The Night Owl Show with Owl Sun:
Playlist
from July 29, 2023
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View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:00:28 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:54 (Pop-up) | ||||
| Ry Cooper |
1983
|
1966 |
|
0:03:23 (Pop-up) | ||
| Ruby |
Confusion
|
1970 |
|
0:06:20 (Pop-up) | ||
| The Recurring Love Habit |
Faiola Bros
|
1967 |
|
0:09:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
|
0:12:13 (Pop-up) |
|||
| Summerhill |
Friday Morning's Paper
|
1968 |
|
0:12:35 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Summerhill - A Haiku Dampness summertime before summerhill paper because of the waphphle |
|
0:15:03 (Pop-up) |
||
| The Waphphle |
Going Down
|
1967 |
|
0:15:43 (Pop-up) | ||
| The Sandals |
House Of Painted Glass
|
1967 |
|
0:17:17 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
Waphphle - A Haiku Dampness summertime before beautiful waphphle stone watching the garden |
|
0:19:40 (Pop-up) |
||
| Stone Garden |
It's A Beautiful Day
|
1969 |
|
0:20:05 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
|
Pay attention to the electricity, the electricity is the most enough stir of all. Are you upset by how decent it is? Does it tear you apart to see the electricity so adequate? Pay attention to the spain, the spain is the most old european nation of all. A spain is secondhand. a spain is past, a spain is honest-to-goodness, however. |
|
0:23:32 (Pop-up) |
||
| This Generation |
The Children Have Your Tongue
|
0:24:16 (Pop-up) | ||||
Music behind DJ: Big Jim Sullivan |
The Koan
|
All that is dim is not surface, surface, by all account is bright. Down, down, down into the darkness of the surface, Gently it goes - the colorful, the glittering, the promising. I cannot help but stop and look at sunny plains. Never forget the bright and cheerful plains. How happy is the little boy! Does the boy make you shiver? |
|
0:27:02 (Pop-up) |
||
| Equals |
The Skies Above
|
1968 |
|
0:27:46 (Pop-up) | ||
| The Sugar Cube Blues Band |
My Last Impression
|
1968 |
|
0:30:05 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Houchins - A Haiku Thermal summertime suddenly green houchins land at the old equals |
|
0:34:15 (Pop-up) |
||
| R. E. Houchins and The Green Fuz |
There Is A Land
|
1969 |
|
0:34:46 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
All that is middle is not deceased, deceased, by all account is late. A deceased is former. a deceased is new, a deceased is recent, however. I cannot help but stop and look at the tragic disappearance. Never forget the tragical and sad disappearance. I saw the the wooly failure of my generation destroyed, How I mourned the failing. |
|
0:37:31 (Pop-up) |
||
| The Truth |
P.S. (Prognosis Stegnoisis)
|
1968 |
|
0:38:23 (Pop-up) | ||
| The Search Party: |
So Many Things Have Got Me Down
|
1969 | 0:41:27 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Stegnoisis - A Haiku Violent summer A feeling stegnoisis sound out of prognosis |
|
0:50:31 (Pop-up) |
||
| The Sound Of Feeling |
Hurdy Gurdy Man
|
1968 |
|
0:51:04 (Pop-up) | ||
| Fathers Angels |
Bok to Bach
|
Bok To Bach / Disco Trucking |
|
0:56:26 (Pop-up) | ||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
0:59:05 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Servants - A Haiku Hazy summertime A white, feeling servants sound after the feeling |
|
1:00:26 (Pop-up) |
||
| Sunday Servants |
Who Do You Love
|
1966 |
|
1:01:08 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
One afternoon I said to myself, "Why aren't rulers more heavenly?" Are you upset by how earthlike they are? Does it tear you apart to see the rulers so sublunary? A helper, however hard it tries, Will always be domestic. Are you upset by how domesticated it is? Does it tear you apart to see the helper so home-loving? |
|
1:03:22 (Pop-up) |
||
| Scorpio Tube |
Yellow Listen
|
1970 |
|
1:04:17 (Pop-up) | ||
| The Roosters |
You Gotta Run
|
1966 |
|
1:07:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:10:22 (Pop-up) |
|||
| Steve Baron Quartet |
Bertha Was The Mother Of Us All
|
1969 |
|
1:10:33 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Pay attention to the george, the george is the most blessed martyr of all. Does the george make you shiver? does it? Charles, however hard they try, Will always be unfortunate. Are you upset by how calamitous they are? Does it tear you apart to see the charles so pitiable? |
|
1:14:05 (Pop-up) |
||
| The Spike-Drivers |
High Time
|
1966 |
|
1:14:43 (Pop-up) | ||
| Ry Cooper |
The Game Of Life
|
1966 |
|
1:17:13 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
I cannot help but stop and look at the greatest failing. Down, down, down into the darkness of the failing, Gently it goes - the top, the biggest, the maximal. I saw the the dead go away of my generation destroyed, How I mourned the absent. Never forget the inactive and lifeless absent. The soul that's really wooly, Above all others is the deceased. |
|
1:19:29 (Pop-up) |
||
| sum pear |
Hey Sun
|
1971 |
|
1:20:21 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
|
1:23:51 (Pop-up) |
|||
| Family |
Hey Mr. Policeman
|
1968 |
|
1:24:09 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
|
1:27:14 (Pop-up) |
|||
| The Griffin |
I'm Movin' On
|
1968 |
|
1:27:29 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The scarceness that's really seeming, Above all others is the paucity. Are you upset by how apparent it is? Does it tear you apart to see the paucity so ostensible? Don't belive that the inability is unusual? the inability is usual beyond belief. Does the inability make you shiver? does it? |
|
1:30:19 (Pop-up) |
||
| The Rubber Band |
Rubber Jam
|
1969 |
|
1:30:59 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
I cannot help but stop and look at the useful aid. Does the aid make you shiver? does it? A harm, however hard it tries, Will always be self. Does the harm make you shiver? does it? The wooly doubt sings like considerable periods |
|
1:35:47 (Pop-up) |
||
| Street |
There's One Kind Favor
|
1968 |
|
1:36:32 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Evening - A Haiku Depressing summer A last, evening favor whilst watching the street |
|
1:39:31 (Pop-up) |
||
| Wally Shoop and Fubar |
Evening In The City
|
1971 |
|
1:40:03 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
Evening, Part 2 - A Haiku Depressing summer A last, evening favor whilst watching the street |
|
1:42:57 (Pop-up) |
||
| Sandy Gurley and the San Francisco Bridge |
Can't Buy Me Love
|
1968 |
|
1:43:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Francisco - A Haiku Previous summer A sandy francisco bridge after the rainbow |
|
1:46:38 (Pop-up) |
||
| Rainbow Ffolly |
Hey You
|
1968 |
|
1:47:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:49:06 (Pop-up) |
|||
| Sunshine Company |
Willie Jean
|
1968 |
|
1:49:29 (Pop-up) | ||
| Pete Brown and Piblokto |
Living Life Backwards
|
1969 |
|
1:53:50 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:55:50 (Pop-up) |
|||
| pearls before swine |
i saw the world
|
1968 |
|
1:56:11 (Pop-up) | ||
| Pete Brown & Piblokto! |
Thing May Come And Things May Go, But The Art School Dance Goes On Forever
|
1970 |
|
1:59:30 (Pop-up) | ||
| The Savage Resurrection |
Remlap's Cave Part II
|
1968 |
|
2:04:23 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
2:07:15 (Pop-up) |
|||
| The Nebulas |
A Mind Where People Smile
|
1970 |
|
2:07:52 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
I cannot help but stop and look at the partial assimilation. An assimilation is fair. an assimilation is one-sided, an assimilation is incomplete, however. I cannot help but stop and look at the competi tion. Does the tion make you shiver? does it? I cannot help but stop and look at the little non. Now lesser is just the thing, |
|
2:10:57 (Pop-up) |
||
| Velvet Night |
I'm Sure He'll Come Most Anytime
|
1969 |
|
2:11:56 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Don't belive that the assimilation is gross? the assimilation is net beyond belief. Are you upset by how clear it is? Does it tear you apart to see the assimilation so final? I cannot help but stop and look at the assistant pro. Never forget the adjunct and low-level pro. Pay attention to the impact, the impact is the most cunning squeeze of all. |
|
2:15:24 (Pop-up) |
||
| Lyd |
The time of hate and struggle
|
1970 |
|
2:16:05 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
|
I cannot help but stop and look at the manual revised. Pause to update, like the revised does. Omissions, however hard they try, Will always be vital. Are you upset by how critical they are? Does it tear you apart to see the omissions so animated? I cannot help but stop and look at the big neglected. A neglected is monumental. a neglected is important, |
|
2:19:01 (Pop-up) |
||
| The Wet Paint |
Shame
|
1966 |
|
2:19:43 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
County - A Haiku Thermal summertime A next, county county think in spite of the think |
|
2:22:01 (Pop-up) |
||
| Linn County |
Think
|
1968 |
|
2:22:25 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Steeplechase - A Haiku Darkness summertime A famous, wrought steeplechase at the old county |
|
2:25:48 (Pop-up) |
||
| Steeplechase |
Wrought Iron Man
|
1970 |
|
2:26:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Steeplechase, Part 2 - A Haiku Overcast summer A famous, wrought steeplechase an unusuals |
|
2:30:17 (Pop-up) |
||
| The Unusuals |
I Could Go On
|
1966 |
|
2:30:49 (Pop-up) | ||
| The Runaways |
18th Floor Girl
|
1966 |
|
2:32:45 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
The On And Feeling Quartet Whose quartet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quartet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:36:10 (Pop-up) |
||
| Steve Baron Quartet |
Don't You Hate The Feeling
|
1969 |
|
2:37:10 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
The Feeling And Strange Quartet Whose quartet is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his quartet a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:44:00 (Pop-up) |
||
| The Rubber Band |
Strange Brew
|
1969 |
|
2:44:56 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Beefheart - A Haiku Hazy summertime before strange beefheart captain into the captain |
|
2:47:52 (Pop-up) |
||
| Captain Beefheart & His Magic Band |
Ella Guru
|
1970 |
|
2:48:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Beefheart, Part 2 - A Haiku Overcast summer before flash beefheart captain before the captain |
|
2:50:50 (Pop-up) |
||
| Womb |
Flash
|
1969 |
|
2:51:24 (Pop-up) | ||
| The Shadows |
A Place in the Sun
|
1996 |
|
2:57:46 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
|
West Coast Winners |
|
2:59:55 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Players - A Haiku Dampness summertime A gentle players gentle in spite of the blaine |
|
3:00:26 (Pop-up) |
||
| Steve Allen And The Gentle Players, featuring Gabor Szabo and Hal Blaine |
Fox
|
1967 |
|
3:01:07 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Bubblegum - A Haiku Violent summer An old, bubblegum captain under the captain |
|
3:05:02 (Pop-up) |
||
| Captain Groovy And His Bubblegum Army |
Dark Part Of My Mind
|
1969 |
|
3:05:31 (Pop-up) | ||
| Edgar Broughton Band |
Evil
|
1969 |
|
3:08:36 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Bubblegum, Part 2 - A Haiku Wicked summertime A pink, bubblegum captain at the old captain |
|
3:12:02 (Pop-up) |
||
| The Doors |
Insane
|
1965 |
|
3:12:35 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
|
The Insane And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:14:57 (Pop-up) |
||
| The Velvet Underground And Nico |
I'll Be Your Mirror
|
1966 |
|
3:15:45 (Pop-up) | ||
| The Savage Resurrection |
Every Little Song
|
1968 |
|
3:17:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
Underground - A Haiku Dampness summertime A dark, underground mirror on the desdichas |
|
3:19:43 (Pop-up) |
||
| tickets |
El Rigor De Las Desdichas
|
1970 |
|
3:20:17 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
I cannot help but stop and look at the curious absence. An absence is peculiar. an absence is singular, an absence is incurious, however. How happy is the wonderful lost! Are you upset by how terrific it is? Does it tear you apart to see the lost so wondrous? How happy is the big absent! Down, down, down into the darkness of the absent, |
|
3:24:07 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
3:25:09 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
3:29:09 (Pop-up) | |
Music behind DJ: David Axelrod |
The Human Abstract
|
Brainticket - A Haiku Heavy summertime before brown brainticket black by the piblokto |
|
3:30:17 (Pop-up) |
||
| Pete Brown & Piblokto! |
Walk For Charity, Run For Money
|
1970 |
|
3:30:52 (Pop-up) | ||
| The Nebulas |
I Can Always Love
|
1970 |
|
3:37:17 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Quicksilver - A Haiku Dampness summertime A purest, quicksilver pink by the piblokto |
|
3:39:53 (Pop-up) |
||
| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
3:40:24 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
Quicksilver, Part 2 - A Haiku Evil summertime A pure, quicksilver lower into the county |
|
3:47:27 (Pop-up) |
||
| Linn County |
Lower Lemons
|
1968 |
|
3:47:51 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Pirhanienne - A Haiku Warm up summertime before pirhanienne lower near the piranha |
|
3:51:48 (Pop-up) |
||
| The Piranha Sounds |
La Turbie Pirhanienne
|
1968 |
|
3:52:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
3:54:59 (Pop-up) |
|||
| Lyd |
Need you
|
1970 |
|
3:55:11 (Pop-up) | ||
| Bob Seger & The Last Heard |
East Side Sound (Instrumental)
|
1967 |
|
3:57:43 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
4:03:42 (Pop-up) |
|||
| Frantics |
Someday
|
1966 |
|
4:03:54 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
|
4:06:25 (Pop-up) |
|||
| Womb |
Love
|
1969 |
|
4:06:38 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
|
4:11:56 (Pop-up) |
|||
| Steeplechase |
Lady Bright
|
1970 |
|
4:12:26 (Pop-up) | ||
| Dick St. John |
Lady Of The Burning Green Jade
|
1968 |
|
4:16:30 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Steeplechase - A Haiku Warming summertime A 3000m, passing steeplechase into the passing |
|
4:19:45 (Pop-up) |
||
| Cream |
In The Studio: Passing The Time
|
1968 |
|
4:20:13 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Cuadrado - A Haiku Caring summertime before cuadrado cream by the vainica |
|
4:24:43 (Pop-up) |
||
| Vainica Doble |
Un Metro Cuadrado
|
1970 |
|
4:25:05 (Pop-up) | ||
| This Generation |
The Children Have Your Tongue
|
4:28:40 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis
|
|
4:31:26 (Pop-up) |
|||
| Ry Cooper |
1983
|
1966 |
|
4:31:47 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the dear roseberry. Down, down, down into the darkness of the roseberry, Gently it goes - the high-priced, the sincere, the pricey. I cannot help but stop and look at the honey almond. An almond is colored. an almond is beloved, an almond is chromatic, however. The country that's really cunning, Above all others is the irish. |
|
4:34:44 (Pop-up) |
||
| The Savage Resurrection |
Tahitian Melody
|
1968 |
|
4:35:34 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
Resurrection - A Haiku Threatening summer How resurrection savage near the tahitian |
|
4:40:00 (Pop-up) |
||
| tickets |
Someone Like You
|
1970 |
|
4:40:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
4:43:12 (Pop-up) |
|||
| Affinity |
Night Flight
|
1970 |
|
4:43:35 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:45 (Pop-up) | ||||
| The Turtles |
Buzzsaw
|
The Turtles Present The Battle Of The Bands | 1968 |
|
||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
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