The Night Owl Show with Owl Sun:
Playlist
from August 7, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:15 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:40 (Pop-up) | ||||
| The Electric Prunes |
Try Me on For Size
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1967 |
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0:03:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
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Underground - A Haiku Hearty summertime A nazi, underground make by the invention |
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0:06:09 (Pop-up) |
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| The Mothers Of Invention... |
"The M.O.I. American Pageant" (#2 in a Series of Underground Oratorios): Brown Shoes Don't Make It
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1967 |
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0:06:36 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan
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Underground, Part 2 - A Haiku Dismal summertime An urban, underground best near the invention |
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0:14:04 (Pop-up) |
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| Nimrod |
Don't let it get the best of you
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1969 |
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0:14:36 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
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Orchestra - A Haiku Previous summer A moody orchestra knight by the afternoon |
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0:17:23 (Pop-up) |
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| The Moody Blues with The London Festival Orchestra conducted by Peter Knight |
The Afternoon: Forever Afternoon (Tuesday?) : Time to get away
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1967 |
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0:18:00 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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The Away And Moody Orchestra Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:26:22 (Pop-up) |
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| Lightnin' Hopkins |
Rain Falling
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1968 |
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0:27:32 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Whose orchestra is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her orchestra a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
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0:32:31 (Pop-up) |
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| Lazy Nickels |
35 Design
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1970 |
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0:33:11 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
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Nickels - A Haiku Gloomy summertime A plugged, third nickels design beyond the design |
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0:35:18 (Pop-up) |
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| The Third Rail |
She Ain't No Choir Girl
|
1968 |
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0:35:42 (Pop-up) | ||
| The Bubble Puppy |
Lonely
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Hot Smoke & Sasafrass b/w Lonely | 1968 |
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0:39:20 (Pop-up) | |
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
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America - A Haiku Warm up summertime A white, america love enjoying the states |
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0:42:15 (Pop-up) |
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| The United States Of America |
Hard Coming Love
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The United States Of America | 1968 |
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0:42:59 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
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Asphalt - A Haiku Hearty summertime A liquid, asphalt asphalt the america |
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0:47:38 (Pop-up) |
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| The Mind Garage |
Asphalt Mother
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1968 |
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0:48:06 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
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A miami, however hard it tries, Will always be orlando. Does the miami make you shiver? does it? I saw the the seattle state capital of my generation destroyed, How I mourned the denver. Does the denver make you shiver? does it? |
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0:53:07 (Pop-up) |
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| Dragonfly |
Celestial Empire
|
1969 |
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0:54:52 (Pop-up) | ||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
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1969 |
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0:57:21 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
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Dragonfly - A Haiku Loving summertime A green, dragonfly tower above the motion |
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1:00:15 (Pop-up) |
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| The Tower |
Slow Motion Mind
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1968 |
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1:01:05 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
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I saw the the standard altaic language of my generation destroyed, How I mourned the japanese. Are you upset by how basic it is? Does it tear you apart to see the japanese so common? I cannot help but stop and look at the canadian french. Does the french make you shiver? does it? How happy is the little russian! |
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1:03:12 (Pop-up) |
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| St. Giles's System |
Swedish Tears
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1969 |
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1:04:07 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
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1:07:50 (Pop-up) |
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| dayde |
Cocaine
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1970 |
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1:08:04 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
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Blackberries, however hard they try, Will always be luscious. Blackberries are sexy. blackberries are delectable, blackberries are toothsome, however. How happy are stewed apples! Do apples make you shiver? do they? Plums, however hard they try, |
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1:17:18 (Pop-up) |
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| The Electric Prunes |
I Happen To Love You
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1967 |
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1:17:58 (Pop-up) | ||
| Shere Khan |
No Reason
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1969 |
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1:21:07 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
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Thinking - A Haiku Warming summertime A thinking thinking happen on the electric |
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1:23:53 (Pop-up) |
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| Last Friday's Fire |
What Is She Thinking Of
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1967 |
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1:24:25 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Thinking, Part 2 - A Haiku Darkness summertime A current, thinking thinking still despite the kitchen |
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1:26:58 (Pop-up) |
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| The Kitchen Cinq |
Still In Love With You Baby
|
1967 |
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1:27:27 (Pop-up) | ||
| the Electric Flag, an American Music Band |
M-23
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Original Motion Picture Sound Track: The Trip | 1967 |
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1:30:00 (Pop-up) | |
Music behind DJ: 101 Strings |
Flameout
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Kitchen - A Haiku Turbid summertime A little, still kitchen friend in spite of the friend |
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1:31:03 (Pop-up) |
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| The Byrds |
Lady Friend
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Lady Friend | 1967 |
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1:31:46 (Pop-up) | |
Music behind DJ: Velvett Fogg |
Owed To The Dip
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1:34:15 (Pop-up) |
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| Suzi Jane Hokom |
Goode Tyme Music
|
1967 |
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1:34:28 (Pop-up) | ||
| The Sensational Guitars Of Dan & Dale |
Batman Theme
|
1966 |
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1:37:09 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
|
1:39:20 (Pop-up) |
|||
| The Deviants |
Garbage
|
1967 |
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1:39:39 (Pop-up) | ||
| The Orange Wedge |
From The Womb To The Tomb
|
1968 |
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1:45:09 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
|
1:47:55 (Pop-up) |
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| The 13th Floor Elevators |
Tried To Hide
|
1966 |
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1:48:31 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
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Elevators - A Haiku Cloudy summertime A glad elevators floor beyond the richard |
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1:51:14 (Pop-up) |
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| The Scot Richard Case |
I'm So Glad
|
1967 |
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1:51:39 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Fuzzatwork - A Haiku Warming summertime before fuzzatwork message by the fuzzatwork |
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1:54:28 (Pop-up) |
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| Funkadelic |
Maggot Brain
|
1971 |
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1:55:06 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani
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|
2:00:16 (Pop-up) |
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| The Peanut Butter Conspiracy |
It's A Happening Thing
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1967 |
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2:00:30 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
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2:02:50 (Pop-up) |
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| The Quiet Jungle |
Everything
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1967 |
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2:03:19 (Pop-up) | ||
| Alan Lorber |
I Heard The Rain And...
|
1967 |
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2:05:20 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
I cannot help but stop and look at the night lost. Down, down, down into the darkness of the lost, Gently it goes - the nighttime, the daytime, the dark. Pay attention to the failing, the failing is the most never failure of all. Does the failing make you shiver? does it? All that is big is not whereabouts, |
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2:05:48 (Pop-up) |
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| guy skornik |
What Is Réalité?
|
1971 |
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2:06:29 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
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Encouragement - A Haiku Dampen summertime then encouragement better out of fuzzatwork |
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2:11:42 (Pop-up) |
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| The Thyme |
Somehow
|
1968 |
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2:12:25 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
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All that is shallow is not forgotten, forgotten, by all account is deep. Does the forgotten make you shiver? does it? A revised, however hard it tries, Will always be phonological. Pause to submit, like the revised does. When I think of prefaces, I see original sketches. |
|
2:15:11 (Pop-up) |
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| The Soft Machine |
Feelin' Reelin' Squeelin'
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The Soft Machine | 1967 |
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2:15:50 (Pop-up) | |
Music behind DJ: The Beatles |
Flying
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Apostles - A Haiku Cloudy summertime A soft apostles machine above the stranded |
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2:18:37 (Pop-up) |
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| The Apostles |
Stranded In The Jungle
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1968 |
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2:19:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
A stolen, however hard it tries, Will always be presidential. Does the stolen make you shiver? does it? I cannot help but stop and look at unexplainable disappearances. Are you upset by how inexplicable they are? Does it tear you apart to see the disappearances so incomprehensible? Just like a whom activity, is the failing. |
|
2:22:13 (Pop-up) |
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| Nancy Sinatra & Lee Hazlewood |
Summer Wine
|
1968 |
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2:22:54 (Pop-up) | ||
| Les Yper-Sound |
Psyché Rock (outro)
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Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 |
|
2:27:06 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
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2:27:24 (Pop-up) |
|||
| Velvett Fogg |
Owed To The Dip
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Telstar '69 b/w Owed To The Dip | 1969 |
|
2:27:49 (Pop-up) | |
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
The cruciferous vegetable that's really grown, Above all others is the broccoli. Does the broccoli make you shiver? does it? A clementine, however hard it tries, Will always be authoritative. Down, down, down into the darkness of the clementine, Gently it goes - the authorized, the influential, the important. |
|
2:33:50 (Pop-up) |
||
| The Electric Prunes |
I
|
1967 |
|
2:34:38 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Pay attention to the quince, the quince is the most stewed fruit tree of all. Does the quince make you shiver? does it? I cannot help but stop and look at overripe strawberries. Do strawberries make you shiver? do they? big raisins sings like dried tomatoes |
|
2:39:46 (Pop-up) |
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| Crystal Rain |
You And Me
|
1969 |
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2:41:03 (Pop-up) | ||
| Grace Slick with The Mothers of invention |
Would You Like a Snack
|
1968 |
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2:44:33 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Crystal - A Haiku Hazy summertime A pure, crystal crystal rain despite the hokom |
|
2:47:09 (Pop-up) |
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| Suzi Jane Hokom |
Little War
|
1967 |
|
2:47:36 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
The inability is not counterfeit! the inability is exceptionally unquestionable. Does the inability make you shiver? does it? An unavailability, however hard it tries, Will always be parental. Now filial is just the thing, To get me wondering if the unavailability is maternal. |
|
2:49:36 (Pop-up) |
||
| Rotomagus |
Madame Wanda
|
1970 |
|
2:50:10 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
|
2:53:30 (Pop-up) |
|||
| E S B |
Mushroom People
|
1967 |
|
2:53:42 (Pop-up) | ||
| The T-Bones |
No Matter What Shape
|
AM Gold: Mid '60s Classics | 1995 |
|
2:56:30 (Pop-up) | |
| Big Jim Sullivan |
Translove Airways (Fat Angel)
|
Sitar Beat | 1968 |
|
2:58:40 (Pop-up) | |
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
I saw the the stringed chordophone of my generation destroyed, How I mourned the mandolin. Does the mandolin make you shiver? does it? Banjos, however hard they try, Will always be shaped. Banjos are wrought. banjos are molded, banjos are formed, however. |
|
3:00:15 (Pop-up) |
||
| The Sensational Guitars Of Dan & Dale |
Robin's Theme
|
1966 |
|
3:01:13 (Pop-up) | ||
| The Colder Children |
Memories
|
1968 |
|
3:04:10 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
Kollection - A Haiku Dampish summertime before kollection savage into the guitars |
|
3:06:19 (Pop-up) |
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| The Kollection |
Savage Lost
|
1967 |
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3:06:59 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock
|
Kensington - A Haiku Foggy summertime A real, kensington market near the kollection |
|
3:10:18 (Pop-up) |
||
| Kensington Market |
Cartoon
|
1969 |
|
3:10:44 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time
|
I cannot help but stop and look at the younger grattan. Does the grattan make you shiver? does it? I saw the the gutless writer of my generation destroyed, How I mourned the kipling. Are you upset by how gutsy it is? Does it tear you apart to see the kipling so spineless? When I think of the chesapeake, I see a northern california. |
|
3:13:16 (Pop-up) |
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| Silver Apples |
Lady and the Clown
|
1969 |
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3:14:16 (Pop-up) | ||
| The Peanut Butter Conspiracy |
You Can't Be Found
|
1967 |
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3:17:17 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
All that is indecent is not lives, lives, by all account is decent. Lives are right. lives are comme il faut, lives are becoming, however. How happy is the eternal lifo! Now lasting is just the thing, To get me wondering if the lifo is perpetual. When I think of the life, I see busy experiments. |
|
3:19:58 (Pop-up) |
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| guy skornik |
L'ile De Páques
|
1971 |
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3:20:44 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
3:25:08 (Pop-up) | |
Music behind DJ: Nirvana |
C Side of Ocho Rios
|
|
3:26:57 (Pop-up) |
|||
| Kaleidoscope |
Holiday Maker
|
Tangerine Dream | 1967 |
|
3:27:16 (Pop-up) | |
Music behind DJ: Deep Purple |
And The Address
|
|
3:29:38 (Pop-up) |
|||
| The Thyme |
Time Of The Season
|
1968 |
|
3:29:50 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
|
3:33:27 (Pop-up) |
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| Funkadelic |
Wars Of Armageddon
|
1971 |
|
3:33:41 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
|
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3:43:21 (Pop-up) |
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| Arzachel |
Leg
|
1969 |
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3:43:32 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
3:49:08 (Pop-up) |
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| Thunderclap Newman |
Accidents
|
1970 |
|
3:49:19 (Pop-up) | ||
| the FUGS |
Morning Morning
|
1966 |
|
3:58:58 (Pop-up) |
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Listener comments!
The Night Owl:
The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
What would you do, Daddy?
(if she were my Owl, I'd...)
What would you do, Daddy?
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
the chorus that comes with each morn,
not where your hear this calling, welcoming the stars in all nights form,
a bird though it is, owns a call that is loudest heard,
for no other song by beak is sung as is this raptorial birds,
so unchallenged the hooting and twooing are eerily in dark heard,
of the stealth winged owl calling,
not shown to our eyes but by ears heard,
a song not for days calling,
The Night Owl:
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
spacecowboy:
Please put the robotic owl over the air for all to enjoy and blow their
own minds
Me sleep now
spacecowboy:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Fuzz_at_work:
The Night Owl:
The Night Owl:
The Night Owl:
Ojai John:
The Night Owl:
Fuzz_at_work:
The Night Owl:
The Night Owl: