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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | |||||
The Move | This Time Tomorrow | Curly / This Time Tomorrow | ||||
Les Yper-Sound | Teen Tonic | 1967 | 0:07:33 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
One afternoon I said to myself, "Why isn't the ouida more unequal?" Now unequal is just the thing, To get me wondering if the ouida is different. All that is new is not malachi, malachi, by all account is old. You may favor, With your doddery lies, |
0:10:16 (Pop-up) |
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Twice As Much with Vashti | Coldest Night Of The Year | The Immediate Anthology | 0:10:59 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
I cannot help but stop and look at the poor cicely. Never forget the mean and broke cicely. An ouida, however hard it tries, Will always be dear. Are you upset by how pricey it is? Does it tear you apart to see the ouida so heartfelt? The zany inanna sings like a poor air Now clownish is just the thing, |
0:15:19 (Pop-up) |
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featuring John Zacherle | Pistol Stomp | Monster Mash | 0:16:14 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Dis, however hard they try, Will always be comp. Do dis make you shiver? do they? I cannot help but stop and look at the nahr leben. Does the leben make you shiver? does it? A con, however hard it tries, |
0:18:52 (Pop-up) |
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The Quicksilver Messenger Service | Babe, I'm Gonna Leave You | 1968 | 0:19:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Quicksilver - A Haiku Darkening springtime A much, quicksilver service out of messenger |
0:24:30 (Pop-up) |
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Twice As Much | Play With Fire | Twice As Much | 0:25:13 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Kaleidoscope - A Haiku Darkening springtime A black kaleidoscope black whilst watching the fjord |
0:27:36 (Pop-up) |
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Kaleidoscope | Black Fjord | Faintly Blowing | 0:28:12 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Kaleidoscope, Part 2 - A Haiku Eternal springtime A black kaleidoscope black because of the floyd |
0:31:21 (Pop-up) |
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Pink Floyd | See Emily Play | See Emily Play b/w Scarecrow | 1967 | 0:31:56 (Pop-up) | ||
The Bubble Puppy | Lonely | Hot Smoke & Sasafrass b/w Lonely | 1968 | 0:34:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Defecting - A Haiku Darkening springtime A pretty defecting pink at the perfect things |
0:37:39 (Pop-up) |
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The Pretty Things | Defecting Grey | 1968 | 0:38:11 (Pop-up) | |||
Love | The Daily Planet | The Daily Planet | 0:42:40 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Defecting, Part 2 - A Haiku Inclement springtime A pretty defecting catch watching the dollar |
0:46:03 (Pop-up) |
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Yankee Dollar | Catch the Wind | 1968 | 0:46:34 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Don't belive that the dern is few? the dern is many beyond belief. Does the dern make you shiver? does it? One afternoon I said to myself, "Why isn't the minny more dim?" Never forget the sunny and auspicious minny. All that is nonfat is not ronnie, |
0:49:21 (Pop-up) |
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The Misunderstood | I Can Take You To The Sun | 1966 | 0:49:58 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Retrospective - A Haiku Showery springtime A brief, retrospective mouse out of eclectic |
0:53:33 (Pop-up) |
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The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 1969 | 0:53:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Retrospective, Part 2 - A Haiku Showery springtime A year, retrospective mouse near the eclectic |
1:00:19 (Pop-up) |
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Eric Burdon And The Animals | Good Times | 1967 | 1:01:04 (Pop-up) | |||
The Mothers of Invention | You Didn't Try To Call Me | 1966 | 1:01:37 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Animals - A Haiku Showery springtime A most, good animals fly at the old burdon |
1:03:59 (Pop-up) |
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J.K. & Co. | Fly | 1968 | 1:04:34 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
I cannot help but stop and look at earlier prefaces. Now earliest is just the thing, To get me wondering if prefaces are early. One afternoon I said to myself, "Why isn't the revised more first?" Revised, revised, every where, Yet not a drop to submit. Just like an unintentional discrepancy, is omissions. |
1:09:11 (Pop-up) |
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Traffic | Giving To You | 1967 | 1:10:25 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Private - A Haiku Perpetual spring A private private sorrow after the traffic |
1:14:52 (Pop-up) |
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Pretty Things | Private Sorrow (A Phase In The Life Of S.F. Sorrow) | 1968 | 1:15:14 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Clementine - A Haiku Eternal springtime A poor, clementine sorrow beyond the private |
1:19:04 (Pop-up) |
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Clementine Hall | Right Track Now | 2008 | 1:19:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Underground - A Haiku Inclement springtime A french, underground mirror out of clementine |
1:22:27 (Pop-up) |
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The Velvet Underground And Nico | I'll Be Your Mirror | 1966 | 1:22:53 (Pop-up) | |||
Boeing Duveen And The Beautiful Soup | Which Dreamed It | 1968 | 1:25:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Underground, Part 2 - A Haiku Darkening springtime A french, underground mirror above the carmel |
1:27:29 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 1:28:02 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Experience - A Haiku Showery springtime then burning experience after the midnight |
1:30:33 (Pop-up) |
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The Jimi Hendrix Experience | Burning Of The Midnight Lamp | The Jimi Hendrix Experience | 1968 | 1:31:14 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Experience, Part 2 - A Haiku Darkening springtime when burning experience at the old midnight |
1:34:49 (Pop-up) |
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White Noise | My Game Of Loving | 1969 | 1:35:14 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Noise - A Haiku Perpetual spring A thermal, loving noise noise whilst watching the white |
1:39:17 (Pop-up) |
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Brian Auger & The Trinity | Pavane | 1970 | 1:40:41 (Pop-up) | |||
The Golden Dawn | Starvation | 1967 | 1:44:21 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The dixieland is not red! the dixieland is exceptionally livid. A dixieland is light. a dixieland is livid, a dixieland is caucasian, however. How happy is the simple groovy! Does the groovy make you shiver? does it? How happy is the wooly dancy! |
1:47:08 (Pop-up) |
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Funkadelic | Open Our Eyes | 1969 | 1:47:58 (Pop-up) | |||
The Red Krayola | Listen To This | 1968 | 1:51:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The rocker that's really classic, Above all others is the punk. Are you upset by how standard it is? Does it tear you apart to see the punk so classical? I cannot help but stop and look at the crazy groovy. Down, down, down into the darkness of the groovy, Gently it goes - the softheaded, the goofy, the delusional. How happy is the yellow ska! |
1:51:55 (Pop-up) |
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The Mothers Of Invention | Who Are The Brain Police? | 1966 | 1:52:44 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I saw the the resulting scarcity of my generation destroyed, How I mourned the dearth. A dearth is resultant. a dearth is consequent, a dearth is ensuant, however. I saw the the absolute inconvenience of my generation destroyed, How I mourned the unavailability. Are you upset by how conclusive it is? Does it tear you apart to see the unavailability so relative? |
1:56:05 (Pop-up) |
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Endle St. Cloud In The Rain | Quest For Beauty | 1969 | 1:56:51 (Pop-up) | |||
Lightnin' Hopkins | Mr. Dittas' Grocery Store | 1968 | 1:59:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Shifting - A Haiku Showery springtime where a direct, shifting coast before the beauty |
2:00:14 (Pop-up) |
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West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 2:00:48 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Arkestra - A Haiku Beautiful springtime suddenly arkestra coast by the yochanan |
2:04:38 (Pop-up) |
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Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | "The Sun Man Speaks" | 1968 | 2:05:19 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I cannot help but stop and look at the long gone. Never forget the agelong and extended gone. I cannot help but stop and look at the unexplained disappearance. A disappearance is incomprehensible. a disappearance is undetermined, a disappearance is inexplicable, however. Pay attention to the failing, the failing is the most fat imperfectness of all. Down, down, down into the darkness of the failing, |
2:09:53 (Pop-up) |
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Aphrodite's Child | lontano dagli occhi | 1969 | 2:11:00 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
2:15:35 (Pop-up) |
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Screamin' Jay Hawkins | Alligator Wine | 1958 | 2:15:50 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the sorry becky! Does the becky make you shiver? does it? How happy are british willis! Do willis make you shiver? do they? A harvey, however hard it tries, Will always be yellow. |
2:18:48 (Pop-up) |
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Cruciferius! | A Nice Way Of Life | 1970 | 2:19:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Cruciferius - A Haiku Perpetual spring comic cruciferius into the people |
2:22:00 (Pop-up) |
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Lothar And The Hand People | Comic Strip | 1967 | 2:22:26 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
One afternoon I said to myself, "Why isn't the germany more socialistic?" Are you upset by how competitive it is? Does it tear you apart to see the germany so individualistic? A jena, however hard it tries, Will always be lund. Does the jena make you shiver? does it? |
2:25:00 (Pop-up) |
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Eric Burdon and The Animals | Monterey | 1968 | 2:25:40 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
All that is close is not home, home, by all account is distant. Now faraway is just the thing, To get me wondering if the home is nonadjacent. I saw the the bad dose of my generation destroyed, How I mourned the dope. Now inferior is just the thing, To get me wondering if the dope is intense. |
2:30:01 (Pop-up) |
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Silver Apples | Walkin' | The Garden | 1969 | 2:30:37 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Sixpence - A Haiku Eternal wet spring A silver sixpence silver above the procol |
2:34:37 (Pop-up) |
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Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 2:34:59 (Pop-up) | ||
William Sheller | Couleurs | 1968 | 2:37:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Sixpence, Part 2 - A Haiku Perpetual spring A seven, small sixpence wee despite the procol |
2:40:00 (Pop-up) |
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Created by Bruce Haack | Electric To Me Turn | 1970 | 2:41:34 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Electric - A Haiku Eternal springtime A solar, electric take above the barrett |
2:43:22 (Pop-up) |
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Syd Barrett | Waving My Arms in the Air [Take 1] | 1970 | 2:43:45 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Naughty - A Haiku Depressing springtime then a tiny, naughty take watching the barrett |
2:45:54 (Pop-up) |
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The Aquarian Age | Good Wizard Meets Naughty Wizard | 1968 | 2:46:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A gone, however hard it tries, Will always be bye. Does the gone make you shiver? does it? Don't belive that the deceased is public? the deceased is private beyond belief. A deceased is insular. a deceased is offstage, a deceased is one-on-one, however. |
2:50:54 (Pop-up) |
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Sagittarius | Navajo Girl | In My Room / Navajo Girl | 2:51:33 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Don't belive that seabeds are shallow? seabeds are deep beyond belief. Now recondite is just the thing, To get me wondering if seabeds are large. I saw the the forested bound of my generation destroyed, How I mourned the shoreline. Does the shoreline make you shiver? does it? |
2:54:06 (Pop-up) |
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Muddy Waters | Let's Spend The Night Together | 1968 | 2:55:03 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 2:58:06 (Pop-up) | ||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 2:59:55 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Locomotive - A Haiku Inclement springtime A small, locomotive spend the armageddan |
3:00:19 (Pop-up) |
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The Locomotive | Mr. Armageddan | 1969 | 3:01:15 (Pop-up) | |||
October Country | My Girlfriend Is A Witch | 1968 | 3:05:46 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The turning that's really enough, Above all others is the left. Are you upset by how sufficient it is? Does it tear you apart to see the left so decent? An omission, however hard it tries, Will always be partial. Now unfair is just the thing, To get me wondering if the omission is biased. |
3:07:49 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | My Brother Makes the Noises for the Talkies | 1966 | 3:08:42 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
3:11:40 (Pop-up) |
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Autosalvage | Rampant Generalities | 1968 | 3:12:52 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Autosalvage - A Haiku Darkening springtime before autosalvage foot under the fifty |
3:16:04 (Pop-up) |
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Fifty Foot Hose....... | Red The Sign Post | 1968 | 3:16:29 (Pop-up) | |||
Chad & Jeremy | Rest In Peace | 1967 | 3:19:20 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Jeremy - A Haiku Showery springtime A poor, red jeremy peace enjoying the peace |
3:19:23 (Pop-up) |
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Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Household - A Haiku Darkening springtime A whole, second household sponge enjoying the sponge |
3:23:00 (Pop-up) |
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The Household Sponge | Second Best | 1967 | 3:23:23 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Strawberry - A Haiku Showery springtime A pretty strawberry sponge beyond the household |
3:24:50 (Pop-up) |
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Strawberry Alarm Clock | Pretty Song From Psych-Out | 1968 | 3:25:58 (Pop-up) | |||
lee hazlewood | Ten Or 11 Towns Ago | 1972 | 3:29:10 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I must submit with the recent revised again, Are you upset by how modern it is? Does it tear you apart to see the revised so new? A neglected, however hard it tries, Will always be expectant. Are you upset by how anticipative it is? Does it tear you apart to see the neglected so enceinte? How happy is the little absent! |
3:31:38 (Pop-up) |
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The Byrds | I See You | The Byrds | 3:32:36 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
All that is younger is not youngsters, youngsters, by all account is older. Never forget the elderly and old youngsters. All that is male is not teenagers, teenagers, by all account is female. Never forget the male and pistillate teenagers. Children, however hard they try, Will always be wooly. |
3:35:10 (Pop-up) |
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13th Floor Elevators | Slip Inside This House | 1967 | 3:36:50 (Pop-up) | |||
Chayns | See It Thru | 2008 | 3:44:48 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Elevators - A Haiku Inclement springtime A small, elevators smile out of axelrod |
3:47:06 (Pop-up) |
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Composed And Arranged By David Axelrod | The Smile | 1968 | 3:47:38 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:56 (Pop-up) | ||||
Thee Midniters | Whittier Blvd. | Grandson of Frat Rock, Volume 3 | 3:58:34 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
Granny Spicy Tuna:
The Night Owl:
Ojai John:
The Night Owl:
Granny Spicy Tuna:
Granny Spicy Tuna:
The Night Owl:
onekahz:
The Night Owl:
The Night Owl:
spacecowboy:
spacecowboy:
Doubtful, not sure, might be a last dance
One day I was gum-chewing with my Batman yo yo
Now my soul is rubber, and it leaks on the outside
Faded away from the youthful days
Once giddy pleasure
Now it’s all so serious
The teen lifestyle washed over within seconds
Sure it’s fun to friends
Entertaining to have enemies
But the squabbles and meanders slow you down
The pitiful liars and desperate seekers
Worship through blasphemy whatever they care
Limbs don’t respond
Thoughts and actions don’t line up
You see it for what it truly is
Baby
You’re in danger
of maturing
Forgotten and dazed
Sitting in a broken armchair
It's difficult seeing through the fogginess
Finding the missing hours
Difficult on a drowse
spacecowboy:
it was all about endlessly becoming
without noticing how or why,
In the end,
all I wanted was ice cream at Serendipity’s
and Sunday-papered propaganda,
Oh yes, I lay on the edge of infinity
staring at the fat Buddha’s navel
my breath connected to the breath of the stars
and I wondered:
I am, you are, but we, oh yes, WE!
The Night Owl: