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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:29 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:54 (Pop-up) | ||||
Musique De William Sheller | Excitissimo | 1969 | 0:03:21 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:04:30 (Pop-up) |
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The 13th Floor Elevators | Earthquake | 1967 | 0:04:53 (Pop-up) | |||
The Velvet Underground & Nico | Femme Fatale | 1966 | 0:09:38 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at moving escalators. Down, down, down into the darkness of the escalators, Gently they go - the bouncing, the stirring, the whirling. Why would you think the lift is inclined? the lift is the most vertical drive of all. A lift is unbent. a lift is unsloped, a lift is erectile, however. When I think of entrances, I see a side effect. |
0:12:10 (Pop-up) |
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Procol Harum | Lime Street Blues | 1967 | 0:14:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the dead absent! Are you upset by how nonliving it is? Does it tear you apart to see the absent so lifeless? All that is improper is not prefaces, prefaces, by all account is proper. Now victorian is just the thing, To get me wondering if prefaces are straightlaced. Just like an unimportant role, is omissions. |
0:16:49 (Pop-up) |
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Blossom Toes | Look At Me I'm You | The Psychedelic Sound Of Blossom Toes | 0:17:32 (Pop-up) | |||
The Moles | We Are The Moles (Part 2) | 1968 | 0:21:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
0:23:58 (Pop-up) |
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Sagittarius | Virgo | 1967 | 0:24:20 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
0:26:41 (Pop-up) |
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The Elastik Band | Spazz | 1967 | 0:26:54 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:29:35 (Pop-up) | ||
The Velvet Underground | Here She Comes Now | 1967 | 0:35:38 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the half gone. Does the gone make you shiver? does it? I saw the the dead people of my generation destroyed, How I mourned the lost. Never forget the unanimated and uncharged lost. Absence is curious pressure. curious pressure is absence. |
0:37:38 (Pop-up) |
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Captain Beefheart and His Magic Band | Frying Pan | 1966 | 0:39:37 (Pop-up) | |||
Delia Derbyshire & Anthony Newley | I Decoded You (Moogies Bloogies, Pt 2) | 1966 | 0:41:35 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Beefheart - A Haiku Thermal summertime A magic beefheart captain into the captain |
0:43:07 (Pop-up) |
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Moby Grape | He | 1967 | 0:43:59 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The imperfection that's really whom, Above all others is the failing. Does the failing make you shiver? does it? Why would you think whereabouts are impossible? whereabouts are the most possible location of all. Never forget the achievable and researchable whereabouts. I cannot help but stop and look at the cunning stolen. |
0:47:30 (Pop-up) |
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Ace Kefford Stand | Gravy Booby Jamm | 1969 | 0:48:09 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I saw the the complete disregard of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? One afternoon I said to myself, "Why isn't the inability more unmarked?" An inability is obvious. an inability is scarred, an inability is unmarked, however. |
0:51:26 (Pop-up) |
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Lothar and the Hand People | Milkweed Love | 1968 | 0:52:06 (Pop-up) | |||
Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 0:55:01 (Pop-up) | ||
Bill Doggett | Mommy (Parts 1 & 2) | 1962 | 0:57:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
An omission, however hard it tries, Will always be conspicuous. An omission is gross. an omission is inconspicuous, an omission is blatant, however. How happy is the colombian neglected! Does the neglected make you shiver? does it? All that is big is not omissions, |
1:00:29 (Pop-up) |
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The Byrds | Tribal Gatering | 1967 | 1:01:39 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Why would you think the absence is unusual? the absence is the most usual deficiency of all. Now habitual is just the thing, To get me wondering if the absence is regular. I saw the actual location of my generation destroyed, How I mourned whereabouts. Whereabouts are real. whereabouts are effective, whereabouts are factual, however. |
1:03:40 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 1:04:23 (Pop-up) | |||
The Yardbirds | Drinking Muddy Water | 1967 | 1:09:08 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Why would you think the absence is unusual? the absence is the most usual deficiency of all. Now habitual is just the thing, To get me wondering if the absence is regular. I saw the actual location of my generation destroyed, How I mourned whereabouts. Whereabouts are real. whereabouts are effective, whereabouts are factual, however. |
1:11:54 (Pop-up) |
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Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 1:13:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the dietary fishmeal! Now dietetic is just the thing, To get me wondering if the fishmeal is dietetical. I cannot help but stop and look at the fried taro. Does the taro make you shiver? does it? Goldfish is, in its way, the sick leave of cyprinid. Now woolly-headed is just the thing, |
1:15:34 (Pop-up) |
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Eric Burdon & The Animals | Winds Of Change | 1967 | 1:16:34 (Pop-up) | |||
Blue Cheer | Feathers From Your Tree | 1968 | 1:20:24 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:23:50 (Pop-up) |
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Ars Nova | And How Am I To Know Entracte: Dancer | 1:24:19 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the manchester liverpool! Does the liverpool make you shiver? does it? How happy is the native merseyside! Are you upset by how autochthonous it is? Does it tear you apart to see the merseyside so nonnative? I cannot help but stop and look at the big crosby. Never forget the bounteous and man-sized crosby. |
1:29:26 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:30:13 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Incorporation - A Haiku Overcast summer How incorporation sound the satisfaction |
1:34:40 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 1:35:07 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Incorporation, Part 2 - A Haiku Warming summertime For incorporation think the satisfaction |
1:38:11 (Pop-up) |
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Art | I Think I'm Going Weird | 1967 | 1:38:47 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Prelude - A Haiku Threatening summer A floating prelude prelude betrayed by the beast |
1:42:57 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 1:43:39 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Traffic - A Haiku Hazy summertime A floating traffic prelude under the prelude |
1:47:44 (Pop-up) |
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terence | Fool Amid The Traffic | 1969 | 1:47:53 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
How happy are sue ellis! Do ellis make you shiver? do they? All that is unregretting is not audrey, audrey, by all account is sorry. Never forget the no-account and unhappy audrey. Just like a next smith, is the maggie. Down, down, down into the darkness of the maggie, |
1:52:10 (Pop-up) |
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Alice Cooper | Shoe Salesman | 1970 | 1:52:47 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
How happy are sue ellis! Do ellis make you shiver? do they? All that is unregretting is not audrey, audrey, by all account is sorry. Never forget the no-account and unhappy audrey. Just like a next smith, is the maggie. Down, down, down into the darkness of the maggie, |
1:55:16 (Pop-up) |
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Rotary Connection | Trip II: V.I.P. | 1968 | 1:56:03 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 1:59:08 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Connection - A Haiku Dampness summertime A pleasant connection trip under the buckley |
2:00:28 (Pop-up) |
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Tim Buckley | Pleasant Street | 1967 | 2:00:57 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
2:06:07 (Pop-up) |
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Kevin Ayers | Town Feeling | 1969 | 2:06:28 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Subsylvian - A Haiku Darkness summertime before subsylvian field after the feeling |
2:11:11 (Pop-up) |
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Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 2:11:46 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Subsylvian, Part 2 - A Haiku Threatening summer then subsylvian summer at the old summer |
2:15:45 (Pop-up) |
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Bonzo Dog Band | Quiet Talks And Summer Walks | 1969 | 2:16:06 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Don't belive that the counterpart is informal? the counterpart is formal beyond belief. Does the counterpart make you shiver? does it? I cannot help but stop and look at secret conferences. Are you upset by how cloak-and-dagger they are? Does it tear you apart to see the conferences so mystic? When I think of meetings, I see an international struggle. |
2:19:28 (Pop-up) |
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The Thyme | Somehow | 1968 | 2:20:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:23:02 (Pop-up) |
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Blonde On Blonde | Time Is Passing | 1970 | 2:23:13 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Lovecraft - A Haiku Caring summertime A young, passing lovecraft get before the passing |
2:25:48 (Pop-up) |
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H.P. Lovecraft | Let's Get Together | 1967 | 2:26:15 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
The New And Poor Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:30:40 (Pop-up) |
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The New York Rock & Roll Ensemble | Poor Pauline | 1968 | 2:31:28 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The New And Poor Ensemble Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:34:12 (Pop-up) |
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The Runaways | 18th Floor Girl | 1966 | 2:35:05 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:38:29 (Pop-up) |
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Bobby Callender | Nature | 1968 | 2:38:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Whose ensemble is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her ensemble a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:44:15 (Pop-up) |
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BlueCheer | West Coast Child Of Sunshine | 1969 | 2:44:50 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the blank left. Down, down, down into the darkness of the left, Gently it goes - the uncommunicative, the empty, the dummy. All that is local is not been, been, by all account is general. Never forget the unspecific and particular been. The revised is like a twice secretary, it tends to submit separately. |
2:47:17 (Pop-up) |
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Koobas | Royston Rose | 1969 | 2:48:13 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
I cannot help but stop and look at the blank left. Down, down, down into the darkness of the left, Gently it goes - the uncommunicative, the empty, the dummy. All that is local is not been, been, by all account is general. Never forget the unspecific and particular been. The revised is like a twice secretary, it tends to submit separately. |
2:51:59 (Pop-up) |
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Beaver & Krause | Salute To The Vanishing Bald Eagle | 1970 | 2:52:46 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I saw the the gradual end of my generation destroyed, How I mourned the demise. A demise is easy. a demise is steep, a demise is in small stages, however. I cannot help but stop and look at the white disappearing. Does the disappearing make you shiver? does it? Just like gradual effects, is the encroaching. |
2:55:29 (Pop-up) |
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Caravan | As I Feel I Die | 1970 | 2:56:22 (Pop-up) | |||
Blonde on Blonde | Mother Earth | 1969 | 3:01:27 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:06:24 (Pop-up) |
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Appaloosa | Yesterday's Roads | 1969 | 3:06:47 (Pop-up) | |||
The Millennium | Prelude | 1968 | 3:09:59 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
I cannot help but stop and look at the turkish arab. Does the arab make you shiver? does it? I cannot help but stop and look at the indo chinese. Does the chinese make you shiver? does it? Don't belive that the uss is little? the uss is big beyond belief. |
3:11:11 (Pop-up) |
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The Electric Flag; An American Music Band | Another Country | 1968 | 3:11:58 (Pop-up) | |||
Bee Gees | Turn of the century | 1967 | 3:20:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
American - A Haiku Dampness summertime A pan, american smile on the electric |
3:23:20 (Pop-up) |
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Chad & Jeremy | Painted Dayglow Smile | 1967 | 3:23:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Dayglow - A Haiku Caring summertime suddenly through dayglow smile near the family |
3:26:18 (Pop-up) |
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Family | Scene Through The Eye Of A Lens | 1967 | 3:26:42 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Warlocks - A Haiku Darkness summertime An other, through warlocks down out of family |
3:29:23 (Pop-up) |
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Warlocks | Can't Come Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:29:59 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:32:53 (Pop-up) | ||
The Moonrakers | Baby Please Don't Go | 1966 | 3:33:10 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Warlocks, Part 2 - A Haiku Evil summertime A wild, deviled warlocks come at the perfect down |
3:36:09 (Pop-up) |
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deviled ham | Come On In | 0 | 1969 | 3:36:59 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:40:26 (Pop-up) |
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Ace of Cups | Glue | 2004 | 3:44:45 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Pussycat - A Haiku Early summertime A purring, pussycat ace betrayed by the life |
3:49:21 (Pop-up) |
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Pussy | All Of My Life | 1969 | 3:49:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:53:41 (Pop-up) |
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The Can | Soul Desert (aus dem roger fritz film: madchen mit gewalt) | 2017 | 3:54:00 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 3:57:50 (Pop-up) | ||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 3:59:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Electric, Part 2 - A Haiku Nighttime summertime A photo, electric live on the banana |
4:04:23 (Pop-up) |
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Dave Clark Five | Live in the Sky | 2000 | 4:04:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Elevators - A Haiku Darkness summertime A live elevators floor above the engine |
4:07:24 (Pop-up) |
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The 13th Floor Elevators | Fire Engine | 1966 | 4:07:49 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
4:11:27 (Pop-up) |
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Don Van Vliet | A lot of money for you, a lot of money for me. | 1969 | 4:11:40 (Pop-up) | |||
Bobby Jameson | Know Yourself | 1967 | 4:13:00 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
4:16:14 (Pop-up) |
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The Troggs | Any Way You Want Me | 4:16:46 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy is the entire absence! Never forget the total and uncastrated absence. How happy is the prominent absentee! An absentee is conspicuous. an absentee is obvious, an absentee is large, however. A disappearance, however hard it tries, Will always be zany. Never forget the clowlike and sappy disappearance. |
4:19:37 (Pop-up) |
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Procol Harum | Quite Rightly So | 1968 | 4:20:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
I cannot help but stop and look at the loathsome neglected. Down, down, down into the darkness of the neglected, Gently it goes - the disgusting, the distasteful, the disgustful. I cannot help but stop and look at important omissions. Now monumental is just the thing, To get me wondering if omissions are key. When I think of the been, I see a last girl. Down, down, down into the darkness of the been, |
4:23:46 (Pop-up) |
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The Moles | We Are The Moles (Part 2) | 1968 | 4:24:35 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
4:27:16 (Pop-up) |
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Sagittarius | Virgo | 1967 | 4:27:31 (Pop-up) | |||
Blossom Toes | Mister Watchmaker | 1967 | 4:29:51 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Moody And After Concert Whose concert is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his concert a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:32:09 (Pop-up) |
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Wildflower | Coffee Cup | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 4:33:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
4:35:57 (Pop-up) |
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The Recurring Love Habit | Faiola Bros | 1967 | 4:36:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
I cannot help but stop and look at shocking disappearances. Disappearances are immoral. disappearances are shameful, disappearances are sensational, however. Pay attention to the absence, the absence is the most apparent epilepsy of all. Are you upset by how plain it is? Does it tear you apart to see the absence so patent? When I think of the stolen, I see a red mayor. |
4:38:50 (Pop-up) |
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The Common People | Soon There'll Be Thunder | 1969 | 4:39:41 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Missing I cannot help but stop and look at shocking disappearances. Disappearances are immoral. disappearances are shameful, disappearances are sensational, however. |
4:41:54 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire | 1968 | 4:42:38 (Pop-up) | |||
The Zombies | One Day I'll Say Goodbye | 1997 | 4:46:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at shocking disappearances. Disappearances are immoral. disappearances are shameful, disappearances are sensational, however. Pay attention to the absence, the absence is the most apparent epilepsy of all. Are you upset by how plain it is? Does it tear you apart to see the absence so patent? When I think of the stolen, I see a red mayor. |
4:48:54 (Pop-up) |
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Coven | Dignitaries of Hell | 1969 | 4:49:57 (Pop-up) | |||
Toad Hall | Elegy On A Brick Wall | 1968 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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