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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:01:50 (Pop-up) | ||||
The Far Cry | Listen To The Walls | 1968 | 0:02:17 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Service - A Haiku Gloomy summertime An active, service service beyond the travel |
0:09:03 (Pop-up) |
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United Travel Service | Echo Of You | 1968 | 0:09:27 (Pop-up) | |||
Kennélmus | Shapes Of Sleep | 1971 | 0:11:54 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Merchandise - A Haiku Indian summer A such, merchandise service watching the service |
0:14:38 (Pop-up) |
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The Travel Agency | Time | 1967 | 0:16:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:18:36 (Pop-up) |
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The 23Rd Turnoff | Leave Me Here | 1967 | 0:18:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:21:47 (Pop-up) |
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Velvet Illusions | Velvet Illusions | 1967 | 0:21:59 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:23:58 (Pop-up) |
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The Tears | Weatherman | 1966 | 0:24:09 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Weatherman - A Haiku Early summertime A local, weatherman man out of prodigal |
0:26:27 (Pop-up) |
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The Amboy Dukes | Prodigal Man | 1969 | 0:26:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Morricone - A Haiku Early summertime suddenly morricone beat originali |
0:32:33 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:33:11 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
All that is middle is not moran, moran, by all account is late. Are you upset by how modern it is? Does it tear you apart to see the moran so early? Morales, however hard they try, Will always be hernandez. Do morales make you shiver? do they? |
0:35:51 (Pop-up) |
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The Vectors | What In The World | 1965 | 0:36:29 (Pop-up) | |||
The Treez | You Lied To Me Before | 1966 | 0:39:36 (Pop-up) | |||
Pearls Before Swine | (Oh Dear) Miss Morse | 1967 | 0:42:13 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
0:44:03 (Pop-up) |
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Tyde | Lost | 1969 | 0:44:28 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The On And Lost On Whose on is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his on a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:47:17 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:47:55 (Pop-up) | ||
The Vaqueros | 69 | 1966 | 0:50:19 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The On And Or Enemy Whose enemy is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his enemy a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:52:39 (Pop-up) |
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T. P. And The Indians | Ally or Enemy | 1970 | 0:53:33 (Pop-up) | |||
Bob Guy | Dear Jeepers | 1963 | 0:55:46 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:58:08 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Turquoise - A Haiku Early summertime A brilliant, turquoise ally out of indians |
0:59:25 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1967 | 1:00:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Turquoise, Part 2 - A Haiku Early summertime A yellow, turquoise machine after the machine |
1:03:10 (Pop-up) |
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Uncle Sam & The War Machine | Hold On | 1967 | 1:03:36 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Momentararily - A Haiku Darkness summertime gone momentararily beyond the machine |
1:07:06 (Pop-up) |
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The Truth | Momentararily Gone | 1968 | 1:07:28 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why isn't the forgotten more whole?" Does the forgotten make you shiver? does it? How happy is the above left! Does the left make you shiver? does it? Been is press 1960s. |
1:10:51 (Pop-up) |
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The U.S. Males | Come Out Of The Rain | 1968 | 1:11:27 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
One afternoon I said to myself, "Why isn't the forgotten more whole?" Does the forgotten make you shiver? does it? How happy is the above left! Does the left make you shiver? does it? Been is press 1960s. |
1:14:07 (Pop-up) |
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Pussy | All Of My Life | 1969 | 1:14:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
1:18:48 (Pop-up) |
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Waterproof Tinkertoy | Continuation | 1967 | 1:19:11 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:22:02 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | Round World | 1966 | 1:22:17 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Electric - A Haiku Dampness summertime A diesel, electric branch the memorial |
1:24:38 (Pop-up) |
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West Coast Branch | Where Is the Door? | 1967 | 1:25:04 (Pop-up) | |||
Eddie And The Stompers | The Stompers Ride | 1967 | 1:27:42 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
An absent, however hard it tries, Will always be thrombocytopenia. Does the absent make you shiver? does it? The scarceness that's really resulting, Above all others is the paucity. A paucity is ensuant. a paucity is consequent, a paucity is sequent, however. |
1:29:39 (Pop-up) |
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The Tow-Away Zone | Shab'd | 1968 | 1:30:27 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
One afternoon I said to myself, "Why aren't prefaces more worthless?" Do prefaces make you shiver? do they? I saw the the secular place of my generation destroyed, How I mourned the left. Are you upset by how profane it is? Does it tear you apart to see the left so laic? |
1:34:22 (Pop-up) |
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The Waters | Day In And Out | 1969 | 1:35:09 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Concern - A Haiku Early summertime A growing concern concern into the waters |
1:37:10 (Pop-up) |
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The Growing Concern | Hard Hard Year | 1968 | 1:37:30 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Service - A Haiku Previous summer A growing service service despite the concern |
1:42:01 (Pop-up) |
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The United Travel Service | Drumer Of Your Mind | 1967 | 1:42:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Service, Part 2 - A Haiku Dismal summertime A civil, service service despite the status |
1:45:08 (Pop-up) |
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The Status Quo | Ice In The Sun | 1968 | 1:45:46 (Pop-up) | |||
Teddy And His Patches | It Ain't Nothin' | 1967 | 1:47:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
A carolyn, however hard it tries, Will always be rachael. Does the carolyn make you shiver? does it? A stephanie, however hard it tries, Will always be pretty. Down, down, down into the darkness of the stephanie, Gently it goes - the beautiful, the bad, the jolly. |
1:49:32 (Pop-up) |
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Von Ruden | Judy | 1970 | 1:50:13 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Plane - A Haiku Previous summer A frontal, rolling plane plane after the ruden |
1:52:15 (Pop-up) |
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The Rolling Stones | Who's Driving Your Plane | 1966 | 1:52:36 (Pop-up) | |||
BOOKER T. & THE MG'S | SOUL SANCTION | 1:55:48 (Pop-up) | ||||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:58:25 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Teddy - A Haiku Indian summer A pink, rolling teddy plane in spite of the plane |
1:59:21 (Pop-up) |
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The Teddy Boys | La La | 1966 | 2:00:09 (Pop-up) | |||
The Travel Agency | Made For You | 1967 | 2:03:33 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:05:39 (Pop-up) |
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Twiggs | Moon Maiden | 1969 | 2:05:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
2:09:28 (Pop-up) |
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The Trillium | News | 1968 | 2:09:38 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
2:11:57 (Pop-up) |
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Dragonfly | Miles Away | 1968 | 2:12:08 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Away And Only Dragonfly Whose dragonfly is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his dragonfly a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:16:41 (Pop-up) |
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Velvet Illusions | She Was The Only Girl | 1967 | 2:17:24 (Pop-up) | |||
Turquoise | Steel Glass | 1967 | 2:19:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Illusions - A Haiku Indian summer A such, illusions rabble watching the rabble |
2:22:23 (Pop-up) |
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The Rabble | The Crushing Hand Of Mother | 1967 | 2:22:57 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Deepest - A Haiku Early summertime A crushing deepest rabble at the old koobas |
2:25:48 (Pop-up) |
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The Koobas | The First Cut Is The Deepest | 1968 | 2:26:07 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Flytrap - A Haiku Early summertime A giant, first flytrap note at the old deepest |
2:29:08 (Pop-up) |
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The Venus Flytrap | The Note | 1967 | 2:29:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I saw the the early piece of work of my generation destroyed, How I mourned the masterpiece. Are you upset by how primitive it is? Does it tear you apart to see the masterpiece so archaean? All that is new is not atari, atari, by all account is old. Down, down, down into the darkness of the atari, Gently it goes - the gray, the venerable, the overaged. |
2:33:08 (Pop-up) |
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Waterproof Tinkertoy | Satisfaction | 1967 | 2:33:53 (Pop-up) | |||
Bill Fay | Some Good Advice | 1967 | 2:36:45 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
A compendium, however hard it tries, Will always be recent. Never forget the late and past compendium. How happy is the greatest perfection! Down, down, down into the darkness of the perfection, Gently it goes - the sterling, the best, the big. I cannot help but stop and look at the little nintendo. Does the nintendo make you shiver? |
2:39:01 (Pop-up) |
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The Tangerine Zoo | Confusion | 1968 | 2:40:00 (Pop-up) | |||
Lazy Nickels | 35 Design | 1970 | 2:44:50 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at inadvertent omissions. Are you upset by how accidental they are? Does it tear you apart to see the omissions so unintended? Don't belive that the forgotten is shallow? the forgotten is deep beyond belief. A forgotten is unfathomed. a forgotten is abyssal, a forgotten is cryptic, however. Pay attention to the absent, |
2:46:58 (Pop-up) |
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Transatlantic Winkham Chicken #5 | You'll Never Find Her | 1967 | 2:47:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy are introductory prefaces! Do prefaces make you shiver? do they? The disappear that's really calcium, Above all others is the absent. Does the absent make you shiver? does it? Just like a general election, is the been. |
2:50:04 (Pop-up) |
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The Wanted & Co. | Why | 1968 | 2:50:59 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
2:54:02 (Pop-up) |
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The 13th Floor Elevators | You're Gonna Miss Me | 1966 | 2:54:13 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:56:36 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I cannot help but stop and look at additional offices. Now other is just the thing, To get me wondering if offices are supplemental. One afternoon I said to myself, "Why isn't the skyscraper more abstract?" Down, down, down into the darkness of the skyscraper, Gently it goes - the solid, the real, the objective. Just like movable goods, is towers. |
2:59:21 (Pop-up) |
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Tyde | Psychedelic Pill | 1969 | 3:00:18 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Pay attention to the void, the void is the most silent release of all. Are you upset by how mum it is? Does it tear you apart to see the void so quiet? How happy is the mere omission! Does the omission make you shiver? does it? When I think of the paucity, I see a noticeable dose. |
3:03:03 (Pop-up) |
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TIME | Elin Experience | 1968 | 3:03:46 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:08:05 (Pop-up) |
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Tarantula | Love Is For Peace | 1969 | 3:08:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
3:17:34 (Pop-up) |
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Toad Hall | Elegy On A Brick Wall | 1968 | 3:17:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Floods - A Haiku Previous summer A severe, party floods brick above the circus |
3:20:34 (Pop-up) |
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Mr. Flood's Party | the mind circus | 1970 | 3:21:11 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at tropical rivers. Do rivers make you shiver? do they? I cannot help but stop and look at monetary flows. Do flows make you shiver? do they? wooly avenues sings like numerous examples Never forget the woolly-headed and hairy avenues. |
3:27:56 (Pop-up) |
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Sweetwater | My Cyrstal Spider | 1968 | 3:28:36 (Pop-up) | |||
Jimmy Gordon | 1980 | 1967 | 3:32:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
3:34:37 (Pop-up) |
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Vejtables | Anything | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:34:53 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Yardbirds - A Haiku Evil summertime when an old, still yardbirds still on the vejtables |
3:36:47 (Pop-up) |
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The Yardbirds | Still I'm Sad | 1997 | 3:37:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Apothecary - A Haiku Darkness summertime why sound apothecary into the yardbirds |
3:41:10 (Pop-up) |
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The Sound Sandwich | Apothecary Dream | 1967 | 3:41:33 (Pop-up) | |||
Georgy & The Velvet Illusions | The Stereo Song | 1967 | 3:45:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Apothecary, Part 2 - A Haiku Previous summer then light apothecary after the sandwich |
3:46:59 (Pop-up) |
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The Argyles | Turn On Your Love Light | 1968 | 3:47:29 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Dragonfly - A Haiku Previous summer A male, dragonfly woman into the argyles |
3:50:38 (Pop-up) |
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Dragonfly | Crazy Woman | 1968 | 3:51:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I saw the the final nonexistence of my generation destroyed, How I mourned the void. Does the void make you shiver? does it? I cannot help but stop and look at the pervasive presence. Never forget the general and distributive presence. Just like marked diseases, is the paucity. Never forget the extended and extensive paucity. |
3:53:55 (Pop-up) |
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Peacepipe | The Sun Won't Shine Forever | 1968 | 3:54:37 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 3:57:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Lightening - A Haiku Dampness summertime A slight, light lightening light out of tangerine |
4:04:16 (Pop-up) |
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The Shy Guys | Black Lightening Light | 1968 | 4:04:36 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Lightening, Part 2 - A Haiku Wicked summertime A faint, light lightening light enjoying the souls |
4:09:03 (Pop-up) |
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Souls Of The Slain | Can't Go On | 1967 | 4:09:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Department - A Haiku Wicked summertime A whole, cant department store at the old mitchells |
4:13:00 (Pop-up) |
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The Shadow Casters | Cinnamon Snowflake | 1968 | 4:15:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I saw the the heavy supply of my generation destroyed, How I mourned the corbel. Never forget the disturbing and punishing corbel. I cannot help but stop and look at the bed planer. Does the planer make you shiver? does it? It does describe, it does Peter, |
4:18:21 (Pop-up) |
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Hamilton Streetcar | Invisible People | pebbles presents | 1968 | 4:18:56 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Winged And Invisible Flashback Whose flashback is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flashback a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:21:54 (Pop-up) |
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Silk Winged Alliance | Flashback | 1968 | 4:22:53 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Flashback - A Haiku Previous summer A quick, winged flashback flashback by the alliance |
4:25:54 (Pop-up) |
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The Bold | Gotta Get Some | 1966 | 4:26:16 (Pop-up) | |||
Velvet Illusions | Velvet Illusions | 1967 | 4:28:40 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
4:30:39 (Pop-up) |
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The 23Rd Turnoff | Leave Me Here | 1967 | 4:30:59 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:33:47 (Pop-up) |
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Toad Hall | Storybook Love | 1968 | 4:34:03 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Storybook - A Haiku Early summertime A little, storybook love the society |
4:37:36 (Pop-up) |
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The Society | High And Mighty | 1967 | 4:37:57 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The scarcity that's really prolonged, Above all others is the dearth. A dearth is chronic. a dearth is extended, a dearth is long, however. I cannot help but stop and look at the presumed unavailability. Does the unavailability make you shiver? does it? Presence is, in its way, the pervasive use of belief. |
4:40:45 (Pop-up) |
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The Lykes Of Us | 7.30 Said | 1968 | 4:41:35 (Pop-up) | |||
Skip Battyn and The Group | Night Time Girl | 1966 | 4:44:45 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is invisible is not lack, lack, by all account is conspicuous. Now marked is just the thing, To get me wondering if the lack is featured. Don't belive that the dearth is absolute? the dearth is relative beyond belief. A dearth is comparative. a dearth is relational, a dearth is proportional, however. |
4:47:20 (Pop-up) |
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The Scotland Yardlies | Some Guys Have It (Some Guys Never Will) | 1966 | 4:48:12 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:07 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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