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I play rhinoceros and psychedelic fork.
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Artist | Track | Album | Label | Year | Approx. start time | |||||
---|---|---|---|---|---|---|---|---|---|---|
The In-Theme | 0:00:00 (Pop-up) | |||||||||
The Holy Mackerel | The Secret of Pleasure | The Holy Mackerel | RE: Collector's Choice | 1968 | 0:02:02 (Pop-up) | |||||
John Coltrane | Acknowledgement | A Love Supreme | Impulse | 1964 | 0:05:41 (Pop-up) | |||||
Brainticket | Egyptian Kings | Celestial Ocean | RE: Buy or Die | 1972 | 0:13:28 (Pop-up) | |||||
Finch | Unspoken Is the Word (intro) | Galleons of Passion | RE: Pseudonym | 1977 | 0:19:19 (Pop-up) | |||||
Paul Marcano & Lightdreams | Visual Breakfast | 10,001 Dreams | RE: Got Kinda Lost | 1982 | 0:21:33 (Pop-up) | |||||
Help | Commit Yourself | Help | Decca | 1970 | 0:32:21 (Pop-up) | |||||
Khan | Break the Chains (bonus track) | Space Shanty | Re: Eclectic | 1972 | 0:38:48 (Pop-up) | |||||
Sopwith Camel | Coke, Suede and Waterbeds | The Miraculous Hump Returns from the Moon | Warner Bros. | 1973 | 0:42:10 (Pop-up) | |||||
Hatfield and the North | Let's Eat (Real Soon) | 7" | Virgin | 1974 | 0:45:38 (Pop-up) | |||||
Happy the Man | I Forgot to Push It | Crafty Hands | RE: Esoteric | 1978 | 0:48:52 (Pop-up) | |||||
However | It's Good Fun | Sudden Dusk | RE: Kinesis | 1981 | 0:51:57 (Pop-up) | |||||
Grits | Beef the Diver (197?) | As the World Grits | Cuneiform | 1992 | 0:55:37 (Pop-up) | |||||
Starcrost | False Paradise | Starcrost | Fable | 1976 | 0:57:48 (Pop-up) | |||||
Zao | Kabal | Kawana | RE: Musea | 1976 | 1:00:17 (Pop-up) | |||||
Arti e Mestieri | Sagra | Giro di Valzer per Domani | Cramps | 1975 | 1:04:24 (Pop-up) | |||||
Funkadelic | March to the Witch's Castle | Cosmic Slop | Westbound | 1973 | 1:07:31 (Pop-up) | |||||
War | Galaxy | 7" | MCA | 1977 | 1:13:28 (Pop-up) | |||||
Barney Wilen & His Amazing Free Rock Band | Why Do You Keep Me Hanging On | Dear Prof. Leary | RE: Promising Music | 1968 | 1:22:22 (Pop-up) | |||||
Neil (Nigel Planer) | Lentil Nightmare | Neil's Heavy Concept Album | RE: Esoteric | 1984 | 1:27:11 (Pop-up) | |||||
Larry Coryell & Alphonse Mouzon | Beneath the Earth | Back Together Again | Atlantic | 1977 | 1:32:56 (Pop-up) | |||||
The Mahavishnu Orchestra | Meeting of the Spirits | The Inner Mounting Flame | Columbia | 1971 | 1:35:54 (Pop-up) | |||||
Country Joe & the Fish | Grace | Electric Music for the Mind and Body | Vanguard | 1967 | 1:45:06 (Pop-up) | |||||
Influence | Dream Woman | Influence | RE: Picar | 1968 | 1:52:11 (Pop-up) | |||||
The Third Power | Won't Beg Anymore | Believe | Vanguard | 1970 | 1:55:47 (Pop-up) | |||||
The Mandrake Memorial | Next Number | The Mandrake Memorial | RE: Collectables | 1968 | 2:00:17 (Pop-up) | |||||
New York Rock & Roll Ensemble | Mr. Tree | New York Rock & Roll Ensemble | RE: Collectables | 1968 | 2:04:24 (Pop-up) | |||||
Montage | The Mirror (bonus track) | Montage | RE: Sundazed | 1969 | 2:06:54 (Pop-up) | |||||
Time | Waking (1968) | Before There Was ... Time | Normal | 2004 | 2:12:51 (Pop-up) | |||||
Strawberry Alarm Clock | Heated Love | The World in a Sea Shell | RE: Collectors' Choice | 1968 | 2:15:38 (Pop-up) | |||||
The Gentrys | Goddess of Love | 7" | Sun | 1970 | 2:17:34 (Pop-up) | |||||
The Velvet Illusions | The Stereo Song (1967) | Acid Head | Tune In | 2011 | 2:19:40 (Pop-up) | |||||
Lothar and the Hand People | This May Be Goodbye | Presenting ... Lothar & the Hand People | Capitol | 1968 | 2:21:30 (Pop-up) | |||||
Kensington Market | If It Is Love | Aardvark | Warner Bros. | 1969 | 2:23:57 (Pop-up) | |||||
Ars Nova | And How Am I to Know | Ars Nova | RE: Sundazed | 1968 | 2:26:35 (Pop-up) | |||||
The Unspoken Word | Anniversary of My Mind | Tuesday, April 19th | Ascot | 1968 | 2:31:17 (Pop-up) | |||||
The Serpent Power | Nobody Blues | The Serpent Power | Vanguard | 1967 | 2:33:54 (Pop-up) | |||||
Country Joe & the Fish | Colors for Susan | I-Feel-Like-I'm-Fixin'-to-Die | Vanguard | 1967 | 2:37:51 (Pop-up) | |||||
The Lollipop Shoppe | Underground Railroad | Just Colour | RE: Rev-Ola | 1968 | 2:48:42 (Pop-up) | |||||
The Out-Theme | Gelbart: My Favorite Vacation [part of] + Die Trip Computer Die: Airborn [part of] | 2:56:29 (Pop-up) |
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Listener comments!
Tony Coulter:
annie:
Tony Coulter:
Dave in Vermont:
annie:
annie:
annie:
Dave in Vermont:
I accidentally thanked someone else on a comments board over the weekend.
Dave in Vermont:
Dave in Vermont:
annie:
Tony Coulter:
annie:
Dave in Vermont:
annie:
βrian:
annie:
Tony Coulter:
listener james from westwood:
V Priceless:
Tony Coulter:
Rich in Washington:
Tony Coulter:
Tony Coulter:
The great meltdown is coming soon -- here, anyway.
doctorjazz:
TRANE!
βrian:
Tony Coulter:
Tony Coulter:
listener james from westwood:
listener james from westwood:
doctorjazz:
Tony Coulter:
Rich in Washington:
annie:
doctorjazz:
Rich in Washington:
Rich in Washington:
Tony Coulter:
Tony Coulter:
Tony Coulter:
Rich in Washington:
Rich in Washington:
Tony Coulter:
Carmichael:
βrian:
Tony Coulter:
Carmichael:
Tony Coulter:
dale:
dale:
Stanley:
Dug the previous piece immensely. Reminded me what FZ was up to back in the day.
Tony Coulter:
Yep -- I do indeed play Maneige from time to time. Really like their first three records.
dale:
Tony Coulter:
coelacanth∅:
snake:
Tony Coulter:
Dean:
Tony Coulter:
coelacanth∅:
Guido from Cologne:
Tony Coulter:
geezerette:
Tony Coulter:
annie:
geezerette:
Scraps:
Tony Coulter:
Curt:
Tony Coulter:
Tony Coulter:
Curt:
doctorjazz:
geezerette:
ha ha! Not a fan of Lentils either! So Spinal Tap!
listener james from westwood:
Neil: "Does anyone want the last chickpea?"
Mike: "I didn't even want the first one."
JtotheK:
Tony Coulter:
geezerette:
Tony Coulter:
geezerette:
βrian:
Tony Coulter:
Revolution Rabbit Nov63:
Love 'Electric Music...' album! - & to compare/contrast to 1st albums by Elevators, & even Floyd...& Ultimate Spinach plagiarized 'Section 43' - which the Fish did weirdly & wonderfully in the 'Monterey Pop' film - representing the unabashedly Spaced contingent of the Kulture...
Tony Coulter:
Tony Coulter:
coelacanth∅:
Revolution Rabbit Nov63:
Dean:
geezerette:
Revolution Rabbit Nov63:
...if I'd had the cappa in that shop, coulda tied it up neatly as well...
geezerette:
geezerette:
geezerette:
Revolution Rabbit Nov63:
geezerette:
Revolution Rabbit Nov63:
geezerette:
Revolution Rabbit Nov63:
geezerette:
coelacanth∅:
Revolution Rabbit Nov63:
coelacanth∅:
Tony Coulter:
Carmichael:
V Priceless:
geezerette:
doctorjazz:
Dean:
coelacanth∅:
...heads still firmly in asses.
geezerette:
βrian:
coelacanth∅:
geezerette:
It's been fun! Thanks Tony & al!
Revolution Rabbit Nov63:
The Fabs' 1st two albums were recorded on Two Track machines - w/ vocals in one & instruments the other - so Stereo in a way is a fiction! & their early approach w/ Four Tracks remained to mix hard Left & Right, yeah...They didn't get EightTracks until the White Album - which is almost the end, really...'Abbey Road', their last recorded as The Beatles - is quite different technologically than all the rest of their output - & so the slickest & most 'modern'...I dunno about heads & asses - just Stereo was for specialist weirdoes in the early 60s - & TheBeatles were a big radio hit anyhow. That's what they grew up w/ & mixed to. Hendrix came later - & hit the ground running in Stereo, quite dramatically - for instance...
coelacanth∅:
Tony Coulter:
Nick S.:
Tony Coulter:
Revolution Rabbit Nov63:
coelacanth∅:
coelacanth∅:
Tony Coulter:
Tony Coulter:
Tony Coulter:
Dean:
coelacanth∅:
(...should i repeat that?!)
Revolution Rabbit Nov63:
βrian:
coelacanth∅:
coelacanth∅:
i personally don't mind the baroque-ness of it. i like a lot of music that's kind of un-dynamic.
Revolution Rabbit Nov63:
doctorjazz:
V Priceless:
coelacanth∅:
dale:
Tony Coulter:
listener james from westwood:
coelacanth∅:
Tony Coulter: