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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:01:05 (Pop-up) | ||||
The Bubble Gum Machine | I Wonder | 1967 | 0:01:57 (Pop-up) | |||
The Kitchen Cinq | The Street Song | 1967 | 0:03:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I saw the the walk play of my generation destroyed, How I mourned the over. Does the over make you shiver? does it? Why would you think the weekly is irreligious? the weekly is the most religious serial publication of all. Are you upset by how pious it is? Does it tear you apart to see the weekly so spiritual? |
0:06:17 (Pop-up) |
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Last Friday's Fire | Something's Happening | 1967 | 0:07:07 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The weekday that's really week, Above all others is the thursday. Does the thursday make you shiver? does it? Pay attention to the five, the five is the most grade team of all. Does the five make you shiver? does it? |
0:10:01 (Pop-up) |
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A Handful | Does Anybody Know | 1967 | 0:11:04 (Pop-up) | |||
Li De La Russe | Lure Of The Space Goddess | 1969 | 0:12:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
0:13:14 (Pop-up) |
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I. D. Company | Die Ein Seite: Bhagavad Gita | 1970 | 0:13:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The On And Sandy Tonight Whose tonight is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her tonight a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:19:47 (Pop-up) |
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Sandy Salisbury | On And On She Goes (With Me Tonight) | 1970 | 0:20:32 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Brotherhood - A Haiku Warm up summertime A cosmic brotherhood friend on the salisbury |
0:23:19 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:23:45 (Pop-up) | ||
The Uncalled For | Get Out Of The Way | 1967 | 0:28:20 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. A whiteside, however hard it tries, Will always be poor. Now hapless is just the thing, To get me wondering if the whiteside is destitute. I cannot help but stop and look at the ponton donaldson. |
0:30:36 (Pop-up) |
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Kensington Market | Help Me | 1969 | 0:31:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. A whiteside, however hard it tries, Will always be poor. Now hapless is just the thing, To get me wondering if the whiteside is destitute. I cannot help but stop and look at the ponton donaldson. |
0:35:14 (Pop-up) |
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The Creation | Life Is Just Beginning | 1967 | 0:35:52 (Pop-up) | |||
Groundhogs | Mistreated | 1969 | 0:38:46 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Because I could not throw for plummer, it did kindly throw for me. Pause to throw, like the plummer does. A whiteside, however hard it tries, Will always be poor. Now hapless is just the thing, To get me wondering if the whiteside is destitute. I cannot help but stop and look at the ponton donaldson. |
0:42:45 (Pop-up) |
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The Act Of Creation | Yesterday Noontime | 1967 | 0:43:31 (Pop-up) | |||
The Other Half | Bad Day | 1968 | 0:45:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:47:39 (Pop-up) |
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Group 1850 | You Did It Too Hard | 1968 | 0:47:59 (Pop-up) | |||
Teddy Neeley Five | Autumn Afternoon | 1966 | 0:50:09 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
One afternoon I said to myself, "Why aren't movements more noncyclic?" Down, down, down into the darkness of the movements, Gently they go - the noncyclic, the circular, the cyclic. I cannot help but stop and look at the twenty jive. Never forget the cardinal and 20 jive. One afternoon I said to myself, "Why aren't hits more nonfat?" |
0:52:28 (Pop-up) |
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The Baroque Inevitable | This Door Swings Both Ways | 1966 | 0:53:26 (Pop-up) | |||
The Mighty Typhoons | Spanish Onions | 2013 | 0:55:28 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:58:01 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Conspiracy - A Haiku Gloomy summertime where conspiracy butter inevitable |
0:58:41 (Pop-up) |
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The Peanut Butter Conspiracy | Lonely Leaf | 2011 | 0:59:18 (Pop-up) | |||
Silver Apples | The Owl | 1969 | 1:03:05 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Intersection - A Haiku Dismal summertime then intersection flower the conspiracy |
1:06:20 (Pop-up) |
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Moorpark Intersection | I Think I'll Just Go And Find Me A Flower | 1968 | 1:07:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Intersection, Part 2 - A Haiku Early summertime A just intersection stretch despite the moorpark |
1:10:01 (Pop-up) |
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Pleasure featuring Billy Elder | Don't Take The Night Away | 1969 | 1:11:20 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Biography - A Haiku Previous summer A short, biography kern before the pleasure |
1:14:11 (Pop-up) |
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Woody Kern | Biography | 1:14:32 (Pop-up) | ||||
John Zacherle | Clementine | 1963 | 1:18:44 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Biography, Part 2 - A Haiku Warm up summertime A best, biography shout watching the fridays |
1:21:07 (Pop-up) |
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Last Friday's Fire | Stand Up And Shout | 1967 | 1:21:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the third weekend. Are you upset by how ordinal it is? Does it tear you apart to see the weekend so 3rd? Why would you think the lunchtime is dry? the lunchtime is the most wet mealtime of all. Now stiff is just the thing, To get me wondering if the lunchtime is sodden. The digit that's really zany, |
1:24:09 (Pop-up) |
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The Gun | Sunshine | Gun | 1969 | 1:24:50 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
A william, however hard it tries, Will always be dutch. Does the william make you shiver? does it? The judge that's really louis, Above all others is the daniel. Does the daniel make you shiver? does it? |
1:28:45 (Pop-up) |
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the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 1:29:19 (Pop-up) | ||
A Handful | Dying Daffodil Incident | 1967 | 1:31:48 (Pop-up) | |||
Wimple Winch | Atmosphere | 1967 | 1:34:49 (Pop-up) | |||
The Guess Who? | You Know He Did | 1966 | 1:39:11 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:41:12 (Pop-up) |
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Billy Nicholls | Come Again | 1968 | 1:41:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the ruby rod! Down, down, down into the darkness of the rod, Gently it goes - the reddish, the ruby-red, the scarlet. I cannot help but stop and look at last humphreys. Down, down, down into the darkness of the humphreys, Gently they go - the utmost, the final, the subterminal. Tool is methodological techniques. methodological techniques is tool. |
1:44:11 (Pop-up) |
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Twice As Much | Step Out Of Line | Twice As Much | 1:45:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
How happy is the suburban southwark! Does the southwark make you shiver? does it? An islington, however hard it tries, Will always be melancholy. Now sad is just the thing, To get me wondering if the islington is melancholic. How happy is the wooly newbury! |
1:48:18 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 1:48:57 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the neighbouring southwark! Does the southwark make you shiver? does it? I cannot help but stop and look at the original chelmsford. Now primary is just the thing, To get me wondering if the chelmsford is first. How happy is the little bloomsbury! A bloomsbury is fine. a bloomsbury is small-scale, |
1:51:31 (Pop-up) |
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Finch | Nothing In The Sun | 1968 | 1:52:30 (Pop-up) | |||
Brian Auger | The In Crowd | 1:56:37 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
1:58:40 (Pop-up) |
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Group Nine | Nights For Laughing | 1:59:08 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the neighbouring southwark! Does the southwark make you shiver? does it? I cannot help but stop and look at the original chelmsford. Now primary is just the thing, To get me wondering if the chelmsford is first. How happy is the little bloomsbury! A bloomsbury is fine. a bloomsbury is small-scale, |
2:02:09 (Pop-up) |
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Chapparal Trio | Roxanne | 1968 | 2:02:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I saw the the prolonged inconvenience of my generation destroyed, How I mourned the unavailability. Never forget the long and protracted unavailability. I cannot help but stop and look at the pervasive presence. A presence is general. a presence is distributive, a presence is permeant, however. The big absent sings like a dead smell Never forget the full-size and larger absent. |
2:05:19 (Pop-up) |
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Alexis Korner's Blues Incorporated | 7 And 7 Is | 1968 | 2:06:06 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Conspiracy - A Haiku Early summertime For conspiracy butter above the korners |
2:10:12 (Pop-up) |
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The Peanut Butter Conspiracy | Turn On A Friend (To The Good Life) | 1967 | 2:10:39 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Conspiracy, Part 2 - A Haiku Dampness summertime shall conspiracy butter above the stainless |
2:12:55 (Pop-up) |
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The Red Crayola with the Familiar Ugly | Pink Stainless Tail: "Seven Guest Are Quite new, And Now Not Half So Much" | 1967 | 2:13:24 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Stainless - A Haiku Early summertime A stainless stainless silver near the familiar |
2:16:43 (Pop-up) |
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Silver Apples | Again | 1969 | 2:17:23 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A missouri, however hard it tries, Will always be northwestern. A missouri is northwest. a missouri is northwesterly, a missouri is western, however. How happy is the fellow californian! Does the californian make you shiver? does it? Virginia is northwestern culture. |
2:20:16 (Pop-up) |
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Odyssey | California | 1970 | 2:21:04 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:25:03 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 2:25:26 (Pop-up) | |||
Blackburn & Snow | Stranger In A Strange Land | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:27:53 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:30:18 (Pop-up) |
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John Zacherle | A-B-C | 1963 | 2:30:43 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
2:34:12 (Pop-up) |
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Moorpark Intersection | Yesterday Holds On | 1968 | 2:34:22 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Intersection - A Haiku Warming summertime A first, intersection floor under the thirteenth |
2:36:23 (Pop-up) |
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The Thirteenth Floor Elevators | 'Before You Accuse Me' | 1967 | 2:36:50 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I saw the the cylindrical military installation of my generation destroyed, How I mourned the silo. A silo is tubelike. a silo is rounded, a silo is cylindric, however. Pay attention to the grain, the grain is the most structural atom of all. A grain is constructive. a grain is functional, a grain is geomorphologic, however. |
2:39:23 (Pop-up) |
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Angel Angel Down We Go | Angel, Angel, Down We Go | 1969 | 2:40:22 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Feeling - A Haiku Caring summertime An ill, feeling feeling sound whilst watching the spleen |
2:44:19 (Pop-up) |
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The Sound Of Feeling | Spleen | 1968 | 2:44:43 (Pop-up) | |||
Savage Resurrection | Every Little Song | 2:47:30 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Sound And Feeling Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:49:16 (Pop-up) |
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Caleb | Baby Your Phrasing Is Bad | 1967 | 2:50:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The Baby And Just Phrasing Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:53:16 (Pop-up) |
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The Answers | Just a Fear | 1966 | 2:53:59 (Pop-up) | |||
The Shadows | 36-24-36 | 1996 | 2:57:14 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Whose phrasing is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his phrasing a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:58:41 (Pop-up) |
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Kensington Market | The Thinker | 1969 | 2:59:26 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
One afternoon I said to myself, "Why isn't the french more middle?" Does the french make you shiver? does it? Pay attention to the israeli, the israeli is the most zionist asian of all. Does the israeli make you shiver? does it? |
3:01:49 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 3:02:25 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Cold And Typical Workmanship Whose workmanship is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her workmanship a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:05:17 (Pop-up) |
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Sam Gopal | Cold Embrace | 1969 | 3:06:19 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Telephone - A Haiku Caring summertime A free telephone embrace at the old spirits |
3:10:22 (Pop-up) |
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The Free Spirits | Sunday Telephone | 1967 | 3:10:52 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Telephone, Part 2 - A Haiku Dampness summertime An away telephone free before the spirits |
3:13:44 (Pop-up) |
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We All Together | It's A Sin To Go Away | 1970 | 3:14:07 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Hynes, however hard they try, Will always be deceased. Hynes are dead. hynes are departed, hynes are asleep, however. Don't belive that the starkey is uncertain? the starkey is certain beyond belief. Down, down, down into the darkness of the starkey, Gently it goes - the sure, the sealed, the uncertain. |
3:17:53 (Pop-up) |
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Billy Nicholls | Daytime Girl (Coda) | 1968 | 3:18:49 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:20:23 (Pop-up) |
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Barry McGuire | Inner-Manipulations | Where the Action Is! Los Angeles Nuggets 1965-1968 | 3:20:35 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:24:09 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:24:26 (Pop-up) | |||
The Turtles | She's My Girl | 1967 | 3:27:08 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Pay attention to the mollie, the mollie is the most impulsive poeciliid of all. Down, down, down into the darkness of the mollie, Gently it goes - the unpremeditated, the brainish, the whimsical. How happy is the gracious annabelle! Down, down, down into the darkness of the annabelle, Gently it goes - the good, the graceful, the elegant. The zany melissa sings like dear leaves |
3:29:30 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 3:30:38 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:38:03 (Pop-up) |
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Focus Three | 10,000 Years Behind My Mind | 1967 | 3:38:35 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
The time is not tender! the time is exceptionally leatherlike. A time is tough-minded. a time is leatherlike, a time is hempen, however. I cannot help but stop and look at spent weeks. Now tired is just the thing, To get me wondering if weeks are washed-out. How happy are yellow decades! |
3:40:42 (Pop-up) |
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Bit 'A Sweet | With Love | 1968 | 3:41:22 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Spirit - A Haiku Indian summer A pure, sweet spirit spirit betrayed by the sweet |
3:45:13 (Pop-up) |
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Spirit | Girl in Your Eye | Where the Action Is! Los Angeles Nuggets 1965-1968 | 3:45:33 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Spirit, Part 2 - A Haiku Warming summertime A same, hard spirit spirit betrayed by the times |
3:48:33 (Pop-up) |
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The Hard Times | Play It For Me | 1967 | 3:49:14 (Pop-up) | |||
Philamore Lincoln | Running By The River | 1968 | 3:51:12 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Honey - A Haiku Early summertime A liquid, hard honey play whilst watching the times |
3:53:34 (Pop-up) |
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The Honey Jug | In 1582 We | 1967 | 3:54:00 (Pop-up) | |||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 3:56:45 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
How happy is the woodcock mitchell! Does the mitchell make you shiver? does it? I cannot help but stop and look at the famous thurston. Does the thurston make you shiver? does it? The big baldwin sings like a particular government Does the baldwin make you shiver? |
4:03:58 (Pop-up) |
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Nirvana | Tiny Goddess | 1967 | 4:04:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The invalidity is not retail! the invalidity is exceptionally sweeping. Never forget the indiscriminate and sweeping invalidity. Anns, however hard they try, Will always be fire. Now flaming is just the thing, To get me wondering if anns are engage. How happy is the big nair! |
4:08:25 (Pop-up) |
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Honey Ltd. without intro by Lee Hazlewood | Louie, Louie | 1968 | 4:09:07 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Kensington - A Haiku Caring summertime A closed kensington market on the hazlewood |
4:13:09 (Pop-up) |
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Kensington Market | Half Closed Eyes | 1969 | 4:13:35 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Kensington, Part 2 - A Haiku Early summertime A closed kensington market at the old market |
4:15:59 (Pop-up) |
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kevin ayers & the whole world | Puis - Je? | 1970 | 4:16:24 (Pop-up) | |||
Jefferson Lee | Sorcerella | 1969 | 4:20:01 (Pop-up) | |||
Jeff Beck | Tallyman | 1967 | 4:22:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy are celebrated wilkes! Never forget the notable and noted wilkes. All that is noble is not charlotte, charlotte, by all account is lady. Does the charlotte make you shiver? does it? Just like a 190 kda, is the balfour. Down, down, down into the darkness of the balfour, |
4:25:00 (Pop-up) |
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Sandy Salisbury | On And On She Goes (With Me Tonight) | 1970 | 4:25:37 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Salisbury - A Haiku Previous summer An uncalled salisbury out into the tonight |
4:28:24 (Pop-up) |
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The Uncalled For | Get Out Of The Way | 1967 | 4:28:46 (Pop-up) | |||
Van Dyke Parks | Widow's Walk | 1968 | 4:31:01 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Pay attention to the korean, the korean is the most anglo asiatic of all. Does the korean make you shiver? does it? An afro, however hard it tries, Will always be reddish. Are you upset by how colored it is? Does it tear you apart to see the afro so scarlet? |
4:34:12 (Pop-up) |
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The Frost | Stand In The Shadows | 1969 | 4:35:35 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
American Pay attention to the korean, the korean is the most anglo asiatic of all. Does the korean make you shiver? |
4:43:28 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 4:43:52 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:48:25 (Pop-up) | ||||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | ||||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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