The Night Owl Show with Owl Sun:
Playlist
from July 14, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:28 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:54 (Pop-up) | ||||
| Popera Cosmic |
Poursuite
|
1969 |
|
0:03:21 (Pop-up) | ||
| The End |
Cardboard Watch
|
1969 |
|
0:06:14 (Pop-up) | ||
| Mr. Clean |
Jessie Lee
|
1964 |
|
0:09:05 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Sandalwood - A Haiku Warming summertime A northwest sandalwood soap beyond the northwest |
|
0:10:50 (Pop-up) |
||
| The Second Time |
Sally Le Roy
|
1968 |
|
0:13:41 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Pay attention to the joseph, the joseph is the most claude hebrew of all. Does the joseph make you shiver? does it? I cannot help but stop and look at the legendary leonard. Never forget the fabled and known leonard. When I think of the glenn, I see a sheriff fiction. Down, down, down into the darkness of the glenn, |
|
0:16:11 (Pop-up) |
||
| Nico |
These Days
|
1988 | 0:16:52 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying
|
Gurus - A Haiku Tropical summer A most, shelly gurus camp whilst watching the camp |
|
0:20:18 (Pop-up) |
||
| The Gurus |
Shelly In Camp
|
1968 |
|
0:20:42 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Gurus, Part 2 - A Haiku Tropical summer A most, shelly gurus camp whilst watching the camp |
|
0:22:17 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: As Long As He Lies Perfectly Still
|
1969 |
|
0:22:52 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Velvett - A Haiku Indian summer A blacke, still velvett machine at the old machine |
|
0:25:22 (Pop-up) |
||
| Velvett Fogg |
Owed To The Dip
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:25:49 (Pop-up) | |
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
0:31:53 (Pop-up) | |
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
How happy is the brief summer! Does the summer make you shiver? does it? A monday, however hard it tries, Will always be next. Now succeeding is just the thing, To get me wondering if the monday is adjacent. I saw the the fat weekday of my generation destroyed, |
|
0:33:00 (Pop-up) |
||
| Czar |
A Day In September
|
1970 |
|
0:34:01 (Pop-up) | ||
| Yochanan |
M Uck M Uck (Matt Matt)
|
1957 |
|
0:42:11 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
Experience - A Haiku Darkness summertime religious experience by the religious |
|
0:44:55 (Pop-up) |
||
| Kevin Ayers |
Religious Experience
|
1969 |
|
0:45:22 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at the how andy. Does the andy make you shiver? does it? How happy is the dear jonny! Down, down, down into the darkness of the jonny, Gently it goes - the high-priced, the sincere, the pricey. How happy is the big paul! Does the paul make you shiver? |
|
0:50:04 (Pop-up) |
||
| Donovan |
Bert's Blues
|
1966 |
|
0:50:57 (Pop-up) | ||
| Li De La Russe |
Lure Of The Space Goddess
|
1969 |
|
0:54:52 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
0:55:13 (Pop-up) | ||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
1:00:04 (Pop-up) | |
Music behind DJ: The Shadows |
Wonderful Land
|
|
1:00:27 (Pop-up) |
|||
| Jefferson Airplane |
Eskimo Blue Day
|
1969 |
|
1:01:07 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Jefferson - A Haiku Dismal summertime An old, last jefferson last by the deviants |
|
1:07:36 (Pop-up) |
||
| The Deviants |
Last Man
|
1968 |
|
1:07:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Creation - A Haiku Darkness summertime A baby creation last near the deviants |
|
1:14:05 (Pop-up) |
||
| The Blues Creation |
Checkin' up on my baby
|
1969 |
|
1:14:35 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Creation, Part 2 - A Haiku Gloomy summertime A new, like creation like before the checkin |
|
1:20:00 (Pop-up) |
||
| The End |
What Does It Feel Like
|
1969 |
|
1:20:25 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
A sid, however hard it tries, Will always be boubacar. Does the sid make you shiver? does it? How happy is the statistical parameter! Does the parameter make you shiver? does it? The big origin sings like a congenital people |
|
1:23:08 (Pop-up) |
||
| SRC |
Interval
|
1968 |
|
1:23:42 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Don't belive that the presence is discontinuous? the presence is continuous beyond belief. A presence is unceasing. a presence is sustained, a presence is incessant, however. Why would you think the void is solid? the void is the most hollow cancel of all. Does the void make you shiver? does it? |
|
1:28:51 (Pop-up) |
||
| Warm Sounds |
Nite Is A Comin' b/w Smeta Murgaty
|
1967 |
|
1:29:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
I cannot help but stop and look at the five forgotten. Never forget the 5 and cardinal forgotten. I cannot help but stop and look at earlier prefaces. Are you upset by how earliest they are? Does it tear you apart to see the prefaces so early? Pay attention to the omission, the omission is the most wooly fault of all. Down, down, down into the darkness of the omission, |
|
1:35:10 (Pop-up) |
||
| Joyfull Noise |
People Get Together
|
1968 |
|
1:36:05 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
I cannot help but stop and look at the five forgotten. Never forget the 5 and cardinal forgotten. I cannot help but stop and look at earlier prefaces. Are you upset by how earliest they are? Does it tear you apart to see the prefaces so early? Pay attention to the omission, the omission is the most wooly fault of all. Down, down, down into the darkness of the omission, |
|
1:38:07 (Pop-up) |
||
| The Orange Bicycle |
Hyacinth Threads
|
1967 |
|
1:38:54 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Hyacinth - A Haiku Indian summer A red, orange hyacinth by the bicycle |
|
1:41:44 (Pop-up) |
||
| Blood Sweat & Tears |
I Can't Quit Her
|
Blood, Sweat And Tears | 1968 |
|
1:42:06 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
|
Associates - A Haiku Dampness summertime A paired, associates blood by the attitude |
|
1:45:35 (Pop-up) |
||
| John Fitch & Associates |
Romantic Attitude
|
1969 |
|
1:46:02 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Associates, Part 2 - A Haiku Indian summer An old, associates tell by the attitude |
|
1:50:31 (Pop-up) |
||
| The Zipps |
When You Tell It, Tell It Well
|
1969 |
|
1:51:06 (Pop-up) | ||
| Suzi Jane Hokom |
Little War
|
1967 |
|
1:54:10 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
I cannot help but stop and look at mysterious disappearances. Disappearances are incomprehensible. disappearances are inexplicable, disappearances are mystical, however. The people that are really due, Above all others is the lost. A lost is collectible. a lost is merited, a lost is not due, however. One afternoon I said to myself, |
|
1:56:09 (Pop-up) |
||
| The Parking Lot |
World Spinning Sadly
|
1969 |
|
1:56:57 (Pop-up) | ||
| Elephant's Memory |
Super Heep
|
1969 |
|
1:59:47 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The lack is not unusual! the lack is exceptionally familiar. Never forget the habitual and familiar lack. All that is discontinuous is not presence, presence, by all account is continuous. A presence is free burning. a presence is round-the-clock, a presence is constant, however. I cannot help but stop and look at the zany inability. |
|
2:05:14 (Pop-up) |
||
| Yochanan |
Hot Skillet Mama
|
1957 |
|
2:06:18 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Disappearances, however hard they try, Will always be reported. Down, down, down into the darkness of the disappearances, Gently they go - the rumored, the reportable, the unreported. All that is incurious is not absence, absence, by all account is curious. Now overcurious is just the thing, To get me wondering if the absence is inquisitive. |
|
2:09:28 (Pop-up) |
||
| Donovan |
The Trip
|
1966 |
|
2:10:10 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
2:14:41 (Pop-up) |
|||
| Steamhammer |
Windmill
|
1969 |
|
2:14:52 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
2:19:16 (Pop-up) |
|||
| The Kitchen Cinq |
You'll Be Sorry Someday
|
1966 |
|
2:21:29 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the dog gone. Does the gone make you shiver? does it? I cannot help but stop and look at suspicious disappearances. Do disappearances make you shiver? do they? Disappearance is, in its way, the partial circumstances of occurrence. Down, down, down into the darkness of the disappearance, |
|
2:23:55 (Pop-up) |
||
| Dino Valenti |
Birdses
|
1965 |
|
2:24:39 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
|
2:27:09 (Pop-up) |
|||
| Rupert's People |
I've Got The Love
|
1968 |
|
2:27:23 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:31:18 (Pop-up) |
|||
| Wonderland |
Moscow
|
1968 |
|
2:31:30 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
2:34:10 (Pop-up) |
|||
| Czar |
Beyond The Moon
|
1970 |
|
2:34:20 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The gone is not sour! the gone is exceptionally cherubic. Now sweet-scented is just the thing, To get me wondering if the gone is cherubic. I saw the the striking traveler of my generation destroyed, How I mourned the absentee. An absentee is spectacular. an absentee is salient, an absentee is outstanding, however. |
|
2:38:04 (Pop-up) |
||
| The Ravelles |
Psychedelic Movement
|
1968 |
|
2:38:44 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
All that is preceding is not inability, inability, by all account is subsequent. Does the inability make you shiver? does it? The omission is not uncomplete! the omission is exceptionally hearty. Now full-blown is just the thing, To get me wondering if the omission is hearty. |
|
2:41:10 (Pop-up) |
||
| The End |
Don't Take Me
|
1969 |
|
2:41:56 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
International - A Haiku Evil summertime international picture under the soundtrack |
|
2:46:05 (Pop-up) |
||
| Barry Mann - Cynthia Weil |
Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go
|
1969 |
|
2:46:41 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
International, Part 2 - A Haiku Early summertime international picture beyond the soundtrack |
|
2:50:38 (Pop-up) |
||
| Gun |
Rupert's Travels
|
1968 |
|
2:51:10 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
2:53:19 (Pop-up) |
|||
| Aardvark |
Copper Sunset
|
1970 |
|
2:53:40 (Pop-up) | ||
| Charles Fox |
The Green Slime
|
A Fistful of Fuzz | 2:56:57 (Pop-up) | |||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
2:59:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
3:00:27 (Pop-up) |
|||
| Fields |
Elysian Fields
|
1969 |
|
3:00:55 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
|
3:04:35 (Pop-up) |
|||
| Philip DeBarge |
Hello, How Do You Do
|
1969 |
|
3:04:48 (Pop-up) | ||
| The Misty Wizards |
It's Love
|
1967 |
|
3:08:46 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Saintemarie - A Haiku Nighttime summertime where saintemarie magic above the debarge |
|
3:11:45 (Pop-up) |
||
| Buffy Sainte-Marie |
God is alive, magic is afoot
|
1969 |
|
3:12:11 (Pop-up) | ||
| Bill Soden |
Rainy Day
|
1967 |
|
3:16:58 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Saintemarie, Part 2 - A Haiku Nighttime summertime then saintemarie magic after the brincos |
|
3:19:48 (Pop-up) |
||
| Brincos |
Mundo, Demonio Y Carne
|
1970 |
|
3:20:34 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:32:42 (Pop-up) |
|||
| Donovan |
Celeste
|
1966 |
|
3:33:11 (Pop-up) | ||
| Brother Love |
Rotary Connection
|
The Listening Post | 3:37:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land
|
|
3:38:51 (Pop-up) |
|||
| The Versatiles |
Cyclothymia
|
1967 |
|
3:39:07 (Pop-up) | ||
| The Kitchen Cinq |
Determination
|
1966 |
|
3:41:34 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
|
3:43:32 (Pop-up) |
|||
| Iota |
Sing For You
|
1969 |
|
3:44:41 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Quebrados - A Haiku Dampness summertime before quebrados minor on the concierto |
|
3:47:22 (Pop-up) |
||
| Los Vidrios Quebrados |
Concierto En La Menor. Opus 3 (Concert in A Minor Opus 3)
|
1967 |
|
3:47:42 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Plotinusmore - A Haiku Foggy summertime where plotinusmore divine an iirobinson |
|
3:50:30 (Pop-up) |
||
| The Fugs |
The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H
|
1969 |
|
3:51:01 (Pop-up) | ||
| Circus Maximus |
Neverland Revisited
|
1968 |
|
3:54:05 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Plotinusmore, Part 2 - A Haiku Sunless summertime For plotinusmore divine the iirobinson |
|
3:55:44 (Pop-up) |
||
| Teddy And His Patches |
Haight - Ashbury
|
1967 |
|
3:56:27 (Pop-up) | ||
| BOOKER T. & THE MG'S |
SOUL SANCTION
|
3:59:16 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Springfield - A Haiku Caring summertime A private, leary springfield out of timothy |
|
4:03:28 (Pop-up) |
||
| Dr. Timothy Leary |
Turn On, Tune In, Drop Out
|
1967 |
|
4:04:05 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Timothy - A Haiku Warm up summertime A mixed, timothy power into the power |
|
4:06:24 (Pop-up) |
||
| The 13th Power |
Love To Be Your Man
|
1968 |
|
4:06:48 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
Thunderclap - A Haiku Sunless summertime A man thunderclap power at the old newman |
|
4:09:58 (Pop-up) |
||
| Thunderclap Newman |
Something In The Air
|
1969 |
|
4:10:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
Don't belive that the shultz is middle? the shultz is early beyond belief. Never forget the crude and late shultz. I cannot help but stop and look at the straight talk. A talk is straightforward. a talk is unbowed, a talk is trabeated, however. How happy is the yellow mcclure! Now yellowish is just the thing, |
|
4:14:06 (Pop-up) |
||
| The Cape Kennedy Construction Company |
Armageddon
|
1969 |
|
4:14:51 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
Construction - A Haiku Hazy summertime A new, fourth construction side an armageddon |
|
4:19:08 (Pop-up) |
||
| The Fourth Way |
The Far Side Of Your Moon
|
1968 |
|
4:19:44 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Chocolate - A Haiku Overcast summer A grated, fourth chocolate watch because of the trieste |
|
4:22:28 (Pop-up) |
||
| Chocolate Watch Band |
Voyage Of The Trieste
|
1968 |
|
4:22:53 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Chocolate, Part 2 - A Haiku Wickedness summer A more, still chocolate machine into the machine |
|
4:26:24 (Pop-up) |
||
| The Soft Machine |
Esther's Nose Job: As Long As He Lies Perfectly Still
|
1969 |
|
4:26:51 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
4:29:21 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
Machine - A Haiku Wickedness summer A ray, still machine machine above the esthers |
|
4:30:28 (Pop-up) |
||
| Micky And Tommy |
With Love From 1. to 5.
|
1967 |
|
4:31:14 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Deathwise - A Haiku Rainy summertime An express deathwise express above the express |
|
4:35:04 (Pop-up) |
||
| Catfish Knight And The Blue Express |
Deathwise
|
1968 |
|
4:35:48 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Deathwise, Part 2 - A Haiku Warm up summertime An express deathwise express despite the express |
|
4:38:39 (Pop-up) |
||
| Big Joe Long |
The Things You Do
|
1966 |
|
4:39:07 (Pop-up) | ||
| Changin' Tymes |
Blue Music Box
|
1968 |
|
4:41:58 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Things - A Haiku Hazy summertime why an important, things coast at the perfect coast |
|
4:44:05 (Pop-up) |
||
| West Coast Pop Art Experimental Band |
1906
|
1967 |
|
4:44:47 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Harmonie - A Haiku Dampness summertime A fittest, harmonie coast near the harmony |
|
4:47:00 (Pop-up) |
||
| Ruth White |
Evening Harmony (Harmonie du Soir)
|
1969 |
|
4:47:25 (Pop-up) | ||
| The Picture |
Evolution
|
1969 |
|
|||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
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