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Intimate electronics, bad poetry, tender murk, and tired humans making the best of it. Features live sound collaging, too.
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Artist | Track | Album | Label | Approx. start time | ||||||
---|---|---|---|---|---|---|---|---|---|---|
Bertrand Burgalat | Waiting for Rain | Portrait-Robot | Tricatel | 0:00:00 (Pop-up) | ||||||
Linda Smith | I So Liked Spring | Sky Girl: Compiled by Julien Dechery and DJ Sundae | Efficient Space | 0:03:33 (Pop-up) | ||||||
Jeanette | Sol De Verano | Spain's Silky-Voiced Songstress 1967-1983 | Ace | 0:10:26 (Pop-up) | ||||||
~ | ~ | ~ | ~ | 0:24:24 (Pop-up) | ||||||
Jose Maceda | Strata | Drone and Melody | Tzadik | 0:24:36 (Pop-up) | ||||||
w/ John Atkinson and Talya Cooper | Plains | Plains | Florabelle | 0:29:42 (Pop-up) | ||||||
w/ field recordings | n/a | n/a | n/a | 0:29:54 (Pop-up) | ||||||
N-1 | TierGartenMachine | Hy Brazil Vol 10 | No Label | 0:36:28 (Pop-up) | ||||||
Accessorios Essenciais | Verlan (feat. Patricinha Mentiroza) | Hy Brazil Vol 10 | No Label | 0:40:32 (Pop-up) | ||||||
Os Mutantes | Trem Fantasma | Os Mutantes | Polydor | 0:44:41 (Pop-up) | ||||||
Frank Harris & Maria Marquez | Field Trips | Echoes | Strangelove Music | 0:56:20 (Pop-up) | ||||||
Metro Crowd | Gas In A Wagon (at 45 speed woops) | Planning | Maple Death | 0:58:31 (Pop-up) | ||||||
F-Dorm | Taupe | Commune | Scrapes | 1:03:35 (Pop-up) | ||||||
Chen Yi | Honey Money | "The" 1978 - 1983 | 90% Wasser | 1:07:35 (Pop-up) | ||||||
kim ki o | sanki hiç durmadı | ZAN | Lentonia Records | 1:10:23 (Pop-up) | ||||||
L.A. Witch | Heart of Darkness | Octubre | Suicide Squeeze | 1:15:06 (Pop-up) | ||||||
Boogarins | as chances | Sombrou Duvida | OAR | 1:17:55 (Pop-up) | ||||||
Carla Dal Forno | So Much Better | So Much Better b/w Fever Walk | Kallista | 1:23:18 (Pop-up) | ||||||
Joan Schuman | Radio~Sound~Art | No Album | No Label | 1:33:08 (Pop-up) | ||||||
w/ Marissa Nadler | For The Sun | Drone Flower | Sacred Bones | 1:33:44 (Pop-up) | ||||||
Michele Mercure | De Dunk | Beside Herself | RVNG Intl | 1:35:47 (Pop-up) | ||||||
Patrick Wiklacz | Nuee | N | N Records | 1:39:25 (Pop-up) | ||||||
Barbara Prokesch | Echo spaces of innumerability | Opto_phon | Edition Telemark | 1:49:34 (Pop-up) | ||||||
Spiral Wave Nomads | Side A | Spiral Wave Nomads | Feeding Tube / Twin Lakes | 1:50:40 (Pop-up) | ||||||
Klaus Johann Grobe | Ich bin nicht der Grund | Baby lass uns sein 7" | Trouble In Mind | 1:56:31 (Pop-up) | ||||||
Buckethead | Virtual Reality | Bucketheadland | Avant | 2:05:17 (Pop-up) | ||||||
Ebo Taylor, Pat Thomas & Uhuru Yenzu | Uhuru Special | Hitsville Re-Visited | Mr Bongo | 2:09:11 (Pop-up) | ||||||
Ibibio Sound Machine | Wanna Come Down | Doko Mien | Merge | 2:19:26 (Pop-up) | ||||||
Feeling Kréyol | Las Palé | Las Palé | Strut | 2:23:31 (Pop-up) | ||||||
Ebo Taylor, Pat Thomas & Uhuru Yenzu | Gyae Su | Hitsville Re-Visited | Mr Bongo | 2:28:30 (Pop-up) | ||||||
Alice Clark | Don't Wonder Why | Alice Clark | We Want Sounds | 2:34:24 (Pop-up) | ||||||
Sharon Jones & The Dap-Kings | Stranded in Your Love (feat. Lee Fields) | Naturally | Daptone | 2:37:44 (Pop-up) | ||||||
Curtis Mayfield | Sweet Exorcist | Sweet Exorcist | Warner | 2:47:01 (Pop-up) | ||||||
Neneh Cherry | Blank Project | Blank Project | Smalltown Supersound | 2:50:58 (Pop-up) | ||||||
Holly Herndon | Morning Sun | Platform | 4AD | 2:54:44 (Pop-up) |
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Listener comments!
sphere:
βrian:
Yes:
blee:
blee:
Z-pulpa:
blee:
passiflora:
sphere:
Ken From Hyde Park:
randyfrommichigan:
steveo:
coelacanth∅:
steveo:
steveo:
RomanDogBird:
Krys O.:
Cmurtha:
ranjit:
(it was the construction site)
Lixiviated Life:
Lixiviated Life:
Lixiviated Life:
They're just keep'n the seat warm.
coelacanth∅:
sphere:
Ken From Hyde Park:
chresti:
olivia:
chresti:
coelacanth∅:
coelacanth∅:
chresti:
Ken From Hyde Park:
chris:
coelacanth∅:
coelacanth∅:
-chresti, "read your bones"?
Carmichael:
aaronfromMI:
steveo:
chresti:
Z-pulpa:
Webhamster Henry:
Cmurtha:
chresti:
steveo:
steveo:
sphere:
chresti:
chris:
djelrock:
steveo:
coelacanth∅:
sphere:
aaronfromMI:
Itzall ClearD'me Nåu:
chresti:
Haha chris!
coelacanth∅:
So, let's begin with: There are very few people who aren't in favor of the idea. The biggest vocal advocates of the H1 are the manufacturers, and while there are those who have issues and reasons for not buying their devices right out of the box, they are also just as vocal advocates for their devices and want their money's worth at the end of the day.
Even when one tries to use common sense and facts, some people will still take it to heart. As long as they know what they're talking about, then the arguments have value and are worth hearing. But if you don't know, and can't explain why, how your device is going to fit their needs
coelacanth∅:
Itzall ClearD'me Nåu:
zopa:
zopa:
coelacanth∅:
so, a rope walks into a bar and orders a drink.
She also has a new hobby where she does the handstand at 5:30 a.m. every day for 30 minutes, then walks outside in the snow to drink some more. It's amazing what a big girl can do for hours.
"There's a kid here who can be 6 feet and 190 pounds," Williams said. "He always has a snowball fight going on.
"It happens all the time with the kids."
(???)
Itzall ClearD'me Nåu:
Aaron:
coelacanth∅:
steveo:
Rich in Washington:
Wonder what happens when one feeds Burroughs text into it.
Itzall ClearD'me Nåu:
Mike tp:
coelacanth∅:
what happens when one feeds Burroughs text into it ?"
Burroughs: "Well, let's say he makes his way to me, and at all I'm like "Why the fuck are you looking me in the face?!" and he goes "Whoa! Get up!" so I put them around his neck and I go "What am I doing here?" which is why we had that little table out over there!
Mike tp:
chresti:
Rich in Washington:
aaronfromMI:
wants to get out
but I’m too tough for him,
I say,
stay down, do you want to mess
me up?
(laughs)
Now what the hell, I will try to get out
before he gets me, or you’re too tough for me
♪
I say, stop messing around
♪This♪ is how it starts
♪I wanna be a real hero now
Rich in Washington:
Hi from Holland:
fleep:
Maybe I should have a look outside.
zopa:
coelacanth∅:
Rich in Washington:
Michael 98145:
sphere:
"If we don't want to become slaves to the algorithms, maybe we should have a better idea of what AI means."
In this world, as with all worlds, what's good or bad is subjective, as we all make choices on how to choose our lives. Some, such as AI, are being used for evil, with people like Elon Musk predicting that, by 2030, it will be possible to "hack consciousness" and make everything we see and think look exactly like it's supposed to look. As such, there is a real need for a better understanding of what AI is."
Michael 98145:
coelacanth∅:
steveo:
Rich in Washington:
coelacanth∅:
to be with him. I just can't get away from something that makes me uncomfortable."
The man had moved his hand toward her crotch.
"Don't, don't touch me," she said forcefully. "I'll kill you if I know you'll do me that hurt. This is an evil being. Do not touch me."
"I am not an evil being," said the man, his voice lowering, voice so soft the man might have been a child. "My heart is not evil."
"Are you in no way an evil being now, are you, sir?" She was asking for the word 'evil' but it always escaped her mouth whenever the word was spoken. It was always a little difficult to speak, she would just keep repeating it over and over. "Do you think I'm trying to say you're not?"
"No," he said, his voice flat, it was calm. "But I am, my heart is. You would just need to touch it."
"I...don't think so." She wasn't quite crying, but it was an
Itzall ClearD'me Nåu:
coelacanth∅:
Ken From Hyde Park:
Michael 98145:
tak:
RomanDogBird:
chris:
Jay Goges:
coelacanth∅: