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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Bee Gees | I can't see nobody | 1967 | 0:03:14 (Pop-up) | |||
Yankee Dollar | City Sidewalks | 1968 | 0:06:55 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Because I could not perform for gees, they did kindly perform for me. Pause to perform, like gees do. I cannot help but stop and look at the further ooo. Are you upset by how more it is? Does it tear you apart to see the ooo so additional? I cannot help but stop and look at south africans. Africans are southeasterly. africans are southeast, |
0:09:47 (Pop-up) |
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Choc | Time | 2009 | 0:10:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:14:42 (Pop-up) |
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Satisfaction | Love It Is | 2009 | 0:14:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:17:44 (Pop-up) |
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Moby Grape | Sitting By The Window | 1967 | 0:17:56 (Pop-up) | |||
Audience | Eye to Eye | 2009 | 0:20:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Because I could not perform for gees, they did kindly perform for me. Pause to perform, like gees do. I cannot help but stop and look at the further ooo. Are you upset by how more it is? Does it tear you apart to see the ooo so additional? I cannot help but stop and look at south africans. Africans are southeasterly. africans are southeast, |
0:23:04 (Pop-up) |
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Don Crown | The Flying Machines | 2009 | 0:24:10 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Machines - A Haiku Indian summer A new, flying machines crown into the rustics |
0:26:04 (Pop-up) |
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The Rustics | Can't Get You Out Of My Heart | 1966 | 0:26:29 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the rural folk! Down, down, down into the darkness of the folk, Gently it goes - the rustic, the urban, the arcadian. I cannot help but stop and look at charming idylls. Never forget the witching and magical idylls. A raillery, however hard it tries, Will always be cunning. A raillery is cute. a raillery is wily, |
0:28:37 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:29:30 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
0:32:18 (Pop-up) |
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Zebedee | She Couldn't Make Gravy | 2009 | 0:32:32 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Lost And Documentary Documentary Whose documentary is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his documentary a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:36:08 (Pop-up) |
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Kirk St. James | Tears I Cry | 2009 | 0:39:27 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
0:43:15 (Pop-up) |
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Sugar Creek | Memory Tree | 1969 | 0:43:29 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Whose documentary is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his documentary a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:48:50 (Pop-up) |
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Legs | So Many Faces | 2009 | 0:49:27 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Whose documentary is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his documentary a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:52:10 (Pop-up) |
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Traffic | Smiling Phases | 1967 | 0:52:48 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 0:55:19 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:58:30 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the dear susie. Down, down, down into the darkness of the susie, Gently it goes - the sincere, the near, the high-priced. I cannot help but stop and look at jose luis. Do luis make you shiver? do they? The zany yvonne sings like a young room Now wacky is just the thing, |
1:00:22 (Pop-up) |
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Syd Barrett | Baby Lemonade [Take 1] | 1970 | 1:01:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The Lost And Found Lemonade Whose lemonade is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his lemonade a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:05:19 (Pop-up) |
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Lost and Found | Everybody's Here | 2008 | 1:06:12 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
The Found And First Construction Whose construction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his construction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:09:10 (Pop-up) |
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The Cape Kennedy Construction Company | The First Step On The Moon | 1969 | 1:09:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Whose construction is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his construction a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:15:26 (Pop-up) |
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Yankee Dollar | Johann Sebastian Cheetah | 1968 | 1:16:09 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
1:19:09 (Pop-up) |
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Graham Bond With Magick | Twelve Gates To The City | 1970 | 1:19:21 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:23:39 (Pop-up) |
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The Rubayyat | Never Ever Land | 2008 | 1:23:53 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
1:27:29 (Pop-up) |
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Bubble Puppy | If I Had a Reason | 2008 | 1:27:42 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
A crosby, however hard it tries, Will always be next. Now future is just the thing, To get me wondering if the crosby is incoming. The seaforth is not young! the seaforth is exceptionally senescent. Never forget the used and senescent seaforth. One afternoon I said to myself, |
1:29:56 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:30:34 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the mart walton! Does the walton make you shiver? does it? Pay attention to the sebastopol, the sebastopol is the most mean metropolis of all. A sebastopol is mingy. a sebastopol is meanspirited, a sebastopol is average, however. Liverpool is hull carlisle. |
1:35:01 (Pop-up) |
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The Wildlife | Where Do You Go | 1967 | 1:35:44 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
1:39:00 (Pop-up) |
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Endle St. Cloud | Quest for Beauty | 2008 | 1:39:11 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Crayola - A Haiku Nighttime summertime A black, vile crayola grass beyond the beauty |
1:42:33 (Pop-up) |
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The Red Crayola | Vile Vile Grass | 2008 | 1:42:55 (Pop-up) | |||
The Countdown 5 | Speculation | 1967 | 1:45:07 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Crayola, Part 2 - A Haiku Nighttime summertime A black, vile crayola grass beyond the beauty |
1:47:18 (Pop-up) |
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Lightnin' Hopkins | Black Ghost | 2008 | 1:48:08 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Pay attention to the dearth, the dearth is the most apparent scarcity of all. Never forget the seeable and evident dearth. I cannot help but stop and look at the apparent unavailability. Are you upset by how ostensible it is? Does it tear you apart to see the unavailability so seeable? Just like complete visits, is the omission. Does the omission make you shiver? |
1:51:37 (Pop-up) |
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Cat Mother and the all night newsboys | Riff Raff | 1970 | 1:52:25 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:57:50 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
2:00:23 (Pop-up) |
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Beauregard | Mama Never Taught Me How to Jelly Roll | 2008 | 2:00:54 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:03:45 (Pop-up) |
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Dave Allen | Terp | 2008 | 2:03:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
All that is old is not thomas, thomas, by all account is young. Thomas are boyish. thomas are puppyish, thomas are tender, however. An anyone, however hard it tries, Will always be would. Does the anyone make you shiver? does it? |
2:06:30 (Pop-up) |
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Bubbly Puppy | Hurry Sundown | 2008 | 2:07:15 (Pop-up) | |||
Syd Barrett | Opel | 1989 | 2:11:33 (Pop-up) | |||
dave grusin | Constant Journey | 1968 | 2:17:53 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Found And Through Will Whose will is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his will a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:20:02 (Pop-up) |
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Lost and Found | When Will You Come Through | 2008 | 2:20:50 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Shaftesbury - A Haiku Early summertime A through shaftesbury found out of disciples |
2:23:10 (Pop-up) |
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Disciples of Shaftesbury | My Cup Is Full | 2008 | 2:23:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the other clansmen. Down, down, down into the darkness of the clansmen, Gently it goes - the remaining, the strange, the unusual. All that is androgynous is not messiahs, messiahs, by all account is female. Are you upset by how male they are? Does it tear you apart to see the messiahs so androgynous? Seekers are individual countrymen. |
2:25:56 (Pop-up) |
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The Art Of Lovin' | You Got The Power | 1968 | 2:26:45 (Pop-up) | |||
The Trespassers | Living Memories | 1967 | 2:29:42 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:32:07 (Pop-up) |
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The Shayds | Bring Your Love | 2008 | 2:32:24 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:35:21 (Pop-up) |
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Clementine Hall | Splash 1 | 2008 | 2:35:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:38:35 (Pop-up) |
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Amazon Trust | Sheila Lee | 2009 | 2:38:47 (Pop-up) | |||
Bubble Puppy | A Gathering of Promises | 2008 | 2:41:15 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
2:43:33 (Pop-up) |
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The Soft Machine | Hope For Happiness | 1968 | 2:44:05 (Pop-up) | |||
Billy Wade McKnight | Trouble's Coming On | 2008 | 2:48:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at the other clansmen. Down, down, down into the darkness of the clansmen, Gently it goes - the remaining, the strange, the unusual. All that is androgynous is not messiahs, messiahs, by all account is female. Are you upset by how male they are? Does it tear you apart to see the messiahs so androgynous? Seekers are individual countrymen. |
2:50:48 (Pop-up) |
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Kathy Clarke | My Summer Prayer | 2008 | 2:51:40 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:54:01 (Pop-up) |
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Honey Ltd. with intro by Lee Hazlewood | Louie, Louie | 1968 | 2:54:17 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:57:15 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 2:59:46 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A beattie, however hard it tries, Will always be dufner. Does the beattie make you shiver? does it? How happy is the everlasting blackmore! Down, down, down into the darkness of the blackmore, Gently it goes - the gross, the deuced, the sodding. I cannot help but stop and look at the little boulton. |
3:00:22 (Pop-up) |
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Sonny Hall | Poor Planet Earth | 2008 | 3:01:22 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The Poor And Sterling Sterling Whose sterling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sterling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:03:21 (Pop-up) |
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Sterling Damon | Rejected | 2008 | 3:04:05 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The Hard And Sterling Sterling Whose sterling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sterling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:06:05 (Pop-up) |
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Chaparrels | I Tried So Hard | 2008 | 3:07:06 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Chaparrels - A Haiku Wicked summertime before thru chaparrels see betrayed by the chayns |
3:11:12 (Pop-up) |
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Chayns | See It Thru | 2008 | 3:11:41 (Pop-up) | |||
The Kitchen Cinq | Determination | 1966 | 3:14:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Bremerton - A Haiku Dismal summertime A new, good bremerton see after the raymarks |
3:15:58 (Pop-up) |
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The Raymarks | Feelin' No Good (Bremerton, WA, U.S.A.) | 2002 | 3:16:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Bremerton, Part 2 - A Haiku Previous summer A golden bremerton dawn after the reaching |
3:18:48 (Pop-up) |
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The Golden Dawn | Reaching Out to You | 2008 | 3:19:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Shifting - A Haiku Dampness summertime How a direct, shifting coast watching the reaching |
3:21:41 (Pop-up) |
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West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 3:22:08 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The West And Experimental Coast Whose coast is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his coast a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:25:58 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:26:46 (Pop-up) | ||
Syd Barrett | Love Song [Take 1] | 1970 | 3:29:10 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
One afternoon I said to myself, "Why isn't the fame more unworldly?" Never forget the profane and sophisticated fame. One afternoon I said to myself, "Why isn't the musician more rich?" Does the musician make you shiver? does it? Girls, however hard they try, |
3:31:58 (Pop-up) |
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Lost and Found | Professor Black | 2008 | 3:33:13 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Found And Sound Professor Whose professor is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his professor a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:35:45 (Pop-up) |
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Simon Dupree And The Big Sound | Sleep | 1968 | 3:36:30 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Tacoma - A Haiku Dampness summertime A post, sound tacoma sound watching the dupree |
3:39:27 (Pop-up) |
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The Galaxies | Along Comes The Man (Tacoma, WA, U.S.A.) | 2002 | 3:39:53 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
How happy is the contemporary sumner! Are you upset by how modern it is? Does it tear you apart to see the sumner so current? The home is not earthly! the home is exceptionally superlunar. Does the home make you shiver? does it? When I think of the miata, I see a convertible light. |
3:41:46 (Pop-up) |
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The Triangle | Music, Music | 1969 | 3:42:40 (Pop-up) | |||
The Sonics | I'm Going Home (Tacoma, WA, U.S.A.) | 2002 | 3:45:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Memorial - A Haiku Dampness summertime A long, memorial dump on the triangle |
3:47:44 (Pop-up) |
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The Fort Mudge Memorial Dump | Crystal Forms | 1970 | 3:48:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Memorial, Part 2 - A Haiku Previous summer A best, memorial dump at the old sadness |
3:54:10 (Pop-up) |
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Mad River | They Brought Sadness | 1969 | 3:54:37 (Pop-up) | |||
Clementine Hall | Right Track Now | 2008 | 3:59:26 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Seger - A Haiku Wickedness summer A little seger story beyond the story |
4:03:03 (Pop-up) |
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Bob Seger | East Side Story | 1966 | 4:03:26 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Close - A Haiku Early summertime A successful, close close close before the seger |
4:05:50 (Pop-up) |
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Bee Gees | Close another door | 1967 | 4:06:12 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Because I could not fly for gees, they did kindly fly for me. Pause to fly, like gees do. How happy is the dear reggie! Does the reggie make you shiver? does it? The dickie is not old! the dickie is exceptionally newborn. |
4:10:37 (Pop-up) |
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The Naturals | Inernationally Me | 1967 | 4:11:11 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
4:13:18 (Pop-up) |
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Hair | Everything's Under Control | 1970 | 4:13:30 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
4:17:52 (Pop-up) |
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Yankee Dollar | The Times They Are A-Changin' | 1968 | 4:18:04 (Pop-up) | |||
Endle St. Cloud | Tell Me One More Time (What's Happening to Our World) | 2008 | 4:21:07 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
4:23:50 (Pop-up) |
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Audience | Eye to Eye | 2009 | 4:24:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
4:26:37 (Pop-up) |
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Choc | Time | 2009 | 4:26:46 (Pop-up) | |||
Sonny Hall | The Battle of the Moon | 2008 | 4:29:54 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:31:34 (Pop-up) |
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Il Balletto Di Bronzo | Meditazione | 1970 | 4:32:53 (Pop-up) | |||
The David | Professor Crawford | 1967 | 4:36:42 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
4:39:18 (Pop-up) |
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The Litter | Mindbreaker | 1968 | 4:39:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
4:42:42 (Pop-up) |
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The Pasternak Progress | Flower Eyes | 1967 | 4:42:56 (Pop-up) | |||
Syd Barrett | Terrapin | 1987 | 4:45:23 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Pay attention to the stairs, stairs are the most creaky way of all. Are you upset by how screaky they are? Does it tear you apart to see the stairs so rheumatoid? I cannot help but stop and look at the front elevation. Now rear is just the thing, To get me wondering if the elevation is backside. I cannot help but stop and look at cunning installations. |
4:48:25 (Pop-up) |
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The Thirteenth Floor Elevators | Reverbaration (Doubt) | 1966 | 4:49:20 (Pop-up) | |||
The Amen Corner | Gin House Blues | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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