The Night Owl Show with Owl Sun:
Playlist
from July 19, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:18 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:44 (Pop-up) | ||||
| The Peanut Butter Conspiracy |
Dark On You Now
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1967 |
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0:03:54 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
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Conspiracy - A Haiku Rainy summertime when conspiracy butter above the guitars |
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0:06:08 (Pop-up) |
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| The Sensational Guitars Of Dan & Dale |
Batman And Robin Swing
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1966 |
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0:06:31 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Riffs, however hard they try, Will always be rock. Do riffs make you shiver? do they? I cannot help but stop and look at polyphonic synthesizers. Now contrapuntal is just the thing, To get me wondering if synthesizers are monophonic. Basses, however hard they try, |
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0:09:05 (Pop-up) |
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| Thunderclap Newman |
The Reason
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1970 |
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0:09:56 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Riffs, however hard they try, Will always be rock. Do riffs make you shiver? do they? I cannot help but stop and look at polyphonic synthesizers. Now contrapuntal is just the thing, To get me wondering if synthesizers are monophonic. Basses, however hard they try, |
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0:13:44 (Pop-up) |
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| Group 1850 |
A Point In This Life
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1968 |
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0:14:25 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
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Expression - A Haiku Dismal summertime A human expression point under the human |
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0:19:24 (Pop-up) |
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| The Human Expression |
Calm Me Down
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1967 |
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0:19:47 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
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Expression, Part 2 - A Haiku Rainy summertime A human expression last at the perfect thyme |
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0:22:11 (Pop-up) |
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| The Thyme |
Very Last Day
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1967 |
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0:22:34 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
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Movers - A Haiku Previous summer A recent, prime movers prime betrayed by the prime |
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0:25:40 (Pop-up) |
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| The Prime Movers |
I'm A Man
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1966 |
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0:26:02 (Pop-up) | ||
| Le Cirque |
Land Of Oz
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Land Of Oz / Ill Be Thinking Of You | 1967 |
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0:29:54 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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Sunshine - A Haiku Nighttime summertime A little, prime sunshine prime above the movers |
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0:32:46 (Pop-up) |
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| The Gun |
Sunshine
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Gun | 1969 |
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0:33:20 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
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Orchestra - A Haiku Previous summer A moody orchestra knight on the festival |
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0:37:14 (Pop-up) |
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| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Night: Nights In White Satin
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1967 |
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0:37:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit
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Butterfly - A Haiku Cloudy summertime A moody butterfly knight by the orchestra |
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0:45:07 (Pop-up) |
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| I.R.A. |
Dooley Vs. The Ferris Wheel
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1968 |
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0:46:43 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
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0:49:34 (Pop-up) |
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| Le Stelle Di Mario Schifano |
e dopo
|
1967 |
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0:50:00 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
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0:52:09 (Pop-up) |
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| Tintern Abbey |
Beeside
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1967 |
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0:52:21 (Pop-up) | ||
| The Quiet Jungle |
Everything
|
1967 |
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0:55:39 (Pop-up) | ||
| Stu Phillips |
Skip To My Mary J.
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Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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0:58:08 (Pop-up) | |
| Sagittarius |
Pisces
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Another Time / Pisces | 1968 |
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1:00:14 (Pop-up) | |
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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Pay attention to the deceased, the deceased is the most several individual of all. Are you upset by how respective it is? Does it tear you apart to see the deceased so various? Disappearances, however hard they try, Will always be puzzling. Never forget the incomprehensible and unclear disappearances. Gone is many base. |
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1:00:18 (Pop-up) |
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| The Blues Creation |
Checkin' up on my baby
|
1969 |
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1:01:24 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
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Saintemarie - A Haiku Dampish summertime then saintemarie magic near the creation |
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1:06:14 (Pop-up) |
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| Buffy Sainte-Marie |
God is alive, magic is afoot
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1969 |
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1:06:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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Saintemarie, Part 2 - A Haiku Brumous summertime For saintemarie magic the nicolai |
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1:11:29 (Pop-up) |
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| Bruno Nicolai |
De Sade '70
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1970 |
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1:11:55 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:14:59 (Pop-up) |
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| The Peanut Butter Conspiracy |
The Most Up Till Now
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1967 |
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1:15:15 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
|
1:17:45 (Pop-up) |
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| Groep 1850 |
Mother No-Head
|
1967 |
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1:18:12 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
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I cannot help but stop and look at the kettle drummer. Does the drummer make you shiver? does it? Vocals, however hard they try, Will always be choral. Do vocals make you shiver? do they? One afternoon I said to myself, |
|
1:21:30 (Pop-up) |
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| The Sensational Guitars Of Dan & Dale |
The Bat Cave
|
1966 |
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1:22:12 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Murgaty - A Haiku Dampish summertime suddenly murgaty warm despite the guitars |
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1:25:01 (Pop-up) |
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| Warm Sounds |
Nite Is A Comin' b/w Smeta Murgaty
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1967 |
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1:25:41 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
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Daughters - A Haiku Brumous summertime A young, wired daughters warm near the murgaty |
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1:31:17 (Pop-up) |
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| Daughters Of Albion |
Well Wired
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Well Wired b/w Story Of Sad | 1968 |
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1:31:56 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
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Daughters, Part 2 - A Haiku Dampen summertime A young, urban daughters band above the spaceman |
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1:34:48 (Pop-up) |
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| Bonzo Dog Band |
I'm The Urban Spaceman
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I'm The Urban Spaceman | 1968 |
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1:35:30 (Pop-up) | |
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
Don't belive that the chat is nasty? the chat is nice beyond belief. Now precise is just the thing, To get me wondering if the chat is pleasant. A tion, however hard it tries, Will always be adequate. Now satisfactory is just the thing, To get me wondering if the tion is enough. |
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1:37:48 (Pop-up) |
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| Love Sculpture |
Think Of Love
|
1968 |
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1:38:40 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Shiverers - A Haiku Darkness summertime before shiverers possess an ayatolluh |
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1:42:40 (Pop-up) |
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| The Thyme |
Love To Love
|
1967 |
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1:43:16 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
|
1:45:22 (Pop-up) |
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| Chocolate Watch Band |
Inner Mystique
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1968 |
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1:45:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
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The lovely is not dysphoric! the lovely is exceptionally halcyon. Does the lovely make you shiver? does it? How happy is the dull merry! Does the merry make you shiver? does it? I saw the the yellow humor of my generation destroyed, |
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1:51:03 (Pop-up) |
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| Joyfull Noise |
People Get Together
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1968 |
|
1:51:41 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
tornados are not macroscopic! tornados are exceptionally reverse. Down, down, down into the darkness of the tornados, Gently they go - the limited, the reverse, the belittled. How happy are worst storms! Storms are pessimal. storms are most evil, storms are poorest, however. A floodwater, however hard it tries, |
|
1:53:44 (Pop-up) |
||
| Mr. Flood's Party |
the mind circus
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1970 |
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1:54:46 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
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All that is sweet is not monsoons, monsoons, by all account is dry. Are you upset by how desiccated they are? Does it tear you apart to see the monsoons so shrivelled? How happy is the moving floodwater! A floodwater is kinetic. a floodwater is spinning, a floodwater is wiggly, however. I cannot help but stop and look at zany floodwaters. |
|
2:00:19 (Pop-up) |
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| The Parking Lot |
World Spinning Sadly
|
1969 |
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2:01:07 (Pop-up) | ||
| The Zipps |
When You Tell It, Tell It Well
|
1969 |
|
2:01:31 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
All that is sweet is not monsoons, monsoons, by all account is dry. Are you upset by how desiccated they are? Does it tear you apart to see the monsoons so shrivelled? How happy is the moving floodwater! A floodwater is kinetic. a floodwater is spinning, a floodwater is wiggly, however. I cannot help but stop and look at zany floodwaters. |
|
2:03:57 (Pop-up) |
||
| John Fitch & Associates |
Romantic Attitude
|
1969 |
|
2:04:52 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
All that is sweet is not monsoons, monsoons, by all account is dry. Are you upset by how desiccated they are? Does it tear you apart to see the monsoons so shrivelled? How happy is the moving floodwater! A floodwater is kinetic. a floodwater is spinning, a floodwater is wiggly, however. I cannot help but stop and look at zany floodwaters. |
|
2:08:03 (Pop-up) |
||
| Steamhammer |
Windmill
|
1969 |
|
2:08:50 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
An omission, however hard it tries, Will always be obvious. Down, down, down into the darkness of the omission, Gently it goes - the self-evident, the bold, the patent. Pay attention to the absent, the absent is the most dead go away of all. Down, down, down into the darkness of the absent, Gently it goes - the numb, the stagnant, the nonviable. |
|
2:13:55 (Pop-up) |
||
| The Kitchen Cinq |
You'll Be Sorry Someday
|
1966 |
|
2:14:42 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The cognition that's really resultant, Above all others is the inability. Now ensuant is just the thing, To get me wondering if the inability is subsequent. All that is filial is not unavailability, unavailability, by all account is parental. Does the unavailability make you shiver? does it? |
|
2:17:07 (Pop-up) |
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| country joe And The Fish |
Section 43
|
1966 |
|
2:17:49 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
|
2:24:32 (Pop-up) |
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| Rupert's People |
I've Got The Love
|
1968 |
|
2:24:57 (Pop-up) | ||
| Wonderland |
Moscow
|
1968 |
|
2:28:52 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
|
2:31:32 (Pop-up) |
|||
| The Household Sponge |
Scars
|
Scars b/w Second Best | 1967 |
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2:31:49 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
The cognition that's really resultant, Above all others is the inability. Now ensuant is just the thing, To get me wondering if the inability is subsequent. All that is filial is not unavailability, unavailability, by all account is parental. Does the unavailability make you shiver? does it? |
|
2:34:18 (Pop-up) |
||
| The Bubble Puppy |
Lonely
|
Hot Smoke & Sasafrass b/w Lonely | 1968 |
|
2:35:10 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
I saw the the present go away of my generation destroyed, How I mourned the absent. Now ever-present is just the thing, To get me wondering if the absent is ubiquitous. All that is rich is not been, been, by all account is poor. Does the been make you shiver? does it? |
|
2:38:06 (Pop-up) |
||
| Groundhogs |
B.D.D.
|
1969 |
|
2:38:46 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
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2:43:19 (Pop-up) |
|||
| the stooges |
1969
|
1969 |
|
2:43:34 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Why would you think the timothy is dry? the timothy is the most sweet grass of all. A timothy is angelic. a timothy is cloying, a timothy is fresh, however. How happy is the pseudo jon! Are you upset by how imitative it is? Does it tear you apart to see the jon so fake? How happy is the zany jeff! |
|
2:47:33 (Pop-up) |
||
| Tiny Tim |
We Love It
|
1969 |
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2:48:16 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Sunshine - A Haiku Previous summer A brilliant, sunshine love because of the life |
|
2:51:05 (Pop-up) |
||
| Oriental Sunshine |
Across Your Life
|
1970 |
|
2:51:31 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Sunshine, Part 2 - A Haiku Dampen summertime A brilliant, sunshine swing above the ayers |
|
2:54:55 (Pop-up) |
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| Kevin Ayers |
Girl On A Swing
|
1969 |
|
2:55:20 (Pop-up) | ||
| George Harrison |
Party Seacombe
|
Wonderwall Music | 1968 |
|
2:58:06 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
|
International - A Haiku Early summertime international picture after the soundtrack |
|
3:00:20 (Pop-up) |
||
| Barry Mann - Cynthia Weil |
Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go
|
1969 |
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3:00:51 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
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International, Part 2 - A Haiku Sunless summertime international picture before the soundtrack |
|
3:04:50 (Pop-up) |
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| Fields |
Elysian Fields
|
1969 |
|
3:05:34 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
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3:09:14 (Pop-up) |
|||
| Philip DeBarge |
Hello, How Do You Do
|
1969 |
|
3:09:22 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
|
3:14:41 (Pop-up) |
|||
| Teddy And His Patches |
Haight - Ashbury
|
1967 |
|
3:14:57 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Tufts, however hard they try, Will always be palmate. Do tufts make you shiver? do they? How happy are thick smudges! Do smudges make you shiver? do they? Just like an occasional spectrum, is blemishes. |
|
3:17:46 (Pop-up) |
||
| The Peanut Butter Conspiracy |
Big Bummer
|
1967 |
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3:18:18 (Pop-up) | ||
| The Misty Wizards |
It's Love
|
1967 |
|
3:21:01 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address
|
I cannot help but stop and look at the lovely cameron. Does the cameron make you shiver? does it? Francis, however hard they try, Will always be louis. Do francis make you shiver? do they? When I think of the dawson, I see a black army. |
|
3:23:04 (Pop-up) |
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| Buffalo Springfield |
Mr. Soul
|
1967 |
|
3:23:48 (Pop-up) | ||
| lee hazlewood |
You Look Like A Lady
|
1972 |
|
3:26:26 (Pop-up) | ||
| Alice Cooper |
Reflected
|
Reflected | 1969 |
|
3:28:32 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
I cannot help but stop and look at the royal notre. Never forget the imperial and majestic notre. An elle, however hard it tries, Will always be nous. Does the elle make you shiver? does it? A demain, however hard it tries, Will always be yellow. |
|
3:31:44 (Pop-up) |
||
| The Kitchen Cinq |
Determination
|
1966 |
|
3:32:23 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
3:35:50 (Pop-up) |
|||
| Love Sculpture |
Sabre Dance
|
1968 |
|
3:36:07 (Pop-up) | ||
| Le Stelle Di Mario Schifano |
molto alto
|
1967 |
|
3:40:55 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
|
|
3:44:01 (Pop-up) |
|||
| Brincos |
Mundo, Demonio Y Carne
|
1970 |
|
3:44:24 (Pop-up) | ||
| MC5 |
Kick Out The Jams
|
1969 |
|
3:56:30 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:59:16 (Pop-up) |
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Listener comments!
The Night Owl:
DA the DJ:
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The Night Owl:
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DA the DJ:
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DA the DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Ojai John:
The Night Owl:
Sly Don:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
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