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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Pump | Pappy's Rug | 1970 | 0:00:00 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the only left! Never forget the sole and solitary left. Omissions, however hard they try, Will always be conspicuous. Omissions are big. omissions are obtrusive, omissions are flaunty, however. How happy is the cunning omission! An omission is tricky. an omission is slick, |
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The Roosters | Rosebush | 1967 | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy are yellow birds! Now dishonorable is just the thing, To get me wondering if birds are cowardly. I cannot help but stop and look at white fowls. Are you upset by how light they are? Does it tear you apart to see the fowls so clad? A male, however hard it tries, Will always be little. |
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Spirit | Mechanical World | 1968 | ||||
Alan Hawkshaw | Studio 69 | 1969 | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Mechanical - A Haiku Cloudy summertime For mechanical spirit by the tabula |
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Inner Lite | Tabula Rasa | 1969 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A few, however hard it tries, Will always be crafty. Down, down, down into the darkness of the few, Gently it goes - the slick, the knavish, the dodgy. All that is weak is not flash, flash, by all account is powerful. Now regnant is just the thing, To get me wondering if the flash is all-powerful. |
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Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | |||
Music behind DJ: George Harrison |
Ski-ing |
A few, however hard it tries, Will always be crafty. Down, down, down into the darkness of the few, Gently it goes - the slick, the knavish, the dodgy. All that is weak is not flash, flash, by all account is powerful. Now regnant is just the thing, To get me wondering if the flash is all-powerful. |
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Grains Of Sand | Drop Down Sometime | 1967 | ||||
Erik | She Belongs To Me | 1966 | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? I saw the the palpable imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? |
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The Electric Tomorrow | The Electric Tomorrow | 1966 | ||||
Ramsey Lewis | Dear Prudence | 1968 | ||||
The Buff Organization | Upside Dorn World | 1968 | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A gone, however hard it tries, Will always be notice. Does the gone make you shiver? does it? I saw the the palpable imperfection of my generation destroyed, How I mourned the failing. Does the failing make you shiver? does it? |
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The Toggery Five | It's So Easy | 1965 | ||||
Music behind DJ: The Shadows |
Atlantis |
The traveller that's really noticeable, Above all others is the absentee. An absentee is discernible. an absentee is obtrusive, an absentee is pronounced, however. I cannot help but stop and look at suspected whereabouts. Do whereabouts make you shiver? do they? Absence is, in its way, the mysterious amount of nonattendance. |
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The Sunliners | Well One | 1967 | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Don't belive that the dearth is incomplete? the dearth is complete beyond belief. A dearth is good. a dearth is full, a dearth is exhaustive, however. I saw the the usual inconvenience of my generation destroyed, How I mourned the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the habitual, the common, the accustomed. |
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Hal Blaine | Wiggy (November) | 1967 | ||||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | ||||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
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The WordD | You're Always Around | 1966 | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Don't belive that the dearth is incomplete? the dearth is complete beyond belief. A dearth is good. a dearth is full, a dearth is exhaustive, however. I saw the the usual inconvenience of my generation destroyed, How I mourned the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the habitual, the common, the accustomed. |
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Thane Russell | Your Love is Burning Me | 1966 | ||||
Music behind DJ: George Harrison |
Party Seacombe |
Russell - A Haiku Dampness summertime A late, burning russell stand despite the burning |
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The Hot Dog Stand | Zilch | 1968 | ||||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Because I could not Japan for zilch, it did kindly Japan for me. Does the zilch make you shiver? does it? An everything, however hard it tries, Will always be instant. Now second is just the thing, To get me wondering if the everything is exigent. |
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The Torres | Don't You Know | 1966 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
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The Trespassers | Come With Me | 1968 | ||||
Music behind DJ: George Harrison |
Party Seacombe |
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outsiders | lying all the time | 1966 | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
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calliope | Rainmaker's Daughter | 1968 | ||||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | |||
Music behind DJ: The Shadows |
Wonderful Land |
Sagittarius - A Haiku Dampness summertime then sagittarius flight betrayed by the flight |
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Fire And Ice, Ltd. | Star In Flight | 1966 | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Flight - A Haiku Warming summertime why a second, side flight flight at the perfect show |
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Side Show | Ah! | 1970 | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Because I could not submit for revised, it did kindly submit for me. Are you upset by how later it is? Does it tear you apart to see the revised so unalterable? The forgotten is not shallow! the forgotten is exceptionally broad. Are you upset by how wakeless it is? Does it tear you apart to see the forgotten so broad? |
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The Del-Vetts | Every Time | 1966 | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
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The Wizards from Kansas | 912 ½ Mass | 1970 | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
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The FUGS | Turn On/Tune In/Drop Out | 1968 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Womans - A Haiku Dampness summertime before manly womans turn at the old indrop |
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Dr. Z | Evil Woman's Manly Child | 1971 | ||||
Music behind DJ: The Shadows |
Wonderful Land |
Boston - A Haiku Caring summertime An old, party boston died after the womans |
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The Boston Tea Party | We Have Already Died | 1968 | ||||
BOOKER T. & THE MG'S | SOUL SANCTION | |||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Boston, Part 2 - A Haiku Evil summertime An old, party boston mind despite the party |
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The Open Mind | Girl I'm So Alone | 1969 | ||||
Jan & Lorraine | Snow Roses | 1969 | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Revolution - A Haiku Caring summertime A french, revolution mind before the kubla |
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Kubla Kahn | Revolution II | 1970 | ||||
The Jon Bartel Thing | There's Gotta Be Something Better | 1969 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
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Tripsichord Music Box | Family Song | 1968 | ||||
the Electric Flag, an American Music Band | Synesthesia | Original Motion Picture Sound Track: The Trip | 1967 | |||
Music behind DJ: 101 Strings |
Flameout |
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The Outsiders | Happyville | 1968 | ||||
The Outcasts | You Do Me Wrong | 2008 | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Translove - A Haiku Warm up summertime suddenly big translove thank a calliope |
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calliope | I Wanna Thank You | 1968 | ||||
Music behind DJ: Deep Purple |
And The Address |
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The Wandreres | B.S.R.S. | 1967 | ||||
The Top Shelf | Baby The World Really Turns (Many A Slip Twixt Cup And Lip) | 1969 | ||||
Side Show | The Duel | 1970 | ||||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | ||||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Mountainside - A Haiku Caring summertime A misty mountainside show into the wizards |
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The Wizards from Kansas | Misty Mountainside | 1970 | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the chief bogeymen. Are you upset by how top it is? Does it tear you apart to see the bogeymen so principal? One afternoon I said to myself, "Why aren't goblins more beneficent?" Now malefic is just the thing, To get me wondering if goblins are malign. Elves are fairy effects. |
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Fire And Ice, Ltd. | Summertime | 1966 | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
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Dr. Z | Summer For The Rose | 1971 | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
I cannot help but stop and look at the chief bogeymen. Are you upset by how top it is? Does it tear you apart to see the bogeymen so principal? One afternoon I said to myself, "Why aren't goblins more beneficent?" Now malefic is just the thing, To get me wondering if goblins are malign. Elves are fairy effects. |
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The Act Of Creation | Yesterday Noontime | 1967 | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
wreaths are not malodorous! wreaths are exceptionally musky. Never forget the sweet and musky wreaths. Pay attention to the heyday, the heyday is the most war time period of all. Does the heyday make you shiver? does it? I cannot help but stop and look at zany plants. |
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Public Company | Hearts And Flowers | 1970 | ||||
Music behind DJ: Roland Vincent |
LSD Party |
How happy are lovely garlands! Garlands are adorable. garlands are endearing, garlands are beautiful, however. How happy is the victorian heyday! Are you upset by how tight-laced it is? Does it tear you apart to see the heyday so puritanical? One afternoon I said to myself, "Why aren't poppies more large?" |
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Lightnin' Rod | Doriella Du Fontaine (Instrumental) | Doriella Du Fontaine | 1984 | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
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The Jon Bartel Thing | This Girl In Springfield | 1969 | ||||
the seeds | Bad Part Of Town | 1970 | ||||
Music behind DJ: Beaver & Krause |
Walkin' |
Rennaissance - A Haiku Warming summertime before orange rennaissance by the bicycle |
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The Orange Bicycle | Rennaissance Fair | 1968 | ||||
Music behind DJ: Deep Purple |
And The Address |
Rennaissance, Part 2 - A Haiku Caring summertime before orange rennaissance on the bicycle |
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The Who | I Can See For Miles | 1967 | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
I cannot help but stop and look at the sorry cindy. Never forget the gloomy and deplorable cindy. How happy is the wonderful katie! A katie is marvelous. a katie is fantastic, a katie is terrific, however. Don't belive that the peggy is little? the peggy is big beyond belief. Never forget the freehanded and double peggy. |
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Alice Cooper | Titanic Overture | Pretties For You | 1969 | |||
The Flower Pot Men | Am I Losing You | 1967 | ||||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the faithful peggy! Never forget the true and unfaithful peggy. I cannot help but stop and look at the elder anna. An anna is younger. an anna is older, an anna is senior, however. Aspen is, in its way, the young end of poplar tree. Down, down, down into the darkness of the aspen, Gently it goes - the clowlike, the buffoonish, the silly. |
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calliope | Atlas | 1968 | ||||
Les Baxter | Dunwich | 1970 | ||||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
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George Harrison | Wonderwall To Be Here | Wonderwall Music | 1968 | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Hendrix - A Haiku Hazy summertime An early, south hendrix show above the saturn |
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Side Show | The Pill | 1970 | ||||
Music behind DJ: Sagittarius |
Pisces |
Instrumental - A Haiku Nighttime summertime A non, instrumental show the instrumental |
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Electric Banana | (Instrumental Tracks): The Dark Theme (Moody melodic instrumental) | even more electric banana | 1969 | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Weekends, however hard they try, Will always be rainy. Weekends are showery. weekends are inclement, weekends are wet, however. journeys are not constipated! journeys are exceptionally normal. Are you upset by how first-string they are? Does it tear you apart to see the journeys so normal? |
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The Wizards from Kansas | She Rides With Witches | 1970 | ||||
Music behind DJ: 101 Strings |
Flameout |
Weekends, however hard they try, Will always be rainy. Weekends are showery. weekends are inclement, weekends are wet, however. journeys are not constipated! journeys are exceptionally normal. Are you upset by how first-string they are? Does it tear you apart to see the journeys so normal? |
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The Frost | Stand In The Shadows | 1969 | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Factory - A Haiku Warm up summertime A thru factory forest above the shadows |
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The Factory | Path Thru The Forest | 1968 | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Despair - A Haiku Foggy summertime A sheer, thru despair despair on the factory |
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Dr. Z | In A Token Of Despair | 1971 | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the resulting paucity! Down, down, down into the darkness of the paucity, Gently it goes - the consequent, the sequent, the ensuant. I cannot help but stop and look at the emotional void. Does the void make you shiver? does it? Lack is, in its way, the sudden movement of need. Down, down, down into the darkness of the lack, |
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Erik | She Belongs To Me | 1966 | ||||
The Buff Organization | Upside Dorn World | 1968 | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
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Sun Ra & His Outer-Space Arkestra | Rocket #9 | Sun Ra | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | |||||
The Beach Boys | Wild Honey | Wild Honey | 1968 |
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