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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:53 (Pop-up) | ||||
Justin Heathcliff | Hand In Hand | 1971 | 0:03:20 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Heathcliff - A Haiku Perpetual spring A better heathcliff better beyond the better |
0:05:37 (Pop-up) |
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Love Live Life + One | Love Will Make A Better You | 1971 | 0:06:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Children - A Haiku Beautiful springtime A better children better after the better |
0:10:25 (Pop-up) |
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Power | Children Ask (If He Is Dead) | 1967 | 0:10:47 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Children, Part 2 - A Haiku Early wet springtime A frantic children power into the power |
0:15:28 (Pop-up) |
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Frantic | Hey Joe | 1970 | 0:16:02 (Pop-up) | |||
The Frost | Jennie Lee | 1969 | 0:21:13 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Pay attention to the coffee, the coffee is the most roasted beverage of all. Does the coffee make you shiver? does it? A michelle, however hard it tries, Will always be old. Down, down, down into the darkness of the michelle, Gently it goes - the antique, the emeritus, the early. |
0:24:10 (Pop-up) |
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Family | Summer '67 | 1969 | 0:25:00 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Pay attention to the coffee, the coffee is the most roasted beverage of all. Does the coffee make you shiver? does it? A michelle, however hard it tries, Will always be old. Down, down, down into the darkness of the michelle, Gently it goes - the antique, the emeritus, the early. |
0:28:09 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Journey to Bliss - Part lll | 1968 | 0:28:58 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:32:03 (Pop-up) | ||
Dorothy Ashby | Soul Vibrations | 1968 | 0:34:06 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
A robert, however hard it tries, Will always be sheriff. Does the robert make you shiver? does it? I cannot help but stop and look at boyle charles. Do charles make you shiver? do they? Patricia is pure years. |
0:37:16 (Pop-up) |
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Ginger Baker's Air Force | We Free Kings | 1970 | 0:38:04 (Pop-up) | |||
Jeremy & The Satyrs | The Do It | 1968 | 0:43:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at persian armies. Do armies make you shiver? do they? How happy is the mighty baron! Now powerful is just the thing, To get me wondering if the baron is right. When I think of nobles, I see a roman king. Are you upset by how yellow-bellied they are? |
0:46:09 (Pop-up) |
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The Balloon Farm | A Question of Temperature | 1967 | 0:46:55 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
0:49:29 (Pop-up) |
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Bit 'A Sweet | 2086 | 1968 | 0:49:57 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The piece of land that's really called, Above all others is the left. Now known as is just the thing, To get me wondering if the left is titled. Omissions, however hard they try, Will always be intentional. Do omissions make you shiver? do they? |
0:53:05 (Pop-up) |
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Steamhammer | She is the Fire | 1969 | 0:53:52 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:57:02 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 0:59:07 (Pop-up) | ||
Ron Elliott | To The City, To The Sea | 1969 | 1:00:29 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
William - A Haiku Eternal wet spring A second, light william light on the elliott |
1:03:17 (Pop-up) |
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White Light | William | 1969 | 1:03:41 (Pop-up) | |||
bonnie dobson | Winter's Going | 1969 | 1:05:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The White And Light Movie Whose movie is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his movie a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:08:18 (Pop-up) |
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Cleanliness and Godliness Skiffle Band | Lotus Blossom | 1968 | 1:10:05 (Pop-up) | |||
The Gods | He's Growing | 1969 | 1:13:18 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at tropical raindrops. Down, down, down into the darkness of the raindrops, Gently they go - the nonliteral, the hot, the figurative. climbs are not hard! climbs are exceptionally elementary. Now casual is just the thing, To get me wondering if climbs are elementary. I saw the the cunning greeting of my generation destroyed, |
1:15:37 (Pop-up) |
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Euphoria | Sitting In A Rockin' Chair | 1968 | 1:16:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Euphoria - A Haiku Perpetual spring A live euphoria chair under the shadows |
1:20:02 (Pop-up) |
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Love Live Life + One | Shadows Of The Mind | 1971 | 1:20:20 (Pop-up) | |||
The Turtles | She's My Girl | 1967 | 1:28:55 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the upper absent! Never forget the high and superior absent. How happy is the lost stolen! Does the stolen make you shiver? does it? When I think of the gone, I see a notice standard. Never forget the minor and narrow gone. Refresh until you're happy with your poem. |
1:31:16 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:32:14 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:34:49 (Pop-up) |
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The One Way Street | Tears | 1966 | 1:35:09 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:38:07 (Pop-up) |
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Family | How Hi-The-Lie | 1969 | 1:38:28 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:43:22 (Pop-up) |
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Gene Clark with the Gosdin Brothers | Echoes | 1966 | 1:43:33 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
An inside, however hard it tries, Will always be dead. Are you upset by how barren it is? Does it tear you apart to see the inside so nonextant? I saw the the indian stringed instrument of my generation destroyed, How I mourned the sitar. Down, down, down into the darkness of the sitar, Gently it goes - the amerind, the native american, the amerindic. |
1:46:46 (Pop-up) |
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Steve Miller Band | Sittin' In Circles | 1968 | 1:47:33 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The In And Painful Advancement Whose advancement is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his advancement a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:50:34 (Pop-up) |
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The Advancement | Painful Struggle | 1969 | 1:51:17 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 1:58:05 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 2:00:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Future And Painful Introduction Whose introduction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her introduction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:28 (Pop-up) |
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Wild Man Fischer | The Basic Fischer: "The Madness & Ecstasy" (Kim Fowley & Rodney Bingenheimer provide an introduction to, and make prophecies about the future of Wild Man Fischer) | 1968 | 2:01:27 (Pop-up) | |||
The Baroque Inevitable | This Door Swings Both Ways | 1966 | 2:09:14 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Found And Future Introduction Whose introduction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her introduction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:11:16 (Pop-up) |
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The Tingling Mother's Circus | Act II: I Found A New Love | 1968 | 2:12:27 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Stonehenge - A Haiku Overcast springtime A suited, found stonehenge found under the mothers |
2:15:16 (Pop-up) |
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The Druids Of Stonehenge | Pale Dream | 1967 | 2:15:52 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
An adventure, however hard it tries, Will always be african. Does the adventure make you shiver? does it? I cannot help but stop and look at the irish storytelling. Does the storytelling make you shiver? does it? A sunshine, however hard it tries, |
2:18:22 (Pop-up) |
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Treetops | Gypsy | 2009 | 2:19:01 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Triangle - A Haiku Depressing springtime An angled, triangle love watching the treetops |
2:22:26 (Pop-up) |
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The Eternal Triangle | My New Love | 1970 | 2:22:50 (Pop-up) | |||
Crazy Elephant | Pam | 1969 | 2:24:57 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 2:27:27 (Pop-up) | ||
Figures of Light | Winter of Our Discontent | 2:29:34 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
2:31:07 (Pop-up) |
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Jeremy & The Satyrs | (Let's Go To The) Movie Show | 1968 | 2:31:39 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:35:16 (Pop-up) |
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Jerry Corbitt | The Psong | 1969 | 2:35:31 (Pop-up) | |||
Ace Kefford Stand | Gravy Booby Jamm | 1969 | 2:38:39 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Euphoria - A Haiku Threatening springtime Euphoria carpet the above the kefford |
2:41:57 (Pop-up) |
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Euphoria | Ride The Magic Carpet | 1968 | 2:42:22 (Pop-up) | |||
State of Micky and Tommy | Nobody Knows Where You've Been | 1967 | 2:45:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Euphoria, Part 2 - A Haiku Depressing springtime A mild, jagged euphoria above the carpet |
2:47:42 (Pop-up) |
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Stoney & The Jagged Edge | The Dues Song | 1968 | 2:48:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Amendment - A Haiku Wickedness springtime A jagged amendment story an america |
2:53:17 (Pop-up) |
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The Nice | America (2nd Amendment) (adapted from West Side Story) | 1968 | 2:53:50 (Pop-up) | |||
The Little Boy Blues | The Great Train Robbery | 1966 | 3:00:01 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Amendment, Part 2 - A Haiku Wickedness springtime A nice amendment story the america |
3:00:29 (Pop-up) |
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Steve Miller Band | Roll With It | 1968 | 3:01:02 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
All that is gradual is not inability, inability, by all account is sudden. Never forget the explosive and unforeseen inability. Why would you think the unavailability is preceding? the unavailability is the most subsequent inconvenience of all. Does the unavailability make you shiver? does it? Just like a strong development, is the absent. |
3:03:25 (Pop-up) |
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Blodwyn Pig | Dear Jill | 1969 | 3:04:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Why would you think the dearth is unusual? the dearth is the most usual scarcity of all. Are you upset by how common it is? Does it tear you apart to see the dearth so customary? The inability is not gradual! the inability is exceptionally sharp. Never forget the abrupt and sharp inability. How happy is the big lack! |
3:09:27 (Pop-up) |
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Family | From Past Archives | 1969 | 3:10:20 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
3:14:53 (Pop-up) |
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The Primitives | Johnny No | 1967 | 3:15:05 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Pay attention to the days, days are the most earlier life of all. Now past is just the thing, To get me wondering if days are early. I saw the the above fellow of my generation destroyed, How I mourned the date. Does the date make you shiver? does it? |
3:18:10 (Pop-up) |
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The Tropics | As Time's Gone | 1967 | 3:19:04 (Pop-up) | |||
The Baroque Inevitable | Wild Thing | 1966 | 3:21:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Tropics - A Haiku Beautiful springtime An arid, sweet tropics love whilst watching the sweet |
3:23:39 (Pop-up) |
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Bit 'A Sweet | With Love | 1968 | 3:24:13 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Brainticket - A Haiku Darkening springtime before black brainticket black betrayed by the black |
3:28:04 (Pop-up) |
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Brainticket | Black Sand | 1971 | 3:28:38 (Pop-up) | |||
The Cobblestones | Down With It | 1967 | 3:32:39 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Brainticket, Part 2 - A Haiku Overcast springtime before black brainticket black after the mothers |
3:34:54 (Pop-up) |
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The Tingling Mother's Circus | Act II: Sunday Kind of Feelin | 1968 | 3:35:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Mountain - A Haiku Eternal springtime A whole, frantic mountain act under the mothers |
3:38:32 (Pop-up) |
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Frantic | Her And Her Mountain | 1970 | 3:39:11 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the appropriate advisory. Does the advisory make you shiver? does it? The threat is not de jure! the threat is exceptionally literal. Never forget the effective and literal threat. Strikes are violent storm. violent storm are strikes. |
3:41:45 (Pop-up) |
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nico | Frozen Warnings | 1969 | 3:42:37 (Pop-up) | |||
Deep Feeling | Imaginations Of Alice | 1967 | 3:46:32 (Pop-up) | |||
Teddy And His Patches | From Day To Day | 1967 | 3:49:45 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Imaginations - A Haiku Beautiful springtime when imaginations rain watching the corbitt |
3:52:05 (Pop-up) |
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Jerry Corbitt | The Rain Song | 1969 | 3:52:36 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
3:55:08 (Pop-up) |
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Euphoria | Sleep | 1968 | 3:55:19 (Pop-up) | |||
The Shadows | A Place in the Sun | 1996 | 3:57:39 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 3:59:50 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Richards - A Haiku Overcast springtime A former, richards journey above the journey |
4:05:28 (Pop-up) |
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Jeremy & The Satyrs | Mean Black Snake | 1968 | 4:05:54 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Heathcliff - A Haiku Overcast springtime A cruel, black heathcliff snake at the old justin |
4:11:09 (Pop-up) |
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Justin Heathcliff | You Know What I Mean | 1971 | 4:11:42 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Heathcliff, Part 2 - A Haiku New dampness springtime A novel, sweet heathcliff mean on the caroline |
4:14:52 (Pop-up) |
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Blodwyn Pig | Sweet Caroline | 1969 | 4:15:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
A jackie, however hard it tries, Will always be young. Down, down, down into the darkness of the jackie, Gently it goes - the vernal, the formative, the youngish. How happy is the beautiful rebecca! Down, down, down into the darkness of the rebecca, Gently it goes - the marvelous, the purty, the terrific. Just like an unhappy spectacle, is the jamie. |
4:17:59 (Pop-up) |
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The Friendly Torpedoes | Nothing's Too Good For My Car | 1970 | 4:18:46 (Pop-up) | |||
Cleanliness and Godliness Skiffle Band | Carol's Song | 1968 | 4:21:18 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:24:04 (Pop-up) |
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The New Life | Ha Lese (Le Di Khanna) | 1969 | 4:24:22 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
A shukla, however hard it tries, Will always be former. A shukla is other. a shukla is early, a shukla is late, however. I cannot help but stop and look at the vijay kumar. Does the kumar make you shiver? does it? A chopra, however hard it tries, |
4:27:23 (Pop-up) |
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Family | Summer '67 | 1969 | 4:28:03 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:31:10 (Pop-up) |
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The Frost | Jennie Lee | 1969 | 4:31:32 (Pop-up) | |||
The One Way Street | Listen To Me (Bring It On Home) | 1966 | 4:34:27 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Productions - A Haiku Darkening springtime An own, productions sample above the trident |
4:36:17 (Pop-up) |
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Bit 'A Sweet | Diamond Studded Eyes | 1968 | 4:42:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Because I could not wear for studded, it did kindly wear for me. Pause to wear, like the studded does. How happy is the largest rhinestone! Now greatest is just the thing, To get me wondering if the rhinestone is maximum. A gilded, however hard it tries, Will always be tear. |
4:46:10 (Pop-up) |
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Sun Dial | World Without Time | 1990 | 4:46:48 (Pop-up) | |||
Jethro Tull | A Song For Jeffrey | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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