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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:20 (Pop-up) | ||||
Lothar And The Hand People | Rose Colored Glasses | 1967 | 0:02:47 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the claus georg! Does the georg make you shiver? does it? I cannot help but stop and look at the phenomenological heidegger. Does the heidegger make you shiver? does it? I cannot help but stop and look at zany louis. Now buffoonish is just the thing, |
0:05:13 (Pop-up) |
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Fifty Foot Hose....... | If Not This Time | 1968 | 0:06:09 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
0:09:41 (Pop-up) |
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The Yardbirds | Puzzles | 1967 | 0:09:56 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:13:03 (Pop-up) |
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Aphrodite's Child | End Of The World | 1968 | 0:13:16 (Pop-up) | |||
Benninghoff's Bad Rock Blues Band | #6 The Boggy Bayou Revival, Part I | 1970 | 0:16:26 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
0:18:43 (Pop-up) |
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Caravan | Place of My Own | 1969 | 0:19:13 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Connection - A Haiku Glorious autumn A causal, connection wrong out of caravan |
0:23:11 (Pop-up) |
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Rotary Connection | We're Going Wrong | 1969 | 0:23:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Connection, Part 2 - A Haiku Early break autumn A causal, connection wrong near the decision |
0:26:46 (Pop-up) |
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The Free | Decision For Lost Soul Blue | 1968 | 0:27:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Pointing - A Haiku Glorious autumn A finger, free pointing free out of decision |
0:30:45 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 0:31:17 (Pop-up) | |||
The Elastik Band | In A Family Tree | 2007 | 0:34:24 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at religious origins. Never forget the spiritual and scrupulous origins. Beginnings, however hard they try, Will always be early. Beginnings are earlyish. beginnings are earlier, beginnings are aboriginal, however. yellow plants sings like a transgenic portion Plants are old. plants are jaundiced, |
0:37:28 (Pop-up) |
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William Sheller | Living East Dreaming West | 1970 | 0:38:20 (Pop-up) | |||
Thrashing Butterflys Of Divine Happiness, The | Destruction | 2011 | 0:41:38 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The spirits that are really famous, Above all others is the brandy. Does the brandy make you shiver? does it? The chief executive that's really youngest, Above all others is the arthur. Does the arthur make you shiver? does it? |
0:51:37 (Pop-up) |
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Appaloosa | Thoughts of Polly | 1969 | 0:52:18 (Pop-up) | |||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 0:57:53 (Pop-up) | |||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 0:59:42 (Pop-up) | |||
Blonde On Blonde | Castles In The Sky | 1970 | 0:59:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The spirits that are really famous, Above all others is the brandy. Does the brandy make you shiver? does it? The chief executive that's really youngest, Above all others is the arthur. Does the arthur make you shiver? does it? |
1:03:16 (Pop-up) |
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BlueCheer | When It All Gets Old | 1969 | 1:04:06 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Bluecheer - A Haiku Early dampness fall suddenly bluecheer cooper on the flyaway |
1:07:00 (Pop-up) |
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Alice Cooper | Beautiful Flyaway | 1970 | 1:07:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Flyaway - A Haiku Previous autumn A such, flyaway cooper watching the cooper |
1:10:47 (Pop-up) |
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Bee Gees | Please read me | 1967 | 1:11:29 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Ensemble - A Haiku Wickedness autumn A whole, read ensemble rock because of the fields |
1:13:40 (Pop-up) |
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The New York Rock Ensemble | Fields Of Joy | 1971 | 1:14:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Nuisance - A Haiku Previous autumn A such, public nuisance rock on the ensemble |
1:17:54 (Pop-up) |
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Public Nuisance | America | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 1:18:20 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
The On And Public Nuisance Whose nuisance is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his nuisance a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:21:40 (Pop-up) |
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Kevin Ayers | Girl On A Swing | 1969 | 1:22:39 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
A corey, however hard it tries, Will always be trusty. Never forget the authentic and reliable corey. I cannot help but stop and look at the minute jeff. Never forget the microscopic and careful jeff. Zach is more plan. more plan is zach. Down, down, down into the darkness of the zach, |
1:25:25 (Pop-up) |
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Love | Singing Cowboy | 1969 | 1:26:17 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I cannot help but stop and look at the ethicist callahan. Does the callahan make you shiver? does it? How happy is the rathschlag schaefer! Does the schaefer make you shiver? does it? I saw the the little logician of my generation destroyed, How I mourned the russell. |
1:30:52 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:31:27 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
1:33:59 (Pop-up) |
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Gene Clark | Only Colombe | 1967 | 1:34:13 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Sabbath - A Haiku Glorious autumn A weekly, black sabbath black by the colombe |
1:38:57 (Pop-up) |
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Coven | Black Sabbath | 1969 | 1:39:37 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Shady And Frantic Coven Whose coven is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her coven a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:42:56 (Pop-up) |
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Frantic | Shady Sam | 1970 | 1:43:39 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The Shady And Frantic Five Whose five is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her five a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:47:10 (Pop-up) |
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Dave Clark Five | Everybody Get Together | 2000 | 1:48:03 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
1:51:10 (Pop-up) |
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The Taboos | All My Life | 1967 | 1:51:22 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Purple - A Haiku Beautiful autumn A red, purple purple blind before the taboos |
1:54:12 (Pop-up) |
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Deep Purple | Blind | 1969 | 1:54:34 (Pop-up) | |||
David Axelrod | The Human Abstract | 1969 | 1:59:53 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Purple And Secret Airplane Whose airplane is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his airplane a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:05:13 (Pop-up) |
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Jefferson Airplane | It's No Secret | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:06:03 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Beefheart - A Haiku Darkening autumn A secret beefheart captain by the jefferson |
2:08:28 (Pop-up) |
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Captain Beefheart & His Magic Band | On Tomorrow | 1968 | 2:09:03 (Pop-up) | |||
Gary Lewis & the Playboys | Jill | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:12:29 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Beefheart, Part 2 - A Haiku Last dampness autumn A magic beefheart captain despite the midnight |
2:15:40 (Pop-up) |
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CAN | Midnight Sky: 1968 | 1968 | 2:16:20 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:19:00 (Pop-up) |
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pearls before swine | lepers and roses | 1968 | 2:19:12 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
2:24:29 (Pop-up) |
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Chad Stuart & Jeremy Clyde | Sunstroke | 1968 | 2:24:45 (Pop-up) | |||
Hamilton Streetcar | Now I Taste The Tears | Original Lp - Dot Records DLP 25939 | 1969 | 2:28:55 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
2:31:30 (Pop-up) |
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Dave Davies | Creeping Jean | 1969 | 2:32:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:35:24 (Pop-up) |
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The Surprise Package | Out Of My Mind | 1966 | 2:35:33 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
One afternoon I said to myself, "Why isn't the pleasure more dry?" Down, down, down into the darkness of the pleasure, Gently it goes - the melodious, the dry, the odoriferous. Pay attention to the happiness, the happiness is the most unspeakable spirit of all. Does the happiness make you shiver? does it? |
2:37:28 (Pop-up) |
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Arzachel | Garden Of Earthly Delights | 1969 | 2:38:19 (Pop-up) | |||
The Vampires' Sound Incorporation | Psycho Contact - Part One | 1969 | 2:41:56 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Enjoyments, however hard they try, Will always be sweetest. Do enjoyments make you shiver? do they? I cannot help but stop and look at toothsome delicacies. Never forget the delectable and pleasant-tasting delicacies. I saw the the fat feeling of my generation destroyed, How I mourned the pleasure. |
2:43:23 (Pop-up) |
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Family | From Past Archives | 1969 | 2:44:07 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:47:29 (Pop-up) |
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amon düül II | Archangels Thunderbird | 1970 | 2:47:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Enjoyments, however hard they try, Will always be sweetest. Do enjoyments make you shiver? do they? I cannot help but stop and look at toothsome delicacies. Never forget the delectable and pleasant-tasting delicacies. I saw the the fat feeling of my generation destroyed, How I mourned the pleasure. |
2:51:11 (Pop-up) |
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Anan | I Wonder Where My Sister's Gone | 1968 | 2:51:48 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Quicksilver - A Haiku Glorious autumn A pure, quicksilver service by the messenger |
2:54:35 (Pop-up) |
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Quicksilver Messenger Service | Light Your Windows | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 2:55:00 (Pop-up) | |||
The Tornadoes | Blue Blue Blue Beat | 1997 | 2:57:32 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Quicksilver, Part 2 - A Haiku Previous autumn A more, quicksilver service near the messenger |
2:59:52 (Pop-up) |
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Bokaj Retsiem | It's Over | 1969 | 3:00:29 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I saw the the marked nonattendance of my generation destroyed, How I mourned the absence. Never forget the conspicuous and scarred absence. All that is won is not stolen, stolen, by all account is lost. A stolen is damned. a stolen is cursed, a stolen is unrecoverable, however. Whereabouts are, in their way, reported value of location. |
3:04:46 (Pop-up) |
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Move | Cherry Blossom Clinic Revisited | 1970 | 3:05:28 (Pop-up) | |||
Amon Düül II | Henriette Krötenschwanz | 1969 | 3:13:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
3:14:56 (Pop-up) |
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Spirit | 1984 | 1969 | 3:16:38 (Pop-up) | |||
Kaleidoscope | Black Fjord | Faintly Blowing | 3:20:06 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Missing I saw the the marked nonattendance of my generation destroyed, How I mourned the absence. Never forget the conspicuous and scarred absence. |
3:23:15 (Pop-up) |
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the free pop electronic concept | Planetary Gospel | 1969 | 3:23:59 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Missing, Part 2 I saw the the marked nonattendance of my generation destroyed, How I mourned the absence. Never forget the conspicuous and scarred absence. |
3:27:34 (Pop-up) |
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the FUGS | Morning Morning | 1966 | 3:28:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:30:07 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 3:30:18 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
3:33:06 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:33:27 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
I saw the the marked nonattendance of my generation destroyed, How I mourned the absence. Never forget the conspicuous and scarred absence. All that is won is not stolen, stolen, by all account is lost. A stolen is damned. a stolen is cursed, a stolen is unrecoverable, however. Whereabouts are, in their way, reported value of location. |
3:36:02 (Pop-up) |
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The Golden Dawn | My Time | 1967 | 3:36:55 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I saw the the marked nonattendance of my generation destroyed, How I mourned the absence. Never forget the conspicuous and scarred absence. All that is won is not stolen, stolen, by all account is lost. A stolen is damned. a stolen is cursed, a stolen is unrecoverable, however. Whereabouts are, in their way, reported value of location. |
3:41:38 (Pop-up) |
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Sopwith Camel | Hello Hello | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:42:35 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the marked nonattendance of my generation destroyed, How I mourned the absence. Never forget the conspicuous and scarred absence. All that is won is not stolen, stolen, by all account is lost. A stolen is damned. a stolen is cursed, a stolen is unrecoverable, however. Whereabouts are, in their way, reported value of location. |
3:44:56 (Pop-up) |
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The Rascals | Carry Me Back | 1969 | 3:46:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Reality - A Haiku Beautiful autumn Harsh reality over under the rascals |
3:48:49 (Pop-up) |
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Harsh Reality | How Do You Feel | 1969 | 3:49:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Reality, Part 2 - A Haiku Beautiful autumn Harsh reality over under the rascals |
3:52:27 (Pop-up) |
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The Moving Sidewalks | I Want To Hold Your Hand | 1968 | 3:52:51 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 3:56:04 (Pop-up) | ||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:59:01 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
Collectors - A Haiku Previous autumn A flat, grateful collectors love betrayed by the whats |
4:09:13 (Pop-up) |
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the Collectors | What Is Love | 1968 | 4:09:36 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
4:13:15 (Pop-up) |
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The Mothers of Invention | Trouble Every Day | 1966 | 4:13:36 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
4:19:23 (Pop-up) |
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Lothar And The Hand People | Every Single Word | 1967 | 4:20:45 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
The Single And Psychedelic Conclusion Whose conclusion is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his conclusion a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:22:49 (Pop-up) |
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Wild Man Fischer | In Conclusion: Circle (Larry's first psychedelic hit) | 1969 | 4:23:35 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Connection - A Haiku Beautiful autumn A causal, connection man near the conclusion |
4:26:26 (Pop-up) |
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the new Rotary Connection | Vine Of Happiness | 1971 | 4:26:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Aphrodites - A Haiku Previous autumn A nude, aphrodites stand out of connection |
4:30:54 (Pop-up) |
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Aphrodite's Child | You Always Stand In My Way | 1968 | 4:31:15 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Aphrodites, Part 2 - A Haiku Early dull autumn An on aphrodites stand beyond the pointing |
4:35:04 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 4:35:39 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pointing - A Haiku Beautiful autumn A laser, in pointing band by the elastik |
4:38:48 (Pop-up) |
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The Elastik Band | In A Family Tree | 2007 | 4:39:21 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Yardbirds - A Haiku Previous autumn An old, little yardbirds band near the indians |
4:41:56 (Pop-up) |
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The Yardbirds | Ten Little Indians | 1967 | 4:42:29 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Yardbirds, Part 2 - A Haiku Darkening autumn A common yardbirds people on the indians |
4:45:36 (Pop-up) |
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The Common People | Those Who Love | 1969 | 4:45:59 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:04 (Pop-up) | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | ||||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 |
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