View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
Artist | Track | Album | Year | Comments | Images | Approx. start time |
---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
||||
Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:23 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:48 (Pop-up) | ||||
Musique De William Sheller | Generissimo | 1969 | 0:03:39 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
0:05:20 (Pop-up) |
||||
The 13th Floor Elevators | Nobody To Love | 1967 | 0:05:33 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:08:22 (Pop-up) |
||||
The 5th Dimension | Requiem: 820 Latham | 1968 | 0:08:37 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
0:13:59 (Pop-up) |
||||
Lothar & The Hand People | The Music Never Stops | 1968 | 0:14:16 (Pop-up) | |||
Neighb'rhood Childr'n | Behold The Lillies | 1968 | 0:16:41 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:19:08 (Pop-up) |
||||
William Sheller | Adieu Kathy | 1969 | 0:19:24 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
0:21:34 (Pop-up) |
||||
The Velvet Underground & Nico | Femme Fatale | 1966 | 0:21:46 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 0:24:18 (Pop-up) | ||
The West Coast Pop Art Experimental Band Vol.3 | Ritual #1 | 1968 | 0:28:57 (Pop-up) | |||
Sagittarius | Hotel Indiscreet | 1967 | 0:30:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Happenings - A Haiku Threatening autumn A daily, happenings love an america |
0:33:14 (Pop-up) |
|||
Procol Harum | Lime Street Blues | 1967 | 0:34:50 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
A neglected, however hard it tries, Will always be oft. Does the neglected make you shiver? does it? I cannot help but stop and look at learned prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the knowledgeable, the noninheritable, the nonheritable. The yellow been sings like late principles |
0:37:37 (Pop-up) |
|||
Skip Bifferty | Clearway 51 | 1967 | 0:38:18 (Pop-up) | |||
The Ceylibe People | Ceyladd Beyta | 1968 | 0:40:26 (Pop-up) | |||
The Other Half | Oz Lee Eaves Drops | 1968 | 0:42:43 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Accompaniment - A Haiku Glorious autumn before accompaniment skip by the electric |
0:45:07 (Pop-up) |
|||
electric banana | Vocal Version with Accompaniment: A Thousand Ages From The Sun | 1968 | 0:45:44 (Pop-up) | |||
The Velvet Underground | Here She Comes Now | 1967 | 0:48:06 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at the fantastic apparition. Does the apparition make you shiver? does it? A magic, however hard it tries, Will always be dark. Are you upset by how wicked it is? Does it tear you apart to see the magic so brunette? How happy is the cunning illumination! |
0:50:06 (Pop-up) |
|||
Velvet Illusions | Velvet Illusions | 1967 | 0:50:55 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:52:53 (Pop-up) |
||||
Kim Fowley | I'm Not Young Anymore | 1969 | 0:53:03 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 0:57:20 (Pop-up) | ||||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:59:38 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Beefheart - A Haiku Last dampness autumn A magic beefheart captain above the captain |
1:00:21 (Pop-up) |
|||
Captain Beefheart and His Magic Band | Frying Pan | 1966 | 1:01:10 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Beefheart, Part 2 - A Haiku Showery autumn A magic beefheart captain above the country |
1:03:06 (Pop-up) |
|||
Blood Sweat & Tears | House In The Country | 1968 | 1:03:33 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Electric - A Haiku Beautiful autumn A diesel, electric blood beyond the country |
1:06:33 (Pop-up) |
|||
The Electric Banana | (Vocal Tracks): Rave Up (Up tempo - freaky) | 1969 | 1:06:54 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Electric, Part 2 - A Haiku Showery autumn A non, electric blossom beyond the blossom |
1:09:20 (Pop-up) |
|||
Blossom Toes | What's If For | 1967 | 1:09:46 (Pop-up) | |||
The Spike-Drivers | Often I Wonder | 1966 | 1:12:40 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
1:15:53 (Pop-up) |
||||
Aorta | Catalyptic | 1969 | 1:16:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:19:53 (Pop-up) |
||||
Gandalf | Nature Boy | 1969 | 1:20:04 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
1:23:06 (Pop-up) |
||||
Le Cirque | Land Of Oz | Land Of Oz / Ill Be Thinking Of You | 1967 | 1:23:17 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:26:08 (Pop-up) |
||||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 1:26:28 (Pop-up) | |||
Mad River | Amphetamine Gazelle | 1968 | 1:29:08 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
How happy is the patron moran! Does the moran make you shiver? does it? Morris, however hard they try, Will always be newell. Do morris make you shiver? do they? The musician that's really wooly, |
1:32:00 (Pop-up) |
|||
The Millennium | Prelude | 1968 | 1:32:58 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Millennium - A Haiku Wickedness autumn A 3rd, millennium prelude beyond the thinking |
1:34:12 (Pop-up) |
|||
Wishful Thinking | Mary Goodbye | 1971 | 1:34:33 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
All that is white is not stolen, stolen, by all account is red. A stolen is cherry-red. a stolen is red-faced, a stolen is aflame, however. All that is few is not disappearances, disappearances, by all account is many. Disappearances are few. disappearances are numerous, disappearances are umteen, however. |
1:37:36 (Pop-up) |
|||
Ars Nova | And How Am I To Know Entracte: Dancer | 1:38:36 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
All that is white is not stolen, stolen, by all account is red. A stolen is cherry-red. a stolen is red-faced, a stolen is aflame, however. All that is few is not disappearances, disappearances, by all account is many. Disappearances are few. disappearances are numerous, disappearances are umteen, however. |
1:43:43 (Pop-up) |
|||
Jolliver Arkansaw | Bright As Fire | 1969 | 1:44:27 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Arkansaw - A Haiku Previous autumn before bright arkansaw pink by the jolliver |
1:47:38 (Pop-up) |
|||
Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 1:48:10 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Currant - A Haiku Overcast autumn A wild, pink currant people despite the people |
1:50:51 (Pop-up) |
|||
Lothar and the Hand People | It Comes On Anyhow | 1968 | 1:51:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The luca is not old! the luca is exceptionally schoolgirlish. Down, down, down into the darkness of the luca, Gently it goes - the tender, the schoolgirlish, the little. All that is nonmodern is not ibsen, ibsen, by all account is modern. An ibsen is new. an ibsen is fashionable, an ibsen is up-to-date, however. |
1:54:45 (Pop-up) |
|||
The Move | The Disturbance | 1966 | 1:55:35 (Pop-up) | |||
Dream | Night Of The Lonely Organist And His Mysterious Pals | 1967 | 1:58:18 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Disturbance - A Haiku Threatening autumn A much, disturbance water under the yardbirds |
2:00:22 (Pop-up) |
|||
The Yardbirds | Drinking Muddy Water | 1967 | 2:00:50 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Beefheart - A Haiku Early dull autumn A drinking beefheart captain watching the yardbirds |
2:03:37 (Pop-up) |
|||
Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 2:04:14 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
One afternoon I said to myself, "Why isn't the rundown more discontinued?" Does the rundown make you shiver? does it? How happy is the stewed cabbage! Does the cabbage make you shiver? does it? Goldfish is wild animals. |
2:06:17 (Pop-up) |
|||
Art | Room With A View | 1967 | 2:06:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:11:25 (Pop-up) |
||||
Blue Cheer | Feathers From Your Tree | 1968 | 2:11:49 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:15:14 (Pop-up) |
||||
14 | Drizzle | 1968 | 2:15:34 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
I cannot help but stop and look at the marci mic. Does the mic make you shiver? does it? How happy is the ole pete! Does the pete make you shiver? does it? When I think of gibbs, I see short stories. Gibbs are knavish. gibbs are tricksy, |
2:17:48 (Pop-up) |
|||
Tim Buckley | Pleasant Street | 1967 | 2:18:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Laughing - A Haiku Darkening autumn A laughing laughing cooper into the buckley |
2:23:34 (Pop-up) |
|||
Alice Cooper | Laughing at Me | 1970 | 2:24:00 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
How happy is the odd rachel! A rachel is peculiar. a rachel is remaining, a rachel is unusual, however. All that is rich is not ashley, ashley, by all account is poor. Down, down, down into the darkness of the ashley, Gently it goes - the mean, the necessitous, the stone-broke. I saw the the big congenital disorder of my generation destroyed, |
2:26:09 (Pop-up) |
|||
Anan | Medena | 1968 | 2:26:55 (Pop-up) | |||
Electric Banana | Vocal Version with Accompaniment: I Love You | More Electric Banana | 1968 | 2:29:21 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Pay attention to the void, the void is the most hollow discharge of all. Never forget the false and fistulate void. An unavailability, however hard it tries, Will always be prolonged. An unavailability is protracted. an unavailability is extended, an unavailability is lengthy, however. I cannot help but stop and look at the yellow inability. |
2:31:38 (Pop-up) |
|||
Bobby Callender | Raga Man | 1968 | 2:32:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Subsylvian - A Haiku Threatening autumn A cant subsylvian field on the callender |
2:39:44 (Pop-up) |
|||
Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 2:40:20 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Subsylvian, Part 2 - A Haiku Threatening autumn A blue subsylvian field on the jefferson |
2:43:20 (Pop-up) |
|||
Jefferson Airplane | Eskimo Blue Day | 1969 | 2:43:46 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Jefferson - A Haiku Glorious autumn A blonde jefferson mother before the airplane |
2:50:15 (Pop-up) |
|||
Blonde on Blonde | Mother Earth | 1969 | 2:50:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Thunder - A Haiku Last dampness autumn A deep, blonde thunder thunder because of the blonde |
2:55:50 (Pop-up) |
|||
Thunder And Roses | Dear Dream Maker | 1969 | 2:56:24 (Pop-up) | |||
The Byrds | Tribal Gatering | 1967 | 2:59:51 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are coral pinks! Now colored is just the thing, To get me wondering if pinks are chromatic. Rosas, however hard they try, Will always be handsome. Down, down, down into the darkness of the rosas, Gently they go - the bounteous, the better-looking, the well-favoured. Just like lovely ferns, is ferns. |
3:00:22 (Pop-up) |
|||
BlueCheer | Peace Of Mind | 1969 | 3:01:27 (Pop-up) | |||
Bonzo Dog Band | Quiet Talks And Summer Walks | 1969 | 3:08:41 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the blue fade! A fade is gloomy. a fade is dispiriting, a fade is low, however. Pay attention to the demise, the demise is the most apparent ending of all. Never forget the seeming and manifest demise. Pay attention to the receding, the receding is the most zany withdrawal of all. |
3:12:04 (Pop-up) |
|||
Beaver & Krause | Salute To The Vanishing Bald Eagle | 1970 | 3:12:48 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Pay attention to the receding, the receding is the most temporary withdrawal of all. Does the receding make you shiver? does it? The ending that's really gradual, Above all others is the demise. Does the demise make you shiver? does it? |
3:15:29 (Pop-up) |
|||
Blonde On Blonde | Time Is Passing | 1970 | 3:17:19 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Vanishing Pay attention to the receding, the receding is the most temporary withdrawal of all. Does the receding make you shiver? does it? The ending that's really gradual, Above all others is the demise. Does the demise make you shiver? does it? |
3:19:54 (Pop-up) |
|||
The Moody Blues | Gypsy. | 1969 | 3:20:33 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the receding, the receding is the most temporary withdrawal of all. Does the receding make you shiver? does it? The ending that's really gradual, Above all others is the demise. Does the demise make you shiver? does it? |
3:24:05 (Pop-up) |
|||
Wildflower | Coffee Cup | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:24:40 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Vanishing Pay attention to the receding, the receding is the most temporary withdrawal of all. Does the receding make you shiver? |
3:26:54 (Pop-up) |
|||
deviled ham | Come On In | 0 | 1969 | 3:27:35 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
Vanishing, Part 2 Pay attention to the receding, the receding is the most temporary withdrawal of all. Does the receding make you shiver? |
3:31:03 (Pop-up) |
|||
Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 3:31:26 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
3:34:56 (Pop-up) |
||||
The Creation | Through My Eyes | 1967 | 3:35:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pay attention to the receding, the receding is the most temporary withdrawal of all. Does the receding make you shiver? does it? The ending that's really gradual, Above all others is the demise. Does the demise make you shiver? does it? |
3:38:17 (Pop-up) |
|||
The Can | Soul Desert (aus dem roger fritz film: madchen mit gewalt) | 2017 | 3:38:57 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
3:43:45 (Pop-up) |
||||
Appaloosa | Yesterday's Roads | 1969 | 3:44:01 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I saw the the congressional outlaw of my generation destroyed, How I mourned the ban. Does the ban make you shiver? does it? A bond, however hard it tries, Will always be mutual. Does the bond make you shiver? does it? |
3:47:13 (Pop-up) |
|||
First State Bank | Mr. Sun | 1970 | 3:47:48 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The First And Insane State Whose state is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his state a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:37 (Pop-up) |
|||
Kevin Ayers | Song For Insane Times | 1969 | 3:51:23 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Whose state is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his state a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:55:18 (Pop-up) |
|||
St. Giles's System | Swedish Tears | 1969 | 3:55:58 (Pop-up) | |||
The Electric Flag; An American Music Band | Another Country | 1968 | 3:59:43 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
4:08:18 (Pop-up) |
||||
The 13th Floor Elevators | Earthquake | 1967 | 4:08:53 (Pop-up) | |||
Bee Gees | Turn of the century | 1967 | 4:13:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
4:16:00 (Pop-up) |
||||
Gene Clark with the Gosdin Brothers | Echoes | 1966 | 4:16:21 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Whose state is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his state a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:19:33 (Pop-up) |
|||
Musique De William Sheller | Excitissimo | 1969 | 4:21:19 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
4:22:28 (Pop-up) |
||||
Fire | I Can See The Sky | 1970 | 4:22:38 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Whose state is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his state a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:27:06 (Pop-up) |
|||
Family | Scene Through The Eye Of A Lens | 1967 | 4:27:53 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Warlocks - A Haiku Last dampness autumn An other, through warlocks down on the family |
4:30:35 (Pop-up) |
|||
Warlocks | Can't Come Down | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 4:30:58 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Sagittarius - A Haiku Last dampness autumn shall sagittarius down under the warlocks |
4:33:53 (Pop-up) |
|||
Sagittarius | Hotel Indiscreet | 1967 | 4:34:25 (Pop-up) | |||
Procol Harum | Lime Street Blues | 1967 | 4:36:42 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Sagittarius, Part 2 - A Haiku Glorious autumn Sagittarius ace high after the hotel |
4:39:28 (Pop-up) |
|||
Ace of Cups | Afro Blue | 2004 | 4:39:57 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Clark - A Haiku Overcast autumn A general, home clark home at the perfect five |
4:47:58 (Pop-up) |
|||
Dave Clark Five | Come Home | 2000 | 4:48:31 (Pop-up) | |||
Edgar Broughton Band | Evil | 1969 | 4:51:17 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
<-- Previous playlist | Back to The Night Owl Show with Owl Sun playlists | Next playlist -->
RSS feeds for The Night Owl Show with Owl Sun: Playlists feed | MP3 archives feed
| E-mail Owl Sun | Other WFMU Playlists | All artists played by The Night Owl Show with Owl Sun |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Owl Sun:
Owl Sun: