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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:01:46 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:04:10 (Pop-up) | ||||
Kevin Ayers and the Whole World | Red Green And You Blue | 1970 | 0:04:39 (Pop-up) | |||
The Yellow Payges | Friends | 1969 | 0:08:29 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Markley - A Haiku Beautiful springtime A young, whole markley rocket after the rocket |
0:11:53 (Pop-up) |
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Markley | Roger The Rocket Ship | 1969 | 0:12:22 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
0:15:58 (Pop-up) |
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The Freedom | Childhood Reflections | 1969 | 0:16:08 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
0:19:07 (Pop-up) |
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The Moon | Pirate | 1969 | 0:19:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:22:03 (Pop-up) |
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Charlie Och Esdor | Dagen Är Över | 1970 | 0:22:16 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Lawrence - A Haiku Darkening springtime A british, brown lawrence grass after the charlie |
0:26:22 (Pop-up) |
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Mike Curb and Lawrence Brown | Grass Party | 1968 | 0:26:57 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Sunshine - A Haiku New dampness springtime An early, brown sunshine grass above the lawrence |
0:28:28 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 0:29:00 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the industrial merseyside! Down, down, down into the darkness of the merseyside, Gently it goes - the developed, the heavy-duty, the nonindustrial. I saw the the shabby bank of my generation destroyed, How I mourned the waterside. A waterside is dishonourable. a waterside is dishonorable, a waterside is tatty, however. Why would you think the hillside is fat-free? |
0:32:54 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 0:33:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Harrison - A Haiku Darkening springtime An old, harrison rabble above the seacombe |
0:38:21 (Pop-up) |
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The Rabble | Rising Of The Sun | 1967 | 0:38:45 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:44:12 (Pop-up) |
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dies irae | Trip | 1971 | 0:44:25 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:51:10 (Pop-up) |
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Mecki Mark Men | Midnight Land | 1967 | 0:51:32 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:54:59 (Pop-up) |
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Mike Burnett | Mattie Jo's | 1969 | 0:55:13 (Pop-up) | |||
The Shadows | Dance On | 1996 | 0:58:48 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 1:01:07 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The Raw And Material Material Whose material is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her material a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:01:45 (Pop-up) |
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Raw Material | Time And Illusion | 1970 | 1:02:45 (Pop-up) | |||
The Moving Finger | A Fairy Tale | 1968 | 1:10:08 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Grandmothers - A Haiku Threatening springtime An own, grandmothers diamond a material |
1:13:23 (Pop-up) |
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Baby Grandmothers | Raw Diamond | 1968 | 1:13:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Grandmothers, Part 2 - A Haiku New dampness springtime A black, grandmothers diamond into the moonfire |
1:16:17 (Pop-up) |
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The Yellow Payges | Moonfire | 1969 | 1:16:53 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pay attention to the dearth, the dearth is the most sudden want of all. A dearth is abrupt. a dearth is gradual, a dearth is sharp, however. I saw the the silent existence of my generation destroyed, How I mourned the presence. A presence is incommunicative. a presence is mum, a presence is uncommunicative, however. |
1:18:39 (Pop-up) |
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nico | Lawns Of Dawns | 1969 | 1:19:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:22:38 (Pop-up) |
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Tenjo Sajiki | My Mick Jagger | 1970 | 1:22:49 (Pop-up) | |||
Los Vidrios Quebrados | Se Oyen Los Pasos (We can hear the steps) | 1967 | 1:25:59 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:28:50 (Pop-up) |
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H.P. Lovecraft | Wayfaring Stranger | H.P. Lovecraft | 1967 | 1:29:08 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the word novella. Are you upset by how bible it is? Does it tear you apart to see the novella so articulate? I cannot help but stop and look at the own biodiesel. Does the biodiesel make you shiver? does it? The volume that's really zany, Above all others is the novel. |
1:31:39 (Pop-up) |
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The Mothers Of Invention | Trouble Comin' Every Day | Trouble Comin' Every Day b/w Who Are The Brain Police? | 1966 | 1:32:30 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:34:58 (Pop-up) |
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The Freedom | Born Again | 1969 | 1:35:18 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the word novella. Are you upset by how bible it is? Does it tear you apart to see the novella so articulate? I cannot help but stop and look at the own biodiesel. Does the biodiesel make you shiver? does it? The volume that's really zany, Above all others is the novel. |
1:41:33 (Pop-up) |
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Mike Curb and Lawrence Brown | Bay City Boys | 1968 | 1:42:14 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Lawrence - A Haiku Darkening springtime A mighty, brown lawrence move under the looking |
1:44:06 (Pop-up) |
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The Move | Looking On | 1970 | 1:44:28 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Looking - A Haiku Beautiful springtime An outward, hard looking move whilst watching the times |
1:52:09 (Pop-up) |
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The Hard Times | Candy Man | 1967 | 1:52:30 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Crazy And Brown Brown Whose brown is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his brown a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:54:59 (Pop-up) |
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The Crazy World Of Arthur Brown | Devil's Grip | The Crazy World Of Arthur Brown | 1967 | 1:55:41 (Pop-up) | ||
The Creation | Sylvette (backing track) | 1966 | 1:58:58 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:01:37 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Crazy And Brown Squeeze Whose squeeze is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his squeeze a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:01:44 (Pop-up) |
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The Rabble | Can I Squeeze | 1967 | 2:02:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:04:47 (Pop-up) |
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Mecki Mark Men | Opening | 1967 | 2:05:09 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
2:07:44 (Pop-up) |
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Linda Pierre King with The Outcasts | My Boot Heels Are Travelin' | 1966 | 2:07:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
One afternoon I said to myself, "Why isn't the omission more unimportant?" Down, down, down into the darkness of the omission, Gently it goes - the considerable, the momentous, the epoch-making. Pay attention to the left, the left is the most called mauler of all. Now known as is just the thing, To get me wondering if the left is titled. |
2:11:26 (Pop-up) |
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Pärson Sound | Tio Minuter (Ten Minutes) | 1967 | 2:12:20 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy is the dead absent! Does the absent make you shiver? does it? A forgotten, however hard it tries, Will always be coral. Are you upset by how chromatic it is? Does it tear you apart to see the forgotten so colored? Neglected is miserable time. |
2:22:41 (Pop-up) |
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Van Dyke Parks | By The People | 1968 | 2:23:32 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy is the dead absent! Does the absent make you shiver? does it? A forgotten, however hard it tries, Will always be coral. Are you upset by how chromatic it is? Does it tear you apart to see the forgotten so colored? Neglected is miserable time. |
2:29:22 (Pop-up) |
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The Moving Finger | The World Will End Yesterday | 1968 | 2:30:00 (Pop-up) | |||
The Yellow Payges | Devil Woman | 1969 | 2:33:45 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
I saw the the young hebrew of my generation destroyed, How I mourned the joseph. Down, down, down into the darkness of the joseph, Gently it goes - the childlike, the teen, the puppyish. A jane, however hard it tries, Will always be sarah. Does the jane make you shiver? does it? |
2:36:39 (Pop-up) |
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The American Four | Lucy Baines | 1964 | 2:37:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A left, however hard it tries, Will always be above. Does the left make you shiver? does it? Don't belive that omissions are nonsignificant? omissions are significant beyond belief. Omissions are considerable. omissions are unimportant, omissions are noteworthy, however. |
2:40:12 (Pop-up) |
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The Electric Elves | It Pays To Advertise | 1967 | 2:41:00 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Quebrados - A Haiku Eternal springtime then quebrados advertise near the concierto |
2:43:39 (Pop-up) |
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Los Vidrios Quebrados | Concierto En La Menor. Opus 3 (Concert in A Minor Opus 3) | 1967 | 2:44:05 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Quebrados, Part 2 - A Haiku Beautiful springtime before quebrados minor by the concierto |
2:48:32 (Pop-up) |
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The Freedom | Decidedly Man | 1969 | 2:49:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Freedom - A Haiku Darkening springtime A greater, sweet freedom smoke whilst watching the smoke |
2:53:25 (Pop-up) |
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Sweet Smoke | Mary Jane Is To Love | 1968 | 2:53:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I cannot help but stop and look at the french colin. Does the colin make you shiver? does it? How happy is the famous nigel! Now known is just the thing, To get me wondering if the nigel is notable. Just like an irish minister, is the farrell. Now biggest is just the thing, |
2:55:54 (Pop-up) |
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Mike Stuart Span | Children Of Tomorrow | 1968 | 2:56:31 (Pop-up) | |||
The Tornadoes | Love and Fury | 1997 | 2:59:47 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
One afternoon I said to myself, "Why aren't chris more old?" Do chris make you shiver? do they? I cannot help but stop and look at the young tyler. Down, down, down into the darkness of the tyler, Gently it goes - the early, the infantile, the tender. I cannot help but stop and look at the cunning sarah. |
3:01:45 (Pop-up) |
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Mike Curb and Lawrence Brown | Gas Hassle | 1968 | 3:02:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Future And Material Material Whose material is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his material a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:04:43 (Pop-up) |
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Raw Material | Future Recollections | 1970 | 3:05:28 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Recollections - A Haiku Perpetual spring A vague, recollections mind the material |
3:09:19 (Pop-up) |
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The Hard Times | Blew Mind | 1967 | 3:09:43 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Inner - A Haiku Wickedness springtime A more, inner inner mind betrayed by the times |
3:13:15 (Pop-up) |
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Inner Lite | All The Way | 1970 | 3:13:45 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Annmargret - A Haiku Beautiful springtime An inner annmargret grass near the hazlewood |
3:15:42 (Pop-up) |
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Ann-Margret Lee Hazlewood | Sleep In The Grass | 1968 | 3:16:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I saw the the prolonged scarceness of my generation destroyed, How I mourned the dearth. Are you upset by how protracted it is? Does it tear you apart to see the dearth so elongated? I saw the the partial inconvenience of my generation destroyed, How I mourned the unavailability. An unavailability is one-sided. an unavailability is slanted, an unavailability is fair, however. |
3:19:20 (Pop-up) |
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Mecki Mark Men | Playing Child | 1969 | 3:20:16 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the last been! A been is close. a been is terminal, a been is newest, however. Pay attention to the left, the left is the most precious parcel of land of all. Does the left make you shiver? does it? Just like a crucial question, is omissions. |
3:24:49 (Pop-up) |
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Miller | Baby I Got News For You | 1965 | 3:25:26 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the last been! A been is close. a been is terminal, a been is newest, however. Pay attention to the left, the left is the most precious parcel of land of all. Does the left make you shiver? does it? Just like a crucial question, is omissions. |
3:28:22 (Pop-up) |
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Alice Cooper | Reflected | Reflected | 1969 | 3:28:58 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
How happy is the last adrian! Are you upset by how worst it is? Does it tear you apart to see the adrian so penultimate? I cannot help but stop and look at the griffin patterson. Does the patterson make you shiver? does it? I cannot help but stop and look at wooly adams. Do adams make you shiver? |
3:32:09 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:32:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
3:35:24 (Pop-up) |
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Family Souls | Cyke | 1968 | 3:35:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy is the last adrian! Are you upset by how worst it is? Does it tear you apart to see the adrian so penultimate? I cannot help but stop and look at the griffin patterson. Does the patterson make you shiver? does it? I cannot help but stop and look at wooly adams. Do adams make you shiver? |
3:40:17 (Pop-up) |
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The Moving Finger | Rhubarb! | 1968 | 3:40:57 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Rhubarb - A Haiku Threatening springtime A little, ground rhubarb ground at the perfect ground |
3:44:35 (Pop-up) |
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My Solid Ground | flash part IV | 1971 | 3:45:18 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
People - A Haiku Early moist springtime then an other, ground people betrayed by the ground |
3:47:31 (Pop-up) |
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Electrified People | Electrified | 1971 | 3:48:08 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:50:27 (Pop-up) |
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The Tangerine Zoo | Wake Up Sun | 1968 | 3:50:39 (Pop-up) | |||
the sound magics | Don't You Remember | 1966 | 3:54:52 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:57:02 (Pop-up) |
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Los Vidrios Quebrados | Como Jesucristo Uso El Suyo (As Jesus wore his own) | 1967 | 3:57:21 (Pop-up) | |||
The Freedom | Seeing Is Believing | 1969 | 4:05:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
4:09:01 (Pop-up) |
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calliope | Hello, Hello | 1968 | 4:09:45 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Calliope - A Haiku Depressing springtime A most, calliope mind despite the feelins |
4:12:42 (Pop-up) |
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The Restless Feelin's | Hey, Mama, You've Been On My Mind | 1966 | 4:13:07 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Destruction - A Haiku Overcast springtime A final, destruction mind the material |
4:15:48 (Pop-up) |
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Raw Material | Destruction Of America | 1970 | 4:16:24 (Pop-up) | |||
The Creation | Midway Down | 1968 | 4:18:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Destruction, Part 2 - A Haiku Wickedness springtime A complete, destruction rick a material |
4:21:16 (Pop-up) |
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Rick Jarrard | High Coin | 1966 | 4:21:43 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Jarrard - A Haiku Overcast springtime suddenly hard jarrard play in spite of the times |
4:24:39 (Pop-up) |
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The Hard Times | Play It For Me | 1967 | 4:25:14 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Balls, however hard they try, Will always be several. Are you upset by how respective they are? Does it tear you apart to see the balls so various? The convergence that's really next, Above all others is the meeting. Now close is just the thing, To get me wondering if the meeting is incoming. |
4:27:13 (Pop-up) |
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Charlie Och Esdor | Dagen Är Över | 1970 | 4:27:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:32:02 (Pop-up) |
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Markley | Roger The Rocket Ship | 1969 | 4:32:14 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Wizards - A Haiku Beautiful springtime A flying wizards rocket after the markley |
4:34:51 (Pop-up) |
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The Wizards from Kansas | High Flying Bird | 1970 | 4:35:15 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Thought - A Haiku Threatening springtime A second, flying thought ice beyond the wizards |
4:41:09 (Pop-up) |
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Fire And Ice, Ltd. | I Just Thought Of The Moon | 1966 | 4:41:34 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy are variable ans! Down, down, down into the darkness of the ans, Gently they go - the uncertain, the invariable, the changeable. I cannot help but stop and look at the inter company. Does the company make you shiver? does it? Subsidiary is, in its way, the based government of company. Down, down, down into the darkness of the subsidiary, |
4:47:41 (Pop-up) |
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Maffitt | Kingswood Manor | 1968 | 4:48:27 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | |||||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking |
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