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Tangents, parenthetical asides, and digressions.
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March 4, 2013: Tony Fletcher discusses his new book, "A Light That Never Goes Out: the Enduring Saga of the Smiths"
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Artist | Track | Album | Label | New | Approx. start time | |||||
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Dum Dum Girls | There Is a Light That Never Goes Out | He Gets Me High EP | Sub Pop | 0:00:00 (Pop-up) | ||||||
The Smiths | The Headmaster Ritual | Meat is Murder | Sire | 0:04:51 (Pop-up) | ||||||
The Smiths | This Charming Man | Hatful of Hollow | Sire | 0:08:49 (Pop-up) | ||||||
The Smiths | What Difference Does it Make? | The Peel Sessions | Dutch East India Trading / Strange Fruit | 0:14:21 (Pop-up) | ||||||
David Cameron & the House of Commons | Question Time | 0:17:00 (Pop-up) | ||||||||
Interview with Tony Fletcher, Author of "A Light That Never Goes Out" | 0:18:31 (Pop-up) | |||||||||
The Smiths | The Queen is Dead | The Queen is Dead | Sire | 1:06:36 (Pop-up) | ||||||
Doug Martsch | Reel Around the Fountain | Please, Please, Please: A Tribute to the Smiths (V/A) | American Laundromat | 1:12:55 (Pop-up) | ||||||
Morrissey | The More You Ignore Me the Closer I Get | Greatest Hits | Decca | 1:16:48 (Pop-up) | ||||||
Electronic | Can't Find My Way Home | Twisted Tenderness | Koch | 1:20:31 (Pop-up) | ||||||
Belle & Sebastian | Family Tree | Fold Your Hands, Child; You Walk Like a Peasant | Matador | 1:31:13 (Pop-up) | ||||||
Sandie Shaw | Rose Garden | Reviewing the Situation | RPM Records | 1:34:27 (Pop-up) | ||||||
Buzzcocks | Everybody's Happy Nowadays | The Peel Sessions | Dutch East India Trading / Strange Fruit | 1:37:23 (Pop-up) | ||||||
Commands | Too Late to Cry | Eccentric Soul: The Dynamic Label | Numero Group | * | 1:40:16 (Pop-up) | |||||
Bobby Bare | Baby Wants to Boogie | Hard Time Hungrys | Omni | * | 1:43:58 (Pop-up) | |||||
Townes Van Zandt | Who Do You Love? | Sunshine Boy: The Unheard Studio Sessions & Demos 1971-1972 | Omnivore Recordings / Capitol | * | 1:46:24 (Pop-up) | |||||
Del Shannon | She | Action! The Songs of Tommy Boyce and Bobby Hart (V/A) | Ace | * | 1:49:55 (Pop-up) | |||||
Tiny Topsy | Just a Little Bit | Hipshakers Vol 3: Just a Little Bit of the Jumpin' Bean | VampiSoul | * | 1:52:45 (Pop-up) | |||||
Alton Ellis | Can I Change My Mind? | Studio One Ironsides | Soul Jazz | * | 2:03:28 (Pop-up) | |||||
Prince Rama | Welcome to the Now Age | Top 10 Hits of the End of the World | Paw Tracks | * | 2:06:01 (Pop-up) | |||||
Kiki Gyan/The Twins | Pretty Pretty Girls | 24 Hours in a Disco: 1978-82 | Soundway | * | 2:09:40 (Pop-up) | |||||
Spacemen 3 | That's Just Fine | split 7" with Sun Araw | The Great Pop Supplement | * | 2:18:53 (Pop-up) | |||||
Ariel Pink's Haunted Graffiti | Round and Round | Before Today | 4AD | 2:26:29 (Pop-up) | ||||||
Ex Cops | The Millionaire | True Hallucinations | Other Music Recording Co. | * | 2:36:27 (Pop-up) | |||||
The Cave Singers | Karen's Car | Naomi | Jagjaguwar | * | 2:39:42 (Pop-up) | |||||
The Innocence Mission | You Chase the Light | The Innocence Mission | A&M Records | 2:42:05 (Pop-up) | ||||||
Frank Bango | Your Stop | Touchy/Feely | Sincere Recording Co. | * | 2:45:46 (Pop-up) | |||||
The Smiths | How Soon is Now | Best... | Sire/Reprise | 2:49:31 (Pop-up) | ||||||
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Listener comments!
Caryn:
Matt from Springfield:
And everyone! Hiya!
Matt from Springfield:
Caryn:
And hi, Matt!
Kenzo (Ken's Last Ever):
BadGuyZero:
BadGuyZero:
Everythingispop (London, ON Canada):
Kenzo (Ken's Last Ever):
Matt from Springfield:
Speaking of which..in the last minute of the Super Bowl, I think the stadium was playing "Last Night I Dreamed That Somebody Loved Me", to set a tense mood. Did *anyone else* hear that??
Caryn:
Kenzo (Ken's Last Ever):
Matt from Springfield:
What's the heart for Kenzo?
Incidentally ASCII fans, with all the <3 typings for a heart, I've found the even more simple way to make an ACTUAL heart! Alt+3 ♥ -- not 103, or 223, or even 333333, just 3! :)
KP:
Matt from Springfield:
@BGZ: Appropos, since The Sundays were strongly influenced by The Smiths.
Caryn:
KP:
Matt from Springfield:
G:
BriJet:
Caryn:
KP:
Caryn:
Kenzo (Ken's Last Ever):
amEdeo:
Caryn:
Matt from Springfield:
KP:
Therese:
Caryn:
Matt from Springfield:
G! ♦ :)
@Caryn: Ivy League schools in the US tend to have those pop culture anthropology courses, otherwise universities don't tend to have courses like that.
KP:
KP:
I X Key!:
Caryn:
BadGuyZero:
Therese:
Droll:
Caryn:
Matt from Springfield:
Actually Manchester's more like the "Chicago" of England--one of the top big, industrial cities, inland, various ethnicities, long decline after industry left. Liverpool's probable more like Seattle (or...Newcastle maybe???)
Droll:
Now that you mention it, Marr ended up in Modest Mouse. Maybe there is some connection.
BadGuyZero:
Matt from Springfield:
BadGuyZero:
Except "Reign In Blood." That record is timeless!
Therese:
amEdeo:
BadGuyZero:
NOW YOU FEEL OLD!
Droll:
Matt from Springfield:
G:
Droll:
G:
Droll:
KP:
Matt from Springfield:
Caryn:
Kenzo (Ken's Last Ever):
How many similarly-scaled movies have such a characteristic?
Go ahead, try to think of a scene or room he wasn't in!
G:
Matt from Springfield:
@Kenzo: I'm sure many movies are like that, per the star's contract...
Caryn:
BadGuyZero:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Droll:
Caryn:
G:
Rear Window
A Clockwork Orange
Duel
Chinatown
Cast Away
etc etc
KP:
Matt from Springfield:
Droll:
Sugarfly Waterloo:
BadGuyZero:
BadGuyZero:
Matt from Springfield:
G:
On the Waterfront
The 400 Blows
The Graduate
Double Indemnity
The Maltese Falcon
Bonnie and Clyde
near misses (one scene without the protagonist in each):
Raging Bull
Taxi Driver
Matt from Springfield:
G:
BadGuyZero:
KP:
Kenzo (Ken's Last Ever):
Kenzo (Ken's Last Ever):
Matt from Springfield:
Matt from Springfield:
Caryn:
KP:
BadGuyZero:
Droll:
Caryn:
Droll:
fleep:
BadGuyZero:
Caryn:
BadGuyZero:
Caryn:
bud dock:
amEdeo:
Kenzo (Ken's Last Ever):
bud dock:
amEdeo:
fleep:
KP:
BadGuyZero:
fleep:
G:
Caryn:
Droll:
amEdeo:
Caryn:
Caryn:
fleep:
amEdeo:
Caryn:
Also (and this is just my personal opinion), the trilogy reveals the full name of "the man with no name" bit by bit (first name, last name, nickname as the movies go on).
BadGuyZero:
Caryn:
BadGuyZero:
Caryn:
amEdeo:
Interesting about the chronology of the films. Always vastly preferred "The Good, The Bad and The Ugly" to the other two films... I was raised on Kurosawa films, so I may have had a bit of a bias against the first two, especially "For A Fistful of Dollars". Boy oh boy, it's really been years since I've thought about any of this.
Caryn:
Caryn:
BadGuyZero:
BadGuyZero:
amEdeo:
Caryn:
BadGuyZero:
KP:
KP:
BadGuyZero:
amEdeo:
Definitely agree, regardless of how directly he was involved, you can feel Carpenter (and his collaborator Alan Howarth)'s influence throughout.
Caryn:
@KP: very true. Both the Nobody and Trinity films are great. (As are many of the individual other films.)
BadGuyZero:
amEdeo:
Steve-O:
fleep:
Caryn:
KP:
KP:
KP:
BadGuyZero: