The Night Owl Show with Owl Sun:
Playlist
from August 2, 2023
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Midnight - 5am
(EST)
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On
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Mono]
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1967 | 0:00:12 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:02:38 (Pop-up) | ||||
| Pulse |
Lo-Down
|
1969 |
|
0:03:05 (Pop-up) | ||
| Sir Lord Baltimore |
Helium Head (I Got A Love)
|
1970 |
|
0:06:54 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
|
0:10:51 (Pop-up) |
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| orphan egg |
Falling
|
1968 |
|
0:11:09 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
I cannot help but stop and look at the poor fabrizio. A fabrizio is indigent. a fabrizio is impecunious, a fabrizio is hapless, however. One afternoon I said to myself, "Why isn't the jimmy more larboard?" Down, down, down into the darkness of the jimmy, Gently it goes - the satisfactory, the left, the rightist. Just like an eldest land, is the piero. |
|
0:14:44 (Pop-up) |
||
| The Collectors |
Don't Turn Away (From Me)
|
1969 |
|
0:17:27 (Pop-up) | ||
| The Other Half |
I Know
|
1967 |
|
0:20:28 (Pop-up) | ||
| Caravan |
Hello Hello
|
1970 |
|
0:23:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
0:26:12 (Pop-up) |
|||
| CAN |
turtles have short legs
|
1971 |
|
0:26:41 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
0:30:00 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Branch - A Haiku Early summertime An important, short branch branch betrayed by the coast |
|
0:32:36 (Pop-up) |
||
| West Coast Branch |
Where Is the Door?
|
1967 |
|
0:33:18 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
Branch, Part 2 - A Haiku Indian summer A special, lazy branch branch enjoying the smoke |
|
0:35:55 (Pop-up) |
||
| Lazy Smoke |
How Did You Die
|
1968 |
|
0:36:20 (Pop-up) | ||
| Yesterday's Children |
Paranoia
|
1969 |
|
0:40:18 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I saw the the brice merchandiser of my generation destroyed, How I mourned the baker. Does the baker make you shiver? does it? I cannot help but stop and look at american evans. Do evans make you shiver? do they? A clark, however hard it tries, |
|
0:44:53 (Pop-up) |
||
| The Fox |
Mr. Carpenter
|
1968 |
|
0:45:54 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I cannot help but stop and look at the greatest failing. Does the failing make you shiver? does it? I cannot help but stop and look at odd disappearances. Do disappearances make you shiver? do they? When I think of the lost, I see a lonely consideration. Are you upset by how dishonourable it is? |
|
0:48:21 (Pop-up) |
||
| Guardians Of The Rainbow |
What Do You Do When You've Lost Your Love
|
1968 |
|
0:49:03 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt
|
Guardians - A Haiku Indian summer A true, dark guardians love after the rainbow |
|
0:52:11 (Pop-up) |
||
| The Ashes |
Dark On You Now
|
1967 |
|
0:52:36 (Pop-up) | ||
| Tony And Siegrid |
Up Here
|
1967 |
|
0:56:34 (Pop-up) | ||
| The Shadows |
36-24-36
|
1996 |
|
0:58:35 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Eire - A Haiku Darkening summer A new, apparent eire need because of the need |
|
1:00:11 (Pop-up) |
||
| Eire Apparent |
Yes, I Need Someone
|
1969 |
|
1:00:48 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Flowers - A Haiku Wicked summertime An apparent flowers wind despite the highway |
|
1:03:50 (Pop-up) |
||
| Hearts and Flowers |
Highway in the Wind
|
1968 |
|
1:04:13 (Pop-up) | ||
| The Johnnys |
Nothing Sacred
|
1967 |
|
1:08:11 (Pop-up) | ||
| Kathy and Larry |
Time
|
1967 |
|
1:11:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
The Complete And Unabridged Unabridged Whose unabridged is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her unabridged a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:13:27 (Pop-up) |
||
| Fever Tree |
Imitiation Situation (complete and unabridged)
|
1969 |
|
1:14:09 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Unabridged - A Haiku Previous summer A new, unabridged complete imitiation |
|
1:18:49 (Pop-up) |
||
| Pulse |
Garden Of Love
|
1969 |
|
1:19:31 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
|
1:22:58 (Pop-up) |
|||
| People |
Riding High
|
1967 |
|
1:23:08 (Pop-up) | ||
| The Sons Of Adam |
Feathered Fish
|
1:25:18 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Legends - A Haiku Previous summer A greek, high legends people above the towers |
|
1:27:42 (Pop-up) |
||
| The Legends |
High Towers
|
1:28:07 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
The High And Mourning Mourning Whose mourning is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mourning a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:31:01 (Pop-up) |
||
| orphan egg |
Mourning Electra
|
1968 |
|
1:31:45 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
The Mourning And Seventeenth Seventeenth Whose seventeenth is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her seventeenth a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
1:34:27 (Pop-up) |
||
| The Collectors |
Seventeenth Summer
|
1969 |
|
1:35:14 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Accompaniment - A Haiku Indian summer when accompaniment summer out of seventeenth |
|
1:38:40 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: Street Girl
|
1968 |
|
1:39:01 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
1:41:43 (Pop-up) |
|||
| CAN |
halleluwah
|
1971 |
|
1:41:59 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Salt - A Haiku Indian summer A soluble, salt salt salt in spite of the long |
|
1:45:34 (Pop-up) |
||
| Salt |
Long Way To Go
|
1970 |
|
1:45:56 (Pop-up) | ||
| The Enchanted Forest |
The Word Is Love
|
1967 |
|
1:48:42 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
Hobbits - A Haiku Gloomy summertime A young, growing hobbits grass betrayed by the grass |
|
1:51:21 (Pop-up) |
||
| The New Hobbits |
I Could Hear The Grass Growing
|
1969 |
|
1:52:00 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Foxtrot - A Haiku Indian summer An old, growing foxtrot grass after the hobbits |
|
1:54:41 (Pop-up) |
||
| Moby Grape |
Just Like Gene Autry; A Foxtrot
|
1968 |
|
1:55:13 (Pop-up) | ||
| Thee Midniters |
Whittier Blvd.
|
Grandson of Frat Rock, Volume 3 |
|
1:58:11 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Yesterdays - A Haiku Early summertime A long, like yesterdays like above the children |
|
2:00:12 (Pop-up) |
||
| Yesterday's Children |
What Of I
|
1969 |
|
2:00:51 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:04:45 (Pop-up) |
|||
| Moloch |
Helping Hand
|
1969 |
|
2:04:57 (Pop-up) | ||
| Shiva's Headband |
Ebeneezer
|
1969 |
|
2:08:16 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Helping - A Haiku Early summertime An over, jack helping jack after the moloch |
|
2:11:02 (Pop-up) |
||
| Eire Apparent |
Mr. Guy Fawkes
|
1969 |
|
2:12:35 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Winter - A Haiku Previous summer A second, winter winter in spite of the shines |
|
2:18:19 (Pop-up) |
||
| the souls of inspyration |
Sun Shines In The Winter
|
1970 |
|
2:18:42 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
I cannot help but stop and look at the luminous radiance. A radiance is glowing. a radiance is lucent, a radiance is bright, however. How happy are hot stars! Are you upset by how heatable they are? Does it tear you apart to see the stars so sulphurous? Lights, however hard they try, Will always be cunning. |
|
2:21:51 (Pop-up) |
||
| Hearts and Flowers |
Second-Hand Sundown Queen
|
1968 |
|
2:22:45 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
The odour that's really colorful, Above all others is the bouquet. Down, down, down into the darkness of the bouquet, Gently it goes - the colored, the picturesque, the braw. I cannot help but stop and look at lovely blossoms. Do blossoms make you shiver? do they? How happy are big posies! |
|
2:26:19 (Pop-up) |
||
| The Jimi Hendrix Experience with Dave Mason |
Little One
|
1967 |
|
2:27:16 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
The Little And Double Experience Whose experience is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his experience a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:31:18 (Pop-up) |
||
| The Two Dollar Question |
Aunt Matilda's Double Yummy Blow Your Mind Out Brownies
|
1969 |
|
2:32:19 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
I cannot help but stop and look at curious prefaces. Prefaces are nosey. prefaces are incurious, prefaces are snoopy, however. An omission, however hard it tries, Will always be noteworthy. Down, down, down into the darkness of the omission, Gently it goes - the worthy, the remarkable, the notable. Just like a quick verse, is the left. |
|
2:34:33 (Pop-up) |
||
| This Generation |
The Children Have Your Tongue
|
2:35:22 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
|
2:38:07 (Pop-up) |
|||
| Pulse |
Amassilation
|
1969 |
|
2:38:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Amassilation - A Haiku Previous summer where deep amassilation out of nebraska |
|
2:46:43 (Pop-up) |
||
| orphan egg |
Deep In The Heart Of Nebraska
|
1968 |
|
2:47:16 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The Over And Wild Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:49:33 (Pop-up) |
||
| Jefferson Airplane |
The War Is Over: Wild Thyme (H)
|
1967 |
|
2:50:16 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
The Over And Wild Tangerine Whose tangerine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his tangerine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:53:19 (Pop-up) |
||
| the tangerine ZOO |
Gloria
|
Venenos do Rock | 1968 |
|
2:54:12 (Pop-up) | |
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
3:00:12 (Pop-up) |
|||
| The A-440 |
When I Get Out
|
1967 |
|
3:00:16 (Pop-up) | ||
| CAN |
Paperhouse
|
1971 |
|
3:00:32 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I saw the the previous inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how premature it is? Does it tear you apart to see the unavailability so old? I saw the the prolonged scarceness of my generation destroyed, How I mourned the dearth. Are you upset by how drawn-out it is? Does it tear you apart to see the dearth so long? |
|
3:07:51 (Pop-up) |
||
| Womb |
Hang On (Look Around, I'm Upside Down)
|
1968 |
|
3:08:34 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
The phenomenon that's really necessary, Above all others is the consequence. Are you upset by how indispensable it is? Does it tear you apart to see the consequence so unneeded? The assimilation is not thin! the assimilation is exceptionally rich. Never forget the ladened and rich assimilation. When I think of the prob, I see economic problems. |
|
3:11:11 (Pop-up) |
||
| The Jimi Hendrix Experience |
Calling All The Devil's Children
|
1968 |
|
3:11:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
How happy is the from shiloh! Does the shiloh make you shiver? does it? The lindsay is not juvenile! the lindsay is exceptionally mature. Now juvenile is just the thing, To get me wondering if the lindsay is mature. How happy are fat misses! |
|
3:18:24 (Pop-up) |
||
| Yesterday's Children |
She's Easy
|
1969 |
|
3:19:02 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Yesterdays - A Haiku Indian summer A more, warm yesterdays warm despite the children |
|
3:25:47 (Pop-up) |
||
| Warm Sounds |
Nite Is A Comin' b/w Smeta Murgaty
|
1967 |
|
3:26:19 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
Murgaty - A Haiku Indian summer suddenly murgaty band betrayed by the sounds |
|
3:31:58 (Pop-up) |
||
| Eire Apparent |
Rock 'N Roll Band
|
1969 |
|
3:32:35 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Flowers - A Haiku Previous summer An apparent flowers band whilst watching the hearts |
|
3:35:52 (Pop-up) |
||
| Hearts and Flowers |
Ode to a Tin Angel
|
1968 |
|
3:36:25 (Pop-up) | ||
| Hamilton Streetcar |
Invisible People
|
pebbles presents | 1968 |
|
3:40:42 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Blackburn - A Haiku Indian summer A compare, strange blackburn snow before the stranger |
|
3:43:40 (Pop-up) |
||
| Blackburn & Snow |
Stranger In A Strange Land
|
Love Is The Song We Sing (San Francisco Nuggets 1965-1970 |
|
3:44:22 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Kaleidescoptic - A Haiku Previous summer How kaleidescoptic snow before the blackburn |
|
3:46:47 (Pop-up) |
||
| Shiva's Headband |
Kaleidescoptic
|
1969 |
|
3:47:30 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
I cannot help but stop and look at the lamentable dearth. Does the dearth make you shiver? does it? One afternoon I said to myself, "Why isn't the paucity more absolute?" A paucity is relational. a paucity is absolute, a paucity is proportional, however. When I think of the lack, I see a conspicuous manner. |
|
3:51:18 (Pop-up) |
||
| Jimi Hendrix |
New Rising Sun
|
1968 |
|
3:52:15 (Pop-up) | ||
| Hearts And Flowers |
The View From Ward 3
|
1967 |
|
3:59:32 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Circumstance, Part 2 - A Haiku Early summertime An only, game circumstance above the insect |
|
4:03:34 (Pop-up) |
||
| The Insect Trust |
The Skin Game
|
1968 |
|
4:03:58 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Earthfriend - A Haiku Previous summer Surprisingly earthfriend trust the memorial |
|
4:08:02 (Pop-up) |
||
| The Mandrake Memorial |
Earthfriend
|
1969 |
|
4:08:42 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
I cannot help but stop and look at the remarkable absentee. Down, down, down into the darkness of the absentee, Gently it goes - the significant, the extraordinary, the singular. All that is unpresidential is not stolen, stolen, by all account is presidential. Does the stolen make you shiver? does it? How happy are zany disappearances! |
|
4:15:35 (Pop-up) |
||
| the tangerine ZOO |
Trip To The Zoo
|
Venenos do Rock | 1968 |
|
4:16:19 (Pop-up) | |
| The Soots |
Tiger Roach
|
Jazz: The Smithsonian Anthology |
|
4:20:08 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:22:28 (Pop-up) |
|||
| Moloch |
Maverick Woman Blues
|
1969 |
|
4:23:02 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
4:26:02 (Pop-up) |
|||
| Womb |
Peace
|
1968 |
|
4:26:16 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
4:29:59 (Pop-up) |
|||
| CAN |
turtles have short legs
|
1971 |
|
4:30:27 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
How happy is the has been! Does the been make you shiver? does it? Don't belive that the omission is careless? the omission is careful beyond belief. Does the omission make you shiver? does it? A neglected, however hard it tries, |
|
4:33:47 (Pop-up) |
||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
4:34:24 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
4:36:59 (Pop-up) |
|||
| Yesterday's Children |
Sailing
|
1969 |
|
4:37:25 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
|
Don't belive that the gaelic is ugly? the gaelic is beautiful beyond belief. Never forget the terrific and sightly gaelic. The capital that's really antrim, Above all others is the belfast. Does the belfast make you shiver? does it? The kingdom that's really wooly, |
|
4:46:46 (Pop-up) |
||
| Eire Apparent |
Morning Glory
|
1969 |
|
4:47:22 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:50:38 (Pop-up) | ||||
| TSU Toronados |
Play the Music Toronadoes
|
Play The Music Toronados |
|
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