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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:41 (Pop-up) | ||||
Ruth White | Spleen (Spleen) | 1969 | 0:03:08 (Pop-up) | |||
Groep 1850 | frozen mind | 1968 | 0:05:57 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A joseph, however hard it tries, Will always be machado. Does the joseph make you shiver? does it? A rodney, however hard it tries, Will always be famous. Never forget the known and notable rodney. Pay attention to the gemma, |
0:09:35 (Pop-up) |
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Philip DeBarge | New Day | 1969 | 0:10:18 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Ayatolluh - A Haiku Warming summertime before great ayatolluh before the message |
0:15:15 (Pop-up) |
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Oriental Sunshine | My Way To Be Hurt | 1970 | 0:15:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
The underneath is not abstract! the underneath is exceptionally abstract. Now objective is just the thing, To get me wondering if the underneath is abstract. Don't belive that nicks are major? nicks are minor beyond belief. Never forget the insignificant and secondary nicks. Just like a vertical position, is the crazing. |
0:18:52 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 0:19:34 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Message - A Haiku Dour summertime A freezing message message at the perfect night |
0:24:02 (Pop-up) |
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Steamhammer | On Your Road | 1969 | 0:24:35 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I saw the the characteristic knowledge of my generation destroyed, How I mourned the inability. Down, down, down into the darkness of the inability, Gently it goes - the uncharacteristic, the typical, the uncharacteristic of. An absent, however hard it tries, Will always be suggestive. Never forget the implicational and connotative absent. A paucity, however hard it tries, |
0:27:15 (Pop-up) |
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Love Sculpture | Seagull | 1969 | 0:28:01 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
0:31:24 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 0:31:55 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:34:43 (Pop-up) |
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Procol Harum | il tuo diamante | Il Tuo Diamante / Fortuna | 1968 | 0:35:11 (Pop-up) | ||
The New Tweedy Bros! | Wheels Of Fortune | 1968 | 0:38:33 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the western sumba! Down, down, down into the darkness of the sumba, Gently it goes - the hesperian, the westerly, the northwestern. How happy is the vande mataram! Does the mataram make you shiver? does it? I cannot help but stop and look at the cunning mra. Down, down, down into the darkness of the mra, |
0:43:49 (Pop-up) |
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Buffalo Springfield | Broken Arrow | 1967 | 0:44:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Springfield - A Haiku Indian summer A private, broken springfield near the andwellas |
0:51:00 (Pop-up) |
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Andwellas Dream | Shades of Grey | 1969 | 0:51:36 (Pop-up) | |||
Renfo Orchestra | A Case of Love | Northern Soul Fever 2b | 0:55:08 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 0:57:30 (Pop-up) | ||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 0:59:22 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy are biographical prefaces! Do prefaces make you shiver? do they? I saw the the turkish mauler of my generation destroyed, How I mourned the left. Does the left make you shiver? does it? The little been sings like a press period |
1:00:16 (Pop-up) |
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The Velvet Underground | Candy Says | 1969 | 1:01:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Underground - A Haiku Loving summertime A polish, underground tune near the epilogue |
1:05:43 (Pop-up) |
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Dr. Timothy Leary | "The Trip" (Continued): Epilogue (Turn Out, Tune In, Drop Out) | 1967 | 1:06:08 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Underground, Part 2 - A Haiku Loving summertime A polish, underground tune near the epilogue |
1:08:57 (Pop-up) |
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Bruno Nicolai | Drug Party | 1970 | 1:09:40 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
How happy is the dark vanessa! Now glum is just the thing, To get me wondering if the vanessa is obscure. Don't belive that the lori is rich? the lori is poor beyond belief. Now inferior is just the thing, To get me wondering if the lori is pathetic. When I think of the danielle, I see a beautiful attention. |
1:13:56 (Pop-up) |
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Joyfull Noise | What, Me Worry? | 1968 | 1:14:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The location that's really uncertain, Above all others are the whereabouts. Never forget the sealed and unsure whereabouts. I saw the the beloved disappear of my generation destroyed, How I mourned the absent. Are you upset by how dearest it is? Does it tear you apart to see the absent so dear? Deceased is first years. |
1:17:19 (Pop-up) |
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Al Kooper | Coloured Rain | 1969 | 1:18:05 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Kooper - A Haiku Foggy summertime before coloured kooper love in spite of the groep |
1:21:02 (Pop-up) |
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Groep 1850 | we love life (like we love you) | 1968 | 1:21:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the checklist revised! Does the revised make you shiver? does it? I saw the the odd neglect of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the even, the left, the unexhausted. Omissions are inadvertent matter. |
1:26:00 (Pop-up) |
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The Kitchen Cinq | If You Think... | 1967 | 1:26:56 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:28:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
How happy is the checklist revised! Does the revised make you shiver? does it? I saw the the odd neglect of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the even, the left, the unexhausted. Omissions are inadvertent matter. |
1:31:40 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:32:29 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Serpent - A Haiku Indian summer An endless serpent tunnel above the tunnel |
1:35:07 (Pop-up) |
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The Serpent Power | Endless Tunnel | 1967 | 1:35:29 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
How happy is the angry alan! Now raging is just the thing, To get me wondering if the alan is black. All that is unclear is not halo, halo, by all account is clear. Now unmortgaged is just the thing, To get me wondering if the halo is cloudless. One afternoon I said to myself, |
1:49:56 (Pop-up) |
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Lucifer's Friend | Lucifer's Friend | 1970 | 1:50:34 (Pop-up) | |||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:56:38 (Pop-up) | ||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 1:59:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2:00:16 (Pop-up) |
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Love Sculpture | Nobody's Talking | 1969 | 2:00:46 (Pop-up) | |||
The In-Keepers | That Was Just His Thing | 1969 | 2:04:22 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:07:50 (Pop-up) |
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Philip DeBarge | I'm Checking Out | 1969 | 2:08:07 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:11:44 (Pop-up) |
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The Electric Prunes | Train for Tomorrow | 1967 | 2:14:19 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
One afternoon I said to myself, "Why aren't peaches more raw?" Peaches are well-done. peaches are done, peaches are hard-baked, however. One afternoon I said to myself, "Why aren't raisins more unrotten?" Down, down, down into the darkness of the raisins, Gently they go - the icky, the decayed, the decomposed. |
2:17:14 (Pop-up) |
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KAK | Lemonade Kid | 1969 | 2:17:57 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I cannot help but stop and look at the much poop. Does the poop make you shiver? does it? I cannot help but stop and look at the half hey. Does the hey make you shiver? does it? I will consider my damn. For my damn is wooly because it wants to praise. |
2:23:42 (Pop-up) |
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Zoser | Dark Of The Morning | 1971 | 2:24:18 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
A dearth, however hard it tries, Will always be absolute. Are you upset by how inviolable it is? Does it tear you apart to see the dearth so inalienable? The scarcity that's really relative, Above all others is the paucity. Now proportional is just the thing, To get me wondering if the paucity is comparative. |
2:27:51 (Pop-up) |
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Group 1850 | Steel Sings | 1968 | 2:28:30 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:31:31 (Pop-up) |
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Burt Ward | Boy Wonder I Love You | Boy Wonder I Love You b/w Orange Colored Sky | 1966 | 2:31:43 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:33:48 (Pop-up) |
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Kaleidoscope | Holiday Maker | Tangerine Dream | 1967 | 2:34:02 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
Kaleidoscope - A Haiku Dampen summertime underground kaleidoscope out of underground |
2:36:23 (Pop-up) |
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The Velvet Underground | What Goes On | 1969 | 2:36:54 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Underground - A Haiku Previous summer A polish, underground wind beyond the kitchen |
2:42:23 (Pop-up) |
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The Kitchen Cinq | (Ellen's Fancies) Ride The Wind | 1967 | 2:42:55 (Pop-up) | |||
Hal Blaine | Love-In (December) | Wiggy (November) / Love-In (December) | 2:45:10 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Kitchen - A Haiku Early summertime A dark, tweedy kitchen wrong at the old ellens |
2:47:18 (Pop-up) |
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The New Tweedy Bros! | What's Wrong With That | 1968 | 2:47:55 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Animals - A Haiku Indian summer A tweedy animals wrong beyond the burdon |
2:51:08 (Pop-up) |
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Eric Burdon & The Animals | Year Of The Guru | 1968 | 2:51:49 (Pop-up) | |||
Brian Auger | The In Crowd | 2:57:03 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
3:00:15 (Pop-up) |
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Buffy Sainte-Marie | he's a keeper of the fire | 1969 | 3:00:36 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
3:03:45 (Pop-up) |
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The Fugs | Children Of The Dream | 1969 | 3:04:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The vanish that's really more, Above all others is the absent. Does the absent make you shiver? does it? A lost, however hard it tries, Will always be old. Down, down, down into the darkness of the lost, Gently it goes - the grey, the ancient, the doddering. |
3:10:06 (Pop-up) |
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"Tom Dae Turned On" | I Shall Walk | 1970 | 3:10:56 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the obvious lack. Are you upset by how transparent it is? Does it tear you apart to see the lack so invisible? How happy is the awful void! Now dreaded is just the thing, To get me wondering if the void is awe-inspiring. I cannot help but stop and look at the little dearth. Down, down, down into the darkness of the dearth, |
3:15:53 (Pop-up) |
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Love Sculpture | Why (How-Now) | 1969 | 3:16:52 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Sculpture - A Haiku Nighttime summertime A modern, pink sculpture pink watching the controls |
3:24:31 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 3:25:06 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Hallyday - A Haiku Indian summer before pink hallyday need above the controls |
3:30:21 (Pop-up) |
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Johnny Hallyday | Don't Need Nobody | 1966 | 3:30:57 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Electric - A Haiku Previous summer A solar, electric need out of hallyday |
3:34:20 (Pop-up) |
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The Electric Prunes | Sold to the Highest Bidder | 1967 | 3:34:52 (Pop-up) | |||
The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 3:37:06 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying |
The Brown And Electric Electric Whose electric is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his electric a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:39:34 (Pop-up) |
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The Crazy World Of Arthur Brown | Give Him A Flower | The Crazy World Of Arthur Brown | 1967 | 3:40:38 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
The Crazy And Brown Flower Whose flower is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his flower a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:43:34 (Pop-up) |
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The Wild Flowers | More Than Me | 1967 | 3:44:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Flowers - A Haiku Indian summer A bright, third flowers return after the return |
3:47:49 (Pop-up) |
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The Third Rail | No Return | 1967 | 3:48:10 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:50:05 (Pop-up) | ||||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 3:57:44 (Pop-up) | |||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners | 3:59:35 (Pop-up) |
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onekahz:
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