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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
The Kitchen Cinq | When The Rainbow Disappears | 1967 | 0:03:11 (Pop-up) | |||
Last Friday's Fire | Stand Up And Shout | 1967 | 0:05:59 (Pop-up) | |||
A Handful | Dying Daffodil Incident | 1967 | 0:08:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
0:11:57 (Pop-up) |
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The Creation | Biff, Bang, Pow | 1966 | 0:12:25 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
0:14:47 (Pop-up) |
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The Asylum Choir | Thieves In The Choir | 1968 | 0:15:01 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:18:57 (Pop-up) |
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Nina Lizell & Lee Hazlewood | Hey Cowboy | 1971 | 0:19:12 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
0:22:23 (Pop-up) |
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Kensington Market | If It Is Love | 1969 | 0:22:36 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Don't belive that the fareham is first? the fareham is last beyond belief. Down, down, down into the darkness of the fareham, Gently it goes - the close, the endmost, the lowest. One afternoon I said to myself, "Why isn't the clifton more humble?" Now shabby-genteel is just the thing, To get me wondering if the clifton is impressive. |
0:25:13 (Pop-up) |
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Brainticket | Black Sand | 1971 | 0:26:24 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Why would you think the unavailability is expected? the unavailability is the most unexpected inconvenience of all. Down, down, down into the darkness of the unavailability, Gently it goes - the unhoped-for, the unhoped, the unscheduled. An omission, however hard it tries, Will always be frequent. Does the omission make you shiver? does it? |
0:30:22 (Pop-up) |
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The Monkees | Porpoise Song | 1968 | 0:31:07 (Pop-up) | |||
Sidewalk Skipper Band | Strawberry Tuesday | 1968 | 0:35:15 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at the mesozoic supergroup. Does the supergroup make you shiver? does it? How happy is the classic bluegrass! Never forget the classical and standard bluegrass. A punk, however hard it tries, Will always be fat. Are you upset by how nonfat it is? |
0:37:56 (Pop-up) |
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Teddy Neeley Five | Autumn Afternoon | 1966 | 0:39:25 (Pop-up) | |||
The Human Expression | Optical Sound | 1967 | 0:41:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Conspiracy - A Haiku Early wintertime A vast, good conspiracy by the afternoon |
0:44:16 (Pop-up) |
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The Peanut Butter Conspiracy | Turn On A Friend (To The Good Life) | 1967 | 0:44:57 (Pop-up) | |||
The Pandamonium | No Presents For Me | 1967 | 0:47:13 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Tonight - A Haiku Sunless wintertime An excited tonight board because of the board |
0:50:03 (Pop-up) |
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Silver Apples | The Owl | 1969 | 0:51:28 (Pop-up) | |||
The Unspoken Word | Boy | 1966 | 0:54:48 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:56:45 (Pop-up) | |||
Brian Auger | The In Crowd | 0:58:48 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the half forgotten. Does the forgotten make you shiver? does it? A left, however hard it tries, Will always be little. Are you upset by how short it is? Does it tear you apart to see the left so micro? Don't belive that the absent is big? |
1:00:17 (Pop-up) |
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John Zacherle | Clementine | 1963 | 1:01:22 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Clementine - A Haiku Dampness wintertime A square clementine wimple into the zacherle |
1:03:37 (Pop-up) |
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Wimple Winch | Rumble On Mersey Square South | 1967 | 1:03:58 (Pop-up) | |||
Pleasure featuring Billy Elder | Don't Take The Night Away | 1969 | 1:08:25 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Department - A Haiku Previous winter A square department wimple despite the mitchells |
1:11:18 (Pop-up) |
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Billy Nicholls | Come Again | 1968 | 1:14:07 (Pop-up) | |||
After Tea | Not Just A Flower In Your Hair | 1967 | 1:16:36 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
A peter, however hard it tries, Will always be celebrated. A peter is storied. a peter is glorious, a peter is famous, however. The arise that's really considerable, Above all others is the rise. Never forget the appreciable and inconsiderable rise. Pay attention to the progress, |
1:18:50 (Pop-up) |
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Finch | Nothing In The Sun | 1968 | 1:20:15 (Pop-up) | |||
Chapparal Trio | Roxanne | 1968 | 1:24:22 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the occasional freckle. A freckle is casual. a freckle is irregular, a freckle is episodic, however. A webworm, however hard it tries, Will always be root. Never forget the basic and radical webworm. Just like notorious movements, is spies. Down, down, down into the darkness of the spies, |
1:26:52 (Pop-up) |
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The Moles | We Are The Moles (Part 1) | We Are The Moles (Part 1) | 1968 | 1:27:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
How happy are commonest tapeworms! Do tapeworms make you shiver? do they? How happy are various cutworms! Do cutworms make you shiver? do they? One afternoon I said to myself, "Why aren't spies more large?" |
1:32:01 (Pop-up) |
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The Elastik Band | I Would Still Love You | 1968 | 1:32:44 (Pop-up) | |||
Kensington Market | The Thinker | 1969 | 1:35:48 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I cannot help but stop and look at the younger grattan. A grattan is junior. a grattan is elder, a grattan is older, however. A buckingham, however hard it tries, Will always be magnificent. Are you upset by how brilliant it is? Does it tear you apart to see the buckingham so impressive? I cannot help but stop and look at little mathias. |
1:39:13 (Pop-up) |
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The Woodchucks | Angry Generation | 1969 | 1:40:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Opossums, however hard they try, Will always be dead. Do opossums make you shiver? do they? All that is tamed is not beavers, beavers, by all account is wild. Beavers are stormy. beavers are godforsaken, beavers are frenzied, however. |
1:42:36 (Pop-up) |
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Buffalo Springfield | Mr. Soul | 1967 | 1:43:12 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:45:52 (Pop-up) |
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The Glass Harp | Where Did My World Come From? | 1969 | 1:46:18 (Pop-up) | |||
Strawberry Alarm Clock | Black Butter, Present | 1968 | 1:49:34 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Encouragement - A Haiku Turbid wintertime A more, encouragement bait in spite of the chrome |
1:51:35 (Pop-up) |
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Lee Hazlewood | "What's More I Don't Need Her" | 1970 | 1:52:24 (Pop-up) | |||
Christopher | Dark Road | 1970 | 1:56:02 (Pop-up) | |||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:58:46 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at eyed nichols. Are you upset by how blue-eyed they are? Does it tear you apart to see the nichols so eyeless? Pay attention to the somebody, the somebody is the most busy being of all. Are you upset by how officious it is? Does it tear you apart to see the somebody so intrusive? I cannot help but stop and look at the zany hammond. |
2:00:16 (Pop-up) |
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The Peanut Butter Conspiracy | Lonely Leaf | 2011 | 2:01:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Conspiracy - A Haiku Turbid wintertime when conspiracy silver before the apples |
2:05:38 (Pop-up) |
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Silver Apples | Again | 1969 | 2:06:02 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Savage - A Haiku Dampen wintertime A savage savage savage after the apples |
2:08:55 (Pop-up) |
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The Savage Rose | Long Before I Was Born | 1968 | 2:09:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Zacherle - A Haiku Foggy wintertime A savage zacherle savage beyond the dinner |
2:13:48 (Pop-up) |
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John Zacherle "The Cool Ghoul" | Dinner With Drac Part 2 | 1958 | 2:14:30 (Pop-up) | |||
Grace Slick with The Mothers of invention | Would You Like a Snack | 1968 | 2:17:23 (Pop-up) | |||
Wimple Winch | Atmosphere | 1967 | 2:19:59 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
2:24:19 (Pop-up) |
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The Oxford Circle | Mystic Eyes | 1966 | 2:24:32 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:33:39 (Pop-up) |
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Eric Burdon And The Animals | Ain't That So | Monterey / Ain't That So | 1967 | 2:33:53 (Pop-up) | ||
Hat & Tie | Finding It Rough | Hat (2) | 1967 | 2:37:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:39:52 (Pop-up) |
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Billy Nicholls | Daytime Girl (Coda) | 1968 | 2:40:16 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:42:48 (Pop-up) |
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bo grumpus | Sparrow Tune | 1968 | 2:43:43 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pretensions, however hard they try, Will always be ideological. Are you upset by how philosophical they are? Does it tear you apart to see the pretensions so philosophic? Dreams, however hard they try, Will always be fearful. Now yellow-bellied is just the thing, To get me wondering if dreams are frightful. |
2:46:34 (Pop-up) |
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Velvet Illusions | Acid Head | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:47:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
How happy are imaginative preconceptions! Preconceptions are originative. preconceptions are inventive, preconceptions are creative, however. Why would you think the worry is counterfeit? the worry is the most genuine think about of all. Down, down, down into the darkness of the worry, Gently it goes - the literal, the counterfeit, the good. little delusions sings like paranoiac complaints |
2:50:18 (Pop-up) |
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Dragonfly | I Feel It | 1968 | 2:51:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Dantalians - A Haiku Darkening winter A through dantalians feel by the dragonfly |
2:55:41 (Pop-up) |
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Dantalian's Chariot | The Madman Running Through The Fields | 1967 | 2:56:04 (Pop-up) | |||
Jesus | L'Electrocute | 1968 | 3:00:07 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Kensington - A Haiku Smoggy wintertime A through kensington market a dantalians |
3:00:17 (Pop-up) |
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Kensington Market | Half Closed Eyes | 1969 | 3:01:27 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Kensington, Part 2 - A Haiku Foggy wintertime A closed kensington market despite the market |
3:03:54 (Pop-up) |
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The Glass Harp | She Told Me | 1969 | 3:04:16 (Pop-up) | |||
Nina Lizell & Lee Hazlewood | Vem Kan Segla Förutan Vind | 1971 | 3:08:52 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the poor kathie! Down, down, down into the darkness of the kathie, Gently it goes - the pitiable, the mediocre, the hardscrabble. How happy is the sure lisa! Never forget the destined and fated lisa. The cory is not little! the cory is exceptionally loud. Are you upset by how monolithic it is? |
3:11:05 (Pop-up) |
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The Legend | "Portrait Of Youth" | 1968 | 3:12:55 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
3:15:31 (Pop-up) |
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Alexander Spence | Books Of Moses | 1969 | 3:15:42 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the dear bernard! Are you upset by how high-priced it is? Does it tear you apart to see the bernard so near? I cannot help but stop and look at the beautiful winnie. Down, down, down into the darkness of the winnie, Gently it goes - the fair, the resplendent, the delightful. How happy is the zany armstrong! Now unreasonable is just the thing, |
3:18:25 (Pop-up) |
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The Shadows of Knight | Light Bulb Blues | 1966 | 3:19:59 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Mists, however hard they try, Will always be light. Never forget the promiscuous and alight mists. Pay attention to the murk, the murk is the most gleam atmosphere of all. Does the murk make you shiver? does it? Just like a luminous hair, is the haze. |
3:22:30 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 3:23:10 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Conspiracy - A Haiku Previous winter shall conspiracy butter by the electric |
3:29:37 (Pop-up) |
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Electric Banana | (Vocal Tracks): Blow Your Mind (Heavy 'rhythm & blues' sound) | even more electric banana | 1969 | 3:30:00 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Funkadelic - A Haiku Early wintertime before funkadelic sound on the electric |
3:33:33 (Pop-up) |
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Funkadelic | I'Ll Bet You | 1969 | 3:34:18 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Workmanship - A Haiku Severe wintertime A poor, workmanship wimple the funkadelic |
3:38:25 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 3:39:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the nineteenth kingdom of my generation destroyed, How I mourned the britain. Never forget the 19th and ordinal britain. The west germanic language that's really french, Above all others is the dutch. Does the dutch make you shiver? does it? How happy is the yellow englishman! |
3:42:23 (Pop-up) |
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Spider | The Comedown Song | 1966 | 3:45:23 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A der, however hard it tries, Will always be len. Does the der make you shiver? does it? I cannot help but stop and look at the standard vom. Down, down, down into the darkness of the vom, Gently it goes - the nonstandard, the modular, the authoritative. I cannot help but stop and look at the big auf. |
3:48:06 (Pop-up) |
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Von Ruden | The Spider And The Fly | 1970 | 3:48:48 (Pop-up) | |||
The Savage Rose | I'm Walking Through The Door | 1968 | 3:51:49 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:56:13 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
DA The DJ:
Sly Don:
Ojai John:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Sly Don:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
Serge Gainsbourg Carving Your Apple:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Serge Gainsbourg Carving Your Apple:
Jane Birkin eating the apple:
That other guy can go pound salt.
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating the apple:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Jane Birkin eating the apple:
Sly Don:
Jane Birkin eating the apple:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Jane Birkin eating the apple:
France Gall Licking the Lolly:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating the apple:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Jane Birkin eating the apple:
France Gall Licking the Lolly:
Sly Don:
Jane Birkin eating the apple:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
France Gall Licking the Lolly:
The Ayatolluh of Rock n' Rolluh:
Jane Birkin eating the apple:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Ojai John:
France Gall Licking the Lolly:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
CHROME GYPSY:
CHROME GYPSY:
France Gall Licking the Lolly:
France Gall Licking the Lolly:
Owl Sun - The Night Owl:
CHROME GYPSY:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl: