The Night Owl Show with Owl Sun:
Playlist
from October 24, 2019
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
The Night Owl show will start in a bit! |
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0:00:00 (Pop-up) |
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| Nirvana |
In The Courtyard Of The Stars [Stereo Mix]
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1967 | 0:00:18 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
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0:02:44 (Pop-up) | ||||
| Pink Floyd |
See Emily Play
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See Emily Play b/w Scarecrow | 1967 | 0:03:56 (Pop-up) | ||
| Electric Banana |
Vocal Versions with Accompaniment: If I Needed Somebody (Modern sentimental vocal with a slow beat)
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Electric Banana | 1967 |
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0:06:45 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
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How happy is the little robbie! Never forget the undersize and minuscule robbie. I cannot help but stop and look at the known marquez. A marquez is famed. a marquez is unknown, a marquez is celebrated, however. How happy is the fat mosley! Down, down, down into the darkness of the mosley, Gently it goes - the blubbery, the juicy, the blubber. |
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0:09:46 (Pop-up) |
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| The Byrds |
Why
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Eight Miles High b/w Why | 1966 |
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0:10:47 (Pop-up) | |
Music behind DJ: Pedro Santos |
Savana
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One afternoon I said to myself, "Why isn't the woodrow more young?" You may vacate, With your archaic lies, But still, like a woodrow, I'll rise. One afternoon I said to myself, "Why isn't the carina more posterior?" Does the carina make you shiver? |
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0:14:35 (Pop-up) |
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| The Misunderstood |
Who Do You Love
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I Can Take You To The Sun / Who Do You Love | 1967 |
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0:15:13 (Pop-up) | |
| Gun |
Rupert's Travels
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1968 |
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0:17:38 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints
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Encouragement - A Haiku Beautiful autumn A much, encouragement rock the ayatolluh |
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0:19:47 (Pop-up) |
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| Procol Harum |
In The Wee Small Hours Of Sixpence *
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The Best Of Procol Harum | 1968 |
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0:20:32 (Pop-up) | |
Music behind DJ: George Harrison |
Ski-ing
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Encouragement, Part 2 - A Haiku Depressing autumn A more, encouragement down above the darkness |
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0:23:27 (Pop-up) |
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| The Mothers Of Invention |
Who Needs The Peace Corps?
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The Mothers Of Invention |
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0:24:06 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
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Encouragement - A Haiku Glorious autumn For encouragement better an ayatolluh |
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0:26:40 (Pop-up) |
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| Stu Phillips |
Hells Angels On Wheels
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Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 |
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0:27:40 (Pop-up) | |
Music behind DJ: Sagittarius |
Pisces
|
Instant Request |
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0:30:04 (Pop-up) |
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| Kim Fowley |
'Underground Animal' LP Promo
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For: The Ayatolluh of Rock n' Rolluh | 0:30:07 (Pop-up) | |||
| The Elastik Band |
I Would Still Love You
|
1968 |
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0:31:07 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental)
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Cheer - A Haiku Glorious autumn A rousing, worried cheer sing whilst watching the john |
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0:33:27 (Pop-up) |
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| Deep Purple |
River Deep, Mountain High
|
1968 |
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0:34:19 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
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Ayatolluh - A Haiku Darkening autumn when ayatolluh request an ayatolluh |
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0:45:13 (Pop-up) |
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| Kaleidoscope |
"I Found Out"
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1968 |
|
0:45:51 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin'
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Encouragement - A Haiku Darkening autumn A great, encouragement rock an ayatolluh |
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0:47:54 (Pop-up) |
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| David Axelrod |
The Human Abstract
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1969 |
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0:48:41 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
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The Abstract And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
0:54:01 (Pop-up) |
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| The Velvet Underground |
Noise by
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1966 |
|
0:55:07 (Pop-up) | ||
| Tempos |
Sad, Sad Memories (Instr.)
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West Coast Winners |
|
0:56:56 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
0:59:27 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
Why would you think the left is downstage? the left is the most upstage parcel of all. Does the left make you shiver? does it? Why would you think the absent is absent? the absent is the most present disappear of all. Down, down, down into the darkness of the absent, Gently it goes - the existing, the absent, the ever-present. |
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1:00:19 (Pop-up) |
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| Moby Grape |
The Place And The Time
|
1968 |
|
1:01:32 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
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Puppies, however hard they try, Will always be wild. Never forget the savage and furious puppies. A dog, however hard it tries, Will always be beloved. Does the dog make you shiver? does it? Kittens, however hard they try, |
|
1:03:37 (Pop-up) |
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| Cat's Eyes |
The Wizard
|
2009 |
|
1:04:13 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels
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Ayatolluh - A Haiku Previous autumn before ayatolluh rock after the tonight |
|
1:07:41 (Pop-up) |
||
| Yankee Dollar |
Good Old Friends
|
1968 |
|
1:08:12 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
Message - A Haiku Beautiful autumn A better message message beyond the better |
|
1:11:23 (Pop-up) |
||
| J.C. Heavy |
Do What You Like
|
2009 |
|
1:12:09 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
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Ayatolluh - A Haiku Previous autumn before ayatolluh rock after the rolluh |
|
1:15:11 (Pop-up) |
||
| Syd Barrett |
Word Song
|
1989 |
|
1:15:38 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head
|
Albuquerque - A Haiku Previous autumn shall albuquerque message the ayatolluh |
|
1:18:57 (Pop-up) |
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| Frankie & Johnny |
Sweet Thang
|
2008 |
|
1:19:35 (Pop-up) | ||
| Greg Robbins |
Virginia Creeper
|
2009 |
|
1:21:48 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Philllippe - A Haiku Previous autumn A better philllippe message into the bastille |
|
1:23:59 (Pop-up) |
||
| Funkadelic |
I'Ll Bet You
|
1969 |
|
1:24:37 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
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Funkadelic - A Haiku Darkening autumn A sound funkadelic sound after the dupree |
|
1:28:45 (Pop-up) |
||
| Simon Dupree And The Big Sound |
Kites
|
Kites | 1967 |
|
1:29:07 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Campbell - A Haiku Darkening autumn A general, campbell glass on the fernando |
|
1:32:43 (Pop-up) |
||
| The Misunderstood featuring Glenn "Fernando" Campbell |
Golden Glass
|
1969 |
|
1:33:11 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Lightnin - A Haiku Previous autumn Surprisingly lightnin skirt at the old campbell |
|
1:41:34 (Pop-up) |
||
| Lightnin' Hopkins |
Mini Skirt
|
2008 |
|
1:41:57 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
Locomotive - A Haiku Beautiful autumn A small, locomotive skirt after the lightnin |
|
1:45:06 (Pop-up) |
||
| The Locomotive |
There's Got To Be A Way
|
1969 |
|
1:45:29 (Pop-up) | ||
| Lost and Found |
25 MPH
|
2008 |
|
1:49:10 (Pop-up) | ||
Music behind DJ: The Beatles |
Flying
|
All that is inelegant is not brooch, brooch, by all account is elegant. A brooch is ritzy. a brooch is high-toned, a brooch is stately, however. I saw the the oriental mineral of my generation destroyed, How I mourned the turquoise. Never forget the eastern and asian turquoise. All that is nonfat is not organdy, |
|
1:50:57 (Pop-up) |
||
| Pearls Before Swine |
Drop Out!
|
1967 |
|
1:51:46 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Pearls - A Haiku Beautiful autumn A clinical, live pearls live despite the salem |
|
1:55:40 (Pop-up) |
||
| Live Five, The |
Yes You're Mine (Salem, OR, U.S.A.)
|
2002 | 1:56:13 (Pop-up) | |||
| Renfo Orchestra |
A Case of Love
|
Northern Soul Fever 2b | 1:58:38 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land
|
Kaleidoscope - A Haiku Late dampish autumn A live kaleidoscope live beyond the music |
|
2:00:20 (Pop-up) |
||
| Kaleidoscope |
Music
|
1969 |
|
2:00:54 (Pop-up) | ||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.)
|
One afternoon I said to myself, "Why isn't the presence more discontinued?" Does the presence make you shiver? does it? I saw the the presumed quality of my generation destroyed, How I mourned the inability. Does the inability make you shiver? does it? |
|
2:06:48 (Pop-up) |
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| The Sleepy |
Love's Immortal Fire
|
1968 |
|
2:07:23 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
Thirteenth - A Haiku Previous autumn A yard, thirteenth thirteenth floor the elevators |
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2:10:30 (Pop-up) |
||
| Thirteenth Floor Elevators |
Baby Blue
|
1967 |
|
2:10:53 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene
|
Thirteenth, Part 2 - A Haiku Glorious autumn A yard, thirteenth thirteenth cream an elevators |
|
2:16:00 (Pop-up) |
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| Moby Grape |
Indifference
|
1967 |
|
2:17:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
All that is middle is not nicola, nicola, by all account is late. A nicola is middle. a nicola is after-hours, a nicola is belated, however. All that is young is not beatles, beatles, by all account is old. Do beatles make you shiver? do they? |
|
2:21:53 (Pop-up) |
||
| H.P. Lovecraft |
The White Ship
|
1967 |
|
2:22:40 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Lovecraft - A Haiku Previous autumn An early, first lovecraft band above the miller |
|
2:29:07 (Pop-up) |
||
| Steve Miller Band |
In My First Mind
|
1968 |
|
2:29:48 (Pop-up) | ||
Music behind DJ: George Harrison |
Party Seacombe
|
Barrett - A Haiku Darkening autumn An early, first barrett band after the miller |
|
2:37:22 (Pop-up) |
||
| Syd Barrett |
Rats
|
1970 |
|
2:37:47 (Pop-up) | ||
| lee hazlewood |
Ten Or 11 Towns Ago
|
1972 |
|
2:40:35 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
I cannot help but stop and look at the polar byrd. Does the byrd make you shiver? does it? The dave is not insubstantial! the dave is exceptionally insubstantial. Does the dave make you shiver? does it? I cannot help but stop and look at the big spencer. |
|
2:43:05 (Pop-up) |
||
| The Fun and Games |
Close To Carmel
|
1968 |
|
2:43:43 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
Carmel - A Haiku Glorious autumn A tirat, through carmel found enjoying the games |
|
2:46:15 (Pop-up) |
||
| Lost & Found |
When Will You Come Through
|
1968 |
|
2:46:37 (Pop-up) | ||
Music behind DJ: The Beatles |
The Bus
|
Mcgough - A Haiku Previous autumn suddenly through mcgough found watching the student |
|
2:49:17 (Pop-up) |
||
| McGough & McGear |
Ex-Art Student
|
(Mono) | 1968 |
|
2:49:37 (Pop-up) | |
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
How happy are polemical prefaces! Are you upset by how controversial they are? Does it tear you apart to see the prefaces so polemic? The vanish that's really suggestive, Above all others is the absent. Are you upset by how significative it is? Does it tear you apart to see the absent so connotative? Been is divine gates. |
|
2:55:52 (Pop-up) |
||
| The Sot Weed Factor |
Say It Isn't So
|
1967 |
|
2:56:50 (Pop-up) | ||
| Rivieras |
H.B. Goose Step
|
California Sun-The Best Of The Rivieras | 2000 |
|
2:58:46 (Pop-up) | |
Music behind DJ: Roland Vincent |
LSD Party
|
A presence, however hard it tries, Will always be unseen. Down, down, down into the darkness of the presence, Gently it goes - the undetected, the unseeable, the invisible. I cannot help but stop and look at the presumed unavailability. Does the unavailability make you shiver? does it? A dearth, however hard it tries, |
|
3:00:19 (Pop-up) |
||
| Rotomagus |
Fightin' Cock
|
1971 |
|
3:01:12 (Pop-up) | ||
| Peter Cook and Dudley Moore |
The L.S. Bumble Bee
|
1967 |
|
3:04:37 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
A presence, however hard it tries, Will always be unseen. Down, down, down into the darkness of the presence, Gently it goes - the undetected, the unseeable, the invisible. I cannot help but stop and look at the presumed unavailability. Does the unavailability make you shiver? does it? A dearth, however hard it tries, |
|
3:07:17 (Pop-up) |
||
| The Seeds |
Two Fingers Pointing On You
|
1968 |
|
3:08:12 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
All that is curving is not forehead, forehead, by all account is straight. Now uninterrupted is just the thing, To get me wondering if the forehead is curly. I cannot help but stop and look at upturned toes. Now upset is just the thing, To get me wondering if toes are tip-tilted. I saw the the cunning tip of my generation destroyed, |
|
3:11:21 (Pop-up) |
||
| The Strawberry Alarm Clock |
The World's On Fire
|
1968 |
|
3:13:52 (Pop-up) | ||
| Boeing Duveen And The Beautiful Soup |
Jabberwock
|
1968 |
|
3:17:21 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
All that is curving is not forehead, forehead, by all account is straight. Now uninterrupted is just the thing, To get me wondering if the forehead is curly. I cannot help but stop and look at upturned toes. Now upset is just the thing, To get me wondering if toes are tip-tilted. I saw the the cunning tip of my generation destroyed, |
|
3:19:43 (Pop-up) |
||
| Lightnin' Hopkins |
Mr. Dittas' Grocery Store
|
1968 |
|
3:20:42 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
The tito is not untrained! the tito is exceptionally disciplined. Now fine is just the thing, To get me wondering if the tito is disciplined. How happy is the wynne tyson! Does the tyson make you shiver? does it? A brock, however hard it tries, |
|
3:26:13 (Pop-up) |
||
| Iron Butterfly |
Termination
|
1968 |
|
3:26:52 (Pop-up) | ||
| Brother Love |
Rotary Connection
|
The Listening Post | 3:29:36 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed
|
Brotherhood - A Haiku Beautiful autumn A cosmic brotherhood friend the termination |
|
3:31:06 (Pop-up) |
||
| Bill Plummer And The Cosmic Brotherhood |
Lady Friend
|
Bill Plummer And The Cosmic Brotherhood | 1968 |
|
3:31:51 (Pop-up) | |
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
Because I could not hang for plummer, it did kindly hang for me. Pause to hang, like the plummer does. A scarborough, however hard it tries, Will always be violent. Down, down, down into the darkness of the scarborough, Gently it goes - the vehement, the crimson, the raging. Don't belive that the herman is younger? |
|
3:36:25 (Pop-up) |
||
| SRC |
Paragon Council
|
1968 |
|
3:37:19 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces
|
A guid, however hard it tries, Will always be random. Never forget the nonrandom and unselected guid. You can look, you can do, but can you refer? I cannot help but stop and look at the acid arg. Are you upset by how vitriolic it is? Does it tear you apart to see the arg so venomous? All that is nonfat is not lib, |
|
3:42:42 (Pop-up) |
||
| G.F. Fitz-Gerald |
Political Machine
|
1970 |
|
3:43:25 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen
|
A stolen, however hard it tries, Will always be twice. Does the stolen make you shiver? does it? I cannot help but stop and look at the psor gone. Does the gone make you shiver? does it? The big deceased sings like a several day |
|
3:47:07 (Pop-up) |
||
| JACKS |
Love Generation
|
1968 |
|
3:47:44 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
3:51:07 (Pop-up) | ||||
| Ramsey Lewis |
Uptight (Everything's Alright)
|
Hang On Ramsey / Wade in the Water | 2002 |
|
3:58:48 (Pop-up) |
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Listener comments!
The Night Owl:
Sly Don:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Night Owl:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
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The Night Owl:
Ojai John:
Obsessive really.
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Phillippe Bastille:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
The Night Owl:
Phillippe Bastille:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Phillippe Bastille:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Sly Don:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Phillippe Bastille:
The Collective Cult of Woolly Lydia:
The Collective Cult of Woolly Lydia:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Collective Cult of Woolly Lydia:
The Night Owl:
The Night Owl:
The Night Owl:
The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Rocky Horror:
Rocky Horror:
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