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This is where all of culture and all of time are collapsed into one seductive portal and viewed through the panoramic lens of the exotic. Come and embark on an armchair-travel virtual-voyage to the heart of timeless darkness and beyond; embrace the numinous monolith of the exotic immensity. Let us find that place where hybridization meets its destiny as pure fantasy. Let us become observers observing those others who are ourselves. You wear your mask and I'll wear mine.
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August 31, 2017: In Search of New Languages: Women in Electronic Music (Switching On & Classical Astronomy)
Listen to this show:
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Artist | Track | Album | Year | Comments | Approx. start time |
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Intro | |||||
Wendy Carlos | Summer | Sonic Seasonings | 1972 | "Trans-Electronic Music Productions, Inc. Presents" | 0:00:53 (Pop-up) |
Wendy Carlos | Title Music From A Clockwork Orange | Walter Carlos' Clockwork Orange | 1972 | from Purcell's "Music for the Funeral of Queen Mary" | 0:11:04 (Pop-up) |
Wendy Carlos | Theme From A Clockwork Orange (Beethoviana) | Walter Carlos' Clockwork Orange | 1972 | 0:12:18 (Pop-up) | |
Wendy Carlos | Pop Purcell | Rediscovering Lost Scores - Volume One (Quintessential Archeomusicology – Film Music By Wendy Carlos) | 1972/1980 | 0:14:03 (Pop-up) | |
Wendy Carlos | March From A Clockwork Orange (9th Symphony, Fourth Movement, Abridged) | Walter Carlos' Clockwork Orange | 1972 | 0:14:59 (Pop-up) | |
Music behind DJ: Wendy Carlos |
La Gazza Ladra (The Thieving Magpie, Abridged) |
Walter Carlos' Clockwork Orange |
0:29:04 (Pop-up) |
||
Wendy Carlos | Brandenburg Concerto No. 3 In G Major (Second Movement) | Switched-On Bach | 1968 | 0:31:44 (Pop-up) | |
Wendy Carlos | Brandenburg Concerto No. 3 In G Major (Third Movement) | Switched-On Bach | 1968 | 0:35:46 (Pop-up) | |
Wendy Carlos | Variations For Flute & Electronic Sound | Electronic Music | 1973 | from a compilation LP. Recorded much earlier, I think | 0:38:30 (Pop-up) |
Wendy Carlos | Geodesic Dance (Electronic Etude) | By Request | 1975 | 0:42:48 (Pop-up) | |
Wendy Carlos | Orange Minuet | Clockwork Orange – Wendy Carlos' Complete Original Score | 1972/2000 | 0:45:58 (Pop-up) | |
Wendy Carlos | Brandenburg Concerto No. 4 In G Major: I Allegro | The Well-Tempered Synthesizer | 1969 | 0:49:32 (Pop-up) | |
Ruth White | Flight of the Bumblebee | Short Circuits | 1971 | Rimsky-Korsakov | 0:56:46 (Pop-up) |
Ruth White | The Snow is Dancing | Short Circuits | 1971 | Debussy | 0:57:57 (Pop-up) |
Ruth White | Asturias | Short Circuits | 1971 | Albeniz | 0:59:59 (Pop-up) |
Music behind DJ: Wendy Carlos |
Poem for Bali |
Beauty in the Beast |
1986 |
1:05:26 (Pop-up) |
|
Clara Rockmore | Habanera | The Art of the Theremin | 1977 | Ravel – prod. Bob & Shirleigh Moog | 1:19:02 (Pop-up) |
Clara Rockmore | Valse Sentimentale | The Art of the Theremin | 1977 | Tchaikovsky | 1:20:37 (Pop-up) |
Patricia Escudero | Gymnopedie III - 1888 | Satie Sonneries | 1987 | 1:22:46 (Pop-up) | |
Patricia Escudero | Gnossienne I - 1890 | Satie Sonneries | 1987 | 1:25:46 (Pop-up) | |
Patricia Escudero | Lui Manger Sa Tartine - 1913 | Satie Sonneries | 1987 | 1:30:11 (Pop-up) | |
Patricia Escudero | Gnossienne II - 1890 | Satie Sonneries | 1987 | 1:32:38 (Pop-up) | |
Patricia Escudero | Gymnopedie I - 1888 | Satie Sonneries | 1987 | 1:36:31 (Pop-up) | |
Patricia Escudero | Gymnopedie II - 1888 | Satie Sonneries | 1987 | 1:40:40 (Pop-up) | |
Clara Rockmore | Summertime | Clara Rockmore's Lost Theremin Album | 1975/2006 | Gershwin | 1:44:22 (Pop-up) |
Clara Rockmore | La Vie En Rose | Clara Rockmore's Lost Theremin Album | 1975/2006 | Louiguy | 1:47:50 (Pop-up) |
Music behind DJ: Laurie Spiegel |
A Cosmos |
Obsolete Systems |
1:49:20 (Pop-up) |
||
Else Marie Pade | Syv Cirkler | Electronic Works: 1958-1995 | 1958 | 2:01:15 (Pop-up) | |
Else Marie Pade | Lyd & Lys | Electronic Works: 1958-1995 | 1960 | 2:07:23 (Pop-up) | |
Ruth White | Lover's Wine | Flowers of Evil | 1969 | "An Electronic Setting of the Poem of Charles Baudelaire" | 2:11:59 (Pop-up) |
Ruth White | Mists and Rains | Flowers of Evil | 1969 | 2:14:50 (Pop-up) | |
Ruth White | Spleen | Flowers of Evil | 1969 | 2:16:52 (Pop-up) | |
Ruth White | Litanies of Satan | Flowers of Evil | 1969 | 2:19:44 (Pop-up) | |
Laurie Spiegel | Kepler's Harmony of the Worlds | The Expanding Universe | 2:26:29 (Pop-up) | ||
Joanna Brouk | Fire Breath | Hearing Music | 2016 | previously unreleased, rec. 198? | 2:31:39 (Pop-up) |
Joanna Brouk | The Nymph Rising, Calling the Sailor | Sounds of the Sea | 1981 | 2:39:00 (Pop-up) | |
Wendy Carlos | A Woman's Song | Beauty in the Beast | 1986 | 2:43:22 (Pop-up) | |
Music behind DJ: Constance Demby |
Sunborne |
2:47:23 (Pop-up) |
|||
Wendy Carlos | Brandenburg Concerto No. 5 in D Maj. | Switched-On Bach II | 1973 | 2:55:32 (Pop-up) |
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Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Flash Strap:
listener james from westwood:
doctorjazz:
Hi Flash!
(darn, just beat me, James)
Flash Strap:
Flash Strap:
Flash Strap:
ah well, just moments in time
Flash Strap:
Little Danny:
listener james from westwood:
JtotheK:
listener james from westwood:
Flash Strap:
That must have been excellent, Listener James! I'd love to hear that
listener james from westwood:
If they play this during the eventual proceedings for Elizabeth II, I will be an utter fucking mess.
listener james from westwood:
listener james from westwood:
hyde:
quinn:
listener james from westwood:
Flash Strap:
Hello Hyde! Welcome welcome indeed, Quinn!
Flash Strap:
listener james from westwood:
Flash Strap:
Flash Strap:
Flash Strap:
listener james from westwood:
Flash Strap:
Flash Strap:
Flash Strap:
melinda:
Flash Strap:
slawooy:
Webhamster Henry:
doctorjazz:
Webhamster Henry:
redkayak:
listener james from westwood:
Flash Strap:
agreed on Beauty in the Beast, it's tremendous! and on the other fine theremin players who are indeed no slouches
Flash Strap:
Webhamster Henry:
quinn:
Flash Strap:
Webhamster Henry:
melinda:
Flash Strap:
Flash Strap:
Webhamster Henry:
Flash Strap:
quinn:
Flash Strap:
coelacanth∅:
quinn:
Flash Strap:
Webhamster Henry:
Flash Strap:
coelacanth∅:
Flash Strap:
quinn:
Flash Strap:
(i always worry about stream drops and it occasionally makes me paranoid)
redkayak:
still b/p:
coelacanth∅:
melinda:
redkayak:
Flash Strap:
Hi B/P!
melinda:
quinn:
Flash Strap:
Flash Strap:
northguineahills:
redkayak:
northguineahills:
Flash Strap:
For the words, I used my own voice as the generator of the original sound to be altered or “dehumanized.” this seemed practical since my experiments with the medium were too time consuming to have been easily accomplished with a collaborator.
To modulate my voice, I used a variety of techniques. changes of timbre were achieved with filters. Tape speed changes were used to control pitch. Into the shape of some words, I injected sound waves and white noise, thus changing the quality of their sound but not the flow of their delivery. By adding reyerberation, I varied atmospheres and decreased or increased space illusions. To accent special words or phrases, i used controlled tape delays. Choruses were created by combining slight delays with multiple track recordings.
The musical settings around the voice were made with music concrète materials, a moog synthesizer, other electronic generators and conventional instruments, which were usually altered electronically.
In the translations, there was no attempt to rhyme the verse as in the original french poems. I tried only to keep the language as direct and simple as possible, for I always found that the dominating power of Baudelaire’s ideas ‘were in themselves of electrifying force.”
Flash Strap:
Flash Strap:
quinn:
Little Danny:
Webhamster Henry:
Flash Strap:
coelacanth∅:
redkayak:
Flash Strap:
northguineahills:
redkayak:
redkayak:
Flash Strap:
Little Danny:
Webhamster Henry:
Flash Strap:
Flash Strap:
Webhamster Henry:
northguineahills:
still b/p:
I wondered in the morning if skunk smell had wafted in the window and into my sleep to stir all of that.
Flash Strap:
melinda:
redkayak:
melinda:
Flash Strap:
northguineahills:
Little Danny:
coelacanth∅:
when i couldn't view it on my one computer i figured i'd see it when i switched to the other - but no.
...can other people see it?
Little Danny:
quinn:
northguineahills:
MrFab:
Heh, i used some of that Ruth White album for a Halloween sound collage.
The liner notes of my vinyl copy of "Sonic Seasonings" actually uses the word "ambience." I was rather surprised to read that, as it pre-dates Eno's first use of the word/concept by 6 years or so.
northguineahills:
coelacanth∅:
...last week's image showed up fine.
Little Danny:
MrFab:
Doug Schulkind:
still b/p:
Maybe I should do dream experiments, assigning someone to bring a hot cheeseburger close or wave dune roses under my nose while I snooze. See what the brain conjures. I see, btw, there are particular skunk dream interpretations.
Flash Strap:
Hi Mr. Fab!
Thanks ever so much, Quinn, truly
Hello Doug! yes, hail me!
Doug Schulkind:
coelacanth∅:
Flash Strap:
Flash Strap:
coelacanth∅:
Flash Strap:
coelacanth∅:
MrFab: