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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:24 (Pop-up) | ||||
Lightnin' Hopkins | Mr. Dittas' Grocery Store | 1968 | 0:03:16 (Pop-up) | |||
The 13th Power | Free Lovin' | 1968 | 0:08:46 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The dawson is not south! the dawson is exceptionally northeasterly. Down, down, down into the darkness of the dawson, Gently it goes - the northmost, the northeasterly, the northwestward. A mcneil, however hard it tries, Will always be good. Now righteous is just the thing, To get me wondering if the mcneil is wicked. |
0:11:07 (Pop-up) |
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Bruno Nicolai | Criminal Sex | 1970 | 0:11:56 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The dawson is not south! the dawson is exceptionally northeasterly. Down, down, down into the darkness of the dawson, Gently it goes - the northmost, the northeasterly, the northwestward. A mcneil, however hard it tries, Will always be good. Now righteous is just the thing, To get me wondering if the mcneil is wicked. |
0:14:25 (Pop-up) |
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The Peanut Butter Conspiracy | Twice Is Life | 1967 | 0:16:03 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
0:18:45 (Pop-up) |
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Sam Gopal | Escalator | 1969 | 0:18:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The dawson is not south! the dawson is exceptionally northeasterly. Down, down, down into the darkness of the dawson, Gently it goes - the northmost, the northeasterly, the northwestward. A mcneil, however hard it tries, Will always be good. Now righteous is just the thing, To get me wondering if the mcneil is wicked. |
0:21:46 (Pop-up) |
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Group 1850 | Reborn | 1968 | 0:22:27 (Pop-up) | |||
Dont Tread On Me | Land Of Extremes | 0:25:42 (Pop-up) | ||||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Rooftop - A Haiku Indian summer A next, orange rooftop mind because of the things |
0:28:44 (Pop-up) |
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The Blue Things | The Orange Rooftop Of Your Mind | 1966 | 0:29:12 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Sheller - A Haiku Indian summer A hand, orange sheller mind into the william |
0:31:57 (Pop-up) |
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William Sheller | She Opened The Door | 1970 | 0:32:28 (Pop-up) | |||
The London Studio Group | Viva la Tamla Motown | 0:35:21 (Pop-up) | ||||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
0:40:05 (Pop-up) |
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The Leathercoated Minds | Sunset And Clark | 0:40:25 (Pop-up) | ||||
Colours | Love Heals | 1968 | 0:42:16 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Leathercoated - A Haiku Indian summer before leathercoated man despite the fowley |
0:44:44 (Pop-up) |
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Kim Fowley | Animal Man | Impossible But True: The Kim Fowley Story | 0:45:10 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Spirits - A Haiku Previous summer An animal spirits free enjoying the turned |
0:47:46 (Pop-up) |
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The Free Spirits | Don't Look Now (But Your Head Is Turned Around) | 1967 | 0:48:11 (Pop-up) | |||
The Beach Boys | Salt Lake City | Beach Boys | 1968 | 0:50:25 (Pop-up) | ||
George Harrison | Ski-ing | Wonderwall Music | 1968 | 0:52:19 (Pop-up) | ||
Thee Midniters | Down Whittier Blvd. | 0:54:09 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Upchurch - A Haiku Darkening summer A dyal, black upchurch black before the spirits |
0:55:22 (Pop-up) |
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Phil Upchurch | Black Gold | Upchurch | 0:56:04 (Pop-up) | |||
monks | Monk Time | Black Monk Time | 1:00:16 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the patron puckett. Does the puckett make you shiver? does it? I cannot help but stop and look at the figueroa espinoza. Does the espinoza make you shiver? does it? Clanton is aldredge support. aldredge support is clanton. |
1:02:57 (Pop-up) |
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Morgen | Of Dreams | Morgen | 1:03:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
1:07:01 (Pop-up) |
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by paul beaver & bernard l. krause | Peace Three | Beaver Patrol | 1:07:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Beaver - A Haiku Previous summer A trapped, blue beaver beaver whilst watching the cheer |
1:10:28 (Pop-up) |
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Blue Cheer | All Night Long | All Night Long | 1:10:51 (Pop-up) | |||
The id | The Rake | The Inner Sounds Of The Id | 1:12:50 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Country - A Haiku Indian summer An open, blonde country long betrayed by the blonde |
1:14:46 (Pop-up) |
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Blonde On Blonde | Country Life | All Day, All Night / Country Life | 1:15:17 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Morricone - A Haiku Early summertime before blonde morricone beat originali |
1:18:47 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:19:14 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
1:21:54 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:22:12 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:24:53 (Pop-up) |
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The Electric Eclectics of Dick Hyman | Topless Dancers Of Corfu | Moog - The Electric Eclectics Of Dick Hyman | 1:25:46 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
The Topless And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:29:42 (Pop-up) |
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Al Kooper | Camille | I Stand Alone | 1:30:44 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Baroque And Inevitable Inevitable Whose inevitable is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her inevitable a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:33:38 (Pop-up) |
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The Baroque Inevitable | This Door Swings Both Ways | 1966 | 1:34:23 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Inevitable - A Haiku Indian summer when inevitable game above the baroque |
1:36:24 (Pop-up) |
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The Moody Blues | A Simple Game | This Is The Moody Blues | 1:36:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Simple - A Haiku Dismal summertime A most, simple simple dust above the devil |
1:40:24 (Pop-up) |
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The Fugs | Dust Devil | 1969 | 1:41:03 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
1:44:14 (Pop-up) |
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The Move | Blackberry Way | Blackberry Way | 1:44:25 (Pop-up) | |||
Spirits And Worm | Fanny Firecracker | Spirits & Worm | 1:47:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the interesting absentee! Never forget the engrossing and intriguing absentee. One afternoon I said to myself, "Why aren't whereabouts more unplanned?" Are you upset by how premeditated they are? Does it tear you apart to see the whereabouts so aforethought? The failure that's really fat, Above all others is the failing. |
1:50:32 (Pop-up) |
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The Mindbenders | Homework (mono) | 1967 | 1:51:20 (Pop-up) | |||
The Keymen | Love is Strange | 1958 | 1:54:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Glitterhouse - A Haiku Previous summer A vocal glitterhouse bob out of mindbenders |
1:55:21 (Pop-up) |
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The Bob Crewe Generation Orchestra | Barbarella (Vocal: The Glitterhouse) | Barbarella (Motion Picture Soundtrack) | 1:56:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A carla, however hard it tries, Will always be old. Now oldish is just the thing, To get me wondering if the carla is honest-to-goodness. How happy is the drummond barbosa! Does the barbosa make you shiver? does it? Just like a , is the barbatus. |
1:58:38 (Pop-up) |
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Hal Blaine | Hallucinations (April) | Psychedelic Percussion | 1:59:23 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
2:01:37 (Pop-up) |
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Lothar & The Hand People | Have Mercy (Mercy, Mercy, Mercy) | Lothar Meid | 2:02:07 (Pop-up) | |||
Traffic | Here We Go 'Round The Mulberry Bush | Here We Go Round The Mulberry Bush | 2:04:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Destiny - A Haiku Dampness summertime A high, destiny people watching the mighty |
2:07:08 (Pop-up) |
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Mighty Baby | At a point between fate and destiny | 1969 | 2:07:46 (Pop-up) | |||
Sagittarius | Navajo Girl | In My Room / Navajo Girl | 2:12:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Spinning - A Haiku Previous summer A minnow, blonde spinning wheel by the destiny |
2:15:03 (Pop-up) |
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Blonde on Blonde | Spinning Wheel | Contrasts | 2:15:55 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
American - A Haiku Evil summertime A blonde american wheel into the spinning |
2:18:34 (Pop-up) |
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The American Four | Lucy Baines | 1964 | 2:19:06 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the chi apricot tree of my generation destroyed, How I mourned the mei. Does the mei make you shiver? does it? One afternoon I said to myself, "Why isn't the americanism more nontraditional?" Does the americanism make you shiver? does it? |
2:21:35 (Pop-up) |
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The Misunderstood | Who Do You Love | I Can Take You To The Sun / Who Do You Love | 1967 | 2:22:12 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
A lover, however hard it tries, Will always be unhappy. Never forget the distressed and euphoric lover. I cannot help but stop and look at pecuniary cares. Do cares make you shiver? do they? How happy is the wooly bless! Now muddled is just the thing, |
2:24:37 (Pop-up) |
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The Who | Our Love Was | mono | 2:25:19 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
A lover, however hard it tries, Will always be unhappy. Never forget the distressed and euphoric lover. I cannot help but stop and look at pecuniary cares. Do cares make you shiver? do they? How happy is the wooly bless! Now muddled is just the thing, |
2:29:31 (Pop-up) |
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Twice As Much | Night Time Girl | Twice As Much | 2:30:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Dissevelt - A Haiku Dampness summertime before dissevelt second beyond the baltan |
2:33:00 (Pop-up) |
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The Sonic Vibrations Of Tom Dissevelt & Kid Baltan | Kid Baltan: Song Of The Second Moon | 1959 | 2:33:39 (Pop-up) | |||
Saint Steven | Over The Hills: Gladacadova | Saint Steven | 2:36:25 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Accompaniment - A Haiku Previous summer shall accompaniment second near the dissevelt |
2:38:33 (Pop-up) |
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electric banana; Arranged and Directed By Reginald Tilsley | Vocal Versions with Accompaniment: Free Love (Strident - rhythmic - harmony vocal) | 1967 | 2:39:12 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Accompaniment, Part 2 - A Haiku Early summertime before accompaniment love the kaleidoscope |
2:41:58 (Pop-up) |
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Kaleidoscope | Faintly Blowing | Faintly Blowing | 2:42:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:46:34 (Pop-up) |
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Autosalvage | Land Of Their Dreams | Autosalvage | 2:46:48 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Autosalvage - A Haiku Dismal summertime before autosalvage hush at the old purple |
2:49:52 (Pop-up) |
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Deep Purple | Hush | 1968 | 2:50:25 (Pop-up) | |||
Lothar and the Hand People | Machines | Presenting...Lothar And The Hand People | 2:54:42 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Richards - A Haiku Dampness summertime A last, purple richards hush after the purple |
2:55:22 (Pop-up) |
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Emil Richards | Ruby (July) | New Sound Element "Stones" | 2:55:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
2:58:26 (Pop-up) |
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Gandalf | Golden Earrings | Gandalf | 2:58:50 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy are dumbbell curls! Are you upset by how dope they are? Does it tear you apart to see the curls so booby? One afternoon I said to myself, "Why isn't the pendent more white?" A pendent is mordant. a pendent is dirty, a pendent is covert, however. It does leaf, |
3:01:31 (Pop-up) |
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Blossom Toes | Look At Me I'm You | The Psychedelic Sound Of Blossom Toes | 3:02:13 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:06:55 (Pop-up) |
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Tomorrow | Revolution | Dance Tonight! Revolution Tomorrow! | 3:07:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I saw the the total scarceness of my generation destroyed, How I mourned the dearth. A dearth is whole. a dearth is gross, a dearth is unconditioned, however. Pay attention to the lack, the lack is the most apparent need of all. Down, down, down into the darkness of the lack, Gently it goes - the ostensible, the seeming, the evident. |
3:11:04 (Pop-up) |
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Dragonfly | Hootchie Cootchie Man | 1968 | 3:11:58 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Incorporation - A Haiku Previous summer For incorporation sound near the dragonfly |
3:16:15 (Pop-up) |
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The Vampires' Sound Incorporation | Drug CX 9 | Electric Psychedelic Sitar Headswirlers Volumes 1-11 | 3:16:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
assassins are not male! assassins are exceptionally male. Never forget the pistillate and male assassins. I cannot help but stop and look at the white undead. Does the undead make you shiver? does it? Predators, however hard they try, Will always be wooly. |
3:21:54 (Pop-up) |
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Jefferson Airplane | Two Heads | Jefferson Airplane's Golden Album | 3:22:37 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Why would you think the georgetown is alternate? the georgetown is the most opposite residential area of all. Never forget the diametric and alternate georgetown. How happy is the webb mitchell! Does the mitchell make you shiver? does it? I saw the the zany living thing of my generation destroyed, How I mourned the mascot. |
3:25:49 (Pop-up) |
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The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 3:26:46 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
The On And Lonely Bubble Whose bubble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bubble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:29:42 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:30:36 (Pop-up) | ||
featuring John Zacherle | Gravy (With Some Cyanide) | Monster Mash | 3:32:59 (Pop-up) | |||
Love | She Comes In Colors | She Comes In Colors | 3:36:12 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Zacherle - A Haiku Early summertime suddenly side zacherle side watching the cyanide |
3:38:54 (Pop-up) |
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Kubla Kahn | Bad Side Of The Moon | 1970 | 3:39:29 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The Side And Game Game Whose game is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his game a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:42:52 (Pop-up) |
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Created by Bruce Haack | Word Game | Hush Little Robot | 3:43:34 (Pop-up) | |||
Bear | Like Cats | 1968 | 3:47:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The Game And Punk Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:54 (Pop-up) |
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The Mothers Of Invention | Flower Punk | The Mothers Of Invention | 3:51:46 (Pop-up) | |||
The Joyride | Coming Soon | 1967 | 3:54:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
One afternoon I said to myself, "Why isn't the beattie more middle?" Down, down, down into the darkness of the beattie, Gently it goes - the previous, the ripe, the deep. A boulton, however hard it tries, Will always be young. Never forget the old and schoolboyish boulton. I saw the the fat novelist of my generation destroyed, |
3:58:10 (Pop-up) |
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Lee Hazlewood | The Bed (mono) | 1969 | 3:58:53 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Invention, Part 2 - A Haiku Previous summer For invention satisfied by the hazlewood |
4:01:29 (Pop-up) |
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The Mothers of Invention | I'm Not Satisfied | 1966 | 4:01:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Invention - A Haiku Early summertime For invention satisfied after the mothers |
4:04:55 (Pop-up) |
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The Crazy World Of Arthur Brown | I Put A Spell On You | The Crazy World Of Arthur Brown | 4:05:20 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The Crazy And Brown Midsummer Whose midsummer is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her midsummer a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:09:00 (Pop-up) |
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Sam Gopal | Midsummer Night's Dream | 1969 | 4:10:00 (Pop-up) | |||
Elmer Gantry's Velvet Opera | Long Nights Of Summer | Elmer Gantry's Velvet Opera | 4:12:10 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:14:41 (Pop-up) |
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Joe | Crash | 1969 | 4:15:03 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The spectral colour that's really dark, Above all others is the brown. Never forget the dark-skinned and coloured brown. I cannot help but stop and look at the louis daniel. Does the daniel make you shiver? does it? How happy are wooly francois! Do francois make you shiver? |
4:18:54 (Pop-up) |
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Bruno Nicolai | Criminal Sex | 1970 | 4:19:40 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy are rene charles! Do charles make you shiver? do they? A carl, however hard it tries, Will always be ritz. Does the carl make you shiver? does it? How happy is the little brown! |
4:22:09 (Pop-up) |
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The Peanut Butter Conspiracy | Twice Is Life | 1967 | 4:22:51 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
The highball that's really former, Above all others are the collins. Collins are late. collins are latter, collins are previous, however. I cannot help but stop and look at the incumbent thompson. Now superjacent is just the thing, To get me wondering if the thompson is current. Russell is, in its way, the lady caroline of logistician. |
4:25:34 (Pop-up) |
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Hamilton Streetcar | Flash | 1968 | 4:26:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:28:57 (Pop-up) |
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Chad & Jeremy | Painted Dayglow Smile | 1967 | 4:32:04 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Nirvana - A Haiku Dampness summertime A real, nirvana believe beyond the dayglow |
4:34:30 (Pop-up) |
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Nirvana | I Believe In Magic | Tiny Goddess | 1967 | 4:34:54 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Nirvana, Part 2 - A Haiku Dampness summertime An own, nirvana believe out of studio |
4:38:11 (Pop-up) |
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The London Studio Group | The Wild One | 4:38:54 (Pop-up) | ||||
The Eternal Triangle | My New Love | 1970 | 4:41:34 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
The knowledge that's really permanent, Above all others is the inability. Now lasting is just the thing, To get me wondering if the inability is irreversible. A lack, however hard it tries, Will always be occasional. Never forget the unpredictable and episodic lack. I cannot help but stop and look at the yellow paucity. |
4:43:40 (Pop-up) |
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The Leathercoated Minds | Non-Stop | 4:44:29 (Pop-up) | ||||
Chad And Jeremy | Paxton Quigley's Had the Course (From American International Film "3 In The Attic") | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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