The Night Owl Show with Owl Sun:
Playlist
from June 4, 2023
 |
View Owl Sun's profile
|
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:33 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:59 (Pop-up) | ||||
| Hell Preachers Inc. |
Spy in space
|
1968 |
|
0:03:25 (Pop-up) | ||
| Fortes Mentum |
Marrakesh
|
1969 |
|
0:07:51 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Preachers - A Haiku Threatening springtime A young, spooky preachers tooth at the perfect tooth |
|
0:10:15 (Pop-up) |
||
| Spooky Tooth |
Weird
|
1968 |
|
0:10:47 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Christians - A Haiku Overcast springtime A non, christians magic before the magic |
|
0:15:44 (Pop-up) |
||
| The Magic Christians |
Nats
|
1969 |
|
0:16:07 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
Christians, Part 2 - A Haiku Beautiful springtime A good, christians fever at the old catcher |
|
0:17:23 (Pop-up) |
||
| Fever Tree |
Catcher In The Rye
|
1969 |
|
0:17:46 (Pop-up) | ||
| The Q.P.R. Supporters |
Supporters Support Us
|
1967 |
|
0:20:53 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Society - A Haiku Eternal springtime Society fever days at the old catcher |
|
0:23:38 (Pop-up) |
||
| The Humane Society |
Eternal Prison
|
0:24:18 (Pop-up) | ||||
Music behind DJ: George Harrison |
Party Seacombe
|
Society, Part 2 - A Haiku Eternal springtime A free, society shape before the future |
|
0:26:48 (Pop-up) |
||
| Future |
The Shape Of Things To Come
|
1968 |
|
0:27:12 (Pop-up) | ||
| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
0:30:10 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Writing - A Haiku Depressing springtime then a hand, future writing by the buffalo |
|
0:33:22 (Pop-up) |
||
| Writing On The Wall |
'Man Of Renown' b/w Buffalo
|
1973 |
|
0:33:51 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Saddlesore - A Haiku Wickedness springtime suddenly man saddlesore at the old writing |
|
0:37:49 (Pop-up) |
||
| Saddlesore |
Pig Ankle Strut
|
1970 |
|
0:38:13 (Pop-up) | ||
| Jefferson Airplane |
Two Heads
|
Jefferson Airplane's Golden Album |
|
0:40:31 (Pop-up) | ||
| Sonny Hall |
Poor Planet Earth
|
1969 |
|
0:43:43 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
0:45:42 (Pop-up) |
|||
| The Moon |
Lebanon
|
1969 |
|
0:46:06 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
0:47:47 (Pop-up) |
|||
| Retaliation |
Morning Dew
|
1969 |
|
0:47:57 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
0:51:38 (Pop-up) |
|||
| The 40 Watt Banana |
Nirvana
|
1971 |
|
0:51:53 (Pop-up) | ||
| Barron Knights |
You're All I Need
|
2009 |
|
0:54:41 (Pop-up) | ||
| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
0:57:46 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
1:00:34 (Pop-up) |
|||
| Timberjack |
Come To The Sabbat
|
1971 |
|
1:00:59 (Pop-up) | ||
| Tuesday's Children |
Mr. Kipling
|
1968 |
|
1:04:40 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Timberjack - A Haiku Eternal wet spring before still timberjack still whilst watching the friends |
|
1:07:00 (Pop-up) |
||
| The Top Shelf |
Time Beyond (Can't We Still Be Friends)
|
1969 |
|
1:07:29 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Carpenter - A Haiku Threatening springtime A common, still carpenter betrayed by the friends |
|
1:10:59 (Pop-up) |
||
| Tom Thumb |
If I Were A Carpenter
|
1969 |
|
1:11:35 (Pop-up) | ||
| Roger Ruskin Spear |
Drop Out
|
2009 |
|
1:14:18 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Partridge - A Haiku Threatening springtime A passed partridge carpenter by the carpenter |
|
1:16:12 (Pop-up) |
||
| Fortes Mentum |
Mr. Partridge Passed Away Today
|
1968 |
|
1:16:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Salvation - A Haiku Threatening springtime An asleep salvation be under the partridge |
|
1:19:29 (Pop-up) |
||
| Salvation |
I'd Rather Be Asleep
|
1969 |
|
1:19:54 (Pop-up) | ||
| Bram Rigg Set |
Take The Time Be Yourself
|
1967 |
|
1:22:14 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
I cannot help but stop and look at the cold hail. Does the hail make you shiver? does it? I saw the the redeeming compassionateness of my generation destroyed, How I mourned the mercy. Are you upset by how redemptive it is? Does it tear you apart to see the mercy so saving? I saw the the cunning institution of my generation destroyed, |
|
1:24:19 (Pop-up) |
||
| The Grains Of Sand |
She Needs Me
|
1966 |
|
1:25:08 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at turbulent waters. Waters are disruptive. waters are troubled, waters are tumultuous, however. The warfare that's really communist, Above all others is the jihad. Now commie is just the thing, To get me wondering if the jihad is communistic. Just like a dry zone, is the drowning. |
|
1:27:44 (Pop-up) |
||
| Mr. Floods Party |
Alice Was A Dream
|
1969 |
|
1:28:34 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
The Party And Documentary Documentary Whose documentary is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her documentary a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:31:46 (Pop-up) |
||
| Blair Smith |
Visions Of Molly
|
1968 |
|
1:35:09 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
How happy is the young elizabeth! Now little is just the thing, To get me wondering if the elizabeth is aged. A jesse, however hard it tries, Will always be dear. A jesse is pricey. a jesse is sincere, a jesse is heartfelt, however. The wooly rachel sings like a dear girl |
|
1:37:45 (Pop-up) |
||
| Silver Apples |
Lady and the Clown
|
1969 |
|
1:38:38 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Biography - A Haiku Beautiful springtime For biography silver into the apples |
|
1:41:38 (Pop-up) |
||
| Woody Kern |
Biography
|
|
1:42:09 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The meaning that's really net, Above all others is the import. Down, down, down into the darkness of the import, Gently it goes - the final, the nett, the ultimate. How happy is the original leben! Down, down, down into the darkness of the leben, Gently it goes - the freehanded, the originative, the seminal. A consequence, however hard it tries, |
|
1:46:20 (Pop-up) |
||
| The Aardvarks |
I'm Higher Than I'm Down
|
1966 |
|
1:47:08 (Pop-up) | ||
| The Living Children |
Crystalize Your Mind
|
1968 |
|
1:49:16 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Aardvarks - A Haiku Perpetual spring before fairy aardvarks frame beyond the higher |
|
1:52:01 (Pop-up) |
||
| Bent Frame |
Fairy Lights
|
1969 |
|
1:52:50 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Doubt - A Haiku Wickedness springtime A little, about doubt doubt because of the frame |
|
1:55:57 (Pop-up) |
||
| The Other Half |
No Doubt About It
|
1967 |
|
1:56:19 (Pop-up) | ||
| Ramblers |
Soulful Jerk
|
Northern Soul Fever 2b | 1:58:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Cheer - A Haiku Threatening springtime A better, about cheer doubt whilst watching the doubt |
|
2:00:34 (Pop-up) |
||
| Blue Cheer |
Fool
|
1970 |
|
2:01:02 (Pop-up) | ||
| Medicine Mike |
I've Never Been (So High)
|
1969 |
|
2:04:27 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Forleikur - A Haiku Threatening springtime Blue forleikur anything out of overture |
|
2:07:13 (Pop-up) |
||
| Trúbrot |
I. Forleikur (Lives Overture)
|
1971 |
|
2:07:52 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Don't belive that whereabouts are unreported? whereabouts are reported beyond belief. Never forget the rumored and unreported whereabouts. Disappearances, however hard they try, Will always be apparent. Are you upset by how manifest they are? Does it tear you apart to see the disappearances so patent? Gone is many functioning. |
|
2:10:18 (Pop-up) |
||
| Ice |
Ice Man
|
1968 |
|
2:11:00 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Cherry - A Haiku Overcast springtime A bright, floating cherry ice because of the things |
|
2:13:47 (Pop-up) |
||
| Sweet Cherry |
Funny Things Floating
|
1967 |
|
2:14:15 (Pop-up) | ||
| Timberjack |
Epilogue
|
1971 |
|
2:17:07 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy are important elements! Are you upset by how weighty they are? Does it tear you apart to see the elements so eminent? How happy are various causes! Down, down, down into the darkness of the causes, Gently they go - the diverse, the respective, the varied. wooly dots sings like a random side Down, down, down into the darkness of the dots, |
|
2:20:11 (Pop-up) |
||
| Red Dirt |
Memories
|
1970 |
|
2:21:03 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Histories, however hard they try, Will always be family. Do histories make you shiver? do they? All that is lean is not reminiscent, reminiscent, by all account is rich. Now moneyed is just the thing, To get me wondering if the reminiscent is well-fixed. |
|
2:23:02 (Pop-up) |
||
| The Third Bardo |
Rainbow life
|
1967 |
|
2:23:47 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
2:26:18 (Pop-up) |
|||
| The Galaxies IV |
Piccadilly Circus
|
1966 |
|
2:26:31 (Pop-up) | ||
| Hank Shifter |
Saturday Noontime
|
1967 |
|
2:29:09 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
2:31:50 (Pop-up) |
|||
| Bill Fay |
Some Good Advice
|
1967 |
|
2:33:19 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Donovan - A Haiku Perpetual spring An old, young donovan bill under the advice |
|
2:35:34 (Pop-up) |
||
| Donovan |
Young Girl Blues
|
1967 |
|
2:35:55 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
The Basic And Bizarre Percussion Whose percussion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his percussion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:39:37 (Pop-up) |
||
| Wild Man Fischer accompanied by The Bizarre Percussion Ensemble |
The Basic Fischer: Merry-Go-Round (This is Wild Man's theme song, sort of)
|
1969 |
|
2:40:36 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Merrygoround - A Haiku Threatening springtime where bizarre merrygoround the shaftesbury |
|
2:42:24 (Pop-up) |
||
| Disciples of Shaftesbury |
My Cup Is Full
|
2008 |
|
2:43:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The dedication that's really spiritual, Above all others is the devotion. A devotion is incorporeal. a devotion is phantasmal, a devotion is supernatural, however. Devotees, however hard they try, Will always be zealous. Are you upset by how avid they are? Does it tear you apart to see the devotees so eager? |
|
2:45:30 (Pop-up) |
||
| The Sparrow |
Tomorrow's Ship
|
1966 |
|
2:46:24 (Pop-up) | ||
| T.I.M.E. |
What Would Life Be Without It
|
1968 |
|
2:49:28 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
|
2:51:58 (Pop-up) |
|||
| SRC |
Morning Mood
|
1968 |
|
2:52:33 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
Morning - A Haiku Overcast springtime A beautiful, morning see whilst watching the souls |
|
2:55:34 (Pop-up) |
||
| Arboreal |
Our Souls Would See Us Through
|
1970 |
|
2:56:07 (Pop-up) | ||
| Pink Floyd |
Flaming
|
1967 |
|
2:59:30 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Chandelier - A Haiku Perpetual spring A glass, chandelier despair under the crystal |
|
3:00:34 (Pop-up) |
||
| Crystal Chandelier |
The Setting Of Despair
|
1968 |
|
3:01:02 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Chandelier, Part 2 - A Haiku Overcast springtime A huge, chandelier despair after the crystal |
|
3:03:42 (Pop-up) |
||
| The Early Times |
Valley Of The Sun
|
1967 |
|
3:04:06 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Bouts, however hard they try, Will always be previous. Bouts are old. bouts are former, bouts are late, however. Phases, however hard they try, Will always be subsequent. Never forget the ensuant and antecedent phases. When I think of places, I see a many number. |
|
3:06:38 (Pop-up) |
||
| Click |
Dancing Babies
|
1967 |
|
3:07:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Carnival - A Haiku Eternal dull spring A high, star carnival click watching the babies |
|
3:11:03 (Pop-up) |
||
| The Carnival |
Dark Star
|
1968 |
|
3:11:36 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Pornographic - A Haiku Perpetual spring A star pornographic troll out of projector |
|
3:13:37 (Pop-up) |
||
| The Troll |
Professor Potts Pornographic Projector
|
1968 |
|
3:14:08 (Pop-up) | ||
| Attack |
Dreams
|
1969 |
|
3:17:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Pornographic, Part 2 - A Haiku Overcast springtime A most, jack pornographic by the projector |
|
3:19:41 (Pop-up) |
||
| Jack Holiday |
Lazy Day
|
1967 |
|
3:20:20 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Wildlife - A Haiku Wickedness springtime A jack wildlife holiday near the holiday |
|
3:23:11 (Pop-up) |
||
| The Wildlife |
Time Will Tell
|
1967 |
|
3:23:33 (Pop-up) | ||
| Kangaroo |
Such A Long Long Time
|
1968 |
|
3:25:43 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
|
3:27:57 (Pop-up) |
|||
| We The People |
For No One To See
|
1967 |
|
3:28:15 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
3:31:12 (Pop-up) |
|||
| Sherwoods |
I Know You Cried
|
1968 |
|
3:31:23 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Pay attention to the presence, the presence is the most female feeling of all. A presence is male. a presence is androgynous, a presence is feminine, however. How happy is the usual paucity! Are you upset by how customary it is? Does it tear you apart to see the paucity so habitual? Don't belive that the dearth is fat-free? |
|
3:33:26 (Pop-up) |
||
| The Tingling Mother's Circus |
Act I: New York Mining Disaster 1941
|
1968 |
|
3:34:09 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Motivation - A Haiku Threatening springtime A main, motivation york on the disaster |
|
3:37:43 (Pop-up) |
||
| Motivation |
Little Man
|
1968 |
|
3:38:11 (Pop-up) | ||
| The Mothers of Invention |
You Didn't Try To Call Me
|
1966 |
|
3:41:02 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
Motivation, Part 2 - A Haiku Depressing springtime A strong, motivation bill above the mermaid |
|
3:44:20 (Pop-up) |
||
| Bill Soden |
My Mermaid And Me
|
1967 |
|
3:44:51 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
How happy are explanatory prefaces! Are you upset by how instructive they are? Does it tear you apart to see the prefaces so informative? A revised, however hard it tries, Will always be carefully. Revised, revised, every where, Yet not a drop to submit. The parcel that's really cunning, |
|
3:47:09 (Pop-up) |
||
| The Tears |
People Through My Glasses
|
1967 |
|
3:48:00 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Valhalla - A Haiku Overcast springtime A through valhalla people under the people |
|
3:49:50 (Pop-up) |
||
| Valhalla |
Hard Times
|
1969 | 3:50:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe
|
One afternoon I said to myself, "Why aren't encounters more easy?" Never forget the rugged and knotty encounters. I cannot help but stop and look at weekly intervals. Do intervals make you shiver? do they? Just like day waves, is meetings. Down, down, down into the darkness of the meetings, |
|
3:54:46 (Pop-up) |
||
| Darling |
Smiling
|
1968 |
|
3:55:42 (Pop-up) | ||
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
3:58:13 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Looking - A Haiku New dampness springtime An outward, just looking wheel before the status |
|
4:03:50 (Pop-up) |
||
| Status Quo |
You're Just What I Was Looking For Today
|
1969 |
|
4:04:14 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Looking, Part 2 - A Haiku Threatening springtime A forward, stray looking stray above the eighty |
|
4:07:56 (Pop-up) |
||
| Stray |
around the world in eighty days
|
1970 |
|
4:08:22 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
Millennium - A Haiku Beautiful springtime A 3rd, millennium paper at the old towels |
|
4:12:12 (Pop-up) |
||
| Crystal Chandelier |
It's Only You
|
1968 |
|
4:13:25 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Chandelier - A Haiku Eternal dull spring A large, chandelier flower into the crystal |
|
4:16:03 (Pop-up) |
||
| The Flower Pot |
Black Moto
|
1967 |
|
4:16:24 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
I saw the the country period of time of my generation destroyed, How I mourned the tour. Never forget the country-style and country-bred tour. I cannot help but stop and look at the mile bike. Does the bike make you shiver? does it? A pole, however hard it tries, Will always be fat. |
|
4:18:23 (Pop-up) |
||
| Le Orme |
Part I: Milano 1968
|
1969 |
|
4:19:12 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
4:22:18 (Pop-up) |
|||
| T.I.M.E. |
See Me As I Am
|
1969 |
|
4:22:34 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
4:28:15 (Pop-up) |
|||
| The Q.P.R. Supporters |
Supporters Support Us
|
1967 |
|
4:28:25 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
|
4:31:10 (Pop-up) |
|||
| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
4:31:22 (Pop-up) | |
| Wild Man Fischer |
The Basic Fischer: "Are You From Clovis?"
|
1969 |
|
4:34:34 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Submarine - A Haiku Threatening springtime A class, submarine cooper near the reflected |
|
4:35:35 (Pop-up) |
||
| Taxi |
Counting Time My Way
|
1969 |
|
4:37:08 (Pop-up) | ||
| Stoned Circus |
Try Love
|
1970 |
|
4:40:01 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
I cannot help but stop and look at the bitter honey. A honey is resentful. a honey is acrimonious, a honey is blistering, however. How happy is the damn fond! Never forget the bloody and goddam fond. Why would you think the sweet is thin? the sweet is the most fat taste of all. Now fertile is just the thing, |
|
4:44:14 (Pop-up) |
||
| bobak, jones, malone |
house of many windows
|
1969 |
|
4:44:58 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Doubt - A Haiku Perpetual spring A possible, found doubt found at the perfect there |
|
4:48:29 (Pop-up) |
||
| Lost & Found |
There Would Be No Doubt
|
1967 |
|
4:48:54 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:59 (Pop-up) | ||||
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
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