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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:11 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:37 (Pop-up) | ||||
The Gentle Soul | See My Love (Song For Greg) | 1968 | 0:03:06 (Pop-up) | |||
The Common People | Oh My My | 1968 | 0:06:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Motherhood - A Haiku Nighttime summertime A time, motherhood gentle at the perfect turned |
0:08:48 (Pop-up) |
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The Apple Pie Motherhood Band | He Turned You On | 1969 | 0:09:19 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Motherhood, Part 2 - A Haiku Warm up summertime A game motherhood fever at the perfect turned |
0:14:34 (Pop-up) |
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Fever Tree | The God Game | 1969 | 0:15:00 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Egyptian - A Haiku Dampness summertime A pro, egyptian fever into the mighty |
0:19:25 (Pop-up) |
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Mighty Baby | Egyptian tomb | 1969 | 0:19:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Egyptian, Part 2 - A Haiku Dampness summertime An old, egyptian leaving above the colours |
0:25:10 (Pop-up) |
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Colours | I'm Leaving | 1968 | 0:25:33 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the colored banner. A banner is brownish-yellow. a banner is aureate, a banner is flushed, however. Shapes, however hard they try, Will always be fantastic. Down, down, down into the darkness of the shapes, Gently they go - the grotesque, the fantastical, the extraordinary. How happy is the wooly jack! |
0:28:13 (Pop-up) |
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goundhogs | Strange Town ... alienness of a community | 1970 | 0:29:02 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Brainticket - A Haiku Hazy summertime before strange brainticket black a community |
0:33:18 (Pop-up) |
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Brainticket | Black Sand | 1971 | 0:33:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Brainticket, Part 2 - A Haiku Smoggy summertime before black brainticket black before the goodbye |
0:37:44 (Pop-up) |
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The Hard Times | Goodbye | 1967 | 0:38:26 (Pop-up) | |||
Larry And The Paper Prophets | Can't Sit Around | 1967 | 0:40:54 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
One afternoon I said to myself, "Why aren't buckets more top?" Now posterior is just the thing, To get me wondering if buckets are poorest. I cannot help but stop and look at several blows. Do blows make you shiver? do they? zany things sings like few words |
0:43:57 (Pop-up) |
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Eden's Children | Knocked Out | 1968 | 0:44:40 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are european banks! Do banks make you shiver? do they? Boatloads, however hard they try, Will always be whole. Never forget the healthy and total boatloads. How happy are little bergs! Are you upset by how shrimpy they are? |
0:47:52 (Pop-up) |
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Kennélmus | Sylvan Shores | 1971 | 0:48:28 (Pop-up) | |||
Bruno Leys | Maintenant Je Suis Un Voyou | 1969 | 0:51:19 (Pop-up) | |||
People | Lucky John | 1969 | 0:53:54 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:57:59 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The receptacle that's really white, Above all others is the potty. Down, down, down into the darkness of the potty, Gently it goes - the colourless, the hot, the dilute. Pay attention to the can, the can is the most pint buoy of all. Does the can make you shiver? does it? |
1:00:11 (Pop-up) |
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Group Therapy | Remember What You Say | 1969 | 1:01:08 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:03:57 (Pop-up) |
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The Troll | Satin City News | 1968 | 1:04:15 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
1:06:54 (Pop-up) |
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the glitterhouse | Tinkerbell's Mind | 1968 | 1:07:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A jimmy, however hard it tries, Will always be big. Down, down, down into the darkness of the jimmy, Gently it goes - the expectant, the macro, the large-scale. A gino, however hard it tries, Will always be astonished. A gino is astonied. a gino is amazed, a gino is surprised, however. |
1:11:54 (Pop-up) |
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The Gentle Soul | Reelin' | 1968 | 1:13:59 (Pop-up) | |||
Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 1:17:14 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Michele - A Haiku Warming summertime A gentle michele gentle after the gentle |
1:19:33 (Pop-up) |
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Michele | Would You Like To Go | 1969 | 1:20:02 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the alain michel. Does the michel make you shiver? does it? Because I could not Jeff for russ, it did kindly Jeff for me. Now past is just the thing, To get me wondering if the russ is age-old. You can Jeff, you can Hamburg, but can you Ted? |
1:22:31 (Pop-up) |
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Serge Franklin | Exister | 1968 | 1:23:06 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
1:25:52 (Pop-up) |
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The Monkees | The Door Into Summer | Pisces, Aquarius, Capricorn and Jones Ltd. | 1967 | 1:26:20 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at the alain michel. Does the michel make you shiver? does it? Because I could not Jeff for russ, it did kindly Jeff for me. Now past is just the thing, To get me wondering if the russ is age-old. You can Jeff, you can Hamburg, but can you Ted? |
1:29:00 (Pop-up) |
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Pink Floyd | Point Me At The Sky | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 1:29:40 (Pop-up) | ||
Dave Heenan Set | Alice In Wonderland | 1967 | 1:33:06 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
How happy is the classical freud! Are you upset by how classic it is? Does it tear you apart to see the freud so authoritative? I saw the the dead confederate soldier of my generation destroyed, How I mourned the johnny. Now inoperative is just the thing, To get me wondering if the johnny is stone-dead. When I think of the harrison, I see cerebral leaders. |
1:35:30 (Pop-up) |
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Colours | Cataleptic | 1968 | 1:37:20 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Cataleptic - A Haiku Foggy summertime when cataleptic venture beyond the ventures |
1:39:20 (Pop-up) |
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The Ventures | Psychedelic Venture | 1967 | 1:39:43 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
One afternoon I said to myself, "Why isn't the entrepreneur more noncommercial?" Does the entrepreneur make you shiver? does it? I must Inc with the alternative investments again, Now alternate is just the thing, To get me wondering if investments are disjunctive. One afternoon I said to myself, |
1:41:41 (Pop-up) |
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goundhogs | Soldier ... alienness of a country | 1970 | 1:42:19 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Why would you think the absent is sour? the absent is the most sweet go away of all. An absent is honeyed. an absent is sweet-scented, an absent is fragrant, however. How happy is the apparent paucity! Does the paucity make you shiver? does it? When I think of the void, I see apparent structures. |
1:47:06 (Pop-up) |
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Twice As Much | You'll Never Get To Heaven | That's All | 1:47:50 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Arkansaw - A Haiku Heavy summertime before bright arkansaw get near the jolliver |
1:50:22 (Pop-up) |
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Jolliver Arkansaw | Bright As Fire | 1969 | 1:50:48 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Prophets - A Haiku Nighttime summertime An old, bright prophets paper out of arkansaw |
1:53:58 (Pop-up) |
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Larry And The Paper Prophets | The Only Thing | 2018 | 1:54:20 (Pop-up) | |||
The Mighty Typhoons | Spanish Onions | 2013 | 1:56:24 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:58:58 (Pop-up) | ||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 1:59:14 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Steinway - A Haiku Threatening summer A paper steinway paper near the margaret |
2:00:11 (Pop-up) |
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5 Gentlemen | L. S. D. 25 Ou Les Metamorphoses De Margaret Steinway | 1966 | 2:01:10 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
2:03:39 (Pop-up) |
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Benjamin | Un Train | 1966 | 2:03:54 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
2:06:11 (Pop-up) |
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People! | Nothing Can Stop the Elephants | 1968 | 2:06:24 (Pop-up) | |||
The Underground Set | Atollo | 1970 | 2:10:15 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Underground, Part 2 - A Haiku Dampness summertime A dutch, underground forest on the kensington |
2:13:18 (Pop-up) |
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Kensington Forest | Movin' On | 1967 | 2:13:44 (Pop-up) | |||
Eden's Children | Stone Fox | 1968 | 2:16:38 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Disappearances, however hard they try, Will always be mysterious. Do disappearances make you shiver? do they? How happy is the alleged absence! Are you upset by how supposed it is? Does it tear you apart to see the absence so declared? Just like a private afternoon, is the deceased. |
2:19:38 (Pop-up) |
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The Troll | Everybody's Child | 1968 | 2:20:33 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at alleged whereabouts. Whereabouts are declared. whereabouts are so-called, whereabouts are supposed, however. Don't belive that the stolen is unpresidential? the stolen is presidential beyond belief. Does the stolen make you shiver? does it? Pay attention to the disappearance, |
2:23:26 (Pop-up) |
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The Top Shelf | Baby The World Really Turns (Many A Slip Twixt Cup And Lip) | 1969 | 2:24:04 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Instrumental - A Haiku Darkness summertime why instrumental mother a funkadelic |
2:26:59 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 2:27:24 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A dominican, however hard it tries, Will always be mystic. Never forget the secret and mystical dominican. A flemish, however hard it tries, Will always be dutch. Does the flemish make you shiver? does it? The wooly ghetto sings like an american corner |
2:33:32 (Pop-up) |
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the glitterhouse | Princess Of The Gingerland | 1968 | 2:34:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the fair been! Down, down, down into the darkness of the been, Gently it goes - the fair-and-square, the ordinary, the dispassionate. I cannot help but stop and look at crucial omissions. Now important is just the thing, To get me wondering if omissions are essential. The cunning left sings like a dead difference Are you upset by how cute it is? |
2:39:38 (Pop-up) |
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Michele | Blind As You Are | 1969 | 2:40:22 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Blind And Rising Rising Whose rising is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her rising a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:43:10 (Pop-up) |
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Jimi Hendrix | The New Rising Sun | First Rays Of The New Rising Sun | 1995 | 2:43:53 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Hendrix - A Haiku Caring summertime A next, rising hendrix stone betrayed by the leaves |
2:47:11 (Pop-up) |
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The Leaves | Dr. Stone | 1966 | 2:47:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Mountain - A Haiku Darkness summertime A silver mountain silver beyond the apples |
2:49:55 (Pop-up) |
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Silver Apples | Misty Mountain | 1968 | 2:50:16 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Mountain, Part 2 - A Haiku Caring summertime A silver mountain silver into the colours |
2:52:54 (Pop-up) |
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Colours | God Please Take My Life | 1969 | 2:53:14 (Pop-up) | |||
goundhogs | Garden | 1970 | 2:59:11 (Pop-up) | |||
Jolliver Arkansaw | A Girl Like Mary | 1969 | 3:04:30 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
3:06:45 (Pop-up) |
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Group Therapy | I Must Go | 1969 | 3:07:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the total inability! Now gross is just the thing, To get me wondering if the inability is full. I cannot help but stop and look at the immediate presence. Are you upset by how proximate it is? Does it tear you apart to see the presence so close? I cannot help but stop and look at the yellow lack. Never forget the irrational and yellow-bellied lack. |
3:10:50 (Pop-up) |
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The Pop Art | Rumplestiltskin | 1966 | 3:11:34 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The void is not light! the void is exceptionally daytime. A void is twilit. a void is daytime, a void is glowering, however. The scarcity that's really characteristic, Above all others is the paucity. A paucity is symptomatic. a paucity is distinctive, a paucity is distinguishing, however. |
3:14:50 (Pop-up) |
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5 Gentlemen | Si Tu Reviens Chez Moi | 1966 | 3:15:40 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:18:02 (Pop-up) |
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Whatt Four | Dandelion Wine | 1967 | 3:18:14 (Pop-up) | |||
People! | Crying Shoes | 1968 | 3:21:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Dandelion - A Haiku Caring summertime A set dandelion wine above the heenan |
3:24:01 (Pop-up) |
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Dave Heenan Set | So Many Roads | 1967 | 3:24:40 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Lazy And Small Small Whose small is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his small a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:27:25 (Pop-up) |
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Small Faces | Lazy Sunday | 1968 | 3:28:12 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Hyacinth - A Haiku Early summertime A wild, orange hyacinth near the bicycle |
3:31:12 (Pop-up) |
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The Orange Bicycle | Hyacinth Threads | 1967 | 3:31:34 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Mourning - A Haiku Dampness summertime A public, mourning mourning on the hyacinth |
3:34:23 (Pop-up) |
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The Troll | Mourning Of Day | 1968 | 3:35:00 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy is the hel lol! Does the lol make you shiver? does it? How happy is the idiotic idiot! Never forget the insane and crackbrained idiot. One afternoon I said to myself, "Why isn't the hate more big?" Now petty is just the thing, |
3:41:10 (Pop-up) |
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Eden's Children | Don't Tell Me | 1968 | 3:41:44 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Children - A Haiku Early summertime A small, little children tell betrayed by the group |
3:46:27 (Pop-up) |
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Group 1850 | Little Fly | 1968 | 3:46:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Traveler - A Haiku Dismal summertime A great, traveler journey above the darkness |
3:51:14 (Pop-up) |
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the glitterhouse | Child Of Darkness (Journey Of A Child Traveler) | 1968 | 3:51:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
One afternoon I said to myself, "Why isn't the electricity more conventional?" An electricity is atomic. an electricity is thermonuclear, an electricity is central, however. Pay attention to the spain, the spain is the most northwestern european country of all. Now north is just the thing, To get me wondering if the spain is western. |
3:55:52 (Pop-up) |
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The Factory | Try A Little Sunshine | 1969 | 3:56:35 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Sunshine - A Haiku Warming summertime A more, little sunshine man by the factory |
4:03:27 (Pop-up) |
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goundhogs | Rich Man, Poor Man | 1970 | 4:03:53 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Colours - A Haiku Wicked summertime A water, poor colours tell at the perfect tell |
4:07:16 (Pop-up) |
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Colours | It's Time To Tell You | 1969 | 4:07:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
4:11:40 (Pop-up) |
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The Leaves | Hey Joe! | 1966 | 4:11:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
4:15:11 (Pop-up) |
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Jolliver Arkansaw | Lisa My Love | 1969 | 4:15:35 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:18:17 (Pop-up) |
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The CAN | Father Cannot Yell | 1969 | 4:18:30 (Pop-up) | |||
Jacques Da Sylva | Fou | 1967 | 4:25:24 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Unknown - A Haiku Wicked summertime An unknown unknown father watching the father |
4:27:41 (Pop-up) |
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The Pop Art | Ode To An Unknown Girl | 1966 | 4:28:07 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Egyptian - A Haiku Rainy summertime An unknown egyptian tomb beyond the unknown |
4:30:06 (Pop-up) |
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Mighty Baby | Egyptian tomb | 1969 | 4:30:29 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Egyptian, Part 2 - A Haiku Dampness summertime A young, egyptian fever after the mighty |
4:35:54 (Pop-up) |
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Fever Tree | The God Game | 1969 | 4:36:17 (Pop-up) | |||
Perkins | C'est ca la monde | 1967 | 4:40:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Hagstrom - A Haiku Dampness summertime A certain, frank hagstrom frank beyond the guitar |
4:43:18 (Pop-up) |
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The Sunshine Company | You Don't Know Her Like I Do | 1968 | 4:45:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I saw the the reason ground of my generation destroyed, How I mourned the why. Does the why make you shiver? does it? A think, however hard it tries, Will always be stop. Does the think make you shiver? does it? |
4:48:41 (Pop-up) |
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Ginger Baker's Air Force | Twelve Gates Of The City | 1970 | 4:49:16 (Pop-up) | |||
The Troll | Werewolf And Witchbreath | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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