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A combination of collage, new experimental records and other bits and bobs, Mid-Valley Mutations is a tour through the mind of Austin Rich, who has been broadcasting in some form since 1998. Heavily influenced by Dr Demento, Don Joyce and old fashioned College Radio, Austin creates Audio Essays on a variety of subjects, and even just plays records, from time to time. Sometimes Live music and Interviews will grace the program, helping create a situation where you don't really know what you're going to hear, when you tune in. What you need to know is when you enter the Mid-Valley region, be prepared for the Musical Mutations... in whatever form they take.
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February 4, 2025: Stereogram #10: For The Love of The Conundrum
Listen to this show:
MP3 - 128K | Pop-up player!
Artist | Track | Album | Label | Year | Images | Approx. start time | ||||
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Music behind DJ: Austin Rich |
VO Intro Song |
0:00:00 (MP3 | Pop-up) |
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Hour 1 |
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Music behind DJ: Suno.com |
Arvo Intro Music |
Mid-Valley Mutations |
Mid-Valley Mutations |
2025 |
0:03:58 (MP3 | Pop-up) |
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Otto Von Schirach | Pterodactyl | Pterodactyl | Bermuda Triangle Records | 2022 | 0:08:00 (MP3 | Pop-up) | |||||
HᗗLFMᗗSSED | cantleaveheralone | downer | hexx 9 records | 2017 | 0:10:45 (MP3 | Pop-up) | |||||
Exit Electronics | PISSHEAD | believe anything, believe everything | avalanche recordings | 2023 | 0:15:39 (MP3 | Pop-up) | |||||
Criadero en seres | nido de huellas | imposible rehuir esto | Self-Released | 2015 | 0:21:00 (MP3 | Pop-up) | |||||
Music behind DJ: Ericka Irganon |
Petite Otite |
Close To The Noise Floor Presents: Noise Reduction System (Formative European Electronica 1974-1984) |
2017 |
0:23:18 (MP3 | Pop-up) |
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Dorit Chrysler | Avalanche | Avalanche EP | hfn music | 2012 | 0:25:18 (MP3 | Pop-up) | |||||
Pan Daijing | Phenomenon | Lack 惊蛰 | Self-Released | 2017 | 0:29:19 (MP3 | Pop-up) | |||||
LYTH | We will not return into the sea | LORE | Self-Released | 2022 | 0:33:08 (MP3 | Pop-up) | |||||
Jucifer | Return | ن ظ م (Nazm) | Nomadic Fortress Records | 2021 | 0:36:20 (MP3 | Pop-up) | |||||
Music behind DJ: Pamelia Kirstin |
Barrow in Furness |
Thinking Out Loud |
2007 |
0:41:32 (MP3 | Pop-up) |
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Eskaton | Eskaton | 4 Visions | Ad Perpetuam Memoriam | 1981 / 1995 | 0:45:38 (MP3 | Pop-up) | |||||
Georges Aperghis w/ Ictus | Avis 1 | Avis De Tempête | Cypres | 2005 | 0:55:59 (MP3 | Pop-up) | |||||
Hour 2 |
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DDAA | Ghosts Of The Paper Trumpets | Trax Test (Excerpts From The Modular Network 1981-1987) | Ecstatic | 2017 | 1:02:43 (MP3 | Pop-up) | |||||
Music behind DJ: De Pravity |
Data Kikk I-IV |
Untitled |
1984 |
1:06:31 (MP3 | Pop-up) |
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Susan Campos Fonseca | Refugio | Anthology Of Experimental Music From Latin America | 2023 | 1:09:05 (MP3 | Pop-up) | ||||||
Esruk (Ben Wilkin) | Untitled (Excerpt) | Ice: Compilation Of Canadian Experimental Electronic Artists | Watergate Tapes | 1988 | 1:13:12 (MP3 | Pop-up) | |||||
Wendy Chambers | The Kitchen | Femirama | Munster Records | 1986 | 1:21:03 (MP3 | Pop-up) | |||||
Laraaji | The Dance #3 | Ambient 3 (Day Of Radiance) | Editions EG | 1980 | 1:26:28 (MP3 | Pop-up) | |||||
Music behind DJ: Deleted / C-Trik |
Ronde Des Fous |
Hopeless Dreams |
1994 |
1:29:27 (MP3 | Pop-up) |
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Earth & Fire | Song of The Marching Children | Song of the Marching Children | Polydor | 1971 | 1:31:37 (MP3 | Pop-up) | |||||
Sorrow | Let There Be Thorns | Let There Be Thorns | Piski Disk Records | 2001 | 1:36:34 (MP3 | Pop-up) | |||||
The Turtles | Let The Cold Winds Blow | It Ain’t Me Babe | Repertoire Records | 1965 | 1:40:28 (MP3 | Pop-up) | |||||
George Baker Selection | Little Green Bag | Little Green Bag | Universal | 1970 | 1:42:49 (MP3 | Pop-up) | |||||
Music behind DJ: Nun |
Riv-Skf |
Neuronale |
1983/2011 |
1:46:08 (MP3 | Pop-up) |
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Jan Terri | Journey to Mars | High Risk | JT Records | 1994 | 1:48:27 (MP3 | Pop-up) | |||||
Wicked Lady | I'm A Freak | Psychotic Overkill | Guerssen | 1972/1994 | 1:52:05 (MP3 | Pop-up) | |||||
The Jabbers | High On Drugs | American Standard | Steel Cage Records | 2005 | 1:56:59 (MP3 | Pop-up) | |||||
Music behind DJ: The Brian Jonestown Massacre |
Who Fucking Pissed In My Well? |
My Bloody Underground |
2008 |
2:01:35 (MP3 | Pop-up) |
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Scrap Metal Music | Side A [Excerpt] | Scrap Metal Music | Screwgun Music | 1985 | 2:04:38 (MP3 | Pop-up) | |||||
Suno.com | Arvo Outro Music | Mid-Valley Mutations | Mid-Valley Mutations | 2025 | ||||||
Shadows In Blue | Mid-Valley Mutations Closing Theme | Mid-Valley Mutations Closing Theme | Mid-Valley Mutations | 2024 |
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Live Audio Streams for Sheena's Jungle Room: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Austin Rich:
Arvo Zylo:
JM in Texas:
Imaginos:
Arvo Zylo:
Arvo Zylo:
Imaginos:
JM in Texas:
HeyHeyHey, Imaginos
Mr. X:
Aitch:
Geoff-U:
Kat in the chat:
Geoff-U:
Imaginos:
Arvo Zylo:
Imaginos:
Austin Rich:
Mr. X:
Arvo Zylo:
JM in Texas:
Geoff-U:
Austin Rich:
Geoff-U:
Imaginos:
Austin Rich:
Arvo Zylo:
Austin Rich:
Arvo Zylo:
Imaginos:
Arvo Zylo:
Mr. X:
Arvo Zylo:
Austin Rich:
Imaginos:
Arvo Zylo:
Austin Rich:
Imaginos:
Austin Rich:
As a creative tool, it is limited, but it has uses, and I like the way that it offers access to some kinds of art making that some folks didn't have access to being able to make, before. So... yeah, it's a complex issue, before I bring in my love of Max Headroom...
Arvo Zylo:
Imaginos:
Geoff-U:
Austin Rich:
Austin Rich:
Austin Rich:
Arvo Zylo:
Austin Rich:
Arvo Zylo:
Imaginos:
Austin Rich:
Austin Rich:
Austin Rich:
Mr. X:
Arvo Zylo:
JM in Texas:
Geoff-U:
Kat in the chat:
Austin Rich:
JM in Texas:
Austin Rich:
Kat in the chat:
Austin Rich:
Heather Z:
Arvo Zylo:
I am personally supportive of noise fests maintaining noise. I've done noise fests where a rock band just came and played pop rock songs. Most of us went outside during that time. Maybe they initially claimed that they were noise rock. It's a genre plug that gets thrown around easily.
Austin Rich:
Two bonus listeners! That's exciting.
Arvo Zylo:
Heather Z:
Austin Rich:
But I think there's room for a lot of other kinds of experimental music, outside of the noisewalls and drones that seems to dominate most noise fests. I like it when you get something that the noise guys think is weird, but is still not rock and roll, or something more conventional.
Arvo Zylo:
Austin Rich:
Austin Rich:
Mr. X:
Arvo Zylo:
Austin Rich:
Austin Rich:
(Six drinks later, and I'm DJing a set from what I can find on the ground at he party.)
Austin Rich:
Austin Rich:
Arvo Zylo:
Arvo Zylo:
JM in Texas:
Kat in the chat:
Heather Z:
Austin Rich:
JM in Texas:
Arvo Zylo:
Government Alpha did an additional live set there that night, and we talked a lot.
Mr. X:
Austin Rich:
Though I think the vintage clothing store Mr. X and I played at last year was a lot of fun, too.
Heather Z:
Mr. X:
Austin Rich:
Mr. X:
Arvo Zylo:
Of "1980s prog" I tend to gravitate towards Dorian Gray, who were more considered Krautrock, but they satiate any prog itch I may have.
Austin Rich:
Arvo Zylo:
Mr. X:
Austin Rich:
Arvo Zylo:
Mr. X:
Austin Rich:
Arvo Zylo:
Dean:
Mr. X:
Arvo Zylo:
Austin Rich:
I think that not everything long achieves that quality, however. I do have a pretty long attention span, and prefer very long work. But if the artist doesn't have the chops, a long song will not work out for them.
Mr. X:
JM in Texas:
RIP Susan Alcorn
Arvo Zylo:
Arvo Zylo:
Dean:
Austin Rich:
Dean:
Arvo Zylo:
Austin Rich:
Mr. X:
Arvo Zylo:
Dean:
I'm feeling a theme for a show coming on.
Austin Rich:
Arvo Zylo:
Austin Rich:
Mr. X:
Austin Rich:
Arvo Zylo:
Mr. X:
Austin Rich:
Austin Rich:
Arvo Zylo:
Mr. X:
Dean:
Nonesuch (duh), Arhoolie (ditto), but also Marston (I'm a subscriber), Water Lily Acoustics...and so forth.
Austin Rich:
Austin Rich:
Arvo Zylo:
Mr. X:
Arvo Zylo:
Austin Rich:
Arvo Zylo:
Austin Rich:
Austin Rich:
Austin Rich:
Kat in the chat:
Arvo Zylo:
Mr. X:
Austin Rich:
Dean:
Marston is Ward Marston's transcriptions of very early 20th C. vocal and opera recitals.
Kavi Alexander is proprietor of Water Lily Acoustics of Santa Barbara, CA. He started out strictly analog (with Sir Tim de Paravacini's stellar tube gear), but worked his way into digital with the Ry Cooder/Vishwa Mohan Bhatt disc. His LPs are scary real.
Arvo Zylo:
Kat in the chat:
Austin Rich:
Kat in the chat:
Arvo Zylo:
Austin Rich:
Austin Rich:
Arvo Zylo:
Austin Rich:
Kat in the chat:
Austin Rich:
Kat in the chat:
Austin Rich:
Mr. X:
Arvo Zylo:
Austin Rich:
Austin Rich:
Austin Rich:
Arvo Zylo:
Kat in the chat:
Austin Rich:
Kat in the chat:
Arvo Zylo:
Arvo Zylo:
Austin Rich:
Dean:
I do kinda look like him, but I also look like the guy in Taxi Driver.
Austin Rich:
Austin Rich:
Arvo Zylo:
Mr. X:
Austin Rich:
Arvo Zylo:
Heather Z:
David Shortell:
Arvo Zylo:
Austin Rich:
Jeff Dahl is sort of a legend of sleeze rock.
Dean:
Austin Rich:
Arvo Zylo:
Austin Rich:
Mr. X:
Arvo Zylo:
Austin Rich:
And that was the last I ever heard of it.
Arvo Zylo:
I played Zabelle Panosian on Austin's show once. Turkish singer from the 1910s. Beautiful voice.
Kat in the chat:
Austin Rich:
Kat in the chat:
Arvo Zylo:
Arvo Zylo:
Austin Rich:
That said, not every person who bangs on sheet metal for 20 minutes will win me over. There needs to be something there.
Arvo Zylo:
Austin Rich:
Arvo Zylo:
Austin Rich:
Austin Rich:
Mr. X:
Austin Rich:
Dean:
https://www.discogs.com/artist/4475697-Unsustainable-Social-Condition
Arvo Zylo:
Austin Rich:
Mr. X:
Arvo Zylo:
Dean:
Austin Rich:
Arvo Zylo: