The Night Owl Show with Owl Sun:
Playlist
from July 30, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
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On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:18 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:43 (Pop-up) | ||||
| The End |
Don't Take Me
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1969 |
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0:03:11 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
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Don't belive that the absence is unsurprising? the absence is surprising beyond belief. Now amazing is just the thing, To get me wondering if the absence is unexpected. Pay attention to the disappearance, the disappearance is the most quiet going of all. Never forget the stilly and slumbrous disappearance. The cunning gone sings like a notice wall |
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0:06:27 (Pop-up) |
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| Jefferson Airplane |
Eskimo Blue Day
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1969 |
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0:07:09 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
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0:13:39 (Pop-up) |
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| Donovan |
The Fat Angel
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1966 |
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0:13:53 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Salutations - A Haiku Blistery summer why salutations desert at the old northeast |
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0:20:03 (Pop-up) |
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| John Fitch & Associates |
Romantic Attitude
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1969 |
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0:20:32 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
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How happy are closest colleagues! Do colleagues make you shiver? do they? How happy are close lieutenants! Are you upset by how short they are? Does it tear you apart to see the lieutenants so confined? Don't belive that acquaintances are thin? acquaintances are fat beyond belief. |
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0:23:41 (Pop-up) |
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| Nite Watchmen |
"Mimic Jester"
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1969 |
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0:24:20 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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All that is rich is not atkins, atkins, by all account is poor. Are you upset by how beggarly they are? Does it tear you apart to see the atkins so miserable? How happy is the trinity sunday! Now ternary is just the thing, To get me wondering if the sunday is three. Willie is wee stuff. |
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0:26:52 (Pop-up) |
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| Steamhammer |
Windmill
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1969 |
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0:27:30 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
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Disappearances, however hard they try, Will always be forced. Disappearances are involuntary. disappearances are constrained, disappearances are unscheduled, however. Don't belive that the absentee is hopeful? the absentee is hopeless beyond belief. An absentee is futureless. an absentee is unhopeful, an absentee is black, however. |
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0:31:54 (Pop-up) |
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| The Kitchen Cinq |
You'll Be Sorry Someday
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1966 |
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0:32:37 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
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Telstar '69 b/w Owed To The Dip | 1969 |
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0:35:02 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
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Kitchen - A Haiku Heating summertime A dark, sorry kitchen be at the old ramsey |
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0:37:44 (Pop-up) |
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| Ramsey Lewis |
Sexy Sadie
|
1968 |
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0:38:17 (Pop-up) | ||
| Rupert's People |
I've Got The Love
|
1968 |
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0:40:59 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
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0:45:43 (Pop-up) |
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| Wonderland |
Moscow
|
1968 |
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0:46:00 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
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The change that's really utter, Above all others is the void. Down, down, down into the darkness of the void, Gently it goes - the pure, the express, the staring. The inability is not imitative! the inability is exceptionally literal. Are you upset by how honest-to-goodness it is? Does it tear you apart to see the inability so literal? |
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0:48:42 (Pop-up) |
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| The Apryl Fool |
Tomorrow's Child
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1969 |
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0:49:26 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
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Don't belive that the disappearance is fast? the disappearance is slow beyond belief. Down, down, down into the darkness of the disappearance, Gently it goes - the dull, the poky, the obtuse. All that is unappealing is not failing, failing, by all account is sympathetic. A failing is unlikable. a failing is commiserative, a failing is harmonious, however. |
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0:53:40 (Pop-up) |
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| the stooges |
1969
|
1969 |
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0:54:27 (Pop-up) | ||
| Sagittarius |
Pisces
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Another Time / Pisces | 1968 |
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0:58:28 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
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1:00:38 (Pop-up) |
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| Oriental Sunshine |
Across Your Life
|
1970 |
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1:00:42 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
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International - A Haiku Dour summertime international picture into the soundtrack |
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1:04:05 (Pop-up) |
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| Barry Mann - Cynthia Weil |
Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go
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1969 |
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1:04:28 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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International, Part 2 - A Haiku Warming summertime international picture into the groundhogs |
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1:08:26 (Pop-up) |
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| Groundhogs |
B.D.D.
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1969 |
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1:08:59 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
1:14:17 (Pop-up) |
|||
| Aardvark |
Copper Sunset
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1970 |
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1:14:29 (Pop-up) | ||
| The Byrds |
'Notorious Byrd Brothers' LP Promo
|
Promo | 1:17:46 (Pop-up) | |||
| The 13th Power |
Love To Be Your Man
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1968 |
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1:18:51 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
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Ayatolluh - A Haiku Hearty summertime where ayatolluh message the ayatolluh |
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1:21:00 (Pop-up) |
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| Fields |
Elysian Fields
|
1969 |
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1:21:34 (Pop-up) | ||
| The Electric Prunes |
You Never Had It Better
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Everybody Knows You're Not In Love / You've Never Had It Better | 1968 |
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1:25:13 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
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How happy is the white undead! Now clothed is just the thing, To get me wondering if the undead is achromatic. All that is many is not vamps, vamps, by all account is few. Do vamps make you shiver? do they? How happy are fat changelings! |
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1:27:17 (Pop-up) |
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| The Vampires' Sound Incorporation |
There Is No Satisfaction
|
1969 |
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1:28:06 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
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I cannot help but stop and look at ravenous ghouls. Ghouls are famished. ghouls are esurient, ghouls are rapacious, however. I cannot help but stop and look at the bloodsucking undead. Does the undead make you shiver? does it? Just like a libyan scene, is gorgons. Gorgons are muddled. gorgons are woolly-headed, |
|
1:31:11 (Pop-up) |
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| Teddy And His Patches |
Haight - Ashbury
|
1967 |
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1:32:06 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
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1:35:53 (Pop-up) |
|||
| Buffalo Springfield |
Mr. Soul
|
1967 |
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1:36:18 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Springfield - A Haiku Loving summertime A shot, grown springfield landscape into the landscape |
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1:38:56 (Pop-up) |
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| Maffitt |
Landscape Grown Cold
|
1968 |
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1:39:17 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
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Landscape - A Haiku Depressing summer A vast, grown landscape landscape under the debarge |
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1:43:38 (Pop-up) |
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| Philip DeBarge |
Hello, How Do You Do
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1969 |
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1:44:00 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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1:47:58 (Pop-up) |
|||
| The Tea Company |
Come And Have Some Tea With Me
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1968 |
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1:48:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
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1:51:39 (Pop-up) |
|||
| The Kitchen Cinq |
Determination
|
1966 |
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1:51:52 (Pop-up) | ||
| The Misty Wizards |
It's Love
|
1967 |
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1:53:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
A hyperreality, however hard it tries, Will always be contemporary. Never forget the synchronic and current hyperreality. How happy are different perspectives! Do perspectives make you shiver? do they? yellow continents sings like terrestrial regions Now sensationalistic is just the thing, |
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1:55:54 (Pop-up) |
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| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
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1:56:34 (Pop-up) | ||
| Brincos |
Mundo, Demonio Y Carne
|
1970 |
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2:00:05 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
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How happy is the harmonious interpenetration! Never forget the pure and harmonical interpenetration. continents are not close! continents are exceptionally ulterior. Do continents make you shiver? do they? How happy is the cunning virtuality! Now wily is just the thing, |
|
2:00:08 (Pop-up) |
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| Iota |
Sing For You
|
1969 |
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2:00:53 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
2:03:37 (Pop-up) |
|||
| Love Sculpture |
Sabre Dance
|
1968 |
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2:03:48 (Pop-up) | ||
| The Fugs |
The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H
|
1969 |
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2:08:37 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
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2:11:39 (Pop-up) |
|||
| The Fourth Way |
The Far Side Of Your Moon
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1968 |
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2:13:18 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
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Childs - A Haiku Early summertime An american, childs coast at the perfect fourth |
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2:16:04 (Pop-up) |
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| The West Coast Pop Art Experimental Band Vol.3 |
A Child's Guide To Good And Evil
|
1968 |
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2:16:40 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Carpenter - A Haiku Loving summertime How carpenter carpenter at the old closing |
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2:18:57 (Pop-up) |
||
| Chris Carpenter |
This World (Is Closing In On Me)
|
1967 |
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2:19:24 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
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Carpenter, Part 2 - A Haiku Previous summer A local, on carpenter under the closing |
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2:22:06 (Pop-up) |
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| Micky And Tommy |
With Love From 1. to 5.
|
1967 |
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2:22:46 (Pop-up) | ||
| The October Country |
October Country
|
October Country | 1968 |
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2:25:02 (Pop-up) | |
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
|
2:28:03 (Pop-up) |
|||
| Dorothy Ashby |
Soul Vibrations
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1968 |
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2:28:52 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
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Timothy - A Haiku Glooming summertime A leary timothy tune on the dorothy |
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2:31:02 (Pop-up) |
||
| Dr. Timothy Leary |
Turn On, Tune In, Drop Out
|
1967 |
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2:32:44 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Timothy, Part 2 - A Haiku Indian summer A poor, timothy power despite the power |
|
2:37:05 (Pop-up) |
||
| The 13th Power |
Free Lovin'
|
1968 |
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2:38:55 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Melodies - A Haiku Dampen summertime A soft melodies machine before the machine |
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2:40:58 (Pop-up) |
||
| The Soft Machine |
Rivmic Melodies: Dada Was Here
|
1969 |
|
2:42:46 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Melodies, Part 2 - A Haiku Warming summertime A blue melodies machine after the changin |
|
2:45:07 (Pop-up) |
||
| Changin' Tymes |
"Blue Music Box"
|
1968 |
|
2:46:43 (Pop-up) | ||
| Smokey & His Sister |
A Lot of Lovin'
|
1967 |
|
2:48:58 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
Changin - A Haiku Dampen summertime suddenly just changin box above the gurus |
|
2:50:58 (Pop-up) |
||
| The Gurus |
"It Just Won't Be That Way"
|
1967 |
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2:52:46 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
Deathwise - A Haiku Indian summer An express deathwise express despite the express |
|
2:55:01 (Pop-up) |
||
| Catfish Knight And The Blue Express |
Deathwise
|
1968 |
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2:56:50 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
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Thunderclap - A Haiku Early summertime A great, thunderclap express above the deathwise |
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2:58:56 (Pop-up) |
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| Thunderclap Newman |
I See It All
|
1970 |
|
3:00:43 (Pop-up) | ||
| John Barry |
Hit & Miss
|
Beat Girl |
|
3:02:50 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
|
Original Motion Picture Sound Track: The Trip | 1967 |
|
3:04:11 (Pop-up) | |
| L. J. Reynolds & the Chocolate Syrup |
The Penguin Break Down
|
L. J. Reynolds |
|
3:06:13 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
The tous is not essential! the tous is exceptionally substantive. Down, down, down into the darkness of the tous, Gently it goes - the essential, the substantive, the procedural. Don't belive that the plaisir is insensible? the plaisir is sensible beyond belief. A plaisir is logical. a plaisir is judicious, a plaisir is prudent, however. |
|
3:06:42 (Pop-up) |
||
| Ruth White |
Evening Harmony (Harmonie du Soir)
|
1969 |
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3:08:17 (Pop-up) | ||
| The Picture |
Evolution
|
1969 |
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3:10:12 (Pop-up) | ||
| The Mongrels |
Good Good Man
|
1969 |
|
3:11:50 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Evolution - A Haiku Dampness summertime before black evolution into the colours |
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3:14:04 (Pop-up) |
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| Octopus |
Harold Knows (Better Than You)
|
1969 |
|
3:17:52 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
Octopus - A Haiku Warm up summertime A huge, octopus better watching the arthur |
|
3:20:01 (Pop-up) |
||
| The Crazy World Of Arthur Brown |
Rest Cure
|
The Crazy World Of Arthur Brown |
|
3:21:44 (Pop-up) | ||
| the stooges |
I wanna be your dog
|
1969 |
|
3:23:48 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Deviants - A Haiku Previous summer A coming deviants home beyond the coming |
|
3:25:59 (Pop-up) |
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| The Deviants |
I'm Coming Home
|
1967 |
|
3:27:50 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Licorice - A Haiku Previous summer A coming licorice game out of deviants |
|
3:29:59 (Pop-up) |
||
| The Licorice Schtik |
The Kissin' Game
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The Kissin' Game b/w Flowers, Flowers | 1968 |
|
3:31:56 (Pop-up) | |
| Canterbury Fair |
Days I Love
|
0 | 1967 |
|
3:33:51 (Pop-up) | |
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Chocolate - A Haiku Dismal summertime A grated, past chocolate watch out of licorice |
|
3:36:00 (Pop-up) |
||
| Chocolate Watch Band |
In The Past
|
1968 |
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3:37:55 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
The Past And Criminal Chocolate Whose chocolate is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his chocolate a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
3:42:11 (Pop-up) |
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| Bruno Nicolai |
Criminal Sex
|
1970 |
|
3:43:45 (Pop-up) | ||
| The Appletree Theatre |
Act I: Saturday Morning (about a Saturday morning)
|
1967 |
|
3:45:48 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Margaret - A Haiku Gloomy summertime A gentle, margaret hope by the criminal |
|
3:47:58 (Pop-up) |
||
| The Capes Of Good Hope |
Lady Margaret
|
1967 |
|
3:49:43 (Pop-up) | ||
| Burt Ward |
Boy Wonder I Love You
|
Boy Wonder I Love You b/w Orange Colored Sky | 1966 |
|
3:51:48 (Pop-up) | |
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
How happy are pink kerchiefs! Do kerchiefs make you shiver? do they? How happy is the battered tricorn! Never forget the beat-up and beaten tricorn. I cannot help but stop and look at cunning pinafores. Pinafores are guileful. pinafores are foxy, pinafores are sly, however. |
|
3:54:03 (Pop-up) |
||
| Iota |
R.I.P.
|
1969 |
|
3:55:48 (Pop-up) | ||
| Kraftwerk |
Stratovarius
|
1970 |
|
3:58:17 (Pop-up) |
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Yvang:
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The Ayatolluh of Rock n' Rolluh:
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The Ayatolluh of Rock n' Rolluh:
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Ojai John:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
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Ojai John:
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Ojai John:
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