The Night Owl Show with Owl Sun:
Playlist
from January 18, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | ||||
| Nirvana |
C Side of Ocho Rios
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| Syd Barrett |
Gigolo Aunt
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1987 |
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Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
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0:07:32 (Pop-up) |
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| Eric Burdon & The Animals |
We Love You Lil
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1968 |
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0:07:43 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Animals - A Haiku Snow-clad wintertime A tiny animals side beyond the burdon |
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0:14:25 (Pop-up) |
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| Tiny Tim |
The Other Side
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1968 |
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0:14:47 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Underground - A Haiku Covered wintertime A deeper, underground side near the tomorrows |
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0:20:06 (Pop-up) |
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| The Velvet Underground & Nico |
All Tomorrow's Parties
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1967 |
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0:20:23 (Pop-up) | ||
| Yankee Dollar |
Sanctuary
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1968 |
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0:26:19 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
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Underground, Part 2 - A Haiku Dour wintertime For underground underground the experience |
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0:28:30 (Pop-up) |
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| The Jimi Hendrix Experience |
Third Stone From The Sun
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1967 |
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0:29:02 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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The Crazy And Brown Experience Whose experience is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his experience a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:35:42 (Pop-up) |
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| The Crazy World Of Arthur Brown |
Child Of My Kingdom
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1968 |
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0:36:29 (Pop-up) | ||
| H.P. Lovecraft |
It's All Over For You
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Two Classic Albums From HP Lovecraft | 1967 |
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0:43:27 (Pop-up) | |
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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The Crazy And Brown Kingdom Whose kingdom is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his kingdom a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:45:57 (Pop-up) |
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| Stu Phillips |
Skip To My Mary J.
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Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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0:46:52 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
M-23
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0:48:58 (Pop-up) |
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| Bee Gees |
To love somebody
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1967 |
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0:49:15 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
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Somebody - A Haiku Polar wintertime A composed somebody pink near the ibiza |
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0:53:15 (Pop-up) |
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| played and composed by the pink floyd |
Ibiza Bar
|
1969 |
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0:53:40 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
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The Northern Soul Story 10 (Instrumentals) |
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0:56:40 (Pop-up) | ||
| The Shadows |
Late Night Set
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The Early Years: Their Complete Studio Recordings 1959-1966 |
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0:59:42 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
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Underground - A Haiku Snow-clad wintertime A deeper, underground pink the operation |
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1:00:19 (Pop-up) |
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| The Velvet Underground |
Lady Godiva's Operation
|
1968 |
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1:01:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
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Underground, Part 2 - A Haiku Arctic wintertime A deeper, underground mind an operation |
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1:06:03 (Pop-up) |
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| The Moody Blues |
Legend Of A Mind
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1968 |
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1:06:46 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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California - A Haiku Arctic wintertime before california love out of metephore |
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1:13:18 (Pop-up) |
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| The United States Of America |
The American Way Of Love: part I - Metephore for an Older Man, Part II - California Good-time Music, Part III - Love Is All
|
1968 |
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1:13:43 (Pop-up) | ||
| Syd Barrett |
Love Song [Take 1]
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1970 |
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1:21:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
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The Woolly And Collective Collective Whose collective is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her collective a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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1:23:59 (Pop-up) |
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| The Can |
Soul Desert (aus dem roger fritz film: madchen mit gewalt)
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2017 |
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1:25:27 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Encouragement - A Haiku Covered wintertime where encouragement better out of collective |
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1:29:17 (Pop-up) |
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| The Soft Machine |
Why Are We Sleeping?
|
1968 |
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1:30:08 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Containing - A Haiku Dampness wintertime A fat, containing machine after the sleeping |
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1:35:32 (Pop-up) |
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| The Asylum Choir |
Episode Containing 3 Songs: Mr. Henry The Clown
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1968 |
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1:35:56 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
|
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1:37:53 (Pop-up) |
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| The Elastik Band |
Spazz
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1967 |
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1:38:08 (Pop-up) | ||
| The Yardbirds |
Little Games
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Little Games | 1967 |
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1:40:50 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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How happy is the very absent! An absent is identical. an absent is selfsame, an absent is rattling, however. The inconvenience that's really presumed, Above all others is the unavailability. Does the unavailability make you shiver? does it? Presence is, in its way, the strong places of belief. |
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1:43:09 (Pop-up) |
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| The Litter |
Feeling
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1969 |
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1:43:57 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
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The fault that's really latter, Above all others is the omission. Does the omission make you shiver? does it? The quality that's really subsequent, Above all others is the inability. Now consequent is just the thing, To get me wondering if the inability is antecedent. |
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1:46:45 (Pop-up) |
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| The Jimi Hendrix Experience |
Are You Experienced
|
1967 |
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1:48:59 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
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1:53:05 (Pop-up) |
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| Chad And Jeremy |
Paxton Quigley's Had the Course (From American International Film "3 In The Attic")
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1968 |
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1:53:21 (Pop-up) | ||
| The United States Of America |
Hard Coming Love
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The United States Of America | 1968 |
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1:56:39 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
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International - A Haiku Frigid wintertime international people the american |
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2:00:19 (Pop-up) |
||
| Ill Wind |
People Of The Night
|
1968 |
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2:01:07 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
|
2:08:45 (Pop-up) |
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| Graham Bond |
The Magician
|
1970 |
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2:08:58 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Quicksilver - A Haiku Darkening winter An observed, quicksilver pink out of magician |
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2:12:58 (Pop-up) |
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| played and composed by the pink floyd |
Quicksilver
|
1969 |
|
2:13:21 (Pop-up) | ||
| The Moody Blues |
House Of Four Doors (part two)
|
1968 |
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2:21:02 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
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Quicksilver, Part 2 - A Haiku Snow-clad wintertime A crude, quicksilver people at the old people |
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2:22:37 (Pop-up) |
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| The Common People |
I Have Been Alone
|
1969 |
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2:23:22 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
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Underground - A Haiku Dour wintertime A deep, underground people into the velvet |
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2:26:27 (Pop-up) |
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| The Velvet Underground |
I Heard Her Call My Name
|
1968 |
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2:26:52 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Underground, Part 2 - A Haiku Snow-clad wintertime A german, underground free on the invention |
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2:31:26 (Pop-up) |
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| The Mothers Of Invention |
Absolutely Free
|
1968 |
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2:32:02 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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Invention - A Haiku Polar wintertime A modern, invention free watching the mothers |
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2:35:26 (Pop-up) |
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| The Misunderstood |
I Unseen
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Children Of The Sun / I Unseen | 1969 |
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2:35:51 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
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Velvett - A Haiku Dampness wintertime where a purple, velvett dip after the unseen |
|
2:37:51 (Pop-up) |
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| Velvett Fogg |
Owed To The Dip
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Telstar '69 b/w Owed To The Dip | 1969 |
|
2:38:30 (Pop-up) | |
| Syd Barrett |
Baby Lemonade
|
1987 |
|
2:44:33 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro)
|
|
2:47:50 (Pop-up) |
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| Kaleidoscope |
Music
|
1969 |
|
2:48:12 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Don't belive that dats are dysphoric? dats are happy beyond belief. Are you upset by how distressed they are? Does it tear you apart to see the dats so golden? I cannot help but stop and look at the fascist mosley. Does the mosley make you shiver? does it? How happy is the little sanchez! |
|
2:54:05 (Pop-up) |
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| Pink Floyd |
Take Up Thy Stethoscope And Walk
|
1967 |
|
2:54:44 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock
|
Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:57:47 (Pop-up) | |
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
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Stethoscope - A Haiku Covered wintertime A cold, black stethoscope black out of boogaloo |
|
3:00:20 (Pop-up) |
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| The Asylum Choir |
Black Sheep Boogaloo
|
1968 |
|
3:00:58 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
How happy is the contemporary dancehall! Now synchronal is just the thing, To get me wondering if the dancehall is contemporaneous. A reggae, however hard it tries, Will always be classic. Does the reggae make you shiver? does it? Jive is, in its way, the forty one of jazz. |
|
3:03:13 (Pop-up) |
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| Ron Geesin Roger Waters |
Give Birth to a Smile
|
1970 |
|
3:03:53 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
|
3:06:27 (Pop-up) |
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| Procol Harum |
Skip Softly (My Moonbeams)
|
1968 |
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3:06:58 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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Moonbeams - A Haiku Covered wintertime A soft, flying moonbeams wind at the old flying |
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3:11:02 (Pop-up) |
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| Ill Wind |
High Flying Bird
|
1968 |
|
3:11:36 (Pop-up) | ||
| Morgen |
Of Dreams
|
Morgen |
|
3:16:31 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
Morning - A Haiku Polar wintertime A clear, flying morning need at the old flying |
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3:19:50 (Pop-up) |
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| Morning Glory |
Need Someone
|
1968 |
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3:20:28 (Pop-up) | ||
| Steve Weber |
If I Had Half A Mind by
|
1966 |
|
3:24:54 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
All that is new is not vamps, vamps, by all account is old. Vamps are hoary. vamps are overaged, vamps are middle-aged, however. How happy is the dead undead! Does the undead make you shiver? does it? Just like alien beings, is ghosts. |
|
3:25:37 (Pop-up) |
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| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
|
3:26:25 (Pop-up) | ||
| The Electric Prunes |
You Never Had It Better
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Everybody Knows You're Not In Love / You've Never Had It Better | 1968 |
|
3:29:30 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Incorporation - A Haiku Snow-clad wintertime How sound incorporation a satisfaction |
|
3:31:35 (Pop-up) |
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| Lothar and the Hand People |
Today Is Only Yesterday's Tomorrow
|
1969 |
|
3:32:22 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
The Black And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:39:08 (Pop-up) |
||
| The Velvet Underground & Nico |
The Black Angel's Death Song
|
1967 |
|
3:39:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The Black And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:43:06 (Pop-up) |
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| Musiche Originali Di Ennio Morricone |
Fruscio Di Foglie Verdi
|
1968 |
|
3:43:58 (Pop-up) | ||
| The Moody Blues |
Have You Heard Part I
|
1969 |
|
3:46:15 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:47:43 (Pop-up) |
|||
| The Byrds |
Tribal Gatering
|
1967 |
|
3:48:16 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:50:17 (Pop-up) | ||||
| Funkadelic |
Music For My Mother (Instrumental)
|
1969 |
|
3:57:57 (Pop-up) |
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Listener comments!
The Night Owl:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia:
onekayhz:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
DA The DJ:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Collective Cult of Woolly Lydia:
Nelly Maynard:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
Nelly Maynard:
Bringing a day of sadness
Say farewell and more
spacecowboy:
The Night Owl: