the All Night Newsboys |
Bramble Bush
|
1968 |
|
3:07:34 (Pop-up) | ||
| Family |
Hey Mr. Policeman
|
1968 |
|
3:12:52 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Flipside - A Haiku Perpetual spring before deep flipside picture into the talking |
|
3:15:57 (Pop-up) |
||
| Kim Fowley |
You Get More For Your Money On The Flipside Of This Record Talking Blues
|
1966 |
|
3:16:35 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Flipside, Part 2 - A Haiku Perpetual spring suddenly on flipside get near the josefus |
|
3:19:03 (Pop-up) |
||
| Josefus |
I'm gettin' on
|
1970 |
|
3:19:29 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the entire absence. Never forget the full and intact absence. Pay attention to the lost, the lost is the most six people of all. Are you upset by how cardinal it is? Does it tear you apart to see the lost so half dozen? I cannot help but stop and look at the cunning stolen. Never forget the attractive and sly stolen. |
|
3:22:50 (Pop-up) |
||
| The Enchanted Forest |
The Word Is Love
|
1968 |
|
3:23:31 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The left is not curving! the left is exceptionally unbent. Never forget the straightaway and unbent left. How happy is the five forgotten! Now 5 is just the thing, To get me wondering if the forgotten is cardinal. Just like a might coverage, is the been. Does the been make you shiver? |
|
3:26:09 (Pop-up) |
||
| The Shondells |
It's True
|
1965 |
|
3:26:50 (Pop-up) | ||
| John Wonderling |
Midway Down
|
1968 |
|
3:29:40 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
One afternoon I said to myself, "Why isn't the omission more unnoticeable?" Never forget the unobtrusive and strong omission. One afternoon I said to myself, "Why aren't prefaces more intensive?" Are you upset by how extended they are? Does it tear you apart to see the prefaces so copious? Left is, in its way, the quick way of place. |
|
3:32:02 (Pop-up) |
||
| Dana Gillespie |
No! No! No!
|
1968 |
|
3:32:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Accompaniment - A Haiku Beautiful springtime before accompaniment love near the gillespie |
|
3:35:34 (Pop-up) |
||
| Electric Banana |
Vocal Version with Accompaniment: I Love You
|
More Electric Banana | 1968 |
|
3:35:54 (Pop-up) | |
Music behind DJ: The Shadows |
A Place in the Sun
|
Accompaniment, Part 2 - A Haiku Depressing springtime before accompaniment black near the electric |
|
3:38:12 (Pop-up) |
||
| SRC |
Black Sheep
|
1968 |
|
3:38:41 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
A html, however hard it tries, Will always be meta. Does the html make you shiver? does it? An int, however hard it tries, Will always be sbs. Does the int make you shiver? does it? |
|
3:42:22 (Pop-up) |
||
| Cameleon |
Le Chemin De La Descente
|
1971 |
|
3:43:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
3:47:18 (Pop-up) |
|||
| Tiny Tim |
What The World Needs Now Is Love
|
1969 |
|
3:48:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Connection - A Haiku Beautiful springtime A direct, connection teach by the rotary |
|
3:51:22 (Pop-up) |
||
| Rotary Connection |
Trip II: Teach Me How To Fly
|
Aladdin | 1968 |
|
3:51:47 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Connection, Part 2 - A Haiku Perpetual spring A direct, connection teach by the ensemble |
|
3:55:01 (Pop-up) |
||
| New York Rock & Roll Ensemble |
Asking Too Much
|
1969 |
|
3:55:31 (Pop-up) | ||
| The Byrds |
Stranger In A Strange Land [Instrumental Backing Track]
|
Turn! Turn! Turn! | 1965 |
|
3:58:09 (Pop-up) | |
| Black Swan |
She Encircles Me
|
1968 |
|
4:09:22 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The mccarthy is not aged! the mccarthy is exceptionally newborn. Are you upset by how teenaged it is? Does it tear you apart to see the mccarthy so newborn? James, however hard they try, Will always be elder. James are older. james are senior, james are big, however. |
|
4:11:25 (Pop-up) |
||
| Bryan Dunkettle |
I don't follow war no more
|
1970 |
|
4:12:11 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
One afternoon I said to myself, "Why aren't james more junior?" Do james make you shiver? do they? How happy is the upper mcarthur! Never forget the high and superior mcarthur. Kelley is dee figures. dee figures is kelley. |
|
4:15:00 (Pop-up) |
||
| bernard jamet |
raison légale
|
1968 |
|
4:15:45 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Orange - A Haiku Beautiful springtime A light, colored orange ward in spite of the ward |
|
4:18:13 (Pop-up) |
||
| Burt Ward |
Orange Colored Sky
|
1966 |
|
4:18:36 (Pop-up) | ||
| The Bag |
Red, Purple And Blue
|
1968 |
|
4:21:19 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Farquahr - A Haiku Beautiful springtime when farquahr people the under the people |
|
4:24:09 (Pop-up) |
||
| Fabulous Farquahr |
Night People
|
1969 |
|
4:24:48 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
The conclusion that's really unexplained, Above all others is the disappearance. Does the disappearance make you shiver? does it? Disappearances, however hard they try, Will always be odd. Do disappearances make you shiver? do they? |
|
4:27:12 (Pop-up) |
||
| Erik |
Georgeann
|
1968 |
|
4:27:56 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
|
4:31:39 (Pop-up) |
|||
| Sagittarius |
Pisces
|
Another Time / Pisces | 1968 |
|
4:31:48 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
|
4:34:36 (Pop-up) |
|||
| Family |
Peace Of Mind
|
1968 |
|
4:34:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The left is not worst! the left is exceptionally second-best. A left is better. a left is second-best, a left is top-quality, however. I cannot help but stop and look at the conspicuous omission. Now outstanding is just the thing, To get me wondering if the omission is big. Prefaces are proper variable. |
|
4:37:46 (Pop-up) |
||
| Josefus |
Feelin' good
|
1970 |
|
4:38:24 (Pop-up) | ||
| The Unwritten Law |
Action Speaks Louder
|
1967 |
|
4:44:24 (Pop-up) | ||
| Dana Gillespie |
Foolish Seasons
|
1968 |
|
4:46:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The people that are really classic, Above all others is the lost. Never forget the classical and standard lost. Pay attention to the absence, the absence is the most alleged deficiency of all. An absence is declared. an absence is supposed, an absence is so-called, however. How happy is the little deceased! |
|
4:48:41 (Pop-up) |
||
| Eden's Children |
If She's Right
|
1968 |
|
4:49:32 (Pop-up) | ||
| Eric Burdon and The Animals |
I'm An Animal
|
1968 |
|
4:52:00 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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Listener comments!
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